Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2014_256
id	caadria2014_256
authors	Senske, Nicholas
year	2014
title	Digital Minds, Materials, and Ethics: Linking Computational Thinking and Digital Craft
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 831–840
doi	https://doi.org/10.52842/conf.caadria.2014.831
summary	This paper describes the connections between computational thinking and digital craft, and proposes several ways that architectural education can cultivate better digital craft, specifically: motivating the use of computational strategies, encouraging a conceptual understanding of computing as a medium, teaching computer programming, and discussing digital ethics. For the most part, these subjects are not widely taught in architecture schools. However, moving forward, if the profession values good design, it must also value good digital craft, and ought to instil a way of working in the next generation of architects that makes the most of both the computer and the designer. Computational thinking provides a common foundation for defining and instilling this critical mindset and, therefore, deserves greater consideration within architectural pedagogy.
keywords	Digital craft; computational thinking; ethics
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	acadia14_573
id	acadia14_573
authors	Ekmekjian, Nazareth
year	2014
title	From Surface to Volume: An Approach to Poche` with Composites
source	ACADIA 14: Design Agency [Proceedings of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9781926724478]Los Angeles 23-25 October, 2014), pp. 573-578
doi	https://doi.org/10.52842/conf.acadia.2014.573
summary	While the digital era has brought with it a vast assortment of tools from which we can generate form and geometry, often the result is a tendency to focus primarily on either surfaces or solids as a means of modeling for representation or fabrication which consequently impact the various fabrication and construction techniques deployed in order to realize such digital models. This paper presents an approach to coalesce techniques of surface generation via computational tools, and strategies for constructing volumetric elements through a process of backfilling with composite materials.
keywords	Robotics and Autonomous Design Systems, Craft in a Digital Age, Material Logics and Tectonics, Digital Fabrication and Construction, Computational Design Research, Generative Design.
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:55

_id	caadria2014_150
id	caadria2014_150
authors	Knapp, Chris; Jonathan Neslon and Michael Parsons
year	2014
title	Constructing Atmospheres
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 149–158
doi	https://doi.org/10.52842/conf.caadria.2014.149
summary	This paper documents and critically reflects upon the design, development, fabrication, and implementation of three pavilion projects developed during 2013-14. The core investigation of this work is the production of architectural spaces characterized by a quality of enveloping, diffuse, visual and spatial atmospheres. The principal activity of the research is aimed at refining methods for software-based exploration of formal complexities and the subsequent need to control variability and efficiency in fabrication output, using Grasshopper for Rhino to develop customized definitions particular to each specific project scenario. Linking the projects together are issues of scale, resolution of effect, and intent to move from disparate assemblies of structure and skin toward composite, manifold construction techniques that address multiple concerns (gravity, bracing, affect, etc) with a minimum of assembly. A material palette common to the current vernacular of CNC-based projects such as plywood, plastics, and other sheet materials is utilised. This work is invested in extending the possibilities of the architect and architecture as a discipline, extrapolating the workflow from these successive projects to the speculative impact of the work upon emerging possibilities of architectural construction and craft.
keywords	3d modelling; Digital fabrication; Rhinoceros; Grasshopper; Tessellation
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	sigradi2014_036
id	sigradi2014_036
authors	Anderson, Jonathon; Ming Tang
year	2014
title	Crafting Soft Geometry: Form and Materials Informing Analog and Digital Craft Processes
source	SIGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay- Montevideo 12,13,14 November 2014, pp. 183-186
summary	This paper outlines a methodology that adds to current craft-based discourse in the digital age. It proposes pedagogy centered on a constant examining of the parametric relationships between form, material, and load. The paper illustrates how materials and loads were integrated as datasets into “soft geometry” modeling and installation pipelines that further explore a hybrid process that incorporates materials and craftsmanship. The results expand the boundary of conventional static form and spatial interaction within the deformation rules (material and force) while seeking form through the exploration of both digital simulation and analog techniques.
keywords	Digital-physical; craft; soft geometry; form; material
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2014_144
id	sigradi2014_144
authors	Böhme, Luis Felipe González; Cristián Calvo Barentin
year	2014
title	Desarrollo de competencias avanzadas en computación en la formación de los arquitectos latinoamericanos del siglo XXI [Advanced Computing Competence Development in 21st-century Latin American Architects’ Education]
source	SIGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 217-221
summary	Automation and robotics are increasingly penetrating all types of industries in developed countries including architecture, i.e., products and services related to architectural practice. Therefore, more than ever, architects, designers and artists are interested in developing computational thinking skills to be able to integrate more functionality into their creations and take direct control of their fabrication. But what can a small school of architecture in Latin America do to prevent the deskilling of its graduates and, instead, create new labor opportunities for them abroad. Third-year students integrate physical computing with visual programming in an active learning environment to develop free proposals.
keywords	Architectural education; Physical computing; Visual programming; Computational thinking; Active learning
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	acadia14projects_135
id	acadia14projects_135
authors	Freeland, David; Buck Brennan
year	2014
title	Flight Patterns
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 135-138
doi	https://doi.org/10.52842/conf.acadia.2014.135.2
summary	Flight Patterns is a 48 inch box kite that studies how spatial and perceptual complexity can be developed through the structural logic of the space frame. The project reinvestigates Alexander Graham Bell's tetrahedral kite as a potential architectural structure through a logic of hierarchy and difference, trading lift for a complex three-dimensional order of intricately stacked volumes.
keywords	Craft in the Digital Age, Material logics and Tectonics, Computational Design Research and Education, Digital Fabrication and Construction, Theory, Philosophy and Methodology of Computational Design Research
series	ACADIA
type	Research Projects
email
last changed	2022/06/07 07:50

