Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaade2014_035
id	ecaade2014_035
authors	Kate_ina Nováková and Henri Achten
year	2014
title	Do (not) sketch into my sketch - A comparison of existing tools
doi	https://doi.org/10.52842/conf.ecaade.2014.2.237
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 237-243
summary	Various computer-aided sketch tools can be used to support architectural designing (Tang, Lee, Gero, 2010) either individually in early stage of the process or in communication. We focus on the second mentioned. The goal of this paper is to give an overview of possible applications and mention the platforms which are supported. We explore the advantages or disadvantages of the tools and compare it with our newly developed application called ColLab sketch. With this application we hope in increasing speed and ease of graphic communication on one hand and testing architects demands on the other hand. We develop multiple criteria for evaluating the tools, while believing this paper could be of use to give a hint how to improve remote as well as co-located collaborative designing by sketch. Architectural designing is a very sensitive topic when it comes to sketching. Finally, we would like to compare the newly developed tool to this list and suggest improvements or experiments that help its finalizing.
wos	WOS:000361385100025
keywords	Sketching; collaboration; electronic devices; sketch applications
series	eCAADe
email
last changed	2022/06/07 07:52

_id	caadria2014_034
id	caadria2014_034
authors	Nguyen, Danny D. and M. Hank Haeusler
year	2014
title	Exploring Immersive Digital Environments
doi	https://doi.org/10.52842/conf.caadria.2014.087
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 87–96
summary	In contemporary architecture firms, most design drawings are done via use of 3D modelling software. This method requires advanced knowledge of the software in order to produce an accurate representation of space into the digital environment. The paper argues that conventional 3D visualization methods to design and analyse are restrictive to how well the user understands the space on a computer, as drawings are done ex-situ and without testing the design concept in-situ, hence there might be a level of disparity between the design and final fabrication. This is particularly a challenge when designing Urban Interaction Design concepts, as combinations of variables play a role in how the design will be received by the audience. Observing the design challenges for Urban Interaction Design and applying knowledge to architectural representation, potentially an alternative sketching process can be developed to alleviate the disparity between the conceptual design and post fabrication. This paper discusses an experimental process of using wireless spatial sensing devices to digitize physical spaces in real-time and to use on-the-spot analysis. In its conclusion the paper argues that this method enables the designer to gain advanced conceptual understandings of the intended space and thus make more informed decisions.
keywords	Spatial Design; Human-Computing Interfacing; Urban Interaction Design; Spatial 3D Visualization; Wireless Sensor Technology
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	caadria2014_090
id	caadria2014_090
authors	Schubert, Gerhard; Marcus Tönnis, Violin Yanev, Gudrun Klinker and Frank Petzold
year	2014
title	Dynamic 3D-Sketching
doi	https://doi.org/10.52842/conf.caadria.2014.107
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 107–116
summary	Sketching by hand is without doubt – alongside building models – the most common tool that architects employ when designing. A disadvantage of the sketch is, even if it is a perspective drawing, that it is a purely two-dimensional planar representation of a three-dimensional product: the three-dimensional impression that the sketch communicates is a product of the viewer’s imagination. Digital modelling tools on the other hand support the creation of three-dimensional content but fall short in their ease of handling: their complexity and potentially unintuitive operation hinder rather than support the design process. Taking this discrepancy as a starting point, the presented system details the development and prototypical implementation of a dynamic 3D-sketching tool. The underlying core idea is to create a seamless connection between a perspective hand-sketch and the corresponding digital 3D-model in order to benefit from the advantages of hand sketching as a design tool and computer maintained 3D models. The system allows the designer to work as usual, visualizing his or her thoughts using perspective sketches. The user sketches on a touchscreen surface. The 2D drawing is automatically interpreted and converted into a system of 3D lines, surfaces and volumes in real-time.
keywords	Design Tool; Early Design Stages; 3D Sketching; Urban Design; HCI
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	ecaade2014_182
id	ecaade2014_182
authors	Hassan Abdel Salam Elbanna
year	2014
title	Timing and spacing in Architecture - Architecture with motion
doi	https://doi.org/10.52842/conf.ecaade.2014.2.089
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 89-95
summary	It is a fact that the Animation and architecture have common and strong bonds in various forms. According to animators, and architects as well, there are two main and vital concepts which are the basics of animation, they are Timing and Spacing. The paper represents an analogy between animation and architecture focusing on these two concepts. So, in the following sections we discover the relation between animation and deforming geometry in architecture. By looking through the history and theory of architecture we find many architects' attempts to apply animation as a concept within their forms. This paper will review what pioneers have achieved in designing through animation. At the end of the paper a case study is being analyzed by showing how the concept of animation is applied to an existing building due to the research's main points.
