Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia15_00
id	acadia15_00
authors	Combs, Lonn and Perry, Chris (eds.)
year	2015
title	ACADIA 2105: Computational Ecologies: Design in the Anthropocene
doi	https://doi.org/10.52842/conf.acadia.2015
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), 533 p.
summary	Computational Ecologies: Design in the Anthropocene, seeks to engage a new period of enivironmental uncertainty by raising the question as to whether architecture should embark on establishing new affiliations beyond the human; a fundamental redefinition of the discipline as something no longer significant for “us” alone. If the Anthropocene has ushered in a new era of existential threat for human civilization, how does architecture not only rethink conventional forms of “program,” and by extension “performance,” privileging nonhuman alongside human forms of “use,” but a new material, formal, and spatial aesthetics as well?
keywords	Anthopocene, computation
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:49

_id	ecaade2015_209
id	ecaade2015_209
authors	D'Uva, Domenico
year	2015
title	Parametric Morphogenesis - An Historical Framing in London's Architecture beyond the Verge of the 20th Century
doi	https://doi.org/10.52842/conf.ecaade.2015.1.381
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 1, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 381-387
summary	The approach of contemporary architecture with urban environment has always been in perpetual evolution. The path between concept and real building has been driven since ancient times by traditional drawing tools which discretized the architect ideas into shapes. The cases studied for morphogenesis evolution, featured in the top-notch architectural firms, have been framed into two different strategies. In the first family the shape is created by the modifications of several distinct geometrical elements, which create formal complexity. In the second family of buildings the complexity is the result of very few geometrical elements, whose morphogenetic process generates complex forms. As the geometrical elements decrease in number, the draft shape must undergo a deeper process of modification to solve the functional, sustainability and structural issues.
wos	WOS:000372317300041
series	eCAADe
email
last changed	2022/06/07 07:56

_id	caadria2015_246
id	caadria2015_246
authors	Fok, Wendy W.
year	2015
title	Delineating Crowd Sourced Ownership in the Digital Age for the Built Environment
doi	https://doi.org/10.52842/conf.caadria.2015.043
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 43-52
summary	Time Magazine, had named the “Person of the Year” to “YOU” (the crowd) in 2006 , due to the infinite potentials of the thousands and millions of ‘yous’ who control the media and financing within the new digital democracy. These same citizens of digital innovation create the new platforms—seen in the early beta developments of Kickstarter, Twitter, Wikipedia, and Facebook—and contribute to the manipulation of international exchange of information and power, creating value propositions beyond the traditional product complexity of the market. Peer exchange and crowd organizational strategy will be used to innovate the built environment, and it is pertinent for “digital” property and “real” property to recognize and benefit from this emergence. Professional codes of conduct, economic values, and legal regulations have become a means to an end of the designing of digital and physical property, as digital barriers lift much of the necessary pre-cautions that is required to govern collaboration. This body of research explores the qualifying factors of open innovation identity between the creators and the consumers, the state of design ethics and ownership uncertainties pertaining to the combinatory methods and mechanisms that employ these technologies.
keywords	Open Innovation; Crowd source; Authorship; Ownership; Digital Media; Digital Property; Physical Property.
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	ecaade2015_247
id	ecaade2015_247
authors	Garcia, Manuel Jimenez and Retsin, Gilles
year	2015
title	Design Methods for Large Scale Printing
doi	https://doi.org/10.52842/conf.ecaade.2015.2.331
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 331-339
summary	With an exponential increase in the possibilities of computation and computer-controlled fabrication, high density information is becoming a reality in digital design and architecture. However, construction methods and industrial fabrication processes have not yet been reshaped to accommodate the recent changes in those disciplines. Although it is possible to build up complex simulations with millions of particles, the simulation is often disconnected from the actual fabrication process. Our research proposes a bridge between both stages, where one drives the other, producing a smooth transition from design to production. A particle in the digital domain becomes a drop of material in the construction method.The architect's medium of expression has become much more than a representational tool in the last century, and more recently it has evolved even beyond a series of rules to drive from design to production. The design system is the instruction itself; embedding structure, material and tectonics and gets delivered to the very end of the construction chain, where it gets materialised. The research showcased in this paper investigates tectonic systems associated with large scale 3D printing and additive manufacturing methods, inheriting both material properties and fabrication constraints at all stages from design to production. Computational models and custom design software packages are designed and developed as strategies to organise material in space in response to specific structural and logistical input.Although the research has developed a wide spectrum of 3D printing methods, this paper focuses only on two of the most recent projects, where different material and computational logics were investigated. The first, titled Filamentrics, intends to develop free-form space frames, overcoming their homogeneity by introducing robotic plastic extrusion. Through the use of custom made extruders a vast range of high resolution prototypes were developed, evolving the design process towards the fabrication of precise structures that can be materialised using additive manufacturing but without the use of a layered 3D printing method. Instead, material limitations were studied and embedded in custom algorithms that allow depositing material in the air for internal connectivity. The final result is a 3x2x2.5m structure that demonstrates the viability of this construction method for being implemented in more industrial scenarios.While Filamentrics is reshaping the way we could design and build light weight structures, the second project Microstrata aims to establish new construction methods for compression based materials. A layering 3D printing method combines both the deposition of the binder and the distribution of an interconnected network of capillaries. These capillaries are organised following structural principles, configuring a series of channels which are left empty within the mass. In a second stage aluminium is cast in this hollow space to build a continuous tension reinforcement.
wos	WOS:000372316000039
series	eCAADe
type	normal paper
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=07a6d8e0-6fe7-11e5-9994-cb14cd908012
last changed	2022/06/07 07:51

