Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2016_507
id	sigradi2016_507
authors	Goldemberg, Eric
year	2016
title	Arquitectura Sónica de Pulsación digital: Dise?o interdisciplinar paramétrico y fabricación digital aplicada a instrumentos musicales e instalaciones sonoras []
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.58-64
summary	This paper proposes to demonstrate the capacity of parametric design and digital fabrication as catalysts for new sensorial experiences, in the context of an approach to the field of experimental design of body architectures. Projects thate architecture and music by means of technological innovations offer new possibilities for artistic productions therefore a new model of inter-disciplinar integration is proposed through this investigation. Through the analysis of this kind of work, new fields of design can be teased out and proposed as manifestations of the expanded field of architecture.
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	ecaade2020_147
id	ecaade2020_147
authors	Matìjovská, Dana and Achten, Henri
year	2020
title	It’s Art Baby - The Science of Comparing and Scoring Artistic Endeavour at Schools of Higher Education
doi	https://doi.org/10.52842/conf.ecaade.2020.2.527
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 2, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 527-534
summary	Scientific output has well-established methods for comparing and scoring the quality and quantity of the work. For artistic output this matter is not settled at all and a subject of much debate. We present a method which has been developed in Czech republic since 2011. This method is used to compare and score the artistic output of all schools of arts in the country (for example, music, performative arts, architecture, literature, sculpture, painting). The system presented in this paper is based on the Saaty-method (also known as Analytic Hierarchy Process). After almost eight years of development and use, the system has proven as a valuable asset to assess in an objective way output between many different forms of artistic works. In 2016 the system was incorporated in the Higher Education Act. In the paper we present a brief history of the development and the principles of AHP applied in the system. In particular, we will focus on the findings in architecture derived from the system. Finally, we will discuss possible implications for architectural education in general.
keywords	Register of Artistic Performance; SAATY method
series	eCAADe
email
last changed	2022/06/07 07:58

_id	sigradi2016_674
id	sigradi2016_674
authors	Perelli Soto, Bruno; Hamuy Pinto, Eduardo; Cori Traverso, Rolando
year	2016
title	Datos sonificados para la improvisación visual [Sonificated data for visual improvisation]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.645-650
summary	Citygram develops interactive environmental sensing through the capture of noise pollution in New York. Citygram data are received and reinterpreted in different parts of the world. a play based on musical and visual interpretation through improvisation develops, establishes a dialogue between performers and data. The work focuses on visualization, understood as artistic interpretation through images generated by devices programmed and manipulated in real time. The process combines conceptualization, plus integration of streaming technologies, software and similar visual programming compositional techniques. The result are three performances.
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	sigradi2016_728
id	sigradi2016_728
authors	Sáez Gutiérrez, Nicolás Antonio; Gatica Laurie, Braulio
year	2016
title	Réplica Virtual. Ca?mara obscura con disen?o paramétrico y fabricación digital. Una arquitectura de la imagen virtual [Virtual Replica. Camera Obscure With Parametric Design and Digital Fabrication. An Architecture of the Virtual Image]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.885-891
summary	Virtual Replica is a contemporary artistic project that reflects upon our relation with the world. It is a camera (room) obscuradesigned with the aid of parametric software in order to be fabricated with CNC technology based on thin layers of plywood. An ephemeral architecture that creates an immersive experience for the visitor who is surrounded by a number of “virtual screens” exhibiting inverted images of the immediate exterior. This paper proposes the phenomenon of camera obscura as a proto building that gives life to an architecture of the image, using it as its built as well as its theoretical fundamental reference.
keywords	Camera Oscura; Image Architecture; Parametric Design; Digital Fabrication; Contemporary Art
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	ecaade2021_203
id	ecaade2021_203
authors	Arora, Hardik, Bielski, Jessica, Eisenstadt, Viktor, Langenhan, Christoph, Ziegler, Christoph, Althoff, Klaus-Dieter and Dengel, Andreas
year	2021
title	Consistency Checker - An automatic constraint-based evaluator for housing spatial configurations
doi	https://doi.org/10.52842/conf.ecaade.2021.2.351
source	Stojakovic, V and Tepavcevic, B (eds.), Towards a new, configurable architecture - Proceedings of the 39th eCAADe Conference - Volume 2, University of Novi Sad, Novi Sad, Serbia, 8-10 September 2021, pp. 351-358
summary	The gradual rise of artificial intelligence (AI) and its increasing visibility among many research disciplines affected Computer-Aided Architectural Design (CAAD). Architectural deep learning (DL) approaches are being developed and published on a regular basis, such as retrieval (Sharma et al. 2017) or design style manipulation (Newton 2019; Silvestre et al. 2016). However, there seems to be no method to evaluate highly constrained spatial configurations for specific architectural domains (such as housing or office buildings) based on basic architectural principles and everyday practices. This paper introduces an automatic constraint-based consistency checker to evaluate the coherency of semantic spatial configurations of housing construction using a small set of design principles to evaluate our DL approaches. The consistency checker informs about the overall performance of a spatial configuration followed by whether it is open/closed and the constraints it didn't satisfy. This paper deals with the relation of spaces processed as mathematically formalized graphs contrary to existing model checking software like Solibri.
keywords	model checking, building information modeling, deep learning, data quality
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ascaad2016_013
id	ascaad2016_013
authors	Belkis Öksüz, Elif
year	2016
title	Parametricism for Urban Aesthetics - A flawless order behind chaos or an over-design of complexity
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 105-112
summary	Over the last decade, paradigm shifts in the philosophy of space-time relations, the change from space-time to spatio-temporality, caused significant changes in the design field, and introduced new variations and discourses for parametric approaches in architecture. Among all the discourses, parametricism is likely the most spectacular one. The founder of parametricism, Patrik Schumacher (2009) describes it as “a new style,” which has “the superior capacity to articulate programmatic complexity;” and “aesthetically, it is the elegance of ordered complexity in the sense of seamless fluidity.” In its theoretical background, Schumacher (2011) affiliates this style with the philosophy of autopoiesis, the philosophy that stands between making and becoming. Additionally, parametricism concerns not only the physical geometry in making of form; but also discusses the relational and causal aspects in becoming of form. In other words, it brings the aesthetic qualities in making through the topological intelligence behind becoming. Regarding that, parametricism seems an effective way of managing /creating complex topologies in form-related issues. However, when it comes to practice, there are some challenging points of parametricism in large-scale design studies. Thus, this work underlines that the dominance of elegance for urban planning has the potential of limiting the flexible and dynamic topology of the urban context, and objectifying the whole complex urban form as an over-designed product. For an aesthetic inquiry into urban parametricism, this paper highlights the challenging issues behind the aesthetic premises of parametricism at the urban design scale. For that, Kartal Master Plan Design Proposal by Zaha Hadid Architects (2006) will be discussed as an exemplary work.
series	ASCAAD
email
last changed	2017/05/25 13:31

