CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id ecaade2015_253
id ecaade2015_253
authors Ligler, Heather and Economou, Athanassios
year 2015
title Entelechy I - Towards a Formal Specification of John Portman's Domestic Architecture
doi https://doi.org/10.52842/conf.ecaade.2015.1.445
source Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 1, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 445-452
summary John Portman's work attracts much interest, although little scholarship exists that directly engages his contribution in formal composition. Most of the discussion of Portman's architecture tends to focus on his commercial work and hotels, although a key to understanding his work is found in his personal domestic projects where he has had the freedom to explore his architectural ideas. This study focuses on his first residence, Entelechy I, to begin outlining his design principles formally. The ambition is to open up the whole question of his architectural contribution in the United States and at large.
wos WOS:000372317300048
series eCAADe
email
last changed 2022/06/07 07:59

_id sigradi2015_11.165
id sigradi2015_11.165
authors Ligler, Heather; Economou, Thanos
year 2015
title Lost in Translation: Towards an Automated Description of John Portman’s Domestic Architecture
source SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 657-661.
summary The prevalent mode of shape grammar output is a two-dimensional drawing grammar. For architectural applications, these two- dimensional shape rules can hold a variety of interpretations in three-dimensional space. This work translates an existing grammar from a manual two-dimensional drawing grammar to an automated three-dimensional building grammar to explore the challenges and opportunities that this translation suggests in the larger context of shape computation. The case study considered here is a grammar interpreting John Portman’s architectural language as defined by the house Portman identifies as emblematic of his design principles, his 1964 personal residence Entelechy I.
keywords Shape Grammars, Shape Grammar Implementations, Formal Composition, Generative Systems
series SIGRADI
email
last changed 2016/03/10 09:54

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