_id	sigradi2016_621
id	sigradi2016_621
authors	Gomes, Maria Cecília Rocha Couto; Santos, Ana Paula Baltazar dos; Arruda, Guilherme Ferreira de; Cabral Filho , José dos Santos; Silva, Luís Henrique Marques de Oliveira; Diniz, Luiza Encarnaç?o; Lima, Mariana Julia Souza Barbosa; Stralen, Mateus de Sousa van
year	2016
title	Parametrizaç?o para além do processo de projeto: experimentando aberturas para interaç?o [Parametrization beyond the design process: trying out openness for interaction]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.790-794
summary	This paper discusses the use of parametrization and digital fabrication in architecture proposing a shift from increasing the architect’s control over the final product (determinist paradigm), towards increasing users' interaction. It presents the design process of an experimental interactive object intended to meet the former discussion and test the limits and difficulties that might arise during the process. Such an object was developed by Lagear (UFMG), as a response to the exhibition Homo Faber: Digital Fabrication in Latin America, CAAD FUTURES 2015.
keywords	Interactive object; Parametrization; Digital Fabrication; Representation; Interaction
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	eaea2015_t1_paper02
id	eaea2015_t1_paper02
authors	Gruszczynska, Joanna
year	2015
title	The ‘Old Brewery’ in Poznan – Adaptation or Creation?
source	ENVISIONING ARCHITECTURE: IMAGE, PERCEPTION AND COMMUNICATION OF HERITAGE [ISBN 978-83-7283-681-6],Lodz University of Technology, 23-26 September 2015, pp.27-38
summary	It is beyond the question that protection of monuments of architecture and its unique beauty, through ‘re-use’ of values, emphasizing the qualities for new, modern function, but with the maximum respect for the original feature and preserving historic substance in the adaptation process is one of the requirements of the twenty first century. The analysis of the example of adapting historical objects - Hugger’s Brewery to a new function, may lead to conclusion whether that adapted object can still be named a historic building. Is it an industrial heritage or is it nothing more than a creation – an artificial space? How far can we go in the ‘re-using’? Where is the boundary?
keywords	industrial heritage; values; Old Brewery in Poznan
series	EAEA
email
last changed	2016/04/22 11:52