_id	ascaad2016_004
id	ascaad2016_004
authors	Peteinarelis, Alexandros; Socrates Yiannoudes
year	2016
title	Algorithmic Thinking in Design and Construction - Working with parametric models
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 19-28
summary	This paper examines the parametric model in algorithmic design processes, using the outcome of an educational digital design and fabrication course as a case study. In its long history, algorithmic design as a form-finding method, allowed designers to manage complex non-standard associative geometries, suggesting a shift from the digital representation of form, to its systematic representation into a parametric model through code. Rather than a style or a tool, the parametric model is best defined in mathematical terms; in practice it incorporates the organizational logic of the form and the topological associations of its parts, so that a change in its constitutive parameters will invoke a concerted update of the entire model, and, iteratively, formal and structural variations. In a series of design experiments that took place at the School of Architecture of the Technical University of Crete in the spring of 2015, we used parametric models represented into visual code, from the initial conceptual stage to fabrication. From the experience and outcome of this course, we deduced that, compared to other digital formation methods, parametric models allow the designer to constantly interact with the model through the code, producing discreet variations without losing control of the design intentions, by “searching” into a wide range (albeit finite) of virtual results. This suggested a shift in culturally embedded patterns of modernist design thinking.
series	ASCAAD
email
last changed	2017/05/25 13:13

_id	ecaade2016_130
id	ecaade2016_130
authors	Sara, Garcia and Luís, Rom?o
year	2016
title	Style and Type in a Generic Shape Grammar - The Case of Multipurpose Chairs
doi	https://doi.org/10.52842/conf.ecaade.2016.2.339
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 2, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 339-348
summary	Generic grammars are a means to describe and generate designs in different domains with different abstraction levels. Simple mechanisms can generate a complex variety of solutions within different types, among a coherence of similar styles. This paper describes the process of defining a generic grammar for wood frame multipurpose chair design from two specific grammars that define individual styles of two particular designers. This research is part of a larger one that comprehends the development of a multipurpose chair design tool. The combination of the two specific grammars generates designs from two specific styles, a commons style, a hybrid style and new styles. Results also comprise the characterization of the styles by the analysis of rules and parameters.
wos	WOS:000402064400033
keywords	Generic shape grammars; Style; Type; Multipurpose chair design
series	eCAADe
email
last changed	2022/06/07 07:56

