CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 20 of 427

_id acadia16_352
id acadia16_352
authors Farahi, Behnaz
year 2016
title Caress of the Gaze: A Gaze Actuated 3D Printed Body Architecture
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 352-361
doi https://doi.org/10.52842/conf.acadia.2016.352
summary This paper describes the design process behind Caress of the Gaze, a project that represents a new approach to the design of a gaze-actuated, 3D printed body architecture—as a form of proto-architectural study—providing a framework for an interactive dynamic design. The design process engages with three main issues. Firstly, it aims to look at form or geometry as a means of controlling material behavior by exploring the tectonic properties of multi-material 3D printing technologies. Secondly, it addresses novel actuation systems by using Shape Memory Alloy (SMA) in order to achieve life-like behavior. Thirdly, it explores the possibility of engaging with interactive systems by investigating how our clothing could interact with other people as a primary interface, using vision-based eye-gaze tracking technologies. In so doing, this paper describes a radically alternative approach not only to the production of garments but also to the ways we interact with the world around us. Therefore, the paper addresses the emerging field of shape-changing 3D printed structures and interactive systems that bridge the worlds of robotics, architecture, technology, and design.
keywords eye-gaze tracking, interactive design, 3d printing, smart material, programmable matter, embedded responsiveness
series ACADIA
type paper
email
last changed 2022/06/07 07:55

_id sigradi2016_729
id sigradi2016_729
authors Peronti, Gabriela Gonzalez; Silva, Adriane Almeida Borda da; Veiga, Mônica
year 2016
title A representaç?o do espaço de arquitetura por meio de dispositivos táteis: uma revis?o conceitual e tecnológica [The representation of architectural space through haptic devices: a conceptual and technological review]
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.561-566
summary This study presents preliminary results of an experiment of production and use of tactile models to explain the form of an architectural space for visually impaired people. As part of a literature review, it explores the digital manufacturing technologies such as laser cutting and 3D printing to generate representations. The review uses a case study representing a house-museum and the experiments are based on a partnership with a school for a visually impaired people. The collaborative process has contributed to learning and explanation of multi-sensory characteristics of the constructed spaces and reinforced the need for a revision of educational processes for the architectural project regarding the habit of prioritizing essentially the aesthetic and visual aspects. The universal design concept gives grounds for each action.
series SIGRADI
email
last changed 2021/03/28 19:59

_id ascaad2016_017
id ascaad2016_017
authors Yazici, Sevil; David J. Gerber
year 2016
title Prototyping Generative Architecture - Experiments on Multi-Agent Systems, Environmental Performance and 3D Printing
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 145-154
summary Computational design was developed to solve complex problems in architecture and to enable the establishment of systems with complex properties in a holistic manner. With the enhanced capabilities of computational design, there are possibilities to develop integrated approaches to adapt to multi-faceted design problems. Swarm-based multi-agent systems (MAS) are already used as generative bottom-up methods in various design operations, including form-finding and optimization. This study presents a systematic approach, in which multi-agent systems are informed by the environmental performance assessment data where the output is directly linked to the 3D printing process. The intent is to increase efficiency within the design and prototyping process by integrating performance and fabrication into the early stages of the design process. The proposed method has been applied as a case study to a diverse group of students and professionals. The results have proven that applying this systematic approach enabled the designers to achieve highly sophisticated, formal and organizational outputs, with enhanced spatial and geometric qualities.
series ASCAAD
email
last changed 2017/05/25 13:31

_id ascaad2016_048
id ascaad2016_048
authors Al Shiekh, Bassam
year 2016
title Arabic Calligraphy and Parametric Architecture - Translation from a calligraphic force to an architectural form
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 469-482
summary This paper describes an on-going research that unites two distinct and seemingly unrelated interests. One is Arabic calligraphy and the other is parametric architecture. The effort is to integrate these interests and, in doing so, balance cultural issues with technological ones, traditional with contemporary and spiritual with material. Moreover, this paper is inspired by Arabic calligraphy and its influence on Zaha Hadid’s designs; it is invigorated by parametric systems and their capacity as a source of architectural forms. This paper will observe the rising importance of computation technologies to architecture, which has always been a form of negotiation between ‘function and fiction’ and ‘force and form’. The paper proposes a Parametric Calligraphic Machine that simultaneously produces, connects and separates calligraphic surfaces, calligraphic images and calligraphic reality. Therefore, the goal is to examine this hypothesis in order to produce a set of techniques, tools and methods that inform the three-dimensional design process of Arabic calligraphy’s contemporary possibilities by addressing a process description rather than a state description of creating calligraphic images and calligraphic surfaces. The theoretical approach highlights issues pertaining to calligraphy, spatiality, translation, generative systems, parametric design, visual structure, force and form.
series ASCAAD
email
last changed 2017/05/25 13:33

