Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia13_281
id	acadia13_281
authors	Ahlquist, Sean; Menges, Achim
year	2013
title	Frameworks for Computational Design of Textile Micro-Architectures and Material Behavior in Forming Complex Force-Active Structures
doi	https://doi.org/10.52842/conf.acadia.2013.281
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 281-292
summary	Material behavior can be defined as the confluence of associative rules, contextual pressures and constraints of materialization. In more general terms, it can be parameterized as topologies, forces and materiality. Forming behavior means resolving the intricate matrix of deterministic and indeterministic factors that comprise and interrelate each subset of these material- nherent conditions. This requires a concise design framework which accumulates the confluent behavior through successive and cyclical exchange of multiple design modes, rather than through a single design environment or set of prescribed procedures. This paper unfolds a sequencing of individual methods as part of a larger design framework, described through the development of a series of complex hybrid- structure material morphologies. The “hybrid” nature reflects the integration of multiple force-active structural concepts within a single continuous material system, devising both self-organized yet highly articulated spatial conditions. This leads primarily to the development of what is termed a “textile hybrid” system: an equilibrium state of tensile surfaces and bending-active meshes. The research described in this paper looks to expose the structure of the textile as an indeterministic design parameter, where its architecture can be manipulated as means for exploring and differentiating behavior. This is done through experimentation with weft-knitting technologies, in which the variability of individual knit logics is instrumentalized for simultaneously articulating and structuring form. Such relationships are shown through an installation constructed at the ggggallery in Copenhagen, Denmark.
keywords	Material Behavior, Spring-based Simulation, CNC Knitting, Form- and Bending-Active, Textile Hybrid Structures.
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:54

_id	acadia13_183
id	acadia13_183
authors	Goyal, Akshay
year	2013
title	Hackitecture: Open Source Ecology in Architecture
doi	https://doi.org/10.52842/conf.acadia.2013.183
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 183-190
summary	This paper discusses the changing modes of conception, production and consumption of architecture within the larger open source discourse. Analogies are drawn from the field of computer science to conceptually understand the relevance of ideas like hacktivism, crowdsourcing, open source, social media and user-centric approaches with regard to architecture in the twenty-first century. These ideas are discussed in relationship with the long lineage of research carried out within the architectural community regarding user participation in design. Contemporary interpretation of similar ideas is discussed with relation to how they could be systematically classified based on the nature of the “open” and the “source” as an approach toward design and architecture. Hybridizing these approaches leads to what can be termed as “hackitecture,” a systemic appropriation of the hacker culture and the open source movement as an architectural agency. The essay then argues for an open source framework for architecture where obvious differences between the user and designer are dissolved, and wherein the conception-to-production and eventual conception of the architectural “object” exists as a continuum. Such a framework is discussed with respect to the technological shift emerging within the discipline. The essay concludes with the possibility of situating such processes within the larger post-capitalist sociopolitical turmoil seen today while discussing the problematics of such an approach.
keywords	open source architecture, crowd-sourced design, participatory design processes, user interaction, post-capitalist architecture, social media
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:51

_id	cf2013_076
id	cf2013_076
authors	Portugal, Vasco
year	2013
title	Real-Time Assessment for Architectural CAD/CAM:Knowledge-Based-Methodology Approach
source	Global Design and Local Materialization[Proceedings of the 15th International Conference on Computer Aided Architectural Design Futures / ISBN 978-3-642-38973-3] Shanghai, China, July 3-5, 2013, pp. 76-83.
summary	This paper proposes a methodology that assesses in real-time the various impacts of the application of a CAD / CAM logic, to assist the designer in making objective considerations about the efficiency of a given manufacturing logic. A forecast of this nature enables the designer with the power to identify and quantify the strengths and weaknesses of a case versus others, and allows him to detect what are the configurations and processes that have potential to be optimized. The next chapters will show how the use of integration of knowledge-based-methodology (KBM) in the implementation of CAM to systematize the selection of different designs and operations, can improve the construction/fabrication practice depending on the fabrication equipment, material selection and other indicators. The adoption of the above-mentioned methodology is particularly pertinent for decision makers, since it can be deployed in a variety of different processes. It harvests information to compare and optimize the manufacture outline, and supports the screening and assortment of appropriate tool paths or combination of fabrication tools based on environmental/cost data, user-specified requirements and context characteristics.
keywords	CAD/CAM, Parametric design, Robotics in Architecture, Process flow diagrams
series	CAAD Futures
email
last changed	2014/03/24 07:08