wos	WOS:000361385100008
keywords	Architecture; animation; timing; spacing
series	eCAADe
email
last changed	2022/06/07 07:49

_id	caadria2014_177
id	caadria2014_177
authors	Jonas, Katrin; Alan Penn and Paul Shepherd
year	2014
title	Designing with Discrete Geometry
doi	https://doi.org/10.52842/conf.caadria.2014.513
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 513–522
summary	There has been a shift in aesthetics from the modern orthogonal building envelope to more elaborate curved and folded forms. Non_orthogonal forms are often associated with complete freedom of geometry, entrusting the advancement in custom manufacturing and robotic fabrication of one-off building parts to realise the design. This paper presents a methodology that allows non_orthogonal surfaces to be designed using a constrained library of discrete, tessellating parts. The method enables the designer both to produce ‘approximations’ of freeform designs in a top_down manner or to generate ‘candidate’ designs in a bottom_up process. It addresses the challenge in the field of design engineering to generate architectural surfaces which are complex, yet simple and economical to construct. The system relates to the notion that complexity derives from simple parts and simple rules of interaction. Here complexity relates to the holistic understanding of a structure as an interaction between its local parts, global form and visual, as well as functional performance.
keywords	Geometry system; form generation; form growth; discrete growth model; design tool; complex geometry
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	caadria2014_249
id	caadria2014_249
authors	Krietemeyer, Bess
year	2014
title	An Adaptive Decision-Making Framework for Designing Material Behaviours
doi	https://doi.org/10.52842/conf.caadria.2014.055
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 55–64
summary	This paper describes an adaptive decision-making design framework for investigating the synergies between aesthetically-driven and performance-driven criteria, specifically in designing the material behaviour of an electroresponsive building envelope system. An immersive and interactive simulation environment developed in the C++ programming language provides a computational tool for testing the visual and energetic performance of a dynamic building envelope as it negotiates bioclimatic energy flows with participants’ aesthetic preferences and interactions. Experiments in bioresponsive feedback loops examine the impacts that user engagement and real-time energy performance feedback have on participants’ design choices. Preliminary results demonstrate that exposure to energy performance feedback and to the collective design choices of multiple users leads to adaptive decision-making that favours synergistic system performance with the potential for increased socio-ecological connections. Critically, this research provides new methods for supporting the design of emerging material behaviours for dynamic building envelopes that can negotiate multiple performance criteria.
keywords	Participatory design; decision-making tool; interactive environment; dynamic building envelopes; immersive simulation
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	caadria2014_060
id	caadria2014_060
authors	Kuma, Taichi
year	2014
title	Shrink Film Architecture
doi	https://doi.org/10.52842/conf.caadria.2014.181
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 181–190
summary	This paper is about designing a process to create a lightweight building envelope using a shrinkfilm. The advantage of using this material for architecture is that we can simply construct the complex geometry without requiring an expensive formwork. In addition to this, this research illustrates the methodology to control the 3-dimensional form of the shrink-film by using simple 2-dimensional patterns. These patterns enable us to easily manipulate the form. In this paper, the simulation and the prototyping are conducted in both physical and computational methods.
keywords	Material Computation; responsive material; form-finding
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	ecaade2014_155
id	ecaade2014_155
authors	Martina Decker and Andrzej Zarzycki
year	2014
title	Designing Resilient Buildings with Emergent Materials
doi	https://doi.org/10.52842/conf.ecaade.2014.2.179
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 179-184
summary	This paper looks at two distinct approaches to kinetic façades and smart building assemblies reminiscent of designs for the Institut du Monde Arabe and for Hoberman's Simon Center. The first approach uses Arduino microcontroller-guided kinetic components with a distinct assemblage of elements, each performing a dedicated function such as sensor, actuator, or logical processing unit. The second approach incorporates custom-designed smart materials-shape memory alloys (SMAs)-that not only complement or replace the need for electrically operated sensors or actuators, but also eliminate a microcontroller, since in this arrangement the material itself performs computational functions. The paper will discuss case studies that use physical computing and smart-material models as vehicles to discuss the value of each approach to adaptive design in architecture. Building on these observations, the paper looks into conceptual aspects of an integrated hybrid system that combines both computation approaches and unique opportunities inherent to these hybrid designs.
