Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ascaad2014_033
id	ascaad2014_033
authors	Al-Mousa , Sukainah Adnan
year	2014
title	Temporary Architecture: An urban mirage
source	Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 405-413
summary	One of the emerging multidisciplinary contemporary art practices is interactive installation art, which is concerned with constructing a temporary artistic environment that is digital, responsive and engaging. It is usually displayed within existing architectural context whether indoor in a gallery space or outdoor in a public space. Recent examples of such art projects show that interactivity and illusion are effectively present and highly influential in the perception and memory of the place. A digital display on a building façade can remain attached to the history of the site in the spectator’s memory even after the display is removed. An interactive space that involves body response and emotional sensory interaction can determine the narrative perceived from the experience. These trends seemingly bring together the physical context and the digital space to contain the spectator. The two mediums are merged to provide a new genre of space, hence a new mode of perception where the art space mediates people’s movement and overlay the context with new meanings. Multiple backgrounds are involved in the creative process of interactive installation art, all of which involve examining various concepts through artistic engagement with temporary spaces. Here, particularly because of interactivity and immerseveness, the spectator becomes part of the performance (the subject); with his moving and reacting he activates the narrative and probably gives it its shape. This paper aims to explore the potentials of the digital spatial display to enhance or weaken our sense of belonging to the surrounding environments while creating an illusionary space within the real physical one. It also aims to discuss how this influence would affect the memory of the mixed experience; the installation being digital, temporary and illusive and the space being physical, permanent and real. What happens to the “spectator” when contained by the digital-interactive and the physical medium(s)?. In order to unfold the mentioned questions, the study uses theories of perception and performance reflected on live case studies of recent art projects where the researcher becomes a member of the audience and an observer at the same time in order to trace the journey inside this new medium. In an era where time is being more difficult to grasp and identities of visual culture is becoming more difficult to define, temporary responsive environments can provide some openings where space becomes durational, yet, influential, and where people’s movements become more meaningful in the visual terrain.
series	ASCAAD
email
last changed	2016/02/15 13:09

_id	ecaade2015_143
id	ecaade2015_143
authors	Symeonidou, Ioanna
year	2015
title	Flexible Matter - A Real-Time Shape Exploration Employing Analogue and Digital Form-Finding of Tensile Structures
doi	https://doi.org/10.52842/conf.ecaade.2015.2.135
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 135-142
summary	The paper presents a research on real-time shape exploration employing analogue and digital form-finding and concludes with a proposal for a teaching methodology that led to an intensive student workshop which took place at Graz University of Technology during 2014. The aim was to experiment with analogue and digital tools in parallel, counter-informing the design process. The experiments involved physical form-finding following the tradition of Frei Otto at the Institute of Lightweight Structures in Stuttgart as well as computational form-finding employing mainly dynamic relaxation techniques of spring-particle systems. The combination of techniques and methodologies eventually led to a feedback loop across different media that explored both qualitative and quantitative characteristics of the projects at hand. By establishing feedback between digital media and physical prototypes, the creative process is immediately informed by the material characteristics and properties which in turn give rise to a real-time exploration of form.Simulations of physical forces for architectural form generation are increasingly gaining ground in architectural education as there is a broad selection of computational tools readily available that allow quick experiments to be conducted.
wos	WOS:000372316000017
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=12e288be-6e8c-11e5-a73c-5fc23ebf2095
last changed	2022/06/07 07:56

_id	acadia14_317
id	acadia14_317
authors	Andrew, Mullenix, Ryan
year	2014
title	Digitally Designing Collaboration: Computational Approaches to Process, Practice, and Product
doi	https://doi.org/10.52842/conf.acadia.2014.317
source	ACADIA 14: Design Agency [Proceedings of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9781926724478]Los Angeles 23-25 October, 2014), pp. 317-326
summary	In this paper we present recent experiences, research and thinking at NBBJ on the topic of collaboration, and how parametric models and algorithmic tools can facilitate and shape the collaboration between designers, between designers and clients, and between the end users of architecture.
keywords	Design Computation Best Practices, Collaborative Design Agency, Parametric Modeling, Architect-Client Relationships, Multi-User Parametric Modeling, Practice-based computational design research, Design Decision Making
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:54