_id	caadria2016_321
id	caadria2016_321
authors	Wu, Yi-Sin; Teng-Wen Chang, Min-Nan Liao and Sambit Datta
year	2016
title	Reflecting Self: An Interactive Mirror Study
doi	https://doi.org/10.52842/conf.caadria.2016.321
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 321-330
summary	Immersive environment provides a virtual environment immersion experience for the user, and allow users in-depth experi- ence. In this study through research “self- reflecting” and “self- reflecting during interaction with the space environment” by entity makeup table for discussion. Makeup table reflect the role of people and the surrounding environment. We found the style selected by the user, often conform to the user's external style, and does not because of the age limit the user to interact with curiosity. We also found that in addition to the female user, make up table will also trigger young men of curiosity, they will close to observation and interaction with the table. Finally, we have statistical distribution of general user pref- erences. We also in accordance with the user's behavior, revised inter- active processes, make recommendations when designing immersive environments.
keywords	Immersive environment; virtual environments; reflecting self; avatar; virtual make up table
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	sigradi2016_448
id	sigradi2016_448
authors	Afsari, Kereshmeh; Eastman, Charles M.; Shelden, Dennis R.
year	2016
title	Data Transmission Opportunities for Collaborative Cloud-Based Building Information Modeling
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.907-913
summary	Collaboration within Building Information Modeling process is mainly based on file transfer while BIM data being exchanged in either vendor specific file formats or neutral format using Industry Foundation Classes (IFC). However, since the Web enables Cloud-based BIM services, it provides an opportunity to exchange data via Web transfer services. Therefore, the main objective of this paper is to investigate what features of Cloud interoperability can assist a network-based BIM data transmission for a collaborative work flow in the Architecture, Construction, and Engineering (AEC) industry. This study indicates that Cloud-BIM interoperability needs to deploy major components such as APIs, data transfer protocols, data formats, and standardization to redefine BIM data flow in the Cloud and to reshape the collaboration process.
keywords	BIM; Cloud Computing; Data Transmission; Interoperability; IFC
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	ascaad2016_035
id	ascaad2016_035
authors	Al-Matarneh, Rana; Ihsan Fethi
year	2016
title	Assessing the Impact of CAD Tools on Architectural Design Quality - A case study of graduation projects in Jordan
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 331-350
summary	The current concept of architectural design education in most schools of architecture in Jordan is a blend between manual pen drafting and digital approaches. However, the disconnection between these two methods has resulted in the students' failure to transfer skills learnt through traditional methods to the digital method of CAD. The objective of this study is twofold: to first compare students’ attitudes toward using both methods and to then assess the impact of CAD use on the quality of architectural design. An open-ended questionnaire was designed to measure variables related to students’ preferences toward CAD and traditional methods. The quality of sixty graduation projects at three Jordanian universities was investigated. The results appear to support the assumption that CAD tools are used largely as visual means and thereby cause a marked decline in design quality. These findings call for a reconsideration of the status quo and a rethinking of perhaps the entire architectural educational model.
series	ASCAAD
email
last changed	2017/05/25 13:33

_id	ascaad2016_002
id	ascaad2016_002
authors	Jabi, Wassim
year	2016
title	Rigorous Creativity - Ubiquity, Parametrics, Tectonics
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 3-6
summary	Architects frequently understand and experience design and creativity as a personal and lonely activity. However, there is, increasingly, a need to collaborate with others in the design and construction of buildings. Digital technology is intricately intertwined with the creative and social aspects of the emerging practice world. A prime example is the use of digital fabrication technology and building information models to directly transfer information among architects, contractors, fabricators and consultants. At the same time, the discipline and practice of creative design is increasingly seen as a valuable cognitive skill, to be emulated, tapped, and understood by other disciplines in various settings. Fields outside of architecture and governmental granting agencies have shown strong interest in understanding, rationalizing and importing the creative design process that architects engage in. The obstacle, however, has been that architects and designers are rarely able to explain their processes in a manner understood by others. The advent of digital tools and social computing further complicates the issues of how designers design with such tools and how designers design with others (Lawson, 2005). Our aim should be to define a discipline of collaborative digital design with clear conceptual frameworks, methodologies, and epistemologies. The goal is two-fold: 1) to formulate a discipline of digital design based on sound theoretical and pragmatic underpinnings, and 2) to elucidate the processes of digital design so that we can better communicate them to other disciplines and thus engage more effectively in interdisciplinary research.
series	ASCAAD
email
last changed	2017/05/25 13:13

