CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 20 of 248

_id acadia14_229
id acadia14_229
authors Georgiou, Michail; Georgiou, Odysseas; Kwok, Theresa
year 2014
title Form Complexity - Rewind | ‘God’s Eye’ Sukkahville 2013
source ACADIA 14: Design Agency [Proceedings of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9781926724478]Los Angeles 23-25 October, 2014), pp. 229-236
doi https://doi.org/10.52842/conf.acadia.2014.229
summary A bottom-up, multidisciplinary approach, redefining design and construction of complex forms through integration of material properties, fabrication constraints and construction logistics.
keywords Material Logics & Tectonics, Performance in Design, Computational design research and education, Practice-based and interdisciplinary computational design research, Digital fabrication and construction, New digital design concept and strategies
series ACADIA
type Normal Paper
email
last changed 2022/06/07 07:51

_id ecaade2014_144
id ecaade2014_144
authors Michail Georgiou, Odysseas Georgiou and Theresa Kwok
year 2014
title Affordable Complexity - 'God's Eye' - Sukkahville 2013
source Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 169-177
doi https://doi.org/10.52842/conf.ecaade.2014.2.169
wos WOS:000361385100018
summary The paper presents a novel approach on the design of complex forms by re-formulating the relationships between form, structure, material, fabrication and construction. It is proposed that current design models are supplemented by feedback-enabled frameworks, integrating material properties, fabrication constraints and construction logistics. As such, a series of input parameters based on industry standards, filtered through physical testing and digital simulations, feed a central computational model. The outcome is weighed against a set of objectives towards an optimum design solution which embodies construction logic while ultimately opposing costly inflated ad-hoc solutions. Within the above framework and as part of a broader research conducted at [ARC], this paper illustrates a design methodology implemented at the case study of 'God's Eye', winning entry of Sukkahville 2013 International Design Competition. It is further supported that a high tech, interdisciplinary design process based on efficient material assemblies allows for a complex, yet efficient end result, through low tech affordable construction.
keywords Material-based design; design process; construction logistics; interdisciplinary design; computational design
series eCAADe
email
last changed 2022/06/07 07:58

_id ijac201412402
id ijac201412402
authors Veloso, Pedro L. A.
year 2014
title Cybernetic diagrams: design strategies for an open game
source International Journal of Architectural Computing vol. 12 - no. 4, 379-398
summary This paper investigates the use of diagrams related to cybernetics and information theory in experimental design practices in the 1960s and 1970s.Those diagrams are investigated in light of Vile_m Flusser’s concept of game, which mediates the modus operandi of computers and possible strategies for design based on distributed cognition.The research adopts the interpretative method to analyze the diagram proposed by cyberneticist Gordon Pask for Fun Palace, the diagrams produced by utopian architect Yona Friedman in the conceptual description of the Flatwriter program and Christopher Alexander’s diagrams for his theories of Synthesis of Form and Pattern Language. In the end, it establishes a brief parallel between current debates of computational design with the cybernetic diagrams, highlighting differences in their approach to complexity and design knowledge.
series journal
last changed 2019/05/24 09:55

_id ascaad2014_006
id ascaad2014_006
authors Badrani, Hayet and Bernard Duprat
year 2014
title Analysis of Produced Form and Innovation in Architectural Design
source Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 85-97
summary This paper is about the analysis of architectural objects; it follows and compares the form’s variation. In fact, a collection of buildings can be characterized by the morphology decomposition or the morphometric treatment. Operating method is put in place to study the possible arrangements of the basic components according to morphotic structures and predefined relations. Based on the questions about the produced form, this method promotes a creative situation; it can support and help teaching innovation in the field of architectural design.
series ASCAAD
email
last changed 2016/02/15 13:09

_id ecaade2014_233
id ecaade2014_233
authors Evangelos Pantazis and David Gerber
year 2014
title Material Swarm Articulations - New View Reciprocal Frame Canopy
source Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 463-473
doi https://doi.org/10.52842/conf.ecaade.2014.1.463
wos WOS:000361384700046
summary Material Swarm Articulations, is an experiment in developing a multi-objective optimization system that incorporates bottom up approaches for informing architectural design. The paper presents an initial built project that demonstrates the combination of a structural form finding method, with an agent based design system through the digital fabrication processes. The objective of this research is to develop a workflow combined with material and construction constraints that has the potential to increase performance objectives while enabling geometric complexity and design driven articulation of a traditional tectonic system. The emphasis of the research at this stage is to take advantage of material properties and assembly methods applied to a digital design and simulation workflow that enables emergent patterns to influence the performance of the space.The paper illustrates the research through a prototype of a self standing canopy structure in 1:1 scale. It presents results of the form finding, generative patterning, digital fabrication affordances and sets and agenda for next steps in the use of multi-agent systems for design purposes.
keywords Computational design; agent-based system; digital fabrication; parametric design; reciprocal frames; form finding; multi-objective optimization, multi-agent systems for design
series eCAADe
email
last changed 2022/06/07 07:55