_id ecaade2016_073
id ecaade2016_073
authors Borhani, Alireza and Kalantar, Negar
year 2016
title Material Active Geometry - Constituting Programmable Materials for Responsive Building Skins
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 639-648
doi https://doi.org/10.52842/conf.ecaade.2016.1.639
wos WOS:000402063700069
summary This paper is part of a body of research developing an exploratory dialogue between the built form and the environment, via experimentation with performative geometry and material. Here, geometry is considered a design material with the specific capacity to contribute to the performative aspects and kinetic capabilities of building skins.This work opens with a review of emerging opportunities for architects to design materials. It then discusses the concept of Material Active Geometry (MAG) as a means of designing new properties for existing materials. This is followed by a discussion of MAG principles that inform the concepts of flexibility and rigidity in a 3D-printed textile called Flexible Textile Structure (FTS). This research characterizes two FTS types and discusses their potential to be employed in building skins; it also considers combinatory approaches to computational models and physical prototyping. The work concludes with a discussion of the advantages of using FTS, and provides a trajectory for future research in the field of responsive materials and systems.
keywords Programmable Material; Material Active Geometry; Flexible Textile Structures; Responsive Building Skins; Flexible yet Rigid
series eCAADe
email
last changed 2022/06/07 07:54

_id caadria2016_415
id caadria2016_415
authors Crolla, Kristof and Adam Fingrut
year 2016
title Protocol of Error: The design and construction of a bending-active gridshell from natural bamboo
source Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 415-424
doi https://doi.org/10.52842/conf.caadria.2016.415
summary This paper advocates alternative methods to overcome the impossibility of realising ‘perfect’ digital designs. It discusses Hong Kong’s 2015 ‘ZCB Bamboo Pavilion’ as a methodological case study for the design and construction of architecture from unprocessed natu- ral bamboo. The paper critically evaluates protocols set up to deal with errors resulting from precise digital design systems merging with inconsistent natural resources and onsite craftsmanship. The paper starts with the geometric and tectonic description of the project, illus- trating a complex and restrictive construction context. Bamboo’s unique growth pattern, structural build-up and suitability as a bending- active material are discussed and Cantonese bamboo scaffolding craftsmanship is addressed as a starting point for the project. The pa- per covers protocols, construction drawings and assembly methods developed to allow for the incorporation and of large building toler- ances and dimensional variation of bamboo. The final as-built 3d scanned structure is compared with the original digital model. The pa- per concludes by discussing the necessity of computational architec- tural design to proactively operate within a field of real-world inde- terminacy, to focus on the development of protocols that deal with imperfections, and to redirect design from the virtual world towards the latent opportunities of the physical.
keywords Bamboo; bending-active gridshells; physics simulation; form-finding; indeterminacy
series CAADRIA
email
last changed 2022/06/07 07:56

_id acadia16_394
id acadia16_394
authors Eisinger, Daniel; Putt, Steven
year 2016
title Formeta 3D: Posthuman Participant Historian
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 394-401
doi https://doi.org/10.52842/conf.acadia.2016.394
summary Formeta:3D is a project that engages the posthuman through the development of a machine that translates inputs from its surroundings into physical form in real-time. By responding to interaction with the inhabitants of its environs and incorporating the detected activity in the inflections of the produced form, it has an impact on the activity in the space, resulting in a recursive feedback loop that incorporates the digital, the physical, and the experiential. This paper presents the development of this project in detail, providing a methodology and toolchain for implementing real-time interaction with additive physical form derived from digital inputs and examining the results of an interactive installation set up to test the implementation.
keywords tool streams, digital fabrication, human-computer interaction, sensate systems
series ACADIA
type paper
email
last changed 2022/06/07 07:55

