Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Reformat results as: short short into frame detailed detailed into frame

_id	caadria2014_535
id	caadria2014_535
authors	An, Seyun
year	2014
title	Eye Tracking Experiment Research in Brand Spaces for Evaluating Space Design Marketing
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 981–982
doi	https://doi.org/10.52842/conf.caadria.2014.981
series	CAADRIA
type	poster
email
last changed	2022/06/07 07:54

_id	sigradi2018_1405
id	sigradi2018_1405
authors	Massara Rocha, Bruno; Santo Athié, Katherine
year	2018
title	Emerging senses from Smart Cities phenomenon
source	SIGraDi 2018 [Proceedings of the 22nd Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Brazil, São Carlos 7 - 9 November 2018, pp. 434-441
summary	The paper analyses the emerging senses from the Smart Cities phenomenon, using as background Lemos (2017), Maia (2013), Rozestraten (2016), Söderström, Paache & Klauser (2014) and evaluating the speeches found in the SmartCity Expo Curitiba. We identified three basic senses: the binary utopia/ficcion, business and informational city, discussed by philosophers such as Foucault (2017), Lévy (2011) e Harvey (2014). The results outline the importance of political role of technology and adverts that it must not be controlled by business. Finally, the paper concludes that the smartest technology is one that opens space to the inclusion of greater human expressivity and subjectivity, not inducing a space of control.
keywords	Smart cities; Digital technologies; Technopolitics;
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	ascaad2014_033
id	ascaad2014_033
authors	Al-Mousa , Sukainah Adnan
year	2014
title	Temporary Architecture: An urban mirage
source	Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 405-413
summary	One of the emerging multidisciplinary contemporary art practices is interactive installation art, which is concerned with constructing a temporary artistic environment that is digital, responsive and engaging. It is usually displayed within existing architectural context whether indoor in a gallery space or outdoor in a public space. Recent examples of such art projects show that interactivity and illusion are effectively present and highly influential in the perception and memory of the place. A digital display on a building façade can remain attached to the history of the site in the spectator’s memory even after the display is removed. An interactive space that involves body response and emotional sensory interaction can determine the narrative perceived from the experience. These trends seemingly bring together the physical context and the digital space to contain the spectator. The two mediums are merged to provide a new genre of space, hence a new mode of perception where the art space mediates people’s movement and overlay the context with new meanings. Multiple backgrounds are involved in the creative process of interactive installation art, all of which involve examining various concepts through artistic engagement with temporary spaces. Here, particularly because of interactivity and immerseveness, the spectator becomes part of the performance (the subject); with his moving and reacting he activates the narrative and probably gives it its shape. This paper aims to explore the potentials of the digital spatial display to enhance or weaken our sense of belonging to the surrounding environments while creating an illusionary space within the real physical one. It also aims to discuss how this influence would affect the memory of the mixed experience; the installation being digital, temporary and illusive and the space being physical, permanent and real. What happens to the “spectator” when contained by the digital-interactive and the physical medium(s)?. In order to unfold the mentioned questions, the study uses theories of perception and performance reflected on live case studies of recent art projects where the researcher becomes a member of the audience and an observer at the same time in order to trace the journey inside this new medium. In an era where time is being more difficult to grasp and identities of visual culture is becoming more difficult to define, temporary responsive environments can provide some openings where space becomes durational, yet, influential, and where people’s movements become more meaningful in the visual terrain.
series	ASCAAD
email
last changed	2016/02/15 13:09