_id	ecaade2014_133
id	ecaade2014_133
authors	Armando Trento, Antonio Fioravanti and Francesco Rossini
year	2014
title	Health and Safety Design by means of a Systemic Approach - Linking Construction Entities and Activities for Hazard Prevention
doi	https://doi.org/10.52842/conf.ecaade.2014.1.633
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 633-642
summary	Education and Research in Computer Aided Architectural Design in Europe faces many urgent tasks. Among the Architecture, Engineering and Construction (AEC)international scientific societies, only few researches systematically investigate on how to integrate the design solutions with Health and Safety (HS) planning measures, enhancing a collaborative “fusion” of all involved actors in Design and Construction decision making. Process automation cannot be enhanced until design/management tools, such as Building Information Models, can rely only on entities formalised "per se" geometrical items fulfilled by isolated-object specific information. To face complex problems, BIM models should be able to implement and manipulate multiple sets of entities, qualified by clearly established relationships, belonging to organically structured and oriented (sub-) systems. This paper reports on an early stage research project, focused on the identification of operative rules for Health and Safety design. Implementation on the unique case study of Palazzo della Civiltà Italiana functional refurbishment faces two main objectives: one, more pragmatic, is concerned with boostingworkers education about non-standard operative tasks, by means of accurate ad-hoc construction narrative visualisation; another one, more challenging and theoretically complex, consists in modelling "judgment-based" rules, aimed at supporting automated reasoning in Safety Design.
wos	WOS:000361384700063
keywords	Construction hazards prevention through design; project construction management and visualization; health and safety management; risk modelling; knowledge representation
series	eCAADe
email
last changed	2022/06/07 07:54

_id	sigradi2014_176
id	sigradi2014_176
authors	Baltazar, Ana; Estevam Gomes
year	2014
title	Interface para telecomunicação bidirecional não verbal em tempo real [Interface for nonverbal bidirectional real-time telecommunication]
source	SIGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 231-235
summary	This paper presents the development of a telepresence interface intended to investigate the possibility of a “place” for remote meeting. The main goal is to create a shared realm making users act remotely to expand their senses of presence and belonging. By using spatialized sensors and actuators it is possible to transform a room in a telecommunication device. The interface does not seek to replace other telecommunication technologies but to create a new way for autonomous communication which might also complement the existent ones.
keywords	Remote; Non-verbal communication; Presence; Telecommunication; Physical computing
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	caadria2014_207
id	caadria2014_207
authors	Beorkrem, Christopher and Charles Davis II
year	2014
title	A Primitive Parametric
doi	https://doi.org/10.52842/conf.caadria.2014.893
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 893–902
summary	This paper describes the products of an exhibition organized by the authors that speculatively reconstructed the ‘long history’ of Architectural Biology to recover the cultural potential of biological metaphors in contemporary architecture. The extended historical timeline of the show spanned from the second half of the nineteenth century to the present. However, in contrast to previous shows that have isolated modern architects’ interests in the formalist principles of biology, this show examined the formal and cultural prerogatives of modern architects in tandem with one another. This historical framework encouraged the speculative analysis of the social and political relevance of contemporary claims, which inherently challenges the ahistorical bias of the postcritical debates that emerged in the new millennium. Widening our gaze to examine the ‘long history’ of biological metaphors in architecture enabled us to recuperate the cultural significance that biological references have accrued within the discipline of architecture. This disciplinary history promises to repair the historical amnesia that has beset contemporary architects who limit their analysis of biology to formalist principles of design. A key component of the exhibit was the conceptual pairing of the ‘primitive’ (cultural) concerns of nineteenth-century figures with the ‘parametric’ (formal) concerns of postwar and contemporary architects. Using Gottfried Semper as a representative figure for the former position, we reinterpreted the inherent cultural meaning of postwar and contemporary architectural works, including those completed by Frei Otto, Achim Menges, Lars Spuybroek, SHoP, and Evan Douglis. The material potential of this approach was expressed in the making of analytical maps, digital models, and conceptual drawings that explored the latent ‘primitive’ themes of contemporary ‘parametric’ designs.
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2014_108
id	caadria2014_108
authors	Gokmen, Sabri
year	2014
title	"Tangle Jungle": An Experimental Project to Combine Collaboration and Craftsmanship in Digital Design Pedagogy
doi	https://doi.org/10.52842/conf.caadria.2014.013
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 13–22
summary	Tangle Jungle was an experiment in an alternative method of design and making for the digital age. The aim of the project was to interpret and reenact traditional craftmanship through today's digital tools. For a particular study on the subject, we looked at the theory and works of William Morris. Morris had an exceptional taste for medieval art and produced, among other things, hand-woven carpets that are still studied today. Morris reinvented the art of his time by reviving pre-industrial modes of production and designs. Today, the digital age is experiencing a similar paradigm shift. Digital tools already work, in many instances, as a direct extension of the hands of a new breed of digital artisan makers. It is possible to assess that the digital is getting closer to Morris's notion of craftsmanship. Tangle Jungle became a testing ground for this historical connection, bringing forth the question, can we redefine our own digital craftsmanship as a form of digitally reenacted Gothic revival?
keywords	William Morris; Craft, Fabrication; Digital Design; Gothic.
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	ecaade2014_020
id	ecaade2014_020
authors	Hans J.C. Hubers, Michela Turrin, Irem Erbas and Ioannis Chatzikonstantinou
year	2014
title	pCOLAD: online sharing of parameters for collaborative architectural design
doi	https://doi.org/10.52842/conf.ecaade.2014.2.039
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 39-48
summary	Simultaneous interdisciplinary architectural design from the very start of a project faces challenges in properly sharing information across disciplines. This research developed a method and related digital tool to improve collaborative design and aimed at making selected information to be shared faster and more transparently. The method consists of developing alternative parametric solutions for different parts of the design in such a way that crucial parameters form a link between these parts. The digital tool has been developed for Grasshopper and permits synchronic (real-time over the Internet) and a-synchronic sharing of these parameters. The design alternatives are evaluated with specific criteria, pros and cons in an Internet Forum and discussed via a video-conferencing tool. Decisions are then taken in a collaborative manner through voting. The paper describes the method based on a case study.
wos	WOS:000361385100003
keywords	Parametric; collaborative; design; plug-in; stadium
series	eCAADe
email
last changed	2022/06/07 07:50

