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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2023_416
id	sigradi2023_416
authors	Machado Fagundes, Cristian Vinicius, Miotto Bruscato, Léia, Paiva Ponzio, Angelica and Chornobai, Sara Regiane
year	2023
title	Parametric environment for internalization and classification of models generated by the Shap-E tool
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 1689–1698
summary	Computing has been increasingly employed in design environments, primarily to perform calculations and logical decisions faster than humans could, enabling tasks that would be impossible or too time-consuming to execute manually. Various studies highlight the use of digital tools and technologies in diverse methods, such as parametric modeling and evolutionary algorithms, for exploring and optimizing alternatives in architecture, design, and engineering (Martino, 2015; Fagundes, 2019). Currently, there is a growing emergence of intelligent models that increasingly integrate computers into the design process. Demonstrating great potential for initial ideation, artificial intelligence (AI) models like Shap-E (Nichol et al., 2023) by OpenAI stand out. Although this model falls short of state-of-the-art sample quality, it is among the most efficient orders of magnitude for generating three-dimensional models through AI interfaces, offering practical balance for certain use cases. Thus, aiming to explore this gap, the presented study proposes an innovative design agency framework by employing Shap-E connected with parametric modeling in the design process. The generation tool has shown promising results; through generations of synthetic views conditioned by text captions, its final output is a mesh. However, due to the lack of topological information in models generated by Shap-E, we propose to fill this gap by transferring data to a parametric three-dimensional surface modeling environment. Consequently, this interaction's use aims to enable the transformation of the mesh into quantifiable surfaces, subject to collection and optimization of dimensional data of objects. Moreover, this work seeks to enable the creation of artificial databases through formal categorization of parameterized outputs using the K-means algorithm. For this purpose, the study methodologically orients itself in a four-step exploratory experimental process: (1) creation of models generated by Shap-E in a pressing manner; (2) use of parametric modeling to internalize models into the Grasshopper environment; (3) generation of optimized alternatives using the evolutionary algorithm (Biomorpher); (4) and classification of models using the K-means algorithm. Thus, the presented study proposes, through an environment of internalization and classification of models generated by the Shap-E tool, to contribute to the construction of a new design agency methodology in the decision-making process of design. So far, this research has resulted in the generation and classification of a diverse set of three-dimensional shapes. These shapes are grouped for potential applications in machine learning, in addition to providing insights for the refinement and detailed exploration of forms.
keywords	Shap-E, Parametric Design, Evolutionary Algorithm, Synthetic Database, Artificial Intelligence
series	SIGraDi
email
last changed	2024/03/08 14:09

_id	sigradi2015_13.316
id	sigradi2015_13.316
authors	Ariza, Inés; Gazit, Merav
year	2015
title	On-site Robotic Assembly of Double-curved Self-supporting Structures
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 746-753.
summary	Robotic assembly of architectural structures has been an area of research for a few decades. Yet, current methods impose a large number of constraints on the geometry of those structures. In this paper we introduce a method for robotic assembly that enables the construction of double curved self-supporting structures. Latest research challenges have focused on the assembly of sophisticated brick structures and on sensor feedback systems for handling accuracy. We propose an alternative strategy to tackle tolerance handling in complex structures that rely on geometry. The intelligence of the system lies in two main aspects: a subdivision technique that incorporates the robot’s constraints as well as the structural equilibrium of the structure during each step of assembly, in order to omit the use of scaffolding; and a match between geometric information and the robot’s movements in a robot programming environment. As a proof of concept, we fabricated a portion of a full-scale double-curved structure. The structure was assembled without scaffolding by a portable KUKA KR10 on a randomly picked site. This project aims to demonstrate an easy and simple method for robotic assembly that enables the realization of digitally generated complex geometries as concrete complex structures.
keywords	Robotic Assembly, Self-supporting Structure, On-site Assembly, Double Curvature, Construction Tolerances
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2015_215
id	ecaade2015_215
authors	Balakrishnan, Bimal and Oprean, Danielle
year	2015
title	Communication, Coordination and Collaboration: Media affordances and Team Performance in a Collaborative Design Environment
doi	https://doi.org/10.52842/conf.ecaade.2015.2.225
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 225-232
summary	Advances in digital media are encouraging designers to adopt digital tools during early stages of design ideation as well as to facilitate collaboration in design teams. Collaborative environments for design teams should take into consideration both the multimodal nature of design representation as well as the complexity of team cognition. Collaborative tools that take a “black-box” approach often limit affordances for design ideation and collaboration. We describe here a collaborative environment that we put together using a kit-of-parts approach and underlying theoretical considerations. We also describe systematic usability evaluation of the collaborative environment by constraining select media affordances and qualitatively examining the impact on a team's design process. Preliminary findings were used to improve the environment and lay the groundwork for developing tele-collaborative environments.