_id caadria2014_109
id caadria2014_109
authors Gokmen, Sabri
year 2014
title "Formative Impulse": A Theoretical Outline for the Study of Goethean Morphology Using Computation
source Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 863–872
doi https://doi.org/10.52842/conf.caadria.2014.863
summary In this paper a theoretical and computational framework for a contemporary study of morphogenesis will be presented using a pulsation model. This study will revisit some of the valuable historical ideas on form developed by Goethe in the late eighteenth century. This investigation will be developed in three main parts. In the first part a brief outline of Goethe’s scientific methodology will be described positioning his achievements against the epistemology of Kant. In the second part Goethe’s main works on morphology will be presented with a focus on his botanical writings. Using a fragment titled "Formative Impulse" some of Goethe’s ideas on polar tendencies and metamorphosis will be used for a computational framework in the final part. By bridging among history, theory and technology the paper aims to present a novel approach to the study of computational form and growth in architecture.
keywords Goethe; morphogenesis; pulse; computation
series CAADRIA
email
last changed 2022/06/07 07:50

_id caadria2014_108
id caadria2014_108
authors Gokmen, Sabri
year 2014
title "Tangle Jungle": An Experimental Project to Combine Collaboration and Craftsmanship in Digital Design Pedagogy
source Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 13–22
doi https://doi.org/10.52842/conf.caadria.2014.013
summary Tangle Jungle was an experiment in an alternative method of design and making for the digital age. The aim of the project was to interpret and reenact traditional craftmanship through today's digital tools. For a particular study on the subject, we looked at the theory and works of William Morris. Morris had an exceptional taste for medieval art and produced, among other things, hand-woven carpets that are still studied today. Morris reinvented the art of his time by reviving pre-industrial modes of production and designs. Today, the digital age is experiencing a similar paradigm shift. Digital tools already work, in many instances, as a direct extension of the hands of a new breed of digital artisan makers. It is possible to assess that the digital is getting closer to Morris's notion of craftsmanship. Tangle Jungle became a testing ground for this historical connection, bringing forth the question, can we redefine our own digital craftsmanship as a form of digitally reenacted Gothic revival?
keywords William Morris; Craft, Fabrication; Digital Design; Gothic.
series CAADRIA
email
last changed 2022/06/07 07:50

_id caadria2014_096
id caadria2014_096
authors Grobman, Yasha and Roy Kozlovsky
year 2014
title On the Shores of Architecture
source Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 853–862
doi https://doi.org/10.52842/conf.caadria.2014.853
summary This paper explores the implications of complex geometry enabled by computational technology to architectural theory and practice. It reviews the different design paradigms engaged breaking the horizontality of the floor and ceiling or fusing them together. It argues that current advances in fluid dynamics simulations open a new frontier in the conception of the usable architectural surface, in which the architectural product is no longer a fixed object, but the interaction between a fluid, changing environment and built form. The paper presents a case study in which computational fluid dynamics are utilized to reconvert a disused breakwater into a ‘blue garden’. The morphology of the breakwater and its texture are calculated to produce the conditions amiable for supporting a varied marine ecosystem, and to shape the waves to generate aesthetically meaningful sensations. The essay discusses the technical and conceptual challenges of controlling the nonlinear behaviour of fluids. It then speculates on the theoretical ramifications of having the surface interact with exterior forces and the subject's imagination to produce an event enfolding in time.
keywords Computational fluid dynamics; curvilinear surfaces; performance design theory; habitat engineering; coastal infrastructure
series CAADRIA
email
last changed 2022/06/07 07:51