_id	sigradi2022_7
id	sigradi2022_7
authors	Danesi Morisso, Joao Gabriel; Gitirana Gomes Ferreira, Marcelo
year	2022
title	Microinteraction study in user experience: a systematic literature review of research perspectives
source	Herrera, PC, Dreifuss-Serrano, C, Gómez, P, Arris-Calderon, LF, Critical Appropriations - Proceedings of the XXVI Conference of the Iberoamerican Society of Digital Graphics (SIGraDi 2022), Universidad Peruana de Ciencias Aplicadas, Lima, 7-11 November 2022 , pp. 583–594
summary	To broaden the understanding of what has been studied on the topic of microinteractions in human-computer interaction, this article conducts an exploratory study to survey the scientific production in articles and dissertations that work with the microinteractions framework, by Saffer (2013), applied to the scope of the user experience. As a method, a systematic literature review is proposed. For this, the following scientific bases are used: Scopus Elsevier, Capes Periodicals, EBSCO and Proquest. From the perspective of design and human-computer interaction, the quantity and approaches used are investigated. Of the 731 scientific works found, 14 were filtered and selected to compose the panorama of scientific research in microinteractions. The article brings the main approaches used in microinteractions research that focus on user experience in the last decade and points out perspectives on how to investigate microinteractions in future academic research.
keywords	User experience, Microinteractions, Human-computer interaction, Systematic review, UX
series	SIGraDi
email
last changed	2023/05/16 16:56

_id	caadria2014_029
id	caadria2014_029
authors	Devilat, Bernadette and Stephen Gage
year	2014
title	The Role of the Record and the Paradox of the Original
doi	https://doi.org/10.52842/conf.caadria.2014.317
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 317–326
summary	Earthquakes have progressively destroyed the Chilean built heritage over the years, not only due to the initial devastation they produce, but also as a result of the applied reconstruction approaches that follow. The design of reconstruction projects has usually aimed to re-establish the previous built form of historic buildings; generating new ‘heritage’ constructions that try to imitate only the appearance of previous ones rather than understanding that heritage, in the case studied, includes a sustainable mode of construction. This issue occurs in places where previous records are sometimes non-existent, which poses the question of authenticity. Considering the regularity of earthquakes in Chile, the role of accurate recording technologies, such as 3D laser scanning, becomes relevant. Their implications for new and existing architectures in the re-construction process include being a virtual database for demolition, retrofitting, intervention or replica. This paper examines the survey of the church of San Lorenzo de Tarapacá obtained in January 2013, and discusses how this, in conjunction with previous records, might impact on what is considered heritage and the design of future reconstructions.
keywords	Earthquakes; 3D scanning; heritage intervention; replica; Tarapacá
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	cf2013_347
id	cf2013_347
authors	Dillenburger, Benjamin and Michael Hansmeyer
year	2013
title	The Resolution of Architecture in the Digital Age
source	Global Design and Local Materialization[Proceedings of the 15th International Conference on Computer Aided Architectural Design Futures / ISBN 978-3-642-38973-3] Shanghai, China, July 3-5, 2013, pp. 347-357.
summary	The resolution of architecture is a measure of the spatial density of information inherent in a building. This paper demonstrates how the confluence of advances in computational design and additive manufacturing has recently led to a paradigm shift in potential architectural resolution. Buildings can now be designed and fabricated with elements at the threshold of human perception. This resolution can be used to replicate existing architectural styles ever more efficiently and accurately. Yet as with the introduction of other new technologies, architects must now explore the latent potentials and determine what kind of new architectures become conceivable. Specifically, what architectures can adequately express this enormous resolution and the unlimited geometric complexity within reach? With the project Digital Grotesque, we present the first human-scale, enclosed structure that truly exploits these opportunities. Algorithms are used to articulate and orchestrate the geometry from the macro scale down to 1mm small details. The structure is enriched with local information at a previously unseen resolution. A unique language of form is developed that transcends rationality and celebrates spatial expression: a digital exuberance.
keywords	high resolution, additive manufacturing, 3d printing, digital fabrication, computational design, subdivision, mesh
series	CAAD Futures
email
last changed	2014/03/24 07:08