wos	WOS:000372316000027
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=d219f772-6e90-11e5-b69a-00190f04dc4c
last changed	2022/06/07 07:54

_id	sigradi2015_3.370
id	sigradi2015_3.370
authors	Bem, Gabriel Moraes de; Pupo, Regiane Trevisan
year	2015
title	Printing the environment for visually impaired users: a systematic review
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 1 - ISBN: 978-85-8039-135-0] Florianópolis, SC, Brasil 23-27 November 2015, pp. 148-152.
summary	This paper presents the results of a systematic review of 13 databases that aimed to identify which rapid prototyping techniques (RP) have been applied to development of tactile maps and tactile models. For this purpose were adopted the key words tactile map; tactile model; tactile scale model; additive manufacturing; digital fabrication; and rapid prototyping. Only 11 results deal with the PR in the manufacture of the devices. As a result of four cases reviewed, there are benefits from psychological and learning fields and also technical such as the resolution of the elements, its legibility and quality control in manufacturing.
keywords	Visually Impaired User, Mobility, Way finding, Digital Prototyping
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2015_7.146
id	sigradi2015_7.146
authors	Cargill, Cristián Canto; Pinto, Eduardo Hamuy
year	2015
title	EMOVERE Creative Project: Digital Synesthetic Organism
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 1 - ISBN: 978-85-8039-135-0] Florianópolis, SC, Brasil 23-27 November 2015, pp. 276-282.
summary	EMOVERE, interdisciplinary project that aims at creating innovative interactive performance, brings together dance, sound and image. Bio-data related to emotions, heart and respiratory rate, are mediated by dancers and gives them control over music and video- mapping on stage. A creative process occurs through successive approaches, where technical possibilities are systematically explored until controlled, then body expression is lead by Alba Emoting, building an artistic discourse. Video-mapping is used for lighting purposes, creating a visual atmosphere for dancers. Fusion of media on stage creates synesthetic scenery where physical and digital aspects combine and interact in a codependent relationship.
keywords	Performance Interactiva, Escenografía, Danza, Video Mapping, Bio-Dat
series	SIGRADI
email
last changed	2016/03/10 09:48

_id	sigradi2015_000
id	sigradi2015_000
authors	Cybis Perreira, Alice T.; Pupo, Regiane T. (Ed.)
year	2015
title	Project Information for Interaction
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 1 - ISBN: 978-85-8039-135-0; vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015
summary	The chosen theme "Project Information for interaction" reveals one of the most important ways that technology has offered to improve the design process by integrating information into the elements of digital graphic in a parametric way. This integration allows many design professionals to interact on the same model, enabling simulations, materializations, revisions with data more close to the reality, avoiding errors and wastes. Projects with highest social responsibility can be performed by inserting this new way of designing in education and professional practices. So, this conference is dedicated to give time and space for presentations and discussions of researches and experiences in this area applied to the various fields such as Architecture, Urbanism, Design, Animation, Arts, among others. Looking into another perspective, this issue also brings the concept of Smart Cities, where the provision of information integrated with graphics inserted in the towns components (streets, open areas, buildings and objects), allow more responsible interactions, generating sustainable and collaborative actions among citizens.
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	sigradi2015_sp_10.179
id	sigradi2015_sp_10.179
authors	Espinoza, Verónica Paola Rossado; Torres, Daniel Antonio Serrano
year	2015
title	Scientific Approach to the Project in a Computational Perspective of Architecture: The Hochschule für Gestaltung-Ulm and its Diaspora
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 818-822.
summary	BIM methodology is a process that make possible to integrate the construction project on a 3D model. It contains the necessary information, optimizing stages, allowing early analysis and product virtualization. This methodology, reduces the time of implementation, anticipates the decisions making and improves productivity. The project requires the coordination of various professionals such as architects, civil, electrical, structural engineers, contractors and administrators, who needs specialized teaching by experts in BIM methodology. There are few professionals who are truly qualified to lead or carry out an entirely project whit this methodology.