_id	ecaade2015_11
id	ecaade2015_11
authors	Langenhan, Christoph and Petzold, Frank
year	2015
title	Beyond the Bubble - Computer-aided Topological Analysis and Parametric De-sign of Room Configurations in University Education
doi	https://doi.org/10.52842/conf.ecaade.2015.1.237
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 1, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 237-243
summary	In the early stages of the design process, the conceptual idea of the envisaged building and its design parameters is still vague and incomplete. While the built environment, the end product of this design process, can be represented concretely in the form of drawings or computer models, the initial design idea can usually only be formulated abstractly, for example as schematic functional descriptions or as topological constellations of spaces. In this paper we discuss the use of reference projects to support the design process along with ways of formalising spatial configurations and their use in the design process, and examine how these can be supported using software tools. We discuss the elaboration of requirements for such software tools and their implementation as plug-in to facilitate a seamless process from analysis to evaluation in a parametric design environment. By way of example, we describe selected functionality of a plug-in developed for “Grasshopper” and “Rhino 3D” to support the design process in the early conceptual stages.
wos	WOS:000372317300025
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=d451cf80-702d-11e5-911a-5b8eac8e4692
last changed	2022/06/07 07:52

_id	sigradi2015_10.220
id	sigradi2015_10.220
authors	Leite, Denivaldo Pereira; Martins, Júlia Tenuta
year	2015
title	Emerging designing processes: The use of Digital Design and Rapid Prototyping applied in University Extension
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 558-563.
summary	This paper is about the experience to show the possibilities of the Algorithm Aided Design to a community of students and Professors that actually uses Computed Aided Design, but just for drawings, not for a full digital process. This community is hosted at Belas Artes de S?o Paulo, who in February of 2015, opened up its first Digital Fabrication Laboratory, but people there didn’t have a good idea of what it could be, beyond scale models. It shows that the new theory that supports new digital paradigms in architecture and design was the job acquired for a research group.
keywords	Algorithm Aided Design, Education, Digital Fabrication, Catenary Based Geometries, Musgum
series	SIGRADI
email
last changed	2016/03/10 09:54

_id	ecaade2015_231
id	ecaade2015_231
authors	Lonsing, Werner
year	2015
title	Beyond Smart Remote Controls - Developing a More Integrated and Customizable Implementation of Automation in a Building by Utilizing Tools and Concepts from Makers
doi	https://doi.org/10.52842/conf.ecaade.2015.2.679
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 679-686
summary	“Home Automation” describes the connecting of electronic household appliances to a centralized control unit like e.g. an app on a smart phone or some control panel. The overall goal of these efforts is to provide a general remote control for existing devices. By comparison a concept of home automation as part of a building design process has yet not come into shape.
wos	WOS:000372316000075
series	eCAADe
email
last changed	2022/06/07 07:59