_id ascaad2016_009
id ascaad2016_009
authors Elbasdi, Gulay; Sema Alaçam
year 2016
title An Investigation on Growth Behaviour of Mycelium in a Fabric Formwork
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 65-74
summary Most progress in designing mycelium-based material to date has been made by using petri dish and 3d printed geometries. In this study, reshaping capabilities of mycelium-based materials using fabric formwork is being discussed. This ongoing study is the result of a series of experiments about mycelium-based material that aims to investigate its potentials as free- form geometry. In this paper, we aim to make a comparison between initial and end shapes by implementing digital and analogue tools based on mycelium-based fabric formwork experiment. The physical experiment setup consists of different initial geometry alternatives and the deformation will be observed and measured numerically by time-based recording on top and section views. With the help of digital tools, experiments will be documented as a process of formation. We aim to discuss the potential of the usage of mycelium as a binding agent in free form geometry since mycelium acts as natural self-assembling glue. By doing so, structural potentials of the material, which is strengthened by mycelium hyphae, were examined. This study aims to contribute to the design research studies and scientific knowledge together to integrate living systems into the material design as encouraging collaborative interdisciplinary research, thereby positioning designer as a decision-maker from the very beginning of material design process.
series ASCAAD
email
last changed 2017/05/25 13:13

_id acadia16_124
id acadia16_124
authors Ferrarello, Laura
year 2016
title The Tectonic of the Hybrid Real: Data Manipulation, Oxymoron Materiality, and Human-Machine Creative Collaboration
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 124-129
doi https://doi.org/10.52842/conf.acadia.2016.124
summary This paper describes the latest progress of the design platform Digital Impressionism (DI), created by staff and students in the Information Experience Design programme at the Royal College of Art in London. DI aims to bridge human creative thinking with machine computation, under the theoretical method/concept of oxymoron tectonic. Oxymoron tectonic describes the process under which hybrid materiality, that is the materiality created between the digital and the physical, takes form in human-machine creative interactions. The methodology intends to employ multimaterial 3D printers in combination with data manipulation (a process that gives data physical substance), pointclouds, and the influence of intangible environmental data (like sound and wind) to model physical forms by interfacing digital and physical making. In DI, modeling is a hybrid set of actions that take place at the boundary of the physical and digital. Through this interactive platform, design is experienced as a complex, hybrid process, which we call a digital tectonic; forms are constructed via a creative feedback loop of human engagement with nonhuman agents to form a creative network of sustainable and interactive design and fabrication. By developing a mutual understanding of design, machines and humans work together in the process of design and making.
keywords human-computer interaction and design, craft in design computation
series ACADIA
type paper
email
last changed 2022/06/07 07:56

_id acadia16_270
id acadia16_270
authors Korner, Axel; Mader, Anja; Saffarian, Saman; Knippers, Jan
year 2016
title Bio-Inspired Kinetic Curved-Line Folding for Architectural Applications
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp.270-279
doi https://doi.org/10.52842/conf.acadia.2016.270
summary This paper discusses the development of a bio-inspired compliant mechanism for architectural applications and explains the methodology of investigating movements found in nature. This includes the investigation of biological compliant mechanisms, abstraction, and technical applications using computational tools such as finite element analysis (FEA). To demonstrate the possibilities for building envelopes of complex geometries, procedures are presented to translate and alter the disclosed principles to be applicable to complex architectural geometries. The development of the kinetic façade shading device flectofold, based on the biological role-model Aldrovanda vesiculosa, is used to demonstrate the process. The following paper shows results of FEA simulations of kinetic curved-line folding mechanisms with pneumatic actuation and provides information about the relationship between varying geometric properties (e.g. curved-line fold radii) and multiple performance metrics, such as required actuation force and structural stability.
keywords composite forming process, form-finding, biomimetics and biological design, embedded responsiveness
series ACADIA
type paper
email
last changed 2022/06/07 07:51