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	sigradi2015_9.152
id	sigradi2015_9.152
authors	Faria, José Neto de; Oliveira, Mirtes Marins; Palos, Karine Itao
year	2015
title	Architecture, Design and Information Visualization (Data): different phases of data between the perception and clarification
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 451-458.
summary	The article develops a reflection on the different stages of information (data) in the relations of mediation between ‘individual interpreter’ and ‘information systems’, and the agency of the processes of perception, interpretation and clarification. The goal was to identify, understand and describe how ‘information systems’ enact the different stages of articulation of ‘information’, from “propensity” to ‘concatenation’, and from ‘critical’ to the ‘action’. Tests and analysis of the effects of ‘information systems’ were observed in ‘narrative accounts’ of ‘individual interpreter’. However, the conclusion is that the social conformation of ‘strategies for obtaining information’ prevails on the properties of ‘information system’.
keywords	Design, Information, Information Architecture, Information Design, Information Visualization
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	caadria2015_246
id	caadria2015_246
authors	Fok, Wendy W.
year	2015
title	Delineating Crowd Sourced Ownership in the Digital Age for the Built Environment
doi	https://doi.org/10.52842/conf.caadria.2015.043
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 43-52
summary	Time Magazine, had named the “Person of the Year” to “YOU” (the crowd) in 2006 , due to the infinite potentials of the thousands and millions of ‘yous’ who control the media and financing within the new digital democracy. These same citizens of digital innovation create the new platforms—seen in the early beta developments of Kickstarter, Twitter, Wikipedia, and Facebook—and contribute to the manipulation of international exchange of information and power, creating value propositions beyond the traditional product complexity of the market. Peer exchange and crowd organizational strategy will be used to innovate the built environment, and it is pertinent for “digital” property and “real” property to recognize and benefit from this emergence. Professional codes of conduct, economic values, and legal regulations have become a means to an end of the designing of digital and physical property, as digital barriers lift much of the necessary pre-cautions that is required to govern collaboration. This body of research explores the qualifying factors of open innovation identity between the creators and the consumers, the state of design ethics and ownership uncertainties pertaining to the combinatory methods and mechanisms that employ these technologies.
keywords	Open Innovation; Crowd source; Authorship; Ownership; Digital Media; Digital Property; Physical Property.
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	ecaade2015_247
id	ecaade2015_247
authors	Garcia, Manuel Jimenez and Retsin, Gilles
year	2015
title	Design Methods for Large Scale Printing
doi	https://doi.org/10.52842/conf.ecaade.2015.2.331
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 331-339
summary	With an exponential increase in the possibilities of computation and computer-controlled fabrication, high density information is becoming a reality in digital design and architecture. However, construction methods and industrial fabrication processes have not yet been reshaped to accommodate the recent changes in those disciplines. Although it is possible to build up complex simulations with millions of particles, the simulation is often disconnected from the actual fabrication process. Our research proposes a bridge between both stages, where one drives the other, producing a smooth transition from design to production. A particle in the digital domain becomes a drop of material in the construction method.The architect's medium of expression has become much more than a representational tool in the last century, and more recently it has evolved even beyond a series of rules to drive from design to production. The design system is the instruction itself; embedding structure, material and tectonics and gets delivered to the very end of the construction chain, where it gets materialised. The research showcased in this paper investigates tectonic systems associated with large scale 3D printing and additive manufacturing methods, inheriting both material properties and fabrication constraints at all stages from design to production. Computational models and custom design software packages are designed and developed as strategies to organise material in space in response to specific structural and logistical input.Although the research has developed a wide spectrum of 3D printing methods, this paper focuses only on two of the most recent projects, where different material and computational logics were investigated. The first, titled Filamentrics, intends to develop free-form space frames, overcoming their homogeneity by introducing robotic plastic extrusion. Through the use of custom made extruders a vast range of high resolution prototypes were developed, evolving the design process towards the fabrication of precise structures that can be materialised using additive manufacturing but without the use of a layered 3D printing method. Instead, material limitations were studied and embedded in custom algorithms that allow depositing material in the air for internal connectivity. The final result is a 3x2x2.5m structure that demonstrates the viability of this construction method for being implemented in more industrial scenarios.While Filamentrics is reshaping the way we could design and build light weight structures, the second project Microstrata aims to establish new construction methods for compression based materials. A layering 3D printing method combines both the deposition of the binder and the distribution of an interconnected network of capillaries. These capillaries are organised following structural principles, configuring a series of channels which are left empty within the mass. In a second stage aluminium is cast in this hollow space to build a continuous tension reinforcement.