_id	acadia15_243
id	acadia15_243
authors	McKay, Mike
year	2015
title	Relative Positioning
doi	https://doi.org/10.52842/conf.acadia.2015.243
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 243-250
summary	How we understand the world is directly affected by our position in it. Constellations are simply the result of cognitive alignments related to our location in the universe, the horizon simply based on proximity and time. Relative Positioning explores the power of position in architecture: specifically, how Anamorphic projection and perspectival techniques can generate space and challenge our understanding of its form. Architectural illusion and perspectival deceptions have been investigated since antiquity in order to alter the perception of a given space, primarily used in an illusionary or optical manner. However, Anamorphic projection offers the potential to create dynamic spatial experiences that go well beyond simple projections or images/shapes simply painted onto a surface. Within Relative Positioning, architectural form exists in 3-dimensions (real, physical) but is perceived via procession and emergent perceptions based on choreographed alignments and foci—making it possible for a duality of visual perception to occur. Much like the diagonal movement through Villa Savoye or the space created by Matta-Clark’s cut, views and alignments add value, create perceptual shifts. One no longer views the architectural form as a whole, but as a collection of cinematic moments, fragments, serial form: a tension of object-qualities that elicits spatial ambiguity that puts pressure on the ‘real’ and opens up a world of wonder and excitement. This is a new form of collage.
keywords	Anamorphosis, perspective, perception
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	caadria2015_015
id	caadria2015_015
authors	Melenbrink, Nathan and Nathan King
year	2015
title	Fulldome Interfacing
doi	https://doi.org/10.52842/conf.caadria.2015.221
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 221-230
summary	The ability to communicate design intent to potential users, clients, and communities is fundamental to the process of architectural design. Conventionally, this need is addressed through phased submissions of drawings, renderings, animations, and physical models—all with the intention of representing space and its constituent elements. Recent technological advancements however—including tools like those produced by OculusTM—have begun to present new opportunities for spatial representation through the use of simulated 3D environments that are both convenient for the design team and readily accepted by clients and end users. While immersive technologies do present novel representational opportunities, current workflows position the potential at the conclusion of the design process, not as part of it. The project presented here moves beyond mere representation and positions simulated 3D environments within the design process itself. To this end, an integrated real-time computational workflow that enables the use of simulated spatial experience as an iterative design tool was developed in order to create the illusion of being in a space while it is being designed and allowing experientially informed decision making. The Fulldome Interface creates a collaborative immersive environment that utilizes a novel computational design workflow (linking the parametric GrasshopperTM for RhinocerosTM design environment to the Unity3DTM gaming engine) that responds in real-time through dome-based stereoscopic projection that can be experienced by multiple occupants simultaneously.
keywords	Immersive; fulldome; real-time; interface; parametric design
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	caadria2015_087
id	caadria2015_087
authors	Moleta, Tane J.
year	2015
title	Flowing through Space
doi	https://doi.org/10.52842/conf.caadria.2015.489
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 489-497
summary	The general field this presentation will address is the integration of game mechanics within the design studio. The CAAD community has invested considerable energy into the insertion of games within education to teach specific skills or develop design behaviours. Building on some of this research we report on three years of studio teaching in undergraduate architectural studies. We propose that the outcomes of the design studio can benefit greatly from employing game mechanics to encourage constructive design behaviours within a student cohort. This body research flips the traditional location of game mechanic, shifting the motivations from the hands of the teacher to place the mechanic in the hand of the student. The research reports an increased level of engagement and collaboration and presents a body of work that extends beyond traditional expectations of the architectural design studio.
keywords	Education, game mechanics, design studio.
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	cf2015_464
id	cf2015_464
authors	Narahara, Taro
year	2015
title	Architecture meets gaming and robotics: Creating interactive prototypes and digital simulations for architects
source	The next city - New technologies and the future of the built environment [16th International Conference CAAD Futures 2015. Sao Paulo, July 8-10, 2015. Electronic Proceedings/ ISBN 978-85-85783-53-2] Sao Paulo, Brazil, July 8-10, 2015, pp. 464.
summary	This paper presents an approach to producing an interactive physical kinetic prototype and its digital simulation for architects using a series of proposed methods. Conventional architectural CAD applications alone are not always sufficient for illustrating ideas for adaptable and responsive architecture that can conditionally change its states over time. The use of technologies from game design and robotics has a potential to extend the role of architects beyond merely providing static formal design solutions to various spatial problems. The paper introduces methods for rapid prototyping and real-time interaction between physical kinetic prototypes and a digital application environment for simulation using readily available commodity hardware, such as Arduino microcontrollers, 9g servo motors, Kinect sensors, and Unity 3D game engine software with its computational physics. The paper also presents case studies using the approach and discusses possible applications and assessment of this approach.
keywords	Interactive prototypes, simulation, game engine, robotics.
series	CAAD Futures
email
last changed	2015/06/29 07:55