_id	caadria2014_237
id	caadria2014_237
authors	Imbern, Matias
year	2014
title	(Re)Thinking the Brick: Digital Tectonic Masonry Systems
doi	https://doi.org/10.52842/conf.caadria.2014.211
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 211–220
summary	"The introduction of digital tools in the production of architecture undoubtedly constitutes the main force behind contemporary architectural innovation. In addition, the interaction of digital technologies with analog craft manufacturing -a rather unexplored field of study- suggests a wide range of novel opportunities. This research focuses on developing a framework for deploying digital design techniques to the production of bricks under vernacular technology as a medium of achieving geometrical variations and functional complexity in domestic-scale projects. Solid clay bricks are embedded in traditional ceramic-construction culture. Thus, this investigation faces the challenges of making a feasible innovative system in a country where digital fabrication is not an economically viable option, and engaging a design that can be easily implemented with current hand-labour. Consequently, the new bricks would be massively introduced in the construction market, allowing novel formal and functional possibilities for designers.
keywords	Ceramics; brick; tectonic; digital tools; fabrication; vernacular technology
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	caadria2014_164
id	caadria2014_164
authors	Jemtrud, Michael and Keith G. Ragsdale
year	2014
title	Three Little Shacks
doi	https://doi.org/10.52842/conf.caadria.2014.883
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 883–892
summary	The paper is premised upon the notion that tools and techniques have the potential to resist the premature prefiguring of problems and solutions in projectbased activity, with particular relevance in collaborative design practices. The architect’s métier and mode of knowledge production is marked by the capacity to make artefacts. Because our age is characterized by the imperative to innovate and evolve technically, architectural ideation must now engage an array of computationally-based tools for imaging, information management, simulation and fabrication. This paper, framed within the theoretical and productive context of a research-creation project, investigates the ontological status of process-work, speed, and the notion of failing fast through the prototyping of three small buildings, or shacks. It does this through a strategic choreography of factual and counterfactual investigations that give rise to fabricative knowledge incapable of being prescribed conceptually from the outset. It will be claimed that, in the case of architecture, the potential of technics to reflectively and playfully re-work things and ideas is also a participatory mode of ethical engagement.
keywords	Tools; tool-making; technics; prototyping; architecture
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	caadria2014_249
id	caadria2014_249
authors	Krietemeyer, Bess
year	2014
title	An Adaptive Decision-Making Framework for Designing Material Behaviours
doi	https://doi.org/10.52842/conf.caadria.2014.055
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 55–64
summary	This paper describes an adaptive decision-making design framework for investigating the synergies between aesthetically-driven and performance-driven criteria, specifically in designing the material behaviour of an electroresponsive building envelope system. An immersive and interactive simulation environment developed in the C++ programming language provides a computational tool for testing the visual and energetic performance of a dynamic building envelope as it negotiates bioclimatic energy flows with participants’ aesthetic preferences and interactions. Experiments in bioresponsive feedback loops examine the impacts that user engagement and real-time energy performance feedback have on participants’ design choices. Preliminary results demonstrate that exposure to energy performance feedback and to the collective design choices of multiple users leads to adaptive decision-making that favours synergistic system performance with the potential for increased socio-ecological connections. Critically, this research provides new methods for supporting the design of emerging material behaviours for dynamic building envelopes that can negotiate multiple performance criteria.
keywords	Participatory design; decision-making tool; interactive environment; dynamic building envelopes; immersive simulation
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	caadria2016_809
id	caadria2016_809
authors	Nakapan, Walaiporn
year	2016
title	Using the SAMR Model to transform mobile learning in a History of Art and Architecture Classroom
doi	https://doi.org/10.52842/conf.caadria.2016.809
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 809-818
summary	This paper presents the progress of a pilot classroom, which uses mobile devices to enhance instructor-student classroom interac- tions and students’ learning of the History of Art and Architecture. The main objective of this research was to find a way of improving classroom activities, for the coming year, by making the best possible use of technology to enable students to learn more successfully and improve their understanding of the lesson content. In this paper, class- room activities during 2014 and 2015 are analysed using the SAMR Model coupled with Bloom’s revised taxonomy and the EdTech Quin- tet Model. In addition, a plan for the redesign and improvement of ac- tivities in 2016 is proposed, the effectiveness of the SAMR model at improving in class activities is discussed and a perspective on how to develop the classroom using the “SAMR ladder” is included. The re- sults show that in 2015, 25% of the students in the class achieved an A grade, and less than 5% were graded F compared to 26% in 2012.
keywords	Design education; mobile-based learning; History of Art and Architecture; SAMR model
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	acadia23_v1_174
id	acadia23_v1_174
authors	Nejur, Andrei
year	2023
title	NoeudAL Pavilion: Ultralight folded nodes for bespoke geometries
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 174-179.
summary	This research project, conducted at the University of Montreal School of Architecture, presents an innovative approach to the construction of reticulated structures, focusing on the development and application of a novel, ultralight aluminum node. The node, constructed from a folded, laser-cut, 1-mm aluminum sheet, is designed to accommodate wooden linear members with varied rectangular sections, making it adaptable to bespoke geometries and low valence nodes. This innovative design offers a solution to the long-standing challenge in the construction industry of balancing cost, customization, and weight for reticulated structures through novel node designs (Abdelwahab and Tsavdaridis 2019; Dyvik et al. 2023; Chilton 2007; Rochas 2014; Hassani et al. 2020).
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	ijac201412102
id	ijac201412102
authors	Rekittke, Joerg; Yazid Ninsalam, Philip Paar
year	2014
title	No Fear of Ridicule - deploying plaything technology for credible representations of urban landscape
source	International Journal of Architectural Computing vol. 12 - no. 1, 27-46
summary	As technology affine urban landscape architects, working in Asian mega cities, we conduct research on urbanity beyond prime premises and nice neighbourhoods with maximum tourist potential. We roam through crowded and super narrow, widely informal city layouts, where we apply our digital fieldwork equipment and conduct design work. In these places we test low cost cameras and camera drones, tools that had been developed as documentation equipment for outdoor sportspersons respectively playthings for all the world. Technically limited, if not insufficient and physically labile, these basic tools help us to experiment in the field without problematic loss risks and without scaring people on site. In this paper, we describe a method of on-site data and image gathering, which allows the processing of 3D models of labyrinthine informal city spaces. The result of our study is a three-dimensional puzzle of sufficient precision, making a widely inaccessible and undocumented piece of city terrain visible, understandable and designable.
series	journal
last changed	2019/05/24 09:55