_id sigradi2014_123
id sigradi2014_123
authors Hu, Yongheng; Qinying Li
year 2014
title Study on an Architect-Oriented approach of Structural Performance-based Design
source SIGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay- Montevideo 12,13,14 November 2014, pp. 111-114
summary For most architects, it is not easy to transform their free form of designs into constructable building without precise knowledge structural design and more often the architect need ask structural engineer for consultation. Yet the structural performance of building itself provides possibility for the architect to explore a new form-finding procedure and An approach is introduced in this article and it could be adopted by architects concerning the works of predicting the structural performance in the early design stage. The approach has been developed throughout the architecture history and recently it turns into a computational methodology for architectural design. This article analysis the structural performance design history in architect’s view, compares and explain the current Structural performance-based design methodology and evaluate its value for architecture design.
keywords Performance-Based Design; Structural Optimization; Form-Finding; Computational Design; Tectonic Innovation
series SIGRADI
email
last changed 2016/03/10 09:53

_id caadria2014_177
id caadria2014_177
authors Jonas, Katrin; Alan Penn and Paul Shepherd
year 2014
title Designing with Discrete Geometry
source Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 513–522
doi https://doi.org/10.52842/conf.caadria.2014.513
summary There has been a shift in aesthetics from the modern orthogonal building envelope to more elaborate curved and folded forms. Non_orthogonal forms are often associated with complete freedom of geometry, entrusting the advancement in custom manufacturing and robotic fabrication of one-off building parts to realise the design. This paper presents a methodology that allows non_orthogonal surfaces to be designed using a constrained library of discrete, tessellating parts. The method enables the designer both to produce ‘approximations’ of freeform designs in a top_down manner or to generate ‘candidate’ designs in a bottom_up process. It addresses the challenge in the field of design engineering to generate architectural surfaces which are complex, yet simple and economical to construct. The system relates to the notion that complexity derives from simple parts and simple rules of interaction. Here complexity relates to the holistic understanding of a structure as an interaction between its local parts, global form and visual, as well as functional performance.
keywords Geometry system; form generation; form growth; discrete growth model; design tool; complex geometry
series CAADRIA
email
last changed 2022/06/07 07:52

_id caadria2014_037
id caadria2014_037
authors Khoo, Chin Koi
year 2014
title Designing a Responsive Material System with Physical Computing
source Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 97–106
doi https://doi.org/10.52842/conf.caadria.2014.097
summary This paper focuses on an investigation to explore architectural design potentials with a responsive material system and physical computing. Contemporary architects and designers are seeking to integrate physical computing in responsive architectural designs; however, they have largely borrowed from engineering technology’s mechanical devices and components. There is the opportunity to investigate an unexplored design approach to exploit the responsive capacity of material properties as alternatives to the current focus on mechanical components and discrete sensing devices. This opportunity creates a different design paradigm for responsive architecture that investigates the potential to integrate physical computing with responsive materials as one integrated material system. Instead of adopting highly intricate and expensive materials, this approach is explored through accessible and off-the-shelf materials to form a responsive material system, called Lumina. Lumina is implemented as an architectural installation called Cloud that serves as a morphing architectural skin. Cloud is a proof of concept to embody a responsive material system with physical computing to create a reciprocal and luminous architectural intervention for a selected dark corridor. It represents a different design paradigm for responsive architecture through alternative exploitation of contemporary materials and parametric design tools.
keywords Physical computing; responsive material systems; adaptive architecture
series CAADRIA
email
last changed 2022/06/07 07:52

_id caadria2014_102
id caadria2014_102
authors Lopes, João V.; Alexandra C. Paio and José P. Sousa
year 2014
title Parametric Urban Models Based on Frei Otto’s Generative Form-Finding Processes
source Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 595–604
doi https://doi.org/10.52842/conf.caadria.2014.595
summary Presently there is a progressive tendency to incorporate parametric design strategies in urban planning and design. Although the computational technologies that allow it are recent, fundamental theories and thinking processes behind it can be traced back to the work conducted at the Institute for Lightweight Structures (IL) in Stuttgart, between the 1960’s and 1980’s. This paper describes an experimental urban research work based on Frei Otto and Eda Schaur's thoughts on unplanned settlements, and on the form-finding experiences carried out at IL. By exploring the digital development of parametric and algorithmic interactive models, two urban design proposals were developed for a site in Porto city. Out of this experience, this paper suggests that today the act of design can benefit from a deeper understanding of the natural processes of occupation and connection.
keywords Parametric urbanism; generative design; form-finding; Frei Otto
series CAADRIA
email
last changed 2022/06/07 07:59

