Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaade2016_055
id	ecaade2016_055
authors	Baranovskaya, Yuliya, Prado, Marshall, Dörstelmann, Moritz and Menges, Achim
year	2016
title	Knitflatable Architecture - Pneumatically Activated Preprogrammed Knitted Textiles
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 571-580
doi	https://doi.org/10.52842/conf.ecaade.2016.1.571
wos	WOS:000402063700062
summary	Textiles are widely used in architecture for tensile structures, as they are lightweight and can easily span large distances. These structures typically require an external framework for a support. Inflatable structures are self-supporting but are limited to relatively simple forms or require complex and predetermined cut patterns. The development of an adaptive and programmable textile system with an integrative method for pneumatic activation would create a novel self-supporting structure with high degree of design and architectural potential. This creates a highly integrative hybrid system where the generic pneumatic membranes are constrained by the differentiated knitted textile skin that is stretched in several directions under air pressure. This allows for an innovative, lightweight, easily transportable design, where the preprogrammed knitting pattern defines the structure, geometry and formation, activated under pneumatic pressure.
keywords	programming textiles; binary textiles; analogue computing; air inflation; grading textile properties
series	eCAADe
email
last changed	2022/06/07 07:54

_id	acadia23_v3_39
id	acadia23_v3_39
authors	Goti, Kyriaki; A. Scelsa, Jonathan; Rossi, Natalia; Wang, Wei; Palaci, Arthur
year	2023
title	Bric(k)olage: Spoliated Masonry C+D Waste
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 3: Proceedings of the 43rd Annual Conference for the Association for Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9891764-1-0]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 24-32.
summary	The 2016 US Environmental Protection Agency reported that 23.1 million tons of broken pieces of concrete waste are annually discarded from new construction sites (EPA -2) and in example states in the north american context only 6.6% of C&D concrete is recycled; the rest is thrown out in landfills as it is labeled “contaminated or too hard to process on a large scale.” (CT DOE 25) Relatively little investigation has occurred in how this material could reappear in the architectural project that might honor its intrinsic broken quality as a part of its materiality within a life-cycle of continual usage. This project speaks towards a problematic Habit of the Anthropocene in how we construct buildings placing intrinsic cultural value on new parts over the broken and old due to economic efficiencies.
series	ACADIA
type	field note
email
last changed	2024/04/17 13:59

_id	acadia23_v1_40
id	acadia23_v1_40
authors	Imai, Nate; Conway, Matthew; Lee, Rachel
year	2023
title	The Colors We Share
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 40-47.
summary	The Colors We Share is the winning proposal for a permanent public art installation that will be built in Los Angeles’s Little Tokyo (Figure 1). Selected through a rigorous open Request for Proposals (RFP) process organized by the city, the project honors the community’s rich and multivalent history and celebrates the voices of its next generation. In collaboration with the Little Tokyo Service Center (LTSC), the installation will feature a digital archive and will incorporate imagery gathered through social media to connect with other Nihonmachi (Japanese-descendant) communities across the globe in real time (Densho, n.d.). The vision for the project is two-fold: 1) to construct a vertical gateway that connects with the adjacent neighborhood, and 2) to create a dynamic display that allows community members to see themselves in the structure and connect with other Nihonmachi through locally, nationally, and internationally collected images and colors (Figure 2). In reference to the conference theme, this digital interface draws upon Dana Cuff and Jennifer Wolch’s Urban Humanities framework and creates a physical landmark that parses through an abundance of information to reveal the scarce voices and stories of a minority population (Cuff and Wolch 2016).
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	ecaade2018_p02
id	ecaade2018_p02
authors	Kepczynska-Walczak, Anetta and Martens, Bob
year	2018
title	Digital Heritage - Special Panel Session
source	Kepczynska-Walczak, A, Bialkowski, S (eds.), Computing for a better tomorrow - Proceedings of the 36th eCAADe Conference - Volume 1, Lodz University of Technology, Lodz, Poland, 19-21 September 2018, pp. 39-44
doi	https://doi.org/10.52842/conf.ecaade.2018.1.039
summary	According to eCAADe's mission, the exchange and collaboration within the area of computer aided architectural design education and research, while respecting the pedagogical approaches in the different schools and countries, can be regarded as a core activity. The current session follows up on the first Contextualised Digital Heritage Workshop (CDHW) held on the occasion of eCAADe 2016 in Oulu (D. di Mascio et.al.) This event was thought to represent the first of a series of future contextualized digital heritage workshops and hence, the name Oulu interchangeable with the name of any other city or place. The second CDHW took place in the framework of CAADRIA 2017 in Suzhou (D. di Mascio & M.A. Schnabel) and focussed on sharing and dissemination of heritage information and personal experiences, such as narratives.The primary objective for the 2018 digital heritage session is to engage participants in an active discussion, not the longer format presentation of prepared positions. The round table itself is limited to short opening statements so as to ensure time is allowed for viewpoints to be exchanged and for the conference attendees to join in on the issues discussed. The panel will review past practices with the potential for guiding future direction.
keywords	Digital technology; Built heritage; Virtual archeology
series	eCAADe
email
last changed	2022/06/07 07:52