_id	ecaade2014_072
id	ecaade2014_072
authors	Serdar Aydin, Tian Tian Lo and Marc Aurel Schnabel
year	2014
title	Gamification of Shape Grammars - Collaborative and Participatory Mass-Housing Design for Kashgar Old Town
doi	https://doi.org/10.52842/conf.ecaade.2014.1.603
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 603-612
summary	This paper describes the framework of an ongoing research, titled 'quasiGRAMMARS', seeking a participatory mass-housing approach. In the context of the city of Kashgar, China, where the convergence of Islamic-Chinese-Turkic cultures has been shaped within a unique style since the 10th century, mass-housing becomes a 3D puzzle that requires each piece to be placed with full of care, motivation, participation, analysis, strategy, art and finally design. Gamification is about designing collaboration and participation for mass-housing, whereas shape grammars are meant for analysis and design. This game finally turns into a strategic game to be scrutinised further in relation to game theory that is mathematically concerned with the economics too. However, the present study aims at proving a participatory design strategy that incentivises valuable action through gamification techniques. Focusing on its specific design development, it reveals some of these techniques to gamify mass-housing for Kashgar in eight steps. While unveiling gamification term for use in architecture domain, the paper discusses the limitations and future directions of the research.
wos	WOS:000361384700060
keywords	Shape grammars; gamification; mass-housing; participatory decision-making; kashgar
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ecaade2014_001
id	ecaade2014_001
authors	Thompson, Emine Mine (ed.)
year	2014
title	Fusion, Volume 2
doi	https://doi.org/10.52842/conf.ecaade.2014.1
source	Proceedings of the 32nd International Conference on Education and research in Computer Aided Architectural Design in Europe, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, 632 p.
summary	This is the second volume of the conference proceedings of the 32nd eCAADe conference, held from 10-12 September 2013 at the Department of Architecture and Built Environment, Faculty of Engineering and Environment, Northumbria University in Newcastle upon Tyne, England. Both volumes together contain 130 papers that were submitted and accepted to this conference. The theme of the 32nd eCAADe conference is Fusion- data integration at its best. All quests for data integration in architecture and the construction industry lead ultimately to FUSION, a synthesis of knowledge that transcends mere combination. FUSION is the dream of a knowledge system that will enable multiple sets of data, in manifold formats, to be presented in a unified view. This conference is exploring the possibilities for advanced levels of data integration in the service of the representation and management of the natural environment, and the design, visualisation and making of the built environment. These proceedings are presenting the contributions which explore the elusive goal of FUSION in architecture and related fields. The second volume of the proceedings contains 65 papers grouped under nine sub-themes (Generative Design- Parametric Modelling, Material, Collaboration and Participation, VR, Spatial Analysis, Shape, Form and Geometry 2, BIM, Design Tool 2 and Smart and Responsive Design).
series	eCAADe
type	normal paper
email
last changed	2022/06/07 07:49