_id	acadia13_137
id	acadia13_137
authors	Kretzer, Manuel; In, Jessica; Letkemann, Joel; Jaskiewicz, Tomasz
year	2013
title	Resinance: A (Smart) Material Ecology
doi	https://doi.org/10.52842/conf.acadia.2013.137
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 137-146
summary	What if we had materials that weren’t solid and static like traditional building materials are? What if these materials could dynamically change and adapt to varying environmental situations and stimulations and evolve and learn over time? What if they were autonomous, self-sufficient and independent but could communicate with each other and exchange information? What would this “living matter” mean for architecture and the way we perceive the built environment? This paper looks briefly at current concepts and investigations in regards to programmable matter that occupy various areas of architectural research. It then goes into detail in describing the most recent smart material installation “Resinance” that was supervised by Manuel Kretzer and Benjamin Dillenburger and realized by the 2012/13 Master of Advanced Studies class as part of the materiability research at the Chair for CAAD, ETH Zürich in March 2013. The highly speculative sculpture links approaches in generative design, digital fabrication, physical/ubiquitous computing, distributed networks, swarm behavior and agent-based communication with bioinspiration and organic simulation in a responsive entity that reacts to user input and adapts its behavior over time.
keywords	Smart Materials; Distributed Networks; Digital Fabrication; Physical Computing; Responsive Environment
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:51

_id	caadria2014_057
id	caadria2014_057
authors	Nakapan, Walaiporn
year	2014
title	Mobile Learning in a History of Art and Architecture Classroom
doi	https://doi.org/10.52842/conf.caadria.2014.761
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 761–770
summary	This paper presents a pilot project, using mobile devices in a History of Art and Architecture classroom to enhance instructor-student classroom interactions and student learning. At our Faculty of Architecture this particular class has a usual high failure rate (26% F in 2012). It is a compulsory course for architecture students, some of them are required to take this course twice or more before they can graduate. Traditional learning is lecture-based, and students studying toward their tests are often overloaded with information. In June 2013, Rangsit University initiated a new policy to provide tablets to every freshmen; around 7,200 tablets were distributed campus-wide (Samsung Galaxy Note 10.1 with S-pen). Toward the end of the class, the students were asked to complete a questionnaire in order to find out what they think about mobile learning. Typically, students are quite satisfied, and give positive feedback in their comments. The experience gained from this pilot project will be extended to other classes.
keywords	Design education; Mobile learning; History of Art and Architecture
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	ecaade2013r_005
id	ecaade2013r_005
authors	Pickersgill, S.
year	2013
title	Digital ontology and the architectural monstrous
source	FUTURE TRADITIONS [1st eCAADe Regional International Workshop Proceedings / ISBN 978-989-8527-03-5], University of Porto, Faculty of Architecture (Portugal), 4-5 April 2013, pp. 71-82
summary	This paper aims to connect a reading of Francisco Goya’s painting Vuelo de Brujo with Marco Frascari’s metaphorical exploration of the idea of ‘monstrosity’ in architecture in Monsters of Architecture (1991). It also seeks to connect these works to contemporary forms of digital monstrosity and the proposition that the existential anxiety explored within current digital representations of the monstrous have both their basis in the technical apparatus within which they are created, and current thinking on material realism in ontology. Given the emergence of complex forms of ‘life’ within Cellular Automata studies and the speculations regarding digital ontology stemming from Stephen Wolfram’s New Kind of Science, the paper also asks what the consequences of large-scale expansions of these capabilities will entail in a post-Singularity scenario.
keywords	Monsters, Architecture, Digital Modelling, Singularity, Digital Ontology
email
last changed	2013/10/07 19:08

_id	ecaade2013_120
id	ecaade2013_120
authors	Pla-Catala, Anna
year	2013
title	Computation/Performance
doi	https://doi.org/10.52842/conf.ecaade.2013.2.579
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 579-586
summary	Setting up a completely new architectural academic curriculum for a brand-new school of architecture. Elaborating, critical space within the new curriculum for the teaching and learning of ‘digital-technologies’ (DT) through the integration of them with its core subjects, rather than understanding the teaching/learning of such technologies as an add-on set of skills that comes a posteriori. How to articulate the potential of the ‘Computational-Architect’ as a professional capable of being a productive agent within society; that is, capable of adding Value. The nature of such is what it’s at stake here, if we want to avoid to become or be reduced to mere providers of services.
wos	WOS:000340643600059
keywords	Computation; performance; ecology; code; maker.
series	eCAADe
email
last changed	2022/06/07 08:00