_id	sigradi2014_045
id	sigradi2014_045
authors	Hudson, Roland
year	2014
title	Knowledge Based Strategies for Parametric Design in Architecture
source	SIGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay- Montevideo 12,13,14 November 2014, pp. 77-81
summary	Design professionals in the construction industry widely use the term “parametric”. Despite this there is a paucity of applied guidelines for developing parametric models. It is possible to attend workshops and learn the mechanics of a specific applications and access online repositories of ‘design patterns’, but the cognitive process of application in practice has received little recent attention. Analysis and experience of practice indicates that acquisition of new knowledge and capture of existing knowledge are the basis for all parametric tasks. This paper exposes a deeper understanding of the role of the parametric designer and proposes an applied strategic framework.
keywords	Parametric design; Design strategies; Computational thinking
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	caadria2014_237
id	caadria2014_237
authors	Imbern, Matias
year	2014
title	(Re)Thinking the Brick: Digital Tectonic Masonry Systems
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 211–220
doi	https://doi.org/10.52842/conf.caadria.2014.211
summary	"The introduction of digital tools in the production of architecture undoubtedly constitutes the main force behind contemporary architectural innovation. In addition, the interaction of digital technologies with analog craft manufacturing -a rather unexplored field of study- suggests a wide range of novel opportunities. This research focuses on developing a framework for deploying digital design techniques to the production of bricks under vernacular technology as a medium of achieving geometrical variations and functional complexity in domestic-scale projects. Solid clay bricks are embedded in traditional ceramic-construction culture. Thus, this investigation faces the challenges of making a feasible innovative system in a country where digital fabrication is not an economically viable option, and engaging a design that can be easily implemented with current hand-labour. Consequently, the new bricks would be massively introduced in the construction market, allowing novel formal and functional possibilities for designers.
keywords	Ceramics; brick; tectonic; digital tools; fabrication; vernacular technology
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	acadia14projects_99
id	acadia14projects_99
authors	Jimenez Garcia, Manuel
year	2014
title	Soft-Modelling
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 99-102
doi	https://doi.org/10.52842/conf.acadia.2014.099
summary	SoftModelling is a Java application developed to increase the flexibility of the design process by connecting together two of the most-used design tools; poly-modelling and physical simulation. Its code is open source and easy to manipulate in order to facilitate the creation of multiple versions suitable for different users.
keywords	Simulation + Intuition, Open Source in Design, Craft in a Digital Age, Design Decision Making, Computational design research and education, User participation in design, New digital design concepts and strategies
series	ACADIA
type	Research Projects
email
last changed	2022/06/07 07:52