_id acadia16_382
id acadia16_382
authors Lopez, Deborah; Charbel, Hadin; Obuchi, Yusuke; Sato, Jun; Igarashi, Takeo; Takami, Yosuke; Kiuchi, Toshikatsu
year 2016
title Human Touch in Digital Fabrication
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 382-393
doi https://doi.org/10.52842/conf.acadia.2016.382
summary Human capabilities in architecture-scaled fabrication have the potential of being a driving force in both design and construction processes. However, while intuitive and flexible, humans are still often seen as being relatively slow, weak, and lacking the exacting precision necessary for structurally stable large-scale outputs—thus, hands-on involvement in on-site fabrication is typically kept at a minimum. Moreover, with increasingly advanced computational tools and robots in architectural contexts, the perfection and speed of production cannot be rivaled. Yet, these methods are generally non-engaging and do not necessarily require a skilled labor workforce, bringing to question the role of the craftsman in the digital age. This paper was developed with the focus of leveraging human adaptability and tendencies in the design and fabrication process, while using computational tools as a means of support. The presented setup consists of (i) a networked scanning and application of human movements and human on-site positioning, (ii) a lightweight and fast-drying extruded composite material, (iii) a handheld “smart” tool, and (iv) a structurally optimized generative form via an iterative feedback system. By redistributing the roles and interactions of humans and machines, the hybridized method makes use of the inherently intuitive yet imprecise qualities of humans, while maximizing the precision and optimization capabilities afforded by computational tools—thus incorporating what is traditionally seen as “human error” into a dynamically engaging and evolving design and fabrication process. The interdisciplinary approach was realized through the collaboration of structural engineering, architecture, and computer science laboratories.
keywords human computer interaction and design, craft in design, tool streams and tool building, cognate streams, sensate systems
series ACADIA
type paper
email
last changed 2022/06/07 07:59

_id acadia16_174
id acadia16_174
authors Moorman, Andrew; Liu, Jingyang; Sabin, Jenny E.
year 2016
title RoboSense: Context-Dependent Robotic Design Protocols and Tools
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 174-183
doi https://doi.org/10.52842/conf.acadia.2016.174
summary While nonlinear concepts are widely applied in analysis and generative design in architecture, they have not yet convincingly translated into the material realm of fabrication and construction. As the gap between digital design model, shop drawing, and fabricated result continues to diminish, we seek to learn from fabrication models and natural systems that do not separate code, geometry, pattern, material compliance, communication, and form, but rather operate within dynamic loops of feedback, reciprocity, and generative fabrication. Three distinct, but connected problems: 1) Robotic ink drawing; 2) Robotic wine pouring and object detection; and 3) Dynamically Adjusted Extrusion; were addressed to develop a toolkit including software, custom digital design tools, and hardware for robotic fabrication and user interaction in cyber-physical contexts. Our primary aim is to simplify and consolidate the multiple platforms necessary to construct feedback networks for robotic fabrication into a central and intuitive programming environment for both the advanced to novice user. Our experimentation in prototyping feedback networks for use with robotics in design practice suggests that the application of this knowledge often follows a remarkably consistent profile. By exploiting these redundancies, we developed a support toolkit of data structures and routines that provide simple integrated software for the user-friendly programming of commonly used roles and functionalities in dynamic robotic fabrication, thus promoting a methodology of feedback-oriented design processes.
keywords online programming, cyber-physical systems, computational design, robotic fabrication, human-robot interaction
series ACADIA
type paper
email
last changed 2022/06/07 07:58

_id sigradi2016_730
id sigradi2016_730
authors Silva, Adriane Borda Almeida da; Silveira, Diego Sacco; Medina, Alex; Vecchia, Luisa Félix Dalla
year 2016
title Pontos (de vista) sobre o patrimônio: entre o escaneamento e a fotogrametria [Points (of view) about architectural heritage: between scanning and photogrammetry]
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.651-656
summary This paper shows the result of a partnership between architects, cartographer and civil engineers, masters and undergraduate students, researchers focused on digital representation technologies applied to architecture, to perform three-dimensional scanning of entire buildings, internally and externally. The study is directed to exploring different types of representation which can be obtained from a point cloud to attribute accessibility to information regarding architectural heritage: the cloud itself, as an accurate record of the current state, form and appearance of the scanned objects; direct visualization in virtual tours; the acquisition of architectural documentation; the representation of appropriate models for 3D printing.
keywords Representation; architectural heritage; point cloud; scanning; photogrammetry
series SIGRADI
email
last changed 2021/03/28 19:59