wos	WOS:000372316000039
series	eCAADe
type	normal paper
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=07a6d8e0-6fe7-11e5-9994-cb14cd908012
last changed	2022/06/07 07:51

_id	ecaade2015_200
id	ecaade2015_200
authors	Gargaro, Silvia and Fioravanti, Antonio
year	2015
title	Towards a Context Knowledge Taxonomy - Combined Methodologies to Improve a Fast-Search Concept Extraction for an Ontology Population
doi	https://doi.org/10.52842/conf.ecaade.2015.1.137
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 1, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 137-147
summary	Context in Architectural Design can be defined-related-comparable to hypothesis and boundary conditions in mathematics. An eco-system that influences it by means of natural and artificial events, space and time dimension. The research has the aim to analyze the critical issues related to Context by providing a contribution to the study of interactions between Context Knowledge and Architectural Design and how it can be used to improve the performance of the buildings and reducing design mistakes. The research focusing on formal ontologies, has developed a model that enables a semantic approach to design application programs, to manage information, to answer design questions and to have a clear relation between the formal representation of the context domain and its meanings. This context model provides an advancement on the state of the art in simplified design assumptions, in term of ontology ambiguity and complexity reduction, by using algorithms to extract and optimize branches of the graph. The extraction does not limit the number of relations, that can be extended and improve context taxonomy coherency and accuracy.
wos	WOS:000372317300015
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=c8741aa2-702c-11e5-a273-83f9e53dafcf
last changed	2022/06/07 07:51

_id	sigradi2016_621
id	sigradi2016_621
authors	Gomes, Maria Cecília Rocha Couto; Santos, Ana Paula Baltazar dos; Arruda, Guilherme Ferreira de; Cabral Filho , José dos Santos; Silva, Luís Henrique Marques de Oliveira; Diniz, Luiza Encarnaç?o; Lima, Mariana Julia Souza Barbosa; Stralen, Mateus de Sousa van
year	2016
title	Parametrizaç?o para além do processo de projeto: experimentando aberturas para interaç?o [Parametrization beyond the design process: trying out openness for interaction]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.790-794
summary	This paper discusses the use of parametrization and digital fabrication in architecture proposing a shift from increasing the architect’s control over the final product (determinist paradigm), towards increasing users' interaction. It presents the design process of an experimental interactive object intended to meet the former discussion and test the limits and difficulties that might arise during the process. Such an object was developed by Lagear (UFMG), as a response to the exhibition Homo Faber: Digital Fabrication in Latin America, CAAD FUTURES 2015.
keywords	Interactive object; Parametrization; Digital Fabrication; Representation; Interaction
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	acadia15_371
id	acadia15_371
authors	Hatefnia, Navid; Ghobad, Marjan
year	2015
title	Computing Outdoor Comfort Based on CBE Thermal Comfort Calculation for Ashrae-55
doi	https://doi.org/10.52842/conf.acadia.2015.371
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 371-480
summary	Environmental analysis as part of the initial design process, affords precise consideration of the bioclimatic human conditions within the environmental local context. The daily growth in inter alia knowledge of effective parameters in environmental conditions, quality weather data, human thermo-physiology studies – all contribute to improving the potential for achieving a relatively accurate analyses of environmental conditions by overlaying and computing all the climatic and thermo-physiological data. This paper describes a digital method for examining different points in the same context by computing all the input data available to understand the corresponding human comfort condition levels, thus leading to better decision-making at early design stages. Information about the site, climate, human thermo-physiology and behavioral aspects among others are collected where each data parameter is matched and analyzed to the context of every node on the model through a series of specific computational algorithms. Thereafter, the data from the nodes are statistically cleaned, classified and integrated based on the CBE thermal comfort calculation for ASHRAE-55. The results obtained using this method, can be tailored according to the desired outcomes. The proposed method identifies effective factors for human comfort condition improvement for different points on the context. It also provides a means to priorities specific parameters so that they can be manipulated for optimal digital design solutions, ie. Aligned to the desired conditions in the specific parts of the site with the aim of optimize outdoor space usage.