_id	ecaade2013_015
id	ecaade2013_015
authors	Roman, Miro
year	2013
title	Four Chairs and All the Others - Eigenchair
doi	https://doi.org/10.52842/conf.ecaade.2013.2.405
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 405-414
summary	By contemplating on the Eigenchair project, we ponder upon strategies and concepts of designing by using information technologies. What are the potentials of data driven design? What happens with objects when they are abstracted and reduced to a set of data? The emphasis is no longer on the creation of physical objects, but on conceiving meta-objects in the possibility space. Furthermore, this enables us to manipulate with a whole population of objects, instead of a single object. How do we get this abstract system to relate to the real world? Information technologies have opened up a number of new ways of thinking about the world and the object and they, by far, surpassed the formally simplified expression in design and architecture. Based on intellectual heritage of history and culture, information technologies can, by utilizing and recycling various elements and information, explore the 21st century object.
wos	WOS:000340643600041
keywords	Eigenchair; eigenvector; Principal Component Analysis; data; indexing.
series	eCAADe
email
last changed	2022/06/07 07:56

_id	caadria2013_118
id	caadria2013_118
authors	Roupé, Mattias and Mathias Gustafsson
year	2013
title	Judgment and Decision-Making Aspects on the Use of Virtual Reality in Volume Studies
doi	https://doi.org/10.52842/conf.caadria.2013.437
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 437-446
summary	The most common reason for using Virtual Reality (VR) as a communication medium in urban planning and building design is to provide decision makers with access to a shared virtual space, which can facilitate communication and collaboration in order to make better decisions. However, there is a risk that judgmental biases arise within the virtual space. The displaying of the VR-models and itscontent could be one way of changing the settings for the visual access to the virtual space and could thus influence the outcome of the decision making process. For that reason it is important to have knowledge of how different settings in and around the VR-medium influence the experience of the shared visual space that the VR-medium strives to achieve. In this case the decision-making process, perceptions of space, and the cognition process of decoding of information in the visual space are important. This paper investigates how reference points influence judgments of a volume study of a building and furthermore what visual cues that are used for spatial reasoning about volumes. The results show that the initial visual information has a profound impact on the decision, even when this information lacks in validity.
wos	WOS:000351496100043
keywords	Virtual reality, Spatial perception, Judgment, Volume study, Urban planning
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	acadia13_207
id	acadia13_207
authors	Sanchez, Jose
year	2013
title	Gamescapes
doi	https://doi.org/10.52842/conf.acadia.2013.207
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 207-216
summary	While parametrics and form-finding techniques focus on design as an idea of “search,” it is inevitable to wonder if the field is becoming stagnated, converging on similar “solutions” in an ever-shrinking design search space.Initiatives like Minecraft, coming from video game design, reopen the creative desires of players by providing a rigorous algorithmic set of rules and a fully open world coupling algorithmic design and intuition. This is what J.C.R. Licklider would call “man-computer symbiosis”(Licklider 1960).This paper presents how game mechanics suggest a radically different ethos for computational design thinking. It presents the Bloom project, commissioned for the London Olympics in 2012, which combines the use of industrially produced identical components with game mechanics. This project breaks the idea of serialized outcomes and suggests that within the search space of possible formations, there are unforeseeable assemblies and creative outcomes.The Bloom project has become a new research unit at UCL Bartlett, coupling notions of digital modular materials and crowd-farming for assembly, which positions gaming as a design heuristics to open the field of architectural design.
keywords	crowd search, game mechanics, combinatorics, open-ended, sandbox, intelligence augmentation.
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:56