_id	ecaade2016_242
id	ecaade2016_242
authors	Kovács, Ádám Tamás and Szoboszlai, Mihály
year	2016
title	Experience in CAAD Education Using a MOOC System
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 269-274
doi	https://doi.org/10.52842/conf.ecaade.2016.1.269
wos	WOS:000402063700030
summary	This paper describes some of the challenges of using a Massive Open Online Course (MOOC) framework system with a variety of digital content. Situated in the 'efficiency' paradigm of digital design methods and Computer Aided Architectural Design (CAAD) education, we allow participants to set their own schedules, meet demands that are appropriate for their abilities, and determine their own path. The content within this framework motivates students through life-like tasks and examples. This paper shares our experiences in CAAD education through a course curriculum developed by applying a variety of digital content. We have focused on resolving the problem of inefficient teaching of CAAD systems by developing a blended learning curriculum.
keywords	CAAD; education; b-learning; MOOC; curriculum analytics; mind-map
series	eCAADe
email
last changed	2022/06/07 07:51

_id	acadia16_236
id	acadia16_236
authors	Pineda, Sergio; Arora, Mallika; Williams, P. Andrew; Kariuki, Benson M.; Harris, Kenneth D. M.
year	2016
title	The Grammar of Crystallographic Expression
source	ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 236-243
doi	https://doi.org/10.52842/conf.acadia.2016.236
summary	This paper stems from a research collaboration which brings together two disciplines at different ends of the scale spectrum: crystallography and architecture. The science of crystallography demonstrates that the properties of crystalline materials are a function of atomic/molecular interactions and arrangements at the atomic level—i.e., functions of the form and structure of the material. Some of these nano-geometries are frameworks with special characteristics, such as uni-directional porosity, multi-directional porosity, and varied combinations of flexibility and strength. This paper posits that the symmetry operations implicit in these materials can be regarded as a spatial grammar in the design of objects, spaces, and environments. The aim is to allow designers and architects to access the wealth of structural information that is now accumulated in crystallographic databases as well as the spatial symmetry logics utilized in crystallography to describe molecular arrangements. To enable this process, a bespoke software application has been developed as a tool-path to allow for interoperability between crystallographic datasets and CAD-based modelling systems. The application embeds the descriptive logic and generative principles of crystallographic symmetry. Using this software, the project, inter alia, produces results related to a class of geometrical surfaces called Triply Periodic Minimal (TPM) surfaces. In addition to digital iterations, a physical prototype of one such surface called the gyroid was constructed to test potential applications in design. The paper describes the development of these results and the conclusions derived from the first stage of user testing.
keywords	interdisciplinarity, physical prototyping, triply periodic minimal surfaces, computational workflow, bespoke software, crystallographic space groups, nano-scale symmetry, nano-scale periodicity, molecular geometry, crystallographic expression
series	ACADIA
type	paper
email
last changed	2022/06/07 08:00