keywords	Micro-Climate, Outdoor Comfort, Urban Design, Environmental Aspects, Bio-Climatic Conditions
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:49

_id	sigradi2015_10.307
id	sigradi2015_10.307
authors	Herrera, Pablo C.
year	2015
title	Mathematics and computation: Using visual programming to develop didactic materials in a learning environment
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 581-588.
summary	We analyse the problem of creating didactic material for teaching and evaluating mathematics in the first year of a School of Architecture. By using visual programming, science professor used codes (formulae) to represent in a software their proposals, instead of drawing them themselves. Through this experience we create a database of codes with computational solutions that allows faculty to modify, reuse, visualise and print in the same platform that she students will use while developing their designs. In this way we aim to maximise the link between mathematics and design as fundamental base for the control of complex shapes.
keywords	Visual Programming, Mathematics Education, Architectural Education, Latin America, 3D Printing
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	ascaad2010_097
id	ascaad2010_097
authors	Kenzari, Bechir
year	2010
title	Generative Design and the Reduction of Presence
source	CAAD - Cities - Sustainability [5th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2010 / ISBN 978-1-907349-02-7], Fez (Morocco), 19-21 October 2010, pp. 97-106
summary	Digital design/fabrication is slowly emancipating architectural design from its traditional static/representational role and endowing it instead with a new, generative function. In opposition to the classical isomorphism between drawings and buildings, wherein the second stand as translations of the first, the digital design/fabrication scenario does not strictly fall within a semiotic frame as much as within a quasi biological context, reminiscent of the Aristotelian notion of entelechy. For the digital data does not represent the building as much it actively works to become the building itself. Only upon sending a given file to a machine does the building begin to materialize as an empirical reality, And eventually a habitable space as we empirically know it. And until the digital data actualizes itself, the building qua building is no more than one single, potential possibility among many others. This new universe of digital design/fabrication does not only cause buildings to be produced as quick, precise, multiply-generated objects but also reduces their presence as original entities. Like cars and fashion items, built structures will soon be manufactured as routinely-consumed items that would look original only through the subtle mechanisms of flexibility: frequent alteration of prototype design (Style 2010, Style 2015..) and “perpetual profiling” (mine, yours, hers,..). The generic will necessarily take over the circumstantial. But this truth will be veiled since “customized prototypes” will be produced or altered to individual or personal specifications. This implies that certain “myths” have to be generated to speed up consumption, to stimulate excessive use and to lock people into a continuous system which can generate consumption through a vocabulary of interchangeable, layered and repeatable functions. Samples of “next season’s buildings” will be displayed and disseminated to enforce this strategy of stimulating and channeling desire. A degree of manipulation is involved, and the consumer is flattered into believing that his or her own free assessment of and choice between the options on offer will lead him or her to select the product the advertiser is seeking to sell. From the standpoint of the architect as a maker, the rising upsurge of digital design and fabrication could leave us mourning the loss of what has been a personal stomping ground, namely the intensity of the directly lived experiences of design and building. The direct, sensuous contact with drawings, models and materials is now being lost to a (digital) realm whose attributes refer to physical reality only remotely. Unlike (analogue) drawings and buildings, digital manipulations and prototypes do not exercise themselves in a real space, and are not subjected in the most rigorous way to spatial information. They denote in this sense a loss of immediacy and a withering of corporal thought. This flexible production of space and the consequent loss of immediate experience from the part of the designer will be analyzed within a theoretical framework underpinned mainly by the works of Walter Benjamin. Samples of digitally-produced objects will be used to illustrate this argument.
series	ASCAAD
email
last changed	2011/03/01 07:36

_id	caadria2015_004
id	caadria2015_004
authors	Kotsopoulos, Sotirios D. and Federico Casalegno
year	2015
title	Responsive Architectures
doi	https://doi.org/10.52842/conf.caadria.2015.335
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 335-344
summary	Real-time supply of computational power into built environments enables to re-address questions of user experience, comfort and building performance. This presentation discusses the features of responsive architecture through the example of a ‘programmable window’ that was designed and deployed in a prototype house, in Trento, N. Italy. In the example the parts and functionalities of building skins were revisited, to integrate advances in electroactive materials, information communication technologies and control systems engineering.
keywords	Electroactive materials; model-based control; programmable windows.