wos	WOS:000361385100019
keywords	Adaptable designs; arduino microcontrollers; shape memory alloys (smas); smart materials; programmable matter
series	eCAADe
email
last changed	2022/06/07 07:59

_id	acadia16_424
id	acadia16_424
authors	Twose, Simon; du Chatenier, Rosa
year	2016
title	Experimental Material Research - Digital Chocolate
doi	https://doi.org/10.52842/conf.acadia.2016.424
source	ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 424-431
summary	This research investigates the aesthetics of a shared agency between humans, computation and physical material. ‘Chocolate’ is manipulated in physical and virtual space simultaneously to extract aesthetic conditions that are a sum of human and non-human relations. This is an attempt to further the knowledge of designing, giving physical and digital materials force in determining their own aesthetics. The research springs from work in speculative aesthetics, particularly N. Katherine Hayles’s OOI (object-oriented inquiry) and Graham Harman’s OOO (object-oriented ontology) and explores how these ideas impact contemporary computational architectural design. To study this, a simple material has been chosen, chocolate, and used as a vehicle to investigate the dynamics of physical and digital materials and their shared/differing ‘resistances to human manipulation’ (Pickering 1995). Digital chocolate is ‘melted’ through virtual heat, and the results printed and cast in real chocolate, to be further manipulated in real space. The resistances and feedback of physical and digital chocolate to human ‘prodding’ (Hayles 2014) are analyzed in terms of a material’s qualities and tendencies in digital space versus those in physical space. Observations from this process are used to speculate on an aesthetics where humans, computation and physical material are mutually agential. This research is a pilot for a larger study taking on more complex conditions, such as building and cities, with a view to broadening how aesthetics is understood in architectural design. The contribution of this research to the field of architectural computation is thus in areas of aesthetic speculation and human/non-human architectural authorship.
keywords	object-oriented inquiry, speculative aesthetics, mutual agency, big data
series	ACADIA
type	paper
email
last changed	2022/06/07 07:58

_id	caadria2014_095
id	caadria2014_095
authors	Yekutiel, Tatyana Pankratov and Yasha Jacob Grobman
year	2014
title	Controlling Kinetic Cladding Components in Building Façades: A Case for Autonomous Movement
doi	https://doi.org/10.52842/conf.caadria.2014.129
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 129–138
summary	"The movement of building façade cladding is usually used to control buildings’ exposure to environmental conditions such as direct sunlight, noise and wind. Until recently, technology and cost constraints allowed for only limited types of façade cladding movement. One of the main restrictions stemmed from the limitations that architects face in designing and controlling movement scenarios in which each façade or cladding element moves autonomously. The introduction of parametric design tools for architectural design, combined with the advent of inexpensive sensor/actuator microcontrollers, made it possible to explore ways to overcome this limitation. Autonomous movement of building façade cladding elements has several potential benefits. One of the main feasible advantages of this type of movement is that it can deal with changing external and interior local conditions in different parts of the façade by individually controlled movement, by preceding reaction or flock behaviour. Thus, it can increase significantly the performance of the building façade. This paper presents new results from an ongoing research study that is examining the potential of autonomous movement of façade cladding elements. It compares the environmental performance of centrally controlled kinetic façade elements and a prototypic façade made of autonomously controlled elements.
keywords	Kinetic cladding components; responsiveness; interactive; decentralised control; Arduino
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	acadia14_339
id	acadia14_339
authors	De la Cruz Laureano, Eliel; Tomitsch, Martin; Maher, Mary Lou
year	2014
title	Easy To Use Yet Not Necessarily Useful: New technology in the architectural schematic design process.
doi	https://doi.org/10.52842/conf.acadia.2014.339
source	ACADIA 14: Design Agency [Proceedings of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9781926724478]Los Angeles 23-25 October, 2014), pp. 339-346
summary	This paper discusses the relationship between new interactive technologies and current design practice, focusing on understanding the variables that determine the adoption of new technologies in the schematic design process.
keywords	Design Computing, Schematic Design, New Technology, Digital Sketching, HCI, Architecture, Computational design research and education
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:55

_id	caadria2014_075
id	caadria2014_075
authors	Fernando, Ruwan A.
year	2014
title	Space Planning and Preliminary Design Using Artificial Life
doi	https://doi.org/10.52842/conf.caadria.2014.657
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 657–666
summary	The majority of CAD tools are designed for precision modelling of forms. The very earliest stages of design tend to be worked through with traditional media such as sketching with pen or pencil. A reason why this is, stems from the difficulty of drawing or diagramming uncertainty or vague ideas in a traditional CAD application. When a designer is still working through the design, pen and pencil are a means of exploring. While any simple pencil sketch can be imitated using CAD, this is too time consuming and limiting when compared with traditional media. This paper presents research in a prototype for a early stage planning software application using blobs (closed recursively subdivided curves) and ideas from artificial life. While not a replacement for sketching, the aim of this research is to provide a means of diagramming preliminary ideas as exploring the idea of a dialogue between humans and computers. The shapes represented in the software use physics simulations and act as 'soft-bodies' allowing users to manipulate them in various ways. Ideas from artificial life simulations are used to have the shapes interact with each other and produce unexpected configurations. The aim of these interactions is to trigger a response from the user and to allow them to explore configurations that they did not anticipate.