_id	ascaad2016_008
id	ascaad2016_008
authors	Armstrong, Logan; Guy Gardner and Christina James
year	2016
title	Evolutionary Solar Architecture - Generative Solar Design Through Soft Forms and Rigid Logics
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 55-64
summary	This paper describes the development of a workflow for the production of a net zero off-grid research cabin. The workflow deploys a number of affiliated parametric software packages as a form finding tool for the exterior envelope of this structure, with a focus on passive solar design as a generative formal driver. The design was required to incorporate the spatial and programmatic needs of the users in a compact, barrier free, net zero building. Simultaneously, the research question asked the designers to harness the potential of digital design in the consideration of future fabrication techniques, in order to optimize the building’s performance and the speed and quality of assembly once the project moves into construction. Parameters considered include solar exposure, external surface area, cost, fabrication, functionality, and aesthetic criteria. This project was developed by a multidisciplinary team of graduate students at the University of Calgary.
series	ASCAAD
email
last changed	2017/05/25 13:13

_id	caadria2016_013
id	caadria2016_013
authors	Aschwanden, Gideon D.P.A.
year	2016
title	Neighbourhood detection with analytical tools
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 13-22
doi	https://doi.org/10.52842/conf.caadria.2016.013
summary	The increasing population size of cities makes the urban fabric ever more complex and more disintegrated into smaller areas, called neighbourhoods. This project applies methods from geoscience and software engineering to the process of identification of those neighbourhoods. Neighbourhoods, by nature, are defined by connec- tivity, centrality and similarity. Transport and geospatial datasets are used to detect the characteristics of places. An unsupervised learning algorithm is then applied to sort places according to their characteris- tics and detect areas with similar make up: the neighbourhood. The at- tributes can be static like land use or space syntax attributes as well as dynamic like transportation patterns over the course of a day. An un- supervised learning algorithm called Self Organizing Map is applied to project this high dimensional space constituting of places and their attributes to a two dimensional space where proximity is similarity and patterns can be detected – the neighbourhoods. To summarize, the proposed approach yields interesting insights into the structure of the urban fabric generated by human movement, interactions and the built environment. The approach represents a quantitative approach to ur- ban analysis. It reveals that the city is not a polychotomy of neigh- bourhoods but that neighbourhoods overlap and don’t have a sharp edge.
keywords	Data analytics; urban; learning algorithms; neighbourhood delineation
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2016_641
id	caadria2016_641
authors	Baerlecken, D.; K. Wright, J. Reitz, N. Mueller and B. Heiermann
year	2016
title	Performative Agency of Materials: Matter agency of vernacular African pattern systems
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 641-650
doi	https://doi.org/10.52842/conf.caadria.2016.641
summary	This paper investigates an agency of materials through a design methodology that follows Martin Heidegger’s process of “Entbergen” or “unconcealing” as a non-instrumentalist understanding of tools and materials. This investigation takes place through the de- sign of a children’s theatre in South Africa where material innovation for architectural components is needed. The research studies vernacu- lar African patterns and their inherent behaviour when transferred to materials. The transference of pattern systems to architectural proto- types is discussed alongside the discussion of their technical and ar- chitectural performance criteria. Following Heidegger’s theory of “Entbergen” (“unconcealing”) the paper will demonstrate how making in this methodology becomes an “unconcealing”, which includes both digital and analogue means, linking the four causalities - causa mate- rialis, causa formalis, causa finalis, and causa efficiens – through the agency of material within an integrated process between all four caus- es. Making becomes a process in which form is generated through in- terventions within fields of forces and currents of materials, taking cause and agency into account, and standing in opposition to methods that are defined by a premeditated notion of an ideal outcome.
keywords	African patterns, making, design build, design methodology
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2020_043
id	caadria2020_043
authors	Bai, Nan, Nourian, Pirouz, Xie, Anping and Pereira Roders, Ana
year	2020
title	Towards a Finer Heritage Management - Evaluating the Tourism Carrying Capacity using an Agent-Based Model
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 1, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 305-314
doi	https://doi.org/10.52842/conf.caadria.2020.1.305