_id	sigradi2014_339
id	sigradi2014_339
authors	Arenas Bahamondes, Felipe Ignacio; Claudio Andrés Fredes Osses
year	2014
title	Principios de diseño de juegos ubicuos: Modelo para la implementación de juegos de infraestructura multimedial en espacios aumentados [Design principles of ubiquitous games: A model for implementing games of multimedia infrastructure in augmented spaces]
source	siGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 450-454
summary	This research aims to build a method for making ubiquitous games using urban screens. It explores the boundaries between the fields of architecture, new media art and design, describing a theoretical framework that illustrates the potentials of designing game systems in the public space as well as the benefits that include the use of public screens to construct social interaction. Through the analysis and interpretation of several case studies we were able to determine the key aspects that designers should consider developing this kind of projects.
keywords	Ubiquitous games; Augmented spaces; Urban screens; Public space; Active citizenship
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	caadria2014_170
id	caadria2014_170
authors	Beirão, José Nuno; André Chaszar and Ljiljana _avi_
year	2014
title	Convex- and Solid-Void Models for Analysis and Classification of Public Spaces
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 253–262
doi	https://doi.org/10.52842/conf.caadria.2014.253
summary	In this paper a semiautomated morphological classification of urban space is addressed systematically by sorting through the volumetric shapes of public spaces represented as 3-dimensional convex and solid voids. The motivation of this approach comes from a frequent criticism of space syntax methods for lacking information on how buildings and terrain morphology influence the perception and use of public spaces in general and streets in particular. To solve this problem information on how façades relate with streets and especially information about the facades’ height should be considered essential to produce a richer and more accurate morphological analysis of street canyons and other open spaces. Parametric modelling of convex voids broadens the hitherto known concept of two-dimensional convex spaces considering surrounding facades’ height and topography as important inputs for volumetric representation of urban space. The method explores the analytic potentials of ‘convex voids’ and ‘solid voids’ in describing characteristics of open public spaces such as containment, openness, enclosure, and perceived enclosure, and using these metrics to analyse and classify urban open spaces.
keywords	Open public space; convex voids; solid voids; user-guided feature recognition
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2014_028
id	caadria2014_028
authors	Chaszar, André and Bige Tunçer
year	2014
title	Integrating User and Usage Information in a Design Environment
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 45–54
doi	https://doi.org/10.52842/conf.caadria.2014.045
summary	We describe research exploring and demonstrating the use of large-scale data gathering and processing to inform the activities of architectural and urban designers. We apply this research to public spaces in urban housing estates. The aim is to understand the current use patterns and usability of these spaces, and to adaptively redesign them according to the insights gained from these findings. Another aim of the research is to obtain scientific knowledge regarding the production and use of user-data-based design support systems which promote and enhance the capability of (digital) design aids, such as building- and urban-scale models, to act as ‘learning devices’ giving designers better insights to the nature of the design situations they are asked to address, as well as insights on design space definition and exploration. We adopt a multimodal data collection strategy, consisting of participatory workshops for residents and users, person-based crowdsourcing, location-based crowd sensing, and statistical demographics data.
keywords	integrated design environment; multi-modal data collection; data visualization; data analysis; public space design.
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	caadria2014_080
id	caadria2014_080
authors	Chian, Eugene and Patrick Janssen
year	2014
title	Exploring Urban Configurations for a Walkable New Town Using Evolutionary Algorithms
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 233–242
doi	https://doi.org/10.52842/conf.caadria.2014.233
summary	Multi-objective evolutionary algorithms have been successfully applied within various design domains in order to explore the trade-offs between conflicting design criteria. This research investigates how evolutionary algorithms can be used to develop urban configurations for walkable new towns, focusing in particular on the trade-off between travelling time using public transport and accessibility to open space. A population of optimised urban configurations was evolved and analysed, resulting in the identification of three differing typologies for walkable new towns.
keywords	Urban structure; transportation network; urban density; multi-objective evolutionary algorithms
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	sigradi2014_234
id	sigradi2014_234
authors	Ferreira de Arruda, Guilherme; Ana Paula Baltazar dos Santos
year	2014
title	Interface urbana digital em Catas Altas (MG): apontamentos para criação de redes plurais e dialógicas [Digital urban interface in Catas Altas (MG): notes for creating plural and dialogical networks]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 604-608
summary	This paper discusses the process of production of the prototype of R.I.C.A. (Catas Altas Ideas Network), a digital interface to trigger social transformation in the town of Catas Altas, Minas Gerais, Brazil, which is part of the Masters “From discourse to dialogue: urban digital interfaces for the recovery of the public realm”. It introduces Catas Altas and its social inequality showing the imbalance between the power of the mining companies that explore the town and its powerless population. It then presents the action research steps that informed the design of the interface R.I.C.A., both technically and socially, and the first use of the prototype empowering the community to discuss the public space.
keywords	Interface digital; esfera pública; diálogo; relações socio-espaciais
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	acadia14projects_173
id	acadia14projects_173
authors	Huang, Alvin
year	2014
title	Daegu Gosan Public Library
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 173-176
doi	https://doi.org/10.52842/conf.acadia.2014.173
summary	A proposal for a public library with intelligent, open and integrated systems which supersedes the media storage methods of the past and changes the library space into a hybrid environment through ubiquitous information resources, integrated furnishings and active communal social spaces
keywords	Intelligent Environments, Computational design analysis, New digital design concepts and strategies, Computational design research and education, Virtual/augmented reality and interactive environments, Practice-based and interdisciplinary computational design research
series	ACADIA
type	Practice Projects
email
last changed	2022/06/07 07:49