_id	caadria2013_181
id	caadria2013_181
authors	Santo, Yasu; Susan Loh and Ruwan Fernando
year	2013
title	Open Up the Building – Architectural Relevance of Building-Users and Their Participations
doi	https://doi.org/10.52842/conf.caadria.2013.385
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 385-394
summary	As buildings have become more advanced and complex, our ability to understand how they are operated and managed has diminished. Modern technologies have given us systems to look after us but it appears to have taken away our say in how we like our environment to be managed. The aim of this paper is to discuss our research concerning spaces that are sensitive to changing needs and allow building-users to have a certain level of freedom to understand and control their environment. We discuss why, what we call the Active Layer, is needed in modern buildings; how building inhabitants are to interact with it; and the development of interface prototypes to test consequences of having the Active Layer in our environment.
wos	WOS:000351496100038
keywords	Active layer, Participation, Sensors, Interface, BIM, BMS
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ecaade2013r_014
id	ecaade2013r_014
authors	Sempere, Andrew; Savic, Selena; Huang, Jeffrey; Badura, Jens; Barchiesi, Alex
year	2013
title	Experience Catalysts and Architecture. Towards a new tradition
source	FUTURE TRADITIONS [1st eCAADe Regional International Workshop Proceedings / ISBN 978-989-8527-03-5], University of Porto, Faculty of Architecture (Portugal), 4-5 April 2013, pp. 171-182
summary	This paper describes two research projects in the field of interactive architecture, both examples of experience catalysts; Settings which allow new insights in the aesthetic constitution and perception of environments. This term can be thought of as somewhat synonymous with artistic intervention, but is used instead to recognize that the participants might not self-identify as artists. We are working with architectural notions of space and place, but are interested in the experience of place more than its formal structure. We wish to emphasize the dynamic and are interested in transitions not as the pauses between states but as destinations worth exploring. Quadricone by Selena Savic is an actual experience catalyst: a physical manifestation of a digital “material” (in this case network traffic.) The goal is less data visualization and more an attempt to understand what it means to physically experience something normally invisible. Inter-Actor by Andrew Sempere casts architecture as an ongoing event which might benefit from the flexibility of the digital. The idea is to create a combination of software and hardware that allows for “rapid prototyping” of interactive space. Inter-Actor is not an experience catalyst but a toolkit for creating them.
keywords	Interaction; Design; Flux; Experience Catalyst
email
last changed	2013/10/07 19:08

_id	ijac201310207
id	ijac201310207
authors	Abondano, David
year	2013
title	The Return of Nature as an Operative Model: Decoding of Material Properties as Generative Inputs to the Form-Making Process
source	International Journal of Architectural Computing vol. 11 - no. 2, 267-284
summary	The abandonment of nature as an architectural model and the redefinition of the relationship between form and material were two of the main consequences of industrialization for modern architecture. While nature was replaced by the machine as a model for architecture, industrial production suppressed the craftsman's knowledge of the material and the associated techniques once essential to the form-making process. Thus, the replacement of nature as a model implied that principles once related to natural processes started to be seen as industrial values, i.e., the economy of means stopped being recognized as a quality related to natural form-making processes and became a demand of industrial production. Nowadays, material properties and nature are being reintroduced into architecture with the help of digital technologies; that is, the return of nature though computation. As a result, nature has become an operational model as opposed to the visual or iconic one it used to be; its inner qualities and processes are being decoded in order to inform the form-making process and foster innovative digital ornamentation.
series	journal
last changed	2019/05/24 09:55

_id	acadia13_000
id	acadia13_000
authors	Beesley, Philip; Omar Khan, Michael Stacey
year	2013
title	ACADIA 13: Adaptive Architecture
doi	https://doi.org/10.52842/conf.acadia.2013
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), 472 p.
summary	ACADIA 2013 Adaptive Architecture, the 33rd International Conference of the Association for Computer-Aided Design in Architecture, focuses on the computational design of environmen- tally responsive, intelligent, interactive, and reconfigurable archi- tecture. Organising this conference we perceive new intellectual territories opening, arising both from technology and from our native inventiveness. In 2013, humankind benefits from millennia of cultural continuity while it faces profound challenges and opportunities. Fuelled by potent new research tools and techniques the discipline of architecture is ripe with potential. New modes of practice offer mod- els where research, design and development are seen as one, and where knowledge passes with extraordinary fluidity, as if by osmosis, from practice to academia, from teacher to pupil and from the future architect to the architect-academic. The future is now.
series	ACADIA
last changed	2022/06/07 07:49