_id ecaade2014_080
id ecaade2014_080
authors Sevil Yazici
year 2014
title Efficiency in Architectural Geometry Informed by Materials
source Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 547-554
doi https://doi.org/10.52842/conf.ecaade.2014.1.547
wos WOS:000361384700054
summary Although some studies investigate physics-based dynamic systems to generate structurally efficient forms by incorporating geometry with performance requirements, there is a gap in the field questioning on how to link structurally efficient architectural geometry with mechanical properties of materials. The aim of this paper is to question the possibility of generating an information loop in which Young's Modulus, stiffness of the material may both inform the form-finding process and the structural performance simulation. The proposed method offers steps including form-finding, series of analyses applied for architectural geometry and structural performance, as well as optimization. Based on the simulation results, efficiency values are calculated driven by the use of different materials. The significance of incorporating material properties in the early design stage is underlined, by comparing differences, whether the stiffness of material informs the form-finding process or not.
keywords Form-finding; material; architectural geometry; finite element method; optimization
series eCAADe
email
last changed 2022/06/07 07:57

_id ecaade2014_176
id ecaade2014_176
authors Sina Mostafavi and Matthew Tanti
year 2014
title Design to fabrication integration and material craftsmanship - A performance driven stone architecture design system based on material, structural and fabrication constraints and criteria
source Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 445-454
doi https://doi.org/10.52842/conf.ecaade.2014.1.445
wos WOS:000361384700044
summary This paper presents a computational design methodology through describing of a case study on stone building system. In addition to establishing a performance driven form-finding methodology, the objective is to redefine local craftsmanship methods as industrial fabrication techniques in order to introduce the constructability of the design solutions as one of the main performance criteria. Therefore, the focus of the methodology is to facilitate architectural design processes through developing of customized computational design tools and workflows for data integration and concurrent performance evaluation. The research starts with the hypothesis that the technological advancements in digital design and fabrication can lead to re-exploration and improvement of traditional building techniques with local materials. The paper explains different stages of the methodology and the way the chained design to fabrication processes would lead to constructible, structurally possible and optimal design solutions of small scale and simple symmetric design solutions to complex topologies at the scale of larger complex buildings.
keywords Digital materiality ; design information exchange; compression-only stone structure; computer aided craftsmanship ; robotic fabrication
series eCAADe
email
last changed 2022/06/07 07:56

_id ecaade2014_122
id ecaade2014_122
authors Sophia Vyzoviti and Nicolas Remy
year 2014
title Acoustically Efficient Origami Based Partitions for Open Plan Spaces - Developing a Design Tool
source Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 487-494
doi https://doi.org/10.52842/conf.ecaade.2014.1.487
wos WOS:000361384700048
summary The paper investigates the management of acoustic and privacy problems in open-plan spaces through the implementation of lightweight architectural partitions developed by origami tessellations. Integrating knowledge from parametric modelling, acoustics and design for user needs, a design tool for acoustically efficient, flexible, interior partition systems is developed. The paper elaborates on three components of the design tool: form generation, acoustic performance and spatial performance. The form generation component employs parametric models of origami tessellations to generate the partition system. The acoustic performance component employs acoustic simulation and prediction to regulate the containing volume as well as the system's surface materials. The spatial performance component evaluates form and material through qualitative criteria for privacy and flexibility according to user needs.
keywords Parametric origami; acoustic design; interior partition systems, design tool development
series eCAADe
email
last changed 2022/06/07 07:56

_id ascaad2014_010
id ascaad2014_010
authors Stevens, James and Ralph Nelson
year 2014
title Digital Vernacular: Practicing architectural making
source Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 137-147
summary Prior to the Industrial Age, most architecture was created by the master craftsman or within the vernacular trades where “design” and “making” were aligned. The Industrial Age, and most recently the Information Age, shifted the role of the architect away from that of the “master craftsman” to the professional “knowledge worker.” As a result, a divide between design and making in the practice of architecture occurred.  This shift impacted an essential part of the architect’s process by degrading the symbiotic relationship between mind and hand and limiting the immediate design consequences that only making can provide. But recent technological developments have changed the economic model of design and making in architectural practice and re-established this lost connection. Most importantly, it has provided new opportunities for craft, design, and architectural practice to align. The purpose of this paper is to examine these new opportunities and define what constitutes the digital vernacular. The paper will seek to define the digital vernacular by evaluating each of the following variables: materials, knowledge, and tools. Using normative practice as a control, the paper will conduct a comparative analysis of these variables by examining economic viability (cost-to-wage ratios), logistical feasibility (training & facilities), and skillset availability within the domain of architecture (insourced versus outsourced). Using this data, and resulting guidelines, the paper will demonstrate the successes and failures of a practice using the digital vernacular as its primary project delivery methodology. The focus of this research is not to build an inventory of equipment and methods; rather it is to develop a higher understanding of what constitutes vernacular practice within the digital age. Exploring the digital vernacular is not intended to seek new form-making, but to improve and inform understanding of traditional vernacular methods and to enable a new generation of master craftsmen. This clarity is imperative as to ensure the quality of design and making with emerging technologies and help to prevent high-volume, low-quality results.
series ASCAAD
email
last changed 2016/02/15 13:09