_id	ecaade2014_186
id	ecaade2014_186
authors	Maria Kerkidou, Anastasia Pechlivanidou-Liakata, Adam Doulgerakis and Alexandros Sagias
year	2014
title	Agents' movement_towards the reformation of public space - Step 1: select \| implement \| observe crowd rules
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 53-62
doi	https://doi.org/10.52842/conf.ecaade.2014.1.053
wos	WOS:000361384700004
summary	In order to enable designers to envision the behaviour of pedestrians with reference to specific environments, computational models of crowds and their movement become indispensable tools of evaluation as well as tools of creativity. In this paper, the model under development constitutes a generic model which incorporates ideas about agent-based systems. The simulation program comprises a support system for the designer to place virtual users in a context that bears analogous environmental traits of the area under study. The design problem which is addressed by the implementation deals with public squares for which the programmatic demands involve a broad spectrum of users of diverse idiosyncrasies. Our study attempts to elucidate how the variation in preferences of pedestrian movement which depend on various personal, situational and environmental factors, may influence the current use of a selected public space and underpin qualitative alterations compared to its initial design. The intent of the methodology is not to create a predictive tool of naturalistic human movement but to explore how spatial configuration can be assessed and developed through a simulation model of pedestrian behaviour.
keywords	Crowd simulation; spatial behaviour; pedestrian movement; public space
series	eCAADe
email
last changed	2022/06/07 07:59

_id	sigradi2014_197
id	sigradi2014_197
authors	Pereira, Gilberto Corso
year	2014
title	Representações da Cidade Contemporânea [Representations of the Contemporary City]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 516-519
summary	Representation is a key concept for understanding the social uses of technologies associated with manipulation, presentation, storage and maintenance of geographic information.This paper refers to forms of space representation, essentially derived from cartographic techniques, that bases many web applications which aid to promote the development of new forms of social interaction and influence the perception and use of public spaces. The paper discusses the relationship between spatial representation, spatial knowledge and technologies of representation and visualization of space.
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	sigradi2014_252
id	sigradi2014_252
authors	Pina Calafi, Alfredo; Benoit Bossavit, Isabel Sanchez Gil, Aitziber Urtasun, Benoit Bossavit
year	2014
title	Oteiza en movimiento: una herramienta tecnológica para el aprendizaje participativo en el Museo Oteiza [Oteiza in motion a tool for a collaborative learning at the Oteiza museum]
source	SIGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 255-258
summary	This paper presents an interdisciplinary work done at the Museum Oteiza near Pamplona, Spain during 2012 and 2013. The main goal is the use of low cost devices that allows natural interaction, Virtual and Augmented Realities to get the general public closer to the works and concepts of Oteiza through interactive serious games. The most difficult Oteiza’s concepts to understand are those related with the empty space or with time & space. We propose three different activities, shaped as serious game, that use the whole body to interact and play with these concepts. The result is a facility that has been installed at the entrance of the Museum and that can be used for free, before or after a visit to the museum. These activities were presented to 4 experts in Oteiza and the results are discussed. In addition, we gathered more comments after several groups of children tried the application in the museum.
series	SIGRADI
email
last changed	2016/03/10 09:57

_id	sigradi2014_281
id	sigradi2014_281
authors	Roça, Luciana Santos; Marcelo Tramontano
year	2014
title	Creative noise: considerations of sound design for public interventions
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay- Montevideo 12,13,14 November 2014, pp. 532-535
summary	Despite the interpretations of noise as a disturbance, interference or an unpleasant sound, noise is deeply related to cultural and social processes. This paper aims to discuss the use of non-musical sounds in public artistic interventions, based on a sound intervention conducted as part of an accomplished research, focusing the juxtaposition of sound and physical environments by the use of sound interfaces providing collective listening in public spaces. This research is also part of Nomads.usp, Centre of Interactive Living Studies, of the Institute of Architecture and Urbanism at the University of São Paulo.
keywords	Sound environment; urban intervention; public space; sound design; noise
series	SIGRADI
email
last changed	2016/03/10 09:59