keywords	Artificial Life; Space Planning; Generative Design
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	caadria2014_260
id	caadria2014_260
authors	Fukuda, Tomohiro; Sun Lei and Keisuke Mori
year	2014
title	A Synchronous Distributed Design Study Meeting Process with Annotation Function
doi	https://doi.org/10.52842/conf.caadria.2014.749
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 749–758
summary	This research investigated the impact of synchronous distributed non immersive cloud-VR (cloud computing type of Virtual Reality) meetings using the annotation function by noting an architectural design process. The experimentation of collaborative design work at the early stage of a housing renovation project was executed by three designers. The synchronously distributed meetings using cloud-VR and a freehand sketching function were completed in two days. The annotation function was used effectively when a designer wished to show the space composition and volume shape of the planned building and so on. The proposed design environment, sharing a 3D virtual space with viewpoints, plans, sketches and other information synchronously and remotely, was feasible and effective.
keywords	Collaborative design; communication process in spatial design; distributed synchronization; virtual environment; cloud computing
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	acadia14_479
id	acadia14_479
authors	Achten, Henri
year	2014
title	One and Many: An Agent Perspective on Interactive Architecture
doi	https://doi.org/10.52842/conf.acadia.2014.479
source	ACADIA 14: Design Agency [Proceedings of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9781926724478]Los Angeles 23-25 October, 2014), pp. 479-486
summary	Agent theory from Distributed Artificial Intelligence can form a strong theoretical foundation for the conception and following the design of interactive architecture. New concepts are introduced: style of interaction and attitude. For design support they can be unified under the notion of intentionality.
keywords	Interactive Architecture, Interaction Style, Building Attitude, Multi Agent Systems in Design
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:54

_id	sigradi2014_075
id	sigradi2014_075
authors	Afsari, Kereshmeh; Chuck Eastman
year	2014
title	Categorization of building product models in BIM Content Library portals
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay- Montevideo 12,13,14 November 2014, pp. 370-374
summary	BIM Content Libraries are performing as online sources for building product models. In order to effectively use the product models, it is important to organize them systematically within these databases. But currently there is no standard or guideline for this purpose. Products in these libraries are being categorized based on different criteria such as the object classes in the target platform, by referring to multiple classification systems or based on customized categories. This paper studies some of the BIM Content Libraries and investigates the structure that each library is using for product categorization. It indicates the need for a generic framework for the purpose of product categorization in BIM Content Libraries.
keywords	BIM objects; Product models; Building models; BIM Content Library; Product category
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2014_086
id	ecaade2014_086
authors	Ahmed Sarhan and Peter Rutherford
year	2014
title	Integrating Sustainability in the Architectural Design Education Process - Taxonomy of Challenges and Guidelines
doi	https://doi.org/10.52842/conf.ecaade.2014.1.323
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 1, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 323-332
summary	The last decade have seen substantial calls and increasing pressure for developing an integrated design teaching framework, where sustainability is an imperative priority. This paper focuses on presenting a taxonomy of the main challenges encountered within the educational domain, in the attempt to reach an effective integration. The paper also presents a set guidelines to address and try to resolve the noted challenges. As the use of Building Performance Simulation (BPS) applications is a central approach in this process aiming to reach energy efficient buildings, the paper focuses on the shortcomings noted as a result of the use of these applications in the design studios, with particular emphasis on the thermal and lighting aspects of the simulation. The taxonomy presented is a summary of the findings from literature review, as well as the surveys results which were part of the author's research project discussed in the paper.