_id acadia14projects_51
id acadia14projects_51
authors Sugihara, Satoru
year 2014
title A(g)ntense : Installation of swarm formation and agent based self-optimization of tensile and compression structure
source ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 51-54
doi https://doi.org/10.52842/conf.acadia.2014.051
summary A(g)ntense installation is an experiment to take an agent-based approach to structurally integrated architectural design through simulation of material physics simulation agents and generative form-finding agents based on the swarm algorithm.
keywords Multi Agent Systems in Design, Material Agency, Simulation + Intuition, Generative Design, Material Logics and Tectonics, Digital fabrication and construction
series ACADIA
type Research Projects
email
last changed 2022/06/07 07:56

_id acadia14_33
id acadia14_33
authors Taron, Joshua; Parker, Matthew
year 2014
title Bounded Agency: Integrating informed multi-agent systems within architectural subtractions
source ACADIA 14: Design Agency [Proceedings of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9781926724478]Los Angeles 23-25 October, 2014), pp. 33-42
doi https://doi.org/10.52842/conf.acadia.2014.033
summary This paper explores the development and application of informed multi-agent systems (IMAS) as a means of programming spaces generated through the subtraction of built form at both urban and architectural scales. We argue that IMAS are distinct from multi-agent systems (MAS) due to their adeptness at responding to and conditioning complex, data-rich territories that require an open program while also benefiting from top-down constraints that delimit the system’s edges.
keywords Multi Agent Systems in Design, Subtractive Design Methodologies. Performance Analysis, User-friendly Design
series ACADIA
type Normal Paper
email
last changed 2022/06/07 07:56

_id acadia14projects_255
id acadia14projects_255
authors Troufanov, Nikita; Huller, Brennen
year 2014
title Rheological Translations
source ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 255-258
doi https://doi.org/10.52842/conf.acadia.2014.255
summary Rheological Translations project explores the idea of material agency through a process of translations between multiple media. Using robotically precise technique of rotational resin casting and subsequent scanning of the resulting artifacts, the project proposes an architectural construct that is ‘precisely inexact’.
keywords Robotics and Autonomous Design Systems, Material Agency, Resin Casting, Form Studies, 3D Scanning
series ACADIA
type Student's Research Projects
email
last changed 2022/06/07 07:57

_id caadria2014_061
id caadria2014_061
authors Zavoleas, Yannis
year 2014
title Computational Thinking with Analogue and Digital Means
source Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 843–852
doi https://doi.org/10.52842/conf.caadria.2014.843
summary By elaborating on the significance of the drawing in the architectural avantgarde of the 1960s, the paper’s primary scope is to weave a thread between late modernism and contemporary research in computational design. The architectural drawing is presented as an abstract means aiding design research. The more recent notion of performative drawing evokes adaptability, being a critical precondition that responds to diverse design aims in interactive manners. Performative drawing's function may further be linked to patterns, a recurring research theme during late modernism. Thinking in (and with) patterns recalls approaching design problems through malleable schemas that hold design data, according to which they are being transformed. In respect, the present paper delves into the analogies between the manipulation of patterns with the use of drawings during late modernism and parametric processes developed through simulation patterns of the current era. Through this comparison, it becomes possible to stress out the operative significance of methodologies and conceptual means in the architectural making as tools that are being used primarily for the exploration of form’s dynamic behaviour.
keywords Patterns; parametric architecture; late modernism; performative drawing; simulation
series CAADRIA
type normal paper
email
last changed 2022/06/07 07:57

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