summary	As one of the most important areas in the Palace Museum, Beijing, China, the Hall of Mental Cultivation had suffered from overcrowding of visitors before it was closed in 2016 for conservation. Preparing for the reopening in 2020, the Palace Museum decided to take the chance and initiate finer-grained tourism management in the Hall. This research intends to provide an audio-guided touring program by dynamically evaluating the Tourism Carrying Capacity (TCC) with the highlight spots in the Hall, to operate the touring program spatiotemporally. Framing an optimization problem for the touring program, an agent-based simulator, Thunderhead Pathfinder, originally developed for evacuation in the emergency, is utilized to verify the performance of the touring system. The simulation shows that the proposed touring program could precisely fit all the key requirements to improve the visitors' experience, to guarantee heritage safety, and to ensure more efficient management.
keywords	Tourism Carrying Capacity; Agent-Based Simulation; Operations Research; Heritage Management
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	sigradi2016_672
id	sigradi2016_672
authors	Bianchi, Alejandra S.; Tripaldi, Gustavo A.; Pintos, Gladis E.; Iturriaga, José R.; Vargas, Sergio D.
year	2016
title	Impacto del mundo digital sobre las representaciones gráficas del dise?o arquitectónico. La experiencia en el Taller Virtual de Arquitectura IV-UPC-UNNE [Digital world impact over the graphics representations of the architectural design. The experience in the virtual workshop of architecture IV-UPC-UNNE]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.123-128
summary	The present work explains the preliminary results of the Research project that the authors are working on to know the way in which the architecture students of the UNNE represent the architectural object with analogues and digital methods. It wants to express the impact of the digital world over the representations through cross sections in five moments of their formation (beginner’s level, first, second, fourth and sixth years) in the school calendars 2013 to 2016. This qualitative research, descriptive and explanatory, expands in the virtual workshop, an innovative and unique experience of a collaborative workshop between the subjects of Architecture IV of different Universities.
keywords	Graphic Representation, Architectural Design, Virtual Workshop
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	caadria2016_539
id	caadria2016_539
authors	Lublasser, E.; J. Braumann, D. Goldbach and S. Brell-Cokcan
year	2016
title	Robotic Forming: Rapidly Generating 3D Forms and Structures through Incremental Forming
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 539-548
doi	https://doi.org/10.52842/conf.caadria.2016.539
summary	The past years have seen significant developments in the area of robotic design interfaces. Building upon visual programming environments, these interfaces now allow the creative industry to de- fine even complex fabrication processes in an easy, accessible way, while providing instant, production-immanent feedback. However, while these software tools greatly speed up the programming of robot- ic arms, many processes are still inherently slow: Subtractive process- es need to remove a large amount of material with comparably small tools, while additive processes are limited by the speed of the extruder and the properties of the extruded material. In this research we present a new method for incrementally shaping transparent polymer materi- als with a robotic arm, without requiring heat or dies for deep- drawing, thus allowing us to rapidly fabricate individual panels within a minimum of time.
keywords	Incremental forming; robotic fabrication; visual programming
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	ecaade2020_147
id	ecaade2020_147
authors	Matìjovská, Dana and Achten, Henri
year	2020
title	It’s Art Baby - The Science of Comparing and Scoring Artistic Endeavour at Schools of Higher Education
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 2, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 527-534
doi	https://doi.org/10.52842/conf.ecaade.2020.2.527
summary	Scientific output has well-established methods for comparing and scoring the quality and quantity of the work. For artistic output this matter is not settled at all and a subject of much debate. We present a method which has been developed in Czech republic since 2011. This method is used to compare and score the artistic output of all schools of arts in the country (for example, music, performative arts, architecture, literature, sculpture, painting). The system presented in this paper is based on the Saaty-method (also known as Analytic Hierarchy Process). After almost eight years of development and use, the system has proven as a valuable asset to assess in an objective way output between many different forms of artistic works. In 2016 the system was incorporated in the Higher Education Act. In the paper we present a brief history of the development and the principles of AHP applied in the system. In particular, we will focus on the findings in architecture derived from the system. Finally, we will discuss possible implications for architectural education in general.
keywords	Register of Artistic Performance; SAATY method
series	eCAADe
email
last changed	2022/06/07 07:58