wos	WOS:000361384700032
keywords	Environmental design; building performance simulation; architectural design education
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ascaad2014_033
id	ascaad2014_033
authors	Al-Mousa , Sukainah Adnan
year	2014
title	Temporary Architecture: An urban mirage
source	Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 405-413
summary	One of the emerging multidisciplinary contemporary art practices is interactive installation art, which is concerned with constructing a temporary artistic environment that is digital, responsive and engaging. It is usually displayed within existing architectural context whether indoor in a gallery space or outdoor in a public space. Recent examples of such art projects show that interactivity and illusion are effectively present and highly influential in the perception and memory of the place. A digital display on a building façade can remain attached to the history of the site in the spectator’s memory even after the display is removed. An interactive space that involves body response and emotional sensory interaction can determine the narrative perceived from the experience. These trends seemingly bring together the physical context and the digital space to contain the spectator. The two mediums are merged to provide a new genre of space, hence a new mode of perception where the art space mediates people’s movement and overlay the context with new meanings. Multiple backgrounds are involved in the creative process of interactive installation art, all of which involve examining various concepts through artistic engagement with temporary spaces. Here, particularly because of interactivity and immerseveness, the spectator becomes part of the performance (the subject); with his moving and reacting he activates the narrative and probably gives it its shape. This paper aims to explore the potentials of the digital spatial display to enhance or weaken our sense of belonging to the surrounding environments while creating an illusionary space within the real physical one. It also aims to discuss how this influence would affect the memory of the mixed experience; the installation being digital, temporary and illusive and the space being physical, permanent and real. What happens to the “spectator” when contained by the digital-interactive and the physical medium(s)?. In order to unfold the mentioned questions, the study uses theories of perception and performance reflected on live case studies of recent art projects where the researcher becomes a member of the audience and an observer at the same time in order to trace the journey inside this new medium. In an era where time is being more difficult to grasp and identities of visual culture is becoming more difficult to define, temporary responsive environments can provide some openings where space becomes durational, yet, influential, and where people’s movements become more meaningful in the visual terrain.
series	ASCAAD
email
last changed	2016/02/15 13:09

_id	sigradi2014_271
id	sigradi2014_271
authors	Alvarez, Marcelo Paysse
year	2014
title	Relevamiento con drones; el caso Real de San Carlos [Drone mapping; case study: Real de San Carlos]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 649-652
summary	Cultural landscapes, although complex realities, give shape and meaning to the tangible and intangible components which form the foundations of human cultural background. The architecture of the city of Colonia del Sacramento fits within this context, and builds up a unique cultural landscape inserted in the logic of the historical heritage protection system. This concept, which implies wealth but also conflicts, demands a multidisciplinary approach grounded on a wide vision of this issue. Likewise, this comprehensive approach contributes to reverse and correct the lack of capacity and/or interest to save these examples of man-made landscape (prefabrication, mega-projects of the beginnings of the 20th Century, etc.), which are essential pieces of heritage conservation. Since 1943 the bullring is owned by the Municipality of Colonia. In the last decade the building was fenced to prevent breakdown risk. Still, illegal access occurs quite easily, increasing the risk and potential damage, in addition to the spoilage caused by more than one hundred years of inactivity and lack of maintenance. This paper proposes a method to survey and record the current status of the building, from photos taken by unmanned aerial vehicles (UAV, drones), allowing the registry without the need of direct access to the site. The survey will enable three types of results: series of mapped photographs, 3D models and an interactive platform for aerial view. The aim is to provide valuable and essential documentation for next stages of consolidation works, competitions and eventualy, new uses of the heritage building.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2014_155
id	sigradi2014_155
authors	Andrade, Max; Cristina Matsunaga
year	2014
title	Avaliação Automática de Valor no Processo de Projeto de Habitação de Interesse Social no Brasi [Alignment Automated Assessment of Value in Brazilian’s Housing Design]
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 393-397
summary	The method proposed in this paper addresses the management of values and the cost estimate, based on target costing approach, and integrated with Building Information Model (BIM). This design method must incorporate mechanisms of automated assessment associated with desired value at cost during the design process. The paper will try to show, in brief, that there is a real possibility of inclusion of methodological tools of design, allowing assessment of values in real time during the design actions.
keywords	Building Information Modeling; Desired value; Automatic Assessment; Target Costing
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2014_050
id	ecaade2014_050
authors	Andreas Dieckmann and Peter Russell
year	2014
title	The Truth Is In The Model - Utilizing Model Checking to Rate Learning Success in BIM Software Courses
doi	https://doi.org/10.52842/conf.ecaade.2014.2.417
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 417-426
summary	Model checking is one of the core methodologies of Building Information Modelling (BIM). It allows us to quickly evaluate models based on custom criteria. While there are known examples of the integration of model checking into the course content of design studios, there is no literature on utilizing this methodology to help in the grading process of BIM software courses. This paper presents a project that applies model checking to the task of rating the learning success of students in such a course. The main project goals were increasing the objectivity of the ratings and reducing the time necessary to process a large number of submitted models. The paper describes a possible approach to categorizing and organizing model checks in an educational context and outlines a proven and tested workflow for automating the rating and feedback process.
wos	WOS:000361385100044
keywords	Bim education; grading; evaluation; model checking; automation
series	eCAADe
email
last changed	2022/06/07 07:54

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