_id	acadia15_251
id	acadia15_251
authors	Pedro Sousa, José; Veiga, Germano; Moreira, A. Paulo
year	2015
title	Robotic Fabrication with Cork: Emerging Opportunities in Architecture and Building Construction
doi	https://doi.org/10.52842/conf.acadia.2015.251
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 251-260
summary	In the last two decades, CAD/CAM technologies have opened new conceptual and material opportunities in architecture. By combining computational design and digital fabrication technologies, architects have embraced a higher level of geometric complexity and variability in their solutions. Such non-standard possibilities were expanded with the recent introduction of robotic technologies in the discipline, which have allowed moving beyond the fabrication of building components to reach the construction of building parts. As a result of this digital condition, traditional materials have known innovative applications in architecture. In this context, this paper presents cork, which is a natural and recyclable material. By describing its unique set of properties and features, it argues about its relevance for the building construction in the present times. With this underlying motivation, this paper defines the current state of the research in architecture on the use of robotic fabrication with cork. It does so by describing and illustrating a set of different experiments conducted by the authors in their academic institutions. The results unveil a set of innovative applications of cork in building construction, and, at the same time, contribute to show how robotic technologies can be used to rethink and update traditional and old materials in architecture.
keywords	Building Construction, Cork, CAD/CAM, Robotic Fabrication, Design Customization
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	acadia15_343
id	acadia15_343
authors	Roudavski, Stanislav
year	2015
title	Sketching with Robots
doi	https://doi.org/10.52842/conf.acadia.2015.343
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 343-355
summary	Today, human activities constitute the primary environmental impact on the planet. In this context, commitments to sustainability, or minimization of damage, prove insufficient. To develop regenerative, futuring capabilities, architectural design needs to extend beyond the form and function of things and engage with the management of complex systems. Such systems involve multiple types of dynamic phenomena – biotic and abiotic, technical and cultural – and can be understood as living. Engagement with such living systems implies manipulation of pervasive and unceasing change, irrespective of whether it is accepted by design stakeholders or actively managed towards homeostatic or homeorhetic conditions. On one hand, such manipulation of continuity requires holistic and persistent design involvements that are beyond natural capabilities of human designers. On the other hand, practical, political or creative implications of reliance on automated systems capable of tackling such tasks is as yet underexplored. In response to this challenge, this paper considers an experimental approach that utilised methods of critical making and speculative designing to explore potentials of autonomous architecture. This approach combined 1) knowledge of animal architecture that served as a lens for rethinking human construction and as a source of alternative design approaches; 2) practices of creative computing that supported speculative applications of data-driven and performance-oriented design; and 3) techniques of robotics and mechatronics that produced working prototypes of autonomous devices that served as props for critical thinking about alternative futures.
keywords	Intelligent robots, animal architecture, synthetic ecology
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:56

_id	caadria2015_117
id	caadria2015_117
authors	Zarzycki, Andrzej
year	2015
title	Video Game Narratives: Beyond the Gameplay
doi	https://doi.org/10.52842/conf.caadria.2015.785
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 785-794
summary	Contemporary video games such as Mass Effect or Assassin’s Creed emerge as a new form of media and depart from traditional games purely seen as problem-solving exercises. They are enjoyed by a broader audience, similar to those of TV and cinema. At the same time, they are significantly different from TV and cinema, since they place the user at the centre of interaction and content creation. This paper discusses the role of narratives in these new epic games as the main driver behind their appeal and commercial success.
keywords	Video games; narratives; storytelling; interactive media.
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	sigradi2015_11.165
id	sigradi2015_11.165
authors	Ligler, Heather; Economou, Thanos
year	2015
title	Lost in Translation: Towards an Automated Description of John Portman’s Domestic Architecture
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 657-661.
summary	The prevalent mode of shape grammar output is a two-dimensional drawing grammar. For architectural applications, these two- dimensional shape rules can hold a variety of interpretations in three-dimensional space. This work translates an existing grammar from a manual two-dimensional drawing grammar to an automated three-dimensional building grammar to explore the challenges and opportunities that this translation suggests in the larger context of shape computation. The case study considered here is a grammar interpreting John Portman’s architectural language as defined by the house Portman identifies as emblematic of his design principles, his 1964 personal residence Entelechy I.
keywords	Shape Grammars, Shape Grammar Implementations, Formal Composition, Generative Systems
series	SIGRADI
email
last changed	2016/03/10 09:54