_id	caadria2014_102
id	caadria2014_102
authors	Lopes, João V.; Alexandra C. Paio and José P. Sousa
year	2014
title	Parametric Urban Models Based on Frei Otto’s Generative Form-Finding Processes
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 595–604
doi	https://doi.org/10.52842/conf.caadria.2014.595
summary	Presently there is a progressive tendency to incorporate parametric design strategies in urban planning and design. Although the computational technologies that allow it are recent, fundamental theories and thinking processes behind it can be traced back to the work conducted at the Institute for Lightweight Structures (IL) in Stuttgart, between the 1960’s and 1980’s. This paper describes an experimental urban research work based on Frei Otto and Eda Schaur's thoughts on unplanned settlements, and on the form-finding experiences carried out at IL. By exploring the digital development of parametric and algorithmic interactive models, two urban design proposals were developed for a site in Porto city. Out of this experience, this paper suggests that today the act of design can benefit from a deeper understanding of the natural processes of occupation and connection.
keywords	Parametric urbanism; generative design; form-finding; Frei Otto
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	acadia14_167
id	acadia14_167
authors	Marcus, Adam
year	2014
title	Centennial Chromagraph: Data Spatialization and Computational Craft
source	ACADIA 14: Design Agency [Proceedings of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9781926724478]Los Angeles 23-25 October, 2014), pp. 167-176
doi	https://doi.org/10.52842/conf.acadia.2014.167
summary	This paper describes the design, fabrication, and assembly process of Centennial Chromagraph, a large-scale installation recently constructed for the centennial anniversary of the University of Minnesota School of Architecture. The project is an exercise in data spatialization: using computational design tools to generate formal and spatial constructions with large quantities of information.
keywords	Category: Generative Design / Big Data; Keywords: data spatialization, big data, computational design, digital fabrication, digital craft, information aesthetics
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:59

_id	acadia14projects_46
id	acadia14projects_46
authors	Marus, Adam
year	2014
title	Centennial Chromagraph
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 43-46
doi	https://doi.org/10.52842/conf.acadia.2014.043.2
summary	Centennial Chromagraph is a life-size representation of the history of the University of Minnesota School of Architecture. The project employs techniques gleaned from contemporary approaches to “Big Data” to visualize the School’s history while also producing abstract material effects of light and color.
keywords	data spatialization, big data, computational design, digital fabrication, digital craft, information aesthetics
series	ACADIA
type	Research Projects
email
last changed	2022/06/07 07:59

_id	acadia23_v2_294
id	acadia23_v2_294
authors	Matharu, Sumer; Crawford, Joe; Ohakim, Ugonna
year	2023
title	Techno Relics: A Framework for Computation, Materiality, and Fabrication in the Anthropocene
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 2: Proceedings of the 43rd Annual Conference for the Association for Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-9-8]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 294-303.
summary	This paper explores the potential of material, computation, and fabrication methodologies broadly engaging a critical understanding of the human epoch, also known as the anthro- pocene era, and its impact on Earth’s geology. Man-made materials have arguably become ubiquitous and a massively distributed part of the environment, while also placing an involuntary burden on local ecologies. Nature has taken its course and swallowed these synthetic materials to create new compositions of complex conglomerations, thereby blur- ring the boundaries between the agency of man, nature, and technology (Corcoran et al. 2014). The discipline of architecture, too, must reconsider its own boundaries, and evolve to design and fabricate with these techno relics, defined here as a remnant of the techno- logical impact on our planet. In order to understand how these techno relics can be used by designers, this paper pres- ents a general framework for the research, discovery, and validation of computational and fabrication processes. This is done through the examination of the background research in using aluminum waste by leveraging pre-existing digital and physical processes. Furthermore, the paper situates the background work within the broader context of how these techno relics can be mined, or collected. This is done through the examination of a case study that follows plastic waste in the Pacific Northwest through an Indigenous lens, providing possible architectural solutions that are relevant to the building typology in the remote communities most affected.
series	ACADIA
type	paper
email
last changed	2024/04/17 13:59

_id	sigradi2020_643
id	sigradi2020_643
authors	Naylor, John Osmond; Leconte, Nancy; Michel Vendryes, Franck Reginald
year	2020
title	Education to practice to ecology: A review and preliminary evaluation of a new architectural design curriculum using computational design tools and bamboo in Haiti
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 643-651
summary	There is an absence of lightweight, sustainable construction materials in contemporary Haitian construction, a fact highlighted in the disproportionate loss of life in the 2010 Port-au-Prince earthquake. Between 2014 and 2017 the authors delivered a series of architectural design workshops in Haiti to raise awareness and develop design skills for bamboo using computational design tools. This paper provides a review of these workshops and a preliminary evaluation from surveys conducted with the course participants. Results showed architectural education had changed perceptions of bamboo and showed potential positive ecological impact due to subsequent reforestation activities instigated by participants. Weaknesses were in the lack of subsequent use of parametric modelling software. Bamboo material knowledge and a new architectural design methodology have been most relevant to their professional or academic work.
keywords	Haiti, Full-culm bamboo, Architectural education, Sustainable development, Parametric design
series	SIGraDi
email
last changed	2021/07/16 11:52