_id	sigradi2014_172
id	sigradi2014_172
authors	Santos, Fábio Lopes Souza; Rafael Goffinet de Almeida
year	2014
title	Dan Graham e a cidade contemporânea: dispositivos espaciais, comportamentos e relações de poder
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 505-508
summary	Dan Graham became an important reference in contemporary art developing since the 1960´s a series of works that maintain a profound relation with urban cultural phenomena. This article proposes the analysis of his works produced over the 1970´s and 1980´s which presents the use of technical supports like video, exhibition and surveillance systems and which guided his earlier aesthetic research – related to the “institutional critique” – to the investigations about the power relations between objects, public and the space where they are placed.
keywords	Dan Graham; Contemporary Art; Contemporary Architecture; Contemporary City; Contemporary Spatiality
series	SIGRADI
email
last changed	2016/03/10 09:59

_id	ascaad2014_034
id	ascaad2014_034
authors	Shateh, Hadi and Mahbub Rashid
year	2014
title	The Relationship between the Governmental and Syntactic Cores: The case of Tripoli, Libya
source	Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 415-427
summary	This study examines the relationships between the governmental cores composed of the governor's palace and the buildings of ministries, and the syntactic cores composed of the most integrated spaces defined using the ‘Space Syntax’ techniques, over three historical phases of Tripoli, Libya: the early, colonial, and postcolonial phases. Tripoli was chosen for the study because each of its historical phases was distinguished by different political, social, and/or cultural systems. The early phase represented the Islamic systems; the colonial phase represented the Italian and British systems; and the post-colonial phase represented the regional-modern systems. The study looked at the relationships between the governmental cores and the syntactic cores of the city by overlapping the public/governmental buildings with the syntactic structures of the axial maps of six morphological frames (or maps) representing six morphological periods – two frames for each historical phase of the city. In the study, a close relationship between the governmental and syntactic cores was observed. During the early and colonial phases, the city had same governmental core but different syntactic cores. In contrast, during the post-colonial phase the city had different but overlapping governmental and syntactic cores. The study is important for it helps explain the role of the governmental and syntactic cores in the formation and transformation of the city over time. As a result, the study also helps explain the relationship between functional morphology, which examines the relationship between function and structure, and the spatial morphology, which examines the relationship among the spaces of a structure.
series	ASCAAD
email
last changed	2016/02/15 13:09

_id	acadia14projects_181
id	acadia14projects_181
authors	Wiscombe, Thomas
year	2014
title	National Center for Contemporary Arts
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 181-184
doi	https://doi.org/10.52842/conf.acadia.2014.181
summary	This proposal is a continuation of a body of work we call ‘objects wrapped in objects’, which deals with discrete, chunky objects gathered and squished together in a sack. This strategy creates complex interstitial spaces and layered interiority, making the contemporary museum a space of surprises and discrete experiences rather than an endless continuum of paths. Tristan Garcia, the object-oriented philosopher, talks about the infinite regress of things inside of things inside of things, except the world, which everything is inside of and therefore cannot itself be inside of something else. For him, the concept of a ‘sack’, literally, is a diagram of the conundrum of how things can simultaneously be autonomous from one another but also contain other things. This conundrum is the core of our proposal, in that the building should appear simultaneously as multiple autonomous objects but also as a larger, emergent object with its own properties. The vibration between these two ways of existing creates a visual indeterminacy that is alluring and durable.On the south side facing the Park, the sack is sliced open to reveal an incongruent inner world of stepped and stacked public space. This space is formed by way of an inner liner, which delaminates from the sack surface. Permanent gallery spaces are housed in the space between liner and sack. The building is re-enclosed with a glass membrane which is not coincident with the sack silhouette, creating an open-endedness or deferral of interiority in the project. Black jack-like objects house various other functions such as the temporary galleries, theaters, research area, library, and offices. The interstitial spaces between objects and sack are technically exterior space, but they are enclosed with infill glazing deep inside reveals. These spaces are inhabitable and contain the primary circulation of the building.The sack is articulated with architectural tattoos that subvert subdivision logics in favor of the freeform figuration allowed by composite construction. Tattoos are executed in such a way as to blur the edge between discrete objects and visually re-establish the larger object, as if qualities from the black objects begin to loosen and drift onto the sack. Finally, the building is squished into a ‘ground object’ which is in turn squished into the land. The looseness between building and ground object allows for passage underneath the building. The looseness between ground object and land emphasizes the object-hood of the building complex. This move contrasts with exhausted ideas of buildings becoming landscape or otherwise disappearing into context
keywords	Material Logics and Tectonics, Computational Design Research
series	ACADIA
type	Practice Projects
email
last changed	2022/06/07 07:57