_id sigradi2016_515
id sigradi2016_515
authors Silva, Luciano Santos da; Barbieri, Gabriel; Bruscatto, Underléa Miotto; Silva, Fabio Pinto da
year 2016
title O uso do conceito paramétrico aplicado a uma inovaç?o no mobiliário urbano: estudo de caso bicicletário [The use of parametric concept applied to an innovation in urban furniture: a case study bike rack]
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.337-341
summary The concept of parametric design combines software and 3D modeling application that provides to designers, architects and engineers a new method for design development. This article aims to create a device for bicycle parking aided by a parametrization process using Grasshopper plug-in. Thus, we develop an algorithm in which its parameters can be modified accordingly to the esthetic-formal configuration required by the project. In order to evaluate the effect of a parametric value over the structure and resulting form, a rendering is created with each parameter change to visualize the resulting design interactively.
keywords Generative Design; Parametrization; Grasshopper Plug-in
series SIGRADI
email
last changed 2021/03/28 19:59

_id ecaade2016_084
id ecaade2016_084
authors Tessmann, Oliver, Rumpf, Moritz, Eisenbach, Philipp, Grohmann, Manfred and Äikäs, Topi
year 2016
title Negotiate My Force Flow - Designing With Dynamic Concrete Formwork
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 93-102
doi https://doi.org/10.52842/conf.ecaade.2016.1.093
wos WOS:000402063700011
summary A composite system, made from layers of perforated plywood and latex film, together with ropes and rubber seals, performs as a flexible concrete formwork. In our research we investigated whether such a system could yield more than only one single repetitive concrete form. We sought to reduce the amount of material consumed by conventional formwork and we conceived formwork as part of the design process rather than a technical means during construction. We worked as a team of architects, structural engineers and artists and through the confluence of computational design, digital fabrication, material simulation and prototyping.
keywords Dynamic formwork; concrete; flexible mould
series eCAADe
email
last changed 2022/06/07 07:58

_id caadria2016_725
id caadria2016_725
authors Tong, Ziyu and Ronglou Zhou
year 2016
title Design and Fabrication of 3D Reciprocal Frame Structure
source Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 725-734
doi https://doi.org/10.52842/conf.caadria.2016.725
summary Reciprocal frame structure is a special type of spatial struc- ture, which consist of elongated elements. The elements support each other along their span, compose a stable geometrical configuration without any clear structural hierarchy. Based on the morphology, the reciprocal frame could be categorized to 1D, 2D, and 3D. Compared to 1D and 2D, 3D reciprocal frame presents some novel features. It shows a growing pattern with some simple rules. Even with the same rule, 3D reciprocal frame could grow up to different form. It’s a typi- cal process of bottom-up which implies a considerable wealth of pos- sibilities. Study on the 3D reciprocal frame gives the potential for achieving novel and complex forms. With the restriction of the cate- gory of 3D reciprocal frame, the paper summarized the characteristics of the frame as growth, regularity, and spatiality. And the structure should be repeated, simulated, and constructed. The paper also ex- tracted three basic factors - growth rule, initial form, and bar size. Through the simulation experiments with different factors, the rela- tionships between the frame shape and the factors were established. At the end, a full-scale model validates the feasibility of the growth result of 3D reciprocal frame.
keywords Reciprocal frame structure; spatial structure; 3-dimension; fabrication; rule-based
series CAADRIA
email
last changed 2022/06/07 07:58

_id ecaade2016_110
id ecaade2016_110
authors Verniz, Debora, Mateus, Luis, Duarte, José Pinto and Ferreira, Victor
year 2016
title 3D Reconstruction Survey of Complex Informal Settlements - Towards an understanding of the genesis of form
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 2, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 365-370
doi https://doi.org/10.52842/conf.ecaade.2016.2.365
summary The Brazilian favelas are a kind of informal settlements characterized by steep topography and a maze-like structure. Like many other settlements of its kind that are prevalent in developing countries today, they are often considered a problem rather than a solution. This paper is part of a larger research that taking a realistic stand aims to understand the formal structure of this city-shaping force and capture it into a rule-based, computational model. The goal is to develop appropriate requalifying procedures to intervene in informal settlements and guidelines for designing formal settlements in similar sites. The paper is focused on the use of digital technologies to reconstruct in 3D a favela used as a case study, a preliminary step to understand its formal structure and create a computational model.
keywords 3D reconstruction; informal settlement; Santa Marta; SFM; 3D Point Cloud
series eCAADe
email
last changed 2022/06/07 07:58