_id	sigradi2016_529
id	sigradi2016_529
authors	Nadra, Alejandro D.; Teijeiro, Adrian
year	2016
title	Dise?o, implementación, re-dise?o, re-implementación, ..., de un biosensor [Design, implementation, re-design, re-implementation, ... of a biosensor]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.921-925
summary	Argentina is one of the countries with more arsenic in its groundwater, having around 4,000,000 people exposed to its unnoticed consumption. Arsenic measurement in private wells is limited by the high costs, the need of specialized personnel and the distance to urban areas. The Industrial design and synthetic biology are combined in an innovative development that uses genetically modified bacteria to detect toxic arsenic levels in drinkable water.
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	sigradi2016_642
id	sigradi2016_642
authors	Olalde, Laura G.; Rodriguez, Pablo; Ferreiro, Diego U.; Nadra, Alejandro D.
year	2016
title	Cooproducción desde el Arte, la Ciencia y las nuevas Tecnologías [Co-production from the Arts, Science and New Technologies]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.975-980
summary	This paper proposes the analysis of the interaction between artists and scientists (sci-art) through the experience of co-production and the role of technology in the process of creation from multiple perspectives, taking as an object of study the representation of submicroscopic phenomena at the molecular scale of life. This paper is centered in the experience of creation of the work named Introversión Dogmática (“Dogmatic Introversion”), but other subjects related to the theoretical framework are also mentioned.
keywords	Sci-art; Bioarte; ADN; Proteínas
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	ecaade2016_154
id	ecaade2016_154
authors	Ozer, Derya Gulec and Nagakura, Takehiko
year	2016
title	Simplifying Architectural Heritage Visualization - AUGMENTEDparion
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 2, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 521-528
doi	https://doi.org/10.52842/conf.ecaade.2016.2.521
wos	WOS:000402064400052
summary	Among other historical artifacts, architectural heritage is the most difficult to present in museums. There is a need for a high-tech visualization of cultural heritage since it is important to visualize, share and analyze data for stakeholders such as historians, archaeologists, architects and tourists. This study aims to represent architectural heritage in terms of photogrammetry and AR methods for the Parion Theater, Biga, Turkey, dates back to 1st-2nd century A.D. and has been under excavation since 2005. The study uses MULTIRAMA, a method previously developed by ARC Team (MIT) in 2013, which aims to represent the "unseen" to such users by visualising and documenting via an app. The method supports architectural heritage representation via the processes of, i) documentation, ii) data process and modeling, and iii) presentation. This holistic and low cost approach will focus on the problem of visualizing the digital architectural heritage, and led light to future projects of a historical visualization database throughout Turkey.
keywords	Augmented Reality (AR); Cultural Heritage; Photogrammetry; Parion
series	eCAADe
email
last changed	2022/06/07 08:00

_id	caadria2020_354
id	caadria2020_354
authors	Tomarchio, Ludovica, He, Peijun, Herthogs, Pieter and Tuncer, Bige
year	2020
title	Cultural-Smart City: Establishing New Data-informed Practices to Plan Culture in Cities
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 81-90
doi	https://doi.org/10.52842/conf.caadria.2020.2.081
summary	The idea of the Creative City has encouraged planners to develop cultural policies to support creative economies, city branding, urban identity and urban quality. On the other side, the concept of Smart City introduced the possibility to create, collect and analyse data to inform decisions on cities. The two city agendas overlap in different ways, creating a Smart cultural city nexus, that propose similar goals and mixed methodologies, like the possibility to inform planning processes with big data-based technologies. In line with this direction, we introduced conceptual and methodological tools: the first tool is the definition of Hybrid Art Spaces, the second tool is the Singapore Art Maps (SAM), which uses social media data to locate art venues in cities (Tomarchio et al. 2016); the third tool is the Social Media Art Model, which establishes a relationship between social media production and art venues features. While these tools have already shown interesting analytics outcomes (Tomarchio et al. 2016), it is important to validate their utility among practitioners and to set protocols of practices. This paper presents results from semi-structured interviews and a focus group, as a first step towards assessing the usefulness of our three tools for cultural planning practice.
keywords	social media; art; cultural planning; urban planning
series	CAADRIA
email
last changed	2022/06/07 07:58

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