_id	ecaade2014_000
id	ecaade2014_000
authors	Thompson, Emine Mine (ed.)
year	2014
title	Fusion, Volume 1
doi	https://doi.org/10.52842/conf.ecaade.2014.2
source	Proceedings of the 32nd International Conference on Education and research in Computer Aided Architectural Design in Europe, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, 668 p.
summary	This is the first volume of the conference proceedings of the 32nd eCAADe conference, held from 10-12 September 2013 at the Department of Architecture and Built Environment, Faculty of Engineering and Environment, Northumbria University in Newcastle upon Tyne, England. Both volumes together contain 130 papers that were submitted and accepted to this conference. The theme of the 32nd eCAADe conference is Fusion- data integration at its best. All quests for data integration in architecture and the construction industry lead ultimately to FUSION, a synthesis of knowledge that transcends mere combination. FUSION is the dream of a knowledge system that will enable multiple sets of data, in manifold formats, to be presented in a unified view. This conference is exploring the possibilities for advanced levels of data integration in the service of the representation and management of the natural environment, and the design, visualisation and making of the built environment. These proceedings are presenting the contributions which explore the elusive goal of FUSION in architecture and related fields. The first volume of the proceedings contains 65 papers grouped under seven sub-themes (Towards Smarter Cities, Design Tool 1, CAAD Education, Fabrication, Shape-Form-Geometry, Visualisation and Digital Heritage).
series	eCAADe
type	normal paper
email
last changed	2022/06/07 07:49