_id ascaad2016_037
id ascaad2016_037
authors Wannan, Samer R.
year 2016
title Teaching Parametric Design in Architecture - A Case Study
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 357-366
summary The increasing technological advancements nowadays make the integration of digital tools and techniques in architecture pedagogy a must. A course in the department of architecture at Birzeit University in Palestine was proposed as a summer course in order to introduce students to the possibilities of using digital parametric tools and techniques in architecture design and manufacturing. In reflection of the experiment of the course, in which students were asked to design and construct a temporary pavilion, the paper will examine the potentials and challenges of using parametric digital tools in architecture design, and the way students imagine and conceive the performance of their design ideas virtually and practically. Furthermore, the project proposes that form is not constrained to the form-making process, but form must be a response to a material system and its properties, and thus material should be engaged in the design process. Initial design ideas are explored by building a parametric 3D digital model using a visual scripting platform. This virtual model allows for the evaluation of the performance of the design and the assembly method before realization and, moreover, experiments with design alternatives and forms. The final full-detailed digital model will be used in the fabrication phase to construct a one-to-one scale physical model in the real world, which gives students the chance to get sense and interact with the implemented environment and to experience their designs in real world.
series ASCAAD
email
last changed 2017/05/25 13:33

_id acadia16_130
id acadia16_130
authors Koschitz, Duks; Ramagosa, Bernat; Rosenbaum, Eric
year 2016
title Beetle Blocks: A New Visual Language for Designers and Makers
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 130-139
doi https://doi.org/10.52842/conf.acadia.2016.130
summary We are introducing a new teaching tool to show designers, architects, and artists procedural ways of constructing objects and space. Computational algorithms have been used in design for quite some time, but not all tools are very accessible to novice programmers, especially undergraduate students. ‘Beetle Blocks’ (beetleblocks.com) is a software environment that combines an easy-to-use graphical programming language with a generative model for 3D space, drawing on ‘turtle geometry,’ a geometry paradigm introduced by Abelson and Disessa, that uses a relative as opposed to an absolute coordinate system. With Beetle Blocks, designers are able to learn computational concepts and use them for their designs with more ease, as individual computational steps are made visually explicit. The beetle, the relative coordinate system, follows instructions as it moves about in 3D space. Anecdotal evidence from studio teaching in undergraduate programs shows that despite the early introduction of digital media and tools, architecture students still struggle with learning formal languages today. Beetle Blocks can significantly simplify the teaching of complex geometric ideas and we explain how this can be achieved via several examples. The blocks-based programming language can also be used to teach fundamental concepts of manufacturing and digital fabrication and we elucidate in this paper which possibilities are conducive for 2D and 3D designs. This project was previously implemented in other languages such as Flash, Processing and Scratch, but is now developed on top of Berkeley’s ‘Snap!’
keywords generative design, design pedagogy, digital fabrication, tool-building, pedagogical tools
series ACADIA
type paper
email
last changed 2022/06/07 07:51

_id caadria2016_797
id caadria2016_797
authors Agusti?-Juan, Isolda and Guillaume Habert
year 2016
title An environmental perspective on digital fabrication in architecture and construction
source Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 797-806
doi https://doi.org/10.52842/conf.caadria.2016.797
summary Digital fabrication processes and technologies are becom- ing an essential part of the modern product manufacturing. As the use of 3D printing grows, potential applications into large scale processes are emerging. The combined methods of computational design and robotic fabrication have demonstrated potential to expand architectur- al design. However, factors such as material use, energy demands, du- rability, GHG emissions and waste production must be recognized as the priorities over the entire life of any architectural project. Given the recent developments at architecture scale, this study aims to investi- gate the environmental consequences and opportunities of digital fab- rication in construction. This paper presents two case studies of classic building elements digitally fabricated. In each case study, the projects were assessed according to the Life Cycle Assessment (LCA) frame- work and compared with conventional construction with similar func- tion. The analysis highlighted the importance of material-efficient de- sign to achieve high environmental benefits in digitally fabricated architecture. The knowledge established in this research should be di- rected to the development of guidelines that help designers to make more sustainable choices in the implementation of digital fabrication in architecture and construction.
keywords Digital fabrication; LCA; sustainability; environment
series CAADRIA
email
last changed 2022/06/07 07:54

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