_id	ecaade2015_206
id	ecaade2015_206
authors	Luyten, Laurens
year	2015
title	CAAD and Conceptual Design Collaboration between Architects and Structural Engineers
doi	https://doi.org/10.52842/conf.ecaade.2015.2.215
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 215-224
summary	Architectural design benefits from a design collaboration between architect and engineers that starts early in the design process. This paper presents a proposal for a new structural language developed to support an early design collaboration between architect and structural engineer. This language expresses the essential characteristics of the conceptual design of the structural engineer, and requires a limited amount of structural engineering knowledge for the architect to comprehend. The language is evaluated in different case studies with architecture and interior architecture students: they show the students' appreciation as it is found easy to learn and use, and a helpful tool in conceptual design collaboration with a structural engineer. Although the language is developed for manual 3D sketching, the paper briefly indicates its potentials for digital 3D representations and more intelligent CAAD like Multi-Agent System (MAS).
wos	WOS:000372316000026
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=3d3e3cd0-6fe9-11e5-a486-00190f04dc4c
last changed	2022/06/07 07:51

_id	caadria2022_278
id	caadria2022_278
authors	Ortner, F. Peter and Tay, Jing Zhi
year	2022
title	Optimizing Design Circularity: Managing Complexity in Design for Circular Economy Through Single and Multi-Objective Optimisation
doi	https://doi.org/10.52842/conf.caadria.2022.1.191
source	Jeroen van Ameijde, Nicole Gardner, Kyung Hoon Hyun, Dan Luo, Urvi Sheth (eds.), POST-CARBON - Proceedings of the 27th CAADRIA Conference, Sydney, 9-15 April 2022, pp. 191-200
summary	This paper advances the application of computational optimization to design for circular economy (CE) by comparing results of scalarized single-objective optimization (SOO) and multi-objective optimization (MOO) to a furniture design case study. A framework integrating both methods is put forward based on results of the case study. Existing design frameworks for CE emphasize optimization through an iterative process of manual assessment and redesign (Ellen MacArthur Foundation, 2015). Identifying good design solutions for CE, however, is a complex and time-consuming process. Most prominent CE design frameworks list at least nine objectives, several of which may conflict (Reike et al., 2018). Computational optimization responds to these challenges by automating search for best solutions and assisting the designer to identify and manage conflicting objectives. Given the many objectives outlined in circular design frameworks, computational optimisation would appear a priori to be an appropriate method. While results presented in this paper show that scalarized SOO is ultimately more time-efficient for evaluating CE design problems, we suggest that given the presence of conflicting circular design objectives, pareto-set visualization via MOO can initially better support designers to identify preferences.
keywords	Design for Circular Economy, Computational Optimisation, Sustainability, Design Optimisation, SDG 11, SDG 12
series	CAADRIA
email
last changed	2022/07/22 07:34

_id	ecaade2015_240
id	ecaade2015_240
authors	Sousa, Jose Pedro; Varela, Pedro Azambuja and Martins, Pedro Filipe
year	2015
title	Between Manual and Robotic Approaches to Brick Construction in Architecture
doi	https://doi.org/10.52842/conf.ecaade.2015.2.361
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 361-370
summary	Brick construction has a long and rich structural and aesthetic traditions in architecture, which can be traced back to the origins of our civilization. However, despite the remarkable works of Frank Lloyd Wright, Louis Kahn, Eladio Dieste or Alvar Aalto in the 20th century, the application of this construction process to address more irregular geometries is very difficult to be achieved by conventional manual means. In this context, the last decade assisted to emergence of robotic applications in architecture. While Gramazio & Kohler looked for solving non-standard brick structures, others, like the S.A.M. robot initiative, are interested in improving the productivity in the fabrication of regular brick structures. By surveying the recent advances on bricklaying automation, this paper is interested in reflecting on the actual role of manual brickwork. In doing so, the authors present the Brick Tower experiment developed at the DFL/CEAU/FAUP, where two different fabrications processes are critically compared: a robotic and a manual one, which is aided by a video projection technique. By describing and illustrating this experiment, the authors argue that it is possible to expand the traditional craft of bricklaying by devising simple strategies to increase the human capacity to understand and materialize more elaborated geometries. This research avenue can be relevant if one considers that manual work should remain the most common form of brickwork practice in the next decades.
wos	WOS:000372316000042
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=e6bc50e2-6fe6-11e5-9a3c-4332809e7acb
last changed	2022/06/07 07:56

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