_id	acadia21_246
id	acadia21_246
authors	Safley, Nick
year	2021
title	Reconnecting...
source	ACADIA 2021: Realignments: Toward Critical Computation [Proceedings of the 41st Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-986-08056-7]. Online and Global. 3-6 November 2021. edited by B. Bogosian, K. Dörfler, B. Farahi, J. Garcia del Castillo y López, J. Grant, V. Noel, S. Parascho, and J. Scott. 246-255.
doi	https://doi.org/10.52842/conf.acadia.2021.246
summary	This design research reimagines the architectural detail in a postdigital framework and proposes digital methods to work upon discrete tectonics. Drawing upon Marco Frascari's writing The Tell-the-Tale Detail, the study aims to reimagine tectonic thinking for focused attention after the digital turn. Today, computational tools are powerful enough to perform operations more similar to physical tools than in the earlier digital era. These tools create a "digital materiality," where architects can manipulate digital information in parallel and overlapping ways to physical corollaries. (Abrons and Fure, 2018) To date, work in this area has focused on materiality specifically. This project reinterprets tectonics using texture map editing and point cloud information, particularly reconceptualizing jointing using images. Smartphone-based 3D digital scanning was used to captured details from a series of Carlo Scarpa's influential works, isolating these details from their physical sites and focusing attention upon individual tectonic moments. As digital scans, these details problematize the rhetoric of smoothness and seamlessness prevalent in digital architecture as they are discretely construed loci yet composed of digital meshes. (Jones 2014) Once removed from their contexts, reconnecting the digital scans into compositions of "compound details" necessitated a series of new mechanisms for constructing and construing not native to the material world. Using Photoshop editing of texture-mapped images, digital texturing of meshes, and interpretation of the initial material constructions, new joints within and between these the digital scanned details were created to reframe the original detail for the post-digital.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

_id	ascaad2014_000
id	ascaad2014_000
authors	Sidawi, Bhzad and Zaki Mallasi (eds.)
year	2014
title	Digital Crafting: Virtualizing Architecture and Delivering Real Built Environment
source	7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014) [ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, 470 p.
summary	In decades past, the architect was the master-builder with hands-on craftsman experience to design and direct the various trades in the construction of the building. The role of digital design, computation methodologies and processes are poised to transform how we think and craft architecture to deliver today's built environment. Digital crafting methods in today's thinking process for a designer/builder/manufacturer are affecting the delivery of buildings as a final product with aspiration to create rich sensory and habitable environments. ASCAAD 7th Conference theme explores the linkages among digital design process thinking, constructability, the digital manufacturing process and their impact on the practice of architecture, engineering and construction. ASCAAD society has invited academics, researchers and professionals to join and contribute to the debate on the use of Computer-Aided Architectural Design and Information Technology and how the use/ implementation would support and lead to innovative concepts, tools, systems and products on architectural, Urban/City/ regional planning, and building science levels.
series	ASCAAD
email
last changed	2016/02/15 13:09