_id	ecaade2013_061
id	ecaade2013_061
authors	Ciftcioglu, Ozer and Bittermann, Michael S.
year	2013
title	Fusion of Perceptions in Architectural Design
doi	https://doi.org/10.52842/conf.ecaade.2013.2.335
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 335-344
summary	A method for fusion of perceptions is presented. It is based on probabilistic treatment of perception, where perception quantifies the chance an unbiased observer sees an environmental object, and the associated probability can be interpreted as degree of awareness for the object. The approach uniquely accounts for the fact that final realization or remembrance of a scene in the brain may be absent or elusive, so that it is subject to probabilistic considerations. For objects that are to be perceived from multiple viewpoints, such as a sculpture in a museum, or a building in its urban context, the probabilistic approach uniquely defines the fusion of perceptions. This is accomplished by carrying out the probabilistic union of events. The computation is presented together with its geometric implications, which become rather intricate for multiple observers, whereas the computation is straight forward. The method is exemplified for two applications in architectural design at different scales, namely interior and urban design, indicating the generic nature as well as the large application potential of the method.
wos	WOS:000340643600034
keywords	Perception; vision modeling; architectural design; evolutionary search.
series	eCAADe
email
last changed	2022/06/07 07:56

_id	acadia20_688
id	acadia20_688
authors	del Campo, Matias; Carlson, Alexandra; Manninger, Sandra
year	2020
title	3D Graph Convolutional Neural Networks in Architecture Design
doi	https://doi.org/10.52842/conf.acadia.2020.1.688
source	ACADIA 2020: Distributed Proximities / Volume I: Technical Papers [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95213-0]. Online and Global. 24-30 October 2020. edited by B. Slocum, V. Ago, S. Doyle, A. Marcus, M. Yablonina, and M. del Campo. 688-696.
summary	The nature of the architectural design process can be described along the lines of the following representational devices: the plan and the model. Plans can be considered one of the oldest methods to represent spatial and aesthetic information in an abstract, 2D space. However, to be used in the design process of 3D architectural solutions, these representations are inherently limited by the loss of rich information that occurs when compressing the three-dimensional world into a two-dimensional representation. During the first Digital Turn (Carpo 2013), the sheer amount and availability of models increased dramatically, as it became viable to create vast amounts of model variations to explore project alternatives among a much larger range of different physical and creative dimensions. 3D models show how the design object appears in real life, and can include a wider array of object information that is more easily understandable by nonexperts, as exemplified in techniques such as building information modeling and parametric modeling. Therefore, the ground condition of this paper considers that the inherent nature of architectural design and sensibility lies in the negotiation of 3D space coupled with the organization of voids and spatial components resulting in spatial sequences based on programmatic relationships, resulting in an assemblage (DeLanda 2016). These conditions constitute objects representing a material culture (the built environment) embedded in a symbolic and aesthetic culture (DeLanda 2016) that is created by the designer and captures their sensibilities.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

_id	acadia13_301
id	acadia13_301
authors	Dierichs, Karola; Menges, Achim
year	2013
title	Aggregate Architecture: Simulation Models for Synthetic Non-convex Granulates
doi	https://doi.org/10.52842/conf.acadia.2013.301
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 301-310
summary	Aggregate Architectures challenge the common notion of architectural structures as being immutable, permanent and controllable. Aggregate Architectures are understood as material systems consisting of large masses of granules—designed or natural—interacting with each other only through loose, frictional contact. As a consequence, they take the realm of structural stability and architectural planning into entire re-configurability and into merely probable predictions of their prospective behavior. This renders them relevant within the paradigm of Adaptive Architecture.The challenge to the designer is to move away from thinking in terms of clearly defined local and global assembly systems and to acquire tools and modes of design that allow for observation and interaction with the evolving granular architectures. In this context, the focus of the presented researchproject is on the relevance of mathematically based simulations as tools of investigation and design.The paper introduces the field of Aggregate Architectures. Consequently experimental and simulation methods for granulates will be outlined and compared. Different modeling and collision-detection methods for non-convex particles are shown and applied in benchmarking simulations for a full-scale architectural prototype. The potential for micro-mechanical simulation analysis within architectural applications are demonstrated and further areas of research outlined.
keywords	Tools and Interfaces; aggregate architecture, designed granular matter, discrete element modeling, non-convex particles
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:55

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