_id	acadia14projects_181
id	acadia14projects_181
authors	Wiscombe, Thomas
year	2014
title	National Center for Contemporary Arts
doi	https://doi.org/10.52842/conf.acadia.2014.181
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 181-184
summary	This proposal is a continuation of a body of work we call ‘objects wrapped in objects’, which deals with discrete, chunky objects gathered and squished together in a sack. This strategy creates complex interstitial spaces and layered interiority, making the contemporary museum a space of surprises and discrete experiences rather than an endless continuum of paths. Tristan Garcia, the object-oriented philosopher, talks about the infinite regress of things inside of things inside of things, except the world, which everything is inside of and therefore cannot itself be inside of something else. For him, the concept of a ‘sack’, literally, is a diagram of the conundrum of how things can simultaneously be autonomous from one another but also contain other things. This conundrum is the core of our proposal, in that the building should appear simultaneously as multiple autonomous objects but also as a larger, emergent object with its own properties. The vibration between these two ways of existing creates a visual indeterminacy that is alluring and durable.On the south side facing the Park, the sack is sliced open to reveal an incongruent inner world of stepped and stacked public space. This space is formed by way of an inner liner, which delaminates from the sack surface. Permanent gallery spaces are housed in the space between liner and sack. The building is re-enclosed with a glass membrane which is not coincident with the sack silhouette, creating an open-endedness or deferral of interiority in the project. Black jack-like objects house various other functions such as the temporary galleries, theaters, research area, library, and offices. The interstitial spaces between objects and sack are technically exterior space, but they are enclosed with infill glazing deep inside reveals. These spaces are inhabitable and contain the primary circulation of the building.The sack is articulated with architectural tattoos that subvert subdivision logics in favor of the freeform figuration allowed by composite construction. Tattoos are executed in such a way as to blur the edge between discrete objects and visually re-establish the larger object, as if qualities from the black objects begin to loosen and drift onto the sack. Finally, the building is squished into a ‘ground object’ which is in turn squished into the land. The looseness between building and ground object allows for passage underneath the building. The looseness between ground object and land emphasizes the object-hood of the building complex. This move contrasts with exhausted ideas of buildings becoming landscape or otherwise disappearing into context
keywords	Material Logics and Tectonics, Computational Design Research
series	ACADIA
type	Practice Projects
email
last changed	2022/06/07 07:57

_id	caadria2014_061
id	caadria2014_061
authors	Zavoleas, Yannis
year	2014
title	Computational Thinking with Analogue and Digital Means
doi	https://doi.org/10.52842/conf.caadria.2014.843
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 843–852
summary	By elaborating on the significance of the drawing in the architectural avantgarde of the 1960s, the paper’s primary scope is to weave a thread between late modernism and contemporary research in computational design. The architectural drawing is presented as an abstract means aiding design research. The more recent notion of performative drawing evokes adaptability, being a critical precondition that responds to diverse design aims in interactive manners. Performative drawing's function may further be linked to patterns, a recurring research theme during late modernism. Thinking in (and with) patterns recalls approaching design problems through malleable schemas that hold design data, according to which they are being transformed. In respect, the present paper delves into the analogies between the manipulation of patterns with the use of drawings during late modernism and parametric processes developed through simulation patterns of the current era. Through this comparison, it becomes possible to stress out the operative significance of methodologies and conceptual means in the architectural making as tools that are being used primarily for the exploration of form’s dynamic behaviour.
keywords	Patterns; parametric architecture; late modernism; performative drawing; simulation
series	CAADRIA
type	normal paper
email
last changed	2022/06/07 07:57

_id	ecaade2014_194
id	ecaade2014_194
authors	Zi Qian, Brian Agnew and Emine Mine Thompson
year	2014
title	Simulation of Air flow, Smoke Dispersion and Evacuation of the Monument Metro Station based on Subway Climatology
doi	https://doi.org/10.52842/conf.ecaade.2014.1.119
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 119-128
summary	This research is creating a working laboratory in Newcastle Monument metro station to understand the details of how the over ground climate influences the internal airflow and the impact this has on evacuation strategies. It is intended to link weather data with the background air flow in the station and identify the main driving forces for the dispersion of smoke or toxic agents throughout the station. The subway air flow will be evaluated and then interfaced with a VR simulation of the station and adjoining tunnels to produce a visual diagnostic and predictive tool. This data, with existing pedestrian movement modelling, will assist in identifying the correct evacuation procedures to minimise the exposure time of individuals to a smoke filled environment. The final outcome of this work will be a decision making process with regard to the initiation of effective measures to minimize the impact of fire within a subway that can be used at the initial design period to evaluate proposed evacuation routes.
wos	WOS:000361384700011
keywords	Subway climatology; smoke and fire cfd simulation; tunnel safety; emergency ventilation
series	eCAADe
email
last changed	2022/06/07 07:57

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