_id	ecaade2014_188
id	ecaade2014_188
authors	Anette Kreutzberg
year	2014
title	New Virtual Reality for Architectural Investigations
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 253-260
doi	https://doi.org/10.52842/conf.ecaade.2014.2.253
wos	WOS:000361385100027
summary	Visually decoding and evaluating digital 3D models in proper scale on screen from within 3D modelling software can be quite difficult due to random zoom-factors, Field of View (FOV) and eye height. Motion and interactive bodily grounded examinations are helpful factors that can be enhanced with the use of Virtual Reality (VR). The purpose of this phenomenological study is to address these difficulties of perception of scale by introducing a Virtual Reality Head Mounted Display (HMD) as an exploration tool and outlining possible ways of utilising this tool in architectural teaching. To achieve the purpose findings of perception of scale and distance; level of abstraction; navigation; and simulator sickness will be discussed in relation to architectural investigation in VR. This will be based on the experiences and findings during two workshops with architecture students qualifying their conceptual designs with the VR HMD.
keywords	Virtual reality; level of abstraction; oculus rift hmd; perception of scale; simulator sickness
series	eCAADe
email
last changed	2022/06/07 07:54

_id	caadria2021_089
id	caadria2021_089
authors	Cristie, Verina, Ibrahim, Nazim and Joyce, Sam Conrad
year	2021
title	Capturing and Evaluating Parametric Design Exploration in a Collaborative Environment - A study case of versioning for parametric design
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 2, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 131-140
doi	https://doi.org/10.52842/conf.caadria.2021.2.131
summary	Although parametric modelling and digital design tools have become ubiquitous in digital design, there is a limited understanding of how designers apply them in their design processes (Yu et al., 2014). This paper looks at the use of GHShot versioning tool developed by the authors (Cristie & Joyce, 2018; 2019) used to capture and track changes and progression of parametric models to understand early-stage design exploration and collaboration empirically. We introduce both development history graph-based metrics (macro-process) and parametric model and geometry change metric (micro-process) as frameworks to explore and understand the captured progression data. These metrics, applied to data collected from three cohorts of classroom collaborative design exercises, exhibited students' distinct modification patterns such as major and complex creation processes or minor parameter explorations. Finally, with the metrics' applicability as an objective language to describe the (collaborative) design process, we recommend using versioning for more data-driven insight into parametric design exploration processes.
keywords	Design exploration; parametric design; history recording; version control; collaborative design
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ascaad2014_025
id	ascaad2014_025
authors	Elias-Ozkan, Soofia T. and Hatem Hadia
year	2014
title	Teaching and Learning Building Performance Virtualisation
source	Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 323-330
summary	Building performance simulation tools have indeed eased the task of evaluating a building’s performance from the point of view of lighting design, heating and cooling loads, total energy loads, acoustic properties, natural lighting, ventilation, smoke and fire containment etc. However, to use these tools correctly, not only is theoretical knowledge required but also insight that can only be attained after substantial experience. For example, in order to evaluate the thermal performance alone, one needs to understand climatology, material properties, building physics, HVAC systems, internal and external gain factors, solar impacts, etc. to name a few. Hence, teaching students of Architecture how to use these tools, and also to interpret the results properly, is a tall order. This paper reports on insights gained through teaching courses on building performance simulations to graduate students in the Department of Architecture. The course content was varied each term and a different simulation software was used; namely: ECOTECT, Energy Plus and Design Builder. Data presented here will also contain feedback from the course students regarding the modelling process of the buildings, inputting the data, simulating their performance, and evaluating the results. Also, the difficulties faced during the various steps as well as the drawbacks of the tools will be discussed in depth.
series	ASCAAD
type	normal paper
email
last changed	2021/07/16 10:36

_id	ecaade2014_226
id	ecaade2014_226
authors	Huda Salman
year	2014
title	Linkography for evaluating ideas connectivity of Computer Aided Design-based protocols
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 573-581
doi	https://doi.org/10.52842/conf.ecaade.2014.1.573
wos	WOS:000361384700057
summary	This paper presents the analysis of four design protocols, using linkography, to characterise participants' design interaction and activity while designing with CAAD programs. The participants were final year students, who have spent at least four years in a school of architecture and were confident CAAD users. The conceptual structure and linkability of ideas was assessed using the Linkography method. The findings demonstrated that, for the same design problem, the conceptual structure and linkability of ideas can be assessed using the Linkography method. Furthermore, what characterised the continuity of CAAD design protocols is the number of ideas in association with design moves along the timeline of the design process.
keywords	Linkography; conceptual phase; design process; ideas connectedness; caad
series	eCAADe
email
last changed	2022/06/07 07:50

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