_id	ecaade2014_176
id	ecaade2014_176
authors	Sina Mostafavi and Matthew Tanti
year	2014
title	Design to fabrication integration and material craftsmanship - A performance driven stone architecture design system based on material, structural and fabrication constraints and criteria
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 445-454
doi	https://doi.org/10.52842/conf.ecaade.2014.1.445
wos	WOS:000361384700044
summary	This paper presents a computational design methodology through describing of a case study on stone building system. In addition to establishing a performance driven form-finding methodology, the objective is to redefine local craftsmanship methods as industrial fabrication techniques in order to introduce the constructability of the design solutions as one of the main performance criteria. Therefore, the focus of the methodology is to facilitate architectural design processes through developing of customized computational design tools and workflows for data integration and concurrent performance evaluation. The research starts with the hypothesis that the technological advancements in digital design and fabrication can lead to re-exploration and improvement of traditional building techniques with local materials. The paper explains different stages of the methodology and the way the chained design to fabrication processes would lead to constructible, structurally possible and optimal design solutions of small scale and simple symmetric design solutions to complex topologies at the scale of larger complex buildings.
keywords	Digital materiality ; design information exchange; compression-only stone structure; computer aided craftsmanship ; robotic fabrication
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ascaad2014_010
id	ascaad2014_010
authors	Stevens, James and Ralph Nelson
year	2014
title	Digital Vernacular: Practicing architectural making
source	Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 137-147
summary	Prior to the Industrial Age, most architecture was created by the master craftsman or within the vernacular trades where “design” and “making” were aligned. The Industrial Age, and most recently the Information Age, shifted the role of the architect away from that of the “master craftsman” to the professional “knowledge worker.” As a result, a divide between design and making in the practice of architecture occurred. This shift impacted an essential part of the architect’s process by degrading the symbiotic relationship between mind and hand and limiting the immediate design consequences that only making can provide. But recent technological developments have changed the economic model of design and making in architectural practice and re-established this lost connection. Most importantly, it has provided new opportunities for craft, design, and architectural practice to align. The purpose of this paper is to examine these new opportunities and define what constitutes the digital vernacular. The paper will seek to define the digital vernacular by evaluating each of the following variables: materials, knowledge, and tools. Using normative practice as a control, the paper will conduct a comparative analysis of these variables by examining economic viability (cost-to-wage ratios), logistical feasibility (training & facilities), and skillset availability within the domain of architecture (insourced versus outsourced). Using this data, and resulting guidelines, the paper will demonstrate the successes and failures of a practice using the digital vernacular as its primary project delivery methodology. The focus of this research is not to build an inventory of equipment and methods; rather it is to develop a higher understanding of what constitutes vernacular practice within the digital age. Exploring the digital vernacular is not intended to seek new form-making, but to improve and inform understanding of traditional vernacular methods and to enable a new generation of master craftsmen. This clarity is imperative as to ensure the quality of design and making with emerging technologies and help to prevent high-volume, low-quality results.
series	ASCAAD
email
last changed	2016/02/15 13:09

_id	acadia16_424
id	acadia16_424
authors	Twose, Simon; du Chatenier, Rosa
year	2016
title	Experimental Material Research - Digital Chocolate
source	ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 424-431
doi	https://doi.org/10.52842/conf.acadia.2016.424
summary	This research investigates the aesthetics of a shared agency between humans, computation and physical material. ‘Chocolate’ is manipulated in physical and virtual space simultaneously to extract aesthetic conditions that are a sum of human and non-human relations. This is an attempt to further the knowledge of designing, giving physical and digital materials force in determining their own aesthetics. The research springs from work in speculative aesthetics, particularly N. Katherine Hayles’s OOI (object-oriented inquiry) and Graham Harman’s OOO (object-oriented ontology) and explores how these ideas impact contemporary computational architectural design. To study this, a simple material has been chosen, chocolate, and used as a vehicle to investigate the dynamics of physical and digital materials and their shared/differing ‘resistances to human manipulation’ (Pickering 1995). Digital chocolate is ‘melted’ through virtual heat, and the results printed and cast in real chocolate, to be further manipulated in real space. The resistances and feedback of physical and digital chocolate to human ‘prodding’ (Hayles 2014) are analyzed in terms of a material’s qualities and tendencies in digital space versus those in physical space. Observations from this process are used to speculate on an aesthetics where humans, computation and physical material are mutually agential. This research is a pilot for a larger study taking on more complex conditions, such as building and cities, with a view to broadening how aesthetics is understood in architectural design. The contribution of this research to the field of architectural computation is thus in areas of aesthetic speculation and human/non-human architectural authorship.
keywords	object-oriented inquiry, speculative aesthetics, mutual agency, big data
series	ACADIA
type	paper
email
last changed	2022/06/07 07:58

_id	acadia14projects_31
id	acadia14projects_31
authors	Vazquez, Alicia Nahmad; Inamura, Chikara; Zabel, Joshua; El Sayed, Mostafa; Sondergaard, Asbjorn; Bhooshan, Shajay
year	2014
title	Topologically Optimized Concrete Shell Structure
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 31-34
doi	https://doi.org/10.52842/conf.acadia.2014.031
summary	This prototype – a topologically optimised concrete shell - aimed to extend the rich legacy of form-finding to adequately represent the complexities of scale, digital designsystems and delivery mechanisms of contemporary architectural practice. It explores synergies in early design between architecture, structuralengineering, and manufacturing.
keywords	Craft in the digital age, simulation + intuition, collective intelligence in design, material logics and tectonics, computational design research and education, digital fabrication and construction, practice based and interdisciplinary computational design research.
series	ACADIA
type	Research Projects
email
last changed	2022/06/07 07:58

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