Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	cf2015_421
id	cf2015_421
authors	Miyasaka, Elza Luli and Fabrício, Márcio Minto
year	2015
title	Digital Fabrication in Brazil: Academic Production in the last decade
source	The next city - New technologies and the future of the built environment [16th International Conference CAAD Futures 2015. Sao Paulo, July 8-10, 2015. Electronic Proceedings/ ISBN 978-85-85783-53-2] Sao Paulo, Brazil, July 8-10, 2015, pp. 421-433.
summary	This work aims to review the literature on digital fabrication verifying the Brazilian status on a general view. Concerning the methodology, the research was carried out from 2004 to 2014 analyzing three aspects: 1. the situational context of digital fabrication; 2. digital fabrication in the design process; 3. the Brazilian status. The findings revealed the use of digital fabrication is mainly focused on the design process. Also, the most common objects in the research are the development of models, furniture and pavilions. Moreover, digital fabrication is increasingly being inserted in the syllabus of architecture schools. Brazil strikes in object production both in quantities and interests throughout the country.
keywords	Digital Fabrication; design production, literature / review; CAD/ CAM architecture.
series	CAAD Futures
email
last changed	2015/06/29 07:55

_id	caadria2022_278
id	caadria2022_278
authors	Ortner, F. Peter and Tay, Jing Zhi
year	2022
title	Optimizing Design Circularity: Managing Complexity in Design for Circular Economy Through Single and Multi-Objective Optimisation
source	Jeroen van Ameijde, Nicole Gardner, Kyung Hoon Hyun, Dan Luo, Urvi Sheth (eds.), POST-CARBON - Proceedings of the 27th CAADRIA Conference, Sydney, 9-15 April 2022, pp. 191-200
doi	https://doi.org/10.52842/conf.caadria.2022.1.191
summary	This paper advances the application of computational optimization to design for circular economy (CE) by comparing results of scalarized single-objective optimization (SOO) and multi-objective optimization (MOO) to a furniture design case study. A framework integrating both methods is put forward based on results of the case study. Existing design frameworks for CE emphasize optimization through an iterative process of manual assessment and redesign (Ellen MacArthur Foundation, 2015). Identifying good design solutions for CE, however, is a complex and time-consuming process. Most prominent CE design frameworks list at least nine objectives, several of which may conflict (Reike et al., 2018). Computational optimization responds to these challenges by automating search for best solutions and assisting the designer to identify and manage conflicting objectives. Given the many objectives outlined in circular design frameworks, computational optimisation would appear a priori to be an appropriate method. While results presented in this paper show that scalarized SOO is ultimately more time-efficient for evaluating CE design problems, we suggest that given the presence of conflicting circular design objectives, pareto-set visualization via MOO can initially better support designers to identify preferences.
keywords	Design for Circular Economy, Computational Optimisation, Sustainability, Design Optimisation, SDG 11, SDG 12
series	CAADRIA
email
last changed	2022/07/22 07:34

_id	sigradi2015_4.219
id	sigradi2015_4.219
authors	Özgan, Sibel Yasemin; Sevmen, Deniz Pastutmaz
year	2015
title	Recalling the Heritage of Ancient Wreath Designs: An Exploration of the Computation In Making
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 1 - ISBN: 978-85-8039-135-0] Florianópolis, SC, Brasil 23-27 November 2015, pp. 183-189.
summary	The making of ancient gold wreaths is one of the unique and forgotten crafting activities, which has influenced various modern designs such as jewelries, furniture, wall decorations and ornaments. Wreath designs stand as good examples for hands-on material computation, since they are made from gold, which is known for its extraordinary durability and malleability. In this study, we try to decompose the overall rules by investigating the design development of ancient gold wreaths. The crafting activity stand as an essential attribute, which alters visual grammar rules. By decomposing the visual rules, we are able to define the relations between crafting, material properties, making techniques and visual appearance.
keywords	Digital Heritage, Digital Craftsman, Ancient Wreath, Traditional Crafts, Computational Making
series	SIGRADI
email
last changed	2016/03/10 10:03

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