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	ijac201513101
id	ijac201513101
authors	Krietemeyer, Bess; Brandon Andow, Anna Dyson
year	2015
title	A Computational Design Framework Supporting Human Interaction with Environmentally-Responsive Building Envelopes
source	International Journal of Architectural Computing vol. 13 - no. 1, 1–24
summary	Emerging materials present opportunities to fundamentally shift current expectations of dynamic building envelope functionality towards systems that can respond to occupant needs while meeting the energy demands of buildings. In order to assess the environmental, social, and architectural opportunities that are increasing with responsive building envelopes, new tools are needed to simulate their multi-performance capabilities. This paper describes a computational design framework to support human interaction with environmentally-responsive electroactive dynamic daylighting systems. The objective is to develop algorithms for variable solar control and visible transmittance that simultaneously address occupant preferences for visual effects and interaction. Results demonstrate that energy performance and user satisfaction are not mutually exclusive and can be co-optimized. The effectiveness and limitations of the computational framework in assessing strategies to balance environmental performance and human interaction are discussed. Conclusions present areas of ongoing work that integrate multi-user interactions and immersive visualization techniques with multiscalar energy modeling tools.
series	journal
last changed	2019/05/24 09:55

_id	acadia15_149
id	acadia15_149
authors	Lagemann, Dennis
year	2015
title	A Model to Space
doi	https://doi.org/10.52842/conf.acadia.2015.149
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 149-159
summary	Architects are used to work with models since the early beginnings of Renaissance. These models were made to conceive spatial objects before they become realized. Nowadays space seems to be outdated: There are information topologies, virtuality, and globalization. Our models are logistical rather than spatial and they become increasingly complicated. They put an emphasis on energy- or cost-efficiency rather than the vividness of a localized place. But as Architects we are supposed to be ‚masters of space’. And somehow it feels like we have lost our domain and degraded ourselves to attaching nice skins on increasingly optimized concrete- or steel-skeletons. In this sense it might be necessary to reconsider our mastership upon the articulation of space. One way to achieve this might be that computation could do more than just deliver increasingly intriguing geometries, instead it might offer us a look at the spaces conceivable but not yet imaginable: computed as information topologies and then rendered back into the geometrical framework of physical space. New media have entered our perception to a degree never imagined by future sciences of the past. So the question arises if space-time can still be considered as a single layer in actuality. As individualization takes command, being special becomes normality. In a quantized society, where many cultures coexist at the same places simultaneously, a new model to space must deal with the superposition of territories.
keywords	Models, Computation, Digitization, Architectural History/Theory, Topology <=> Geometry, Active Space, Inversion, Interlaced Fields, Paradigm Shift
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	sigradi2015_sp_11.303
id	sigradi2015_sp_11.303
authors	Lima, Isabel Cristina da Silva; Silva, Fernando Toledo; Maziviero, Maria Carolina
year	2015
title	Urbanism in the Digital Age: urban design and digital processes
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 832-835.
summary	The paper analyzes the theoretical and methodological approach of contemporary urban design associated to digital processes. This new approach to urban studies is based on parametric design systems in which the focus of interest is not in the form itself, but the parameters that generate it. As an alternative to traditional design system, this methodology provides greater control of the entire process, since the parameters can be changed during all stages of the work. Thus, this paper presents some cases to understand the advantages and disadvantages of using this new way of designing on urban scale.
keywords	Urban Projects, Digital Thought, Inventory, Generative Systems, Design Process
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	ecaade2015_101
id	ecaade2015_101
authors	Markusiewicz, Jacek and Slyk, Jan
year	2015
title	From Shaping to Information Modeling in Architectural Education: Implementation of Augmented Reality Technology in Computer-Aided Modeling
doi	https://doi.org/10.52842/conf.ecaade.2015.2.083
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 2, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 83-90
summary	While learning computer-aided modeling techniques, students of architecture should not only gain knowledge on how to model three-dimensional forms, but also how to define and understand the information beneath the shapes. Architectural presentation as an intellectual communication-focused process requires new media to channel information in a contemporary way. These can be text, image, sound, video or a digital model. The integration of augmented reality in teaching computer-aided modeling in architecture school provides more thorough learning experience as it opens new opportunities. The authors present the process of implementing AR technology in architectural education - its theoretical background, the outcome of students' work and technical solutions. They argue that the use of AR interface increases the effectiveness of user-model interaction in comparison to standard mouse-based techniques of three-dimensional manipulation due to the intuitive touch-screen interaction and direct control on the camera.
wos	WOS:000372316000011
series	eCAADe
email
last changed	2022/06/07 07:59

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