_id	ascaad2016_053
id	ascaad2016_053
authors	Khesroh, Mohammed
year	2016
title	Virtual Landscape Assessment and Robotic Allocation Within Extreme Environments
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 527-536
summary	The paper describes an iterated system, which explores the concept of a surveying, deploying, self-assembling robotic swarm system within an extreme environment, in a virtual robotics platform named VREP. The pure geometries that are the basis of this species, through study of locomotion in Fauna and energy transformations, produce several iterations of the proposed robot. The created species are used to generate a process in which the robotic swarms are able to make initial scans of landscapes using a series of visual and proximity sensors attached to each exposed face, in order to determine proper deployment zones for the making of a research facility. The explorations in locomotion and transfer of potential to kinetic energy would allow the geometrically pure robot to hop, flap, walk, flip or turn in order to move to achieve the desired location.
series	ASCAAD
email
last changed	2017/05/25 13:34

_id	acadia16_140
id	acadia16_140
authors	Nejur, Andrei; Steinfeld, Kyle
year	2016
title	Ivy: Bringing a Weighted-Mesh Representations to Bear on Generative Architectural Design Applications
doi	https://doi.org/10.52842/conf.acadia.2016.140
source	ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 140-151
summary	Mesh segmentation has become an important and well-researched topic in computational geometry in recent years (Agathos et al. 2008). As a result, a number of new approaches have been developed that have led to innovations in a diverse set of problems in computer graphics (CG) (Sharmir 2008). Specifically, a range of effective methods for the division of a mesh have recently been proposed, including by K-means (Shlafman et al. 2002), graph cuts (Golovinskiy and Funkhouser 2008; Katz and Tal 2003), hierarchical clustering (Garland et al. 2001; Gelfand and Guibas 2004; Golovinskiy and Funkhouser 2008), primitive fitting (Athene et al. 2004), random walks (Lai et al.), core extraction (Katz et al.) tubular multi-scale analysis (Mortara et al. 2004), spectral clustering (Liu and Zhang 2004), and critical point analysis (Lin et al. 20070, all of which depend upon a weighted graph representation, typically the dual of a given mesh (Sharmir 2008). While these approaches have been proven effective within the narrowly defined domains of application for which they have been developed (Chen 2009), they have not been brought to bear on wider classes of problems in fields outside of CG, specifically on problems relevant to generative architectural design. Given the widespread use of meshes and the utility of segmentation in GAD, by surveying the relevant and recently matured approaches to mesh segmentation in CG that share a common representation of the mesh dual, this paper identifies and takes steps to address a heretofore unrealized transfer of technology that would resolve a missed opportunity for both subject areas. Meshes are often employed by architectural designers for purposes that are distinct from and present a unique set of requirements in relation to similar applications that have enjoyed more focused study in computer science. This paper presents a survey of similar applications, including thin-sheet fabrication (Mitani and Suzuki 2004), rendering optimization (Garland et al. 2001), 3D mesh compression (Taubin et al. 1998), morphin (Shapira et al. 2008) and mesh simplification (Kalvin and Taylor 1996), and distinguish the requirements of these applications from those presented by GAD, including non-refinement in advance of the constraining of mesh geometry to planar-quad faces, and the ability to address a diversity of mesh features that may or may not be preserved. Following this survey of existing approaches and unmet needs, the authors assert that if a generalized framework for working with graph representations of meshes is developed, allowing for the interactive adjustment of edge weights, then the recent developments in mesh segmentation may be better brought to bear on GAD problems. This paper presents work toward the development of just such a framework, implemented as a plug-in for the visual programming environment Grasshopper.
keywords	tool-building, design simulation, fabrication, computation, megalith
series	ACADIA
type	paper
email
last changed	2022/06/07 07:58

_id	acadia16_308
id	acadia16_308
authors	Nicholas, Paul; Zwierzycki, Mateusz; Stasiuk, David; Norgaard, Esben; Thomsen, Mette Ramsgaard
year	2016
title	Concepts and Methodologies for Multiscale Modeling: A Mesh-Based Approach for Bi-Directional Information Flows
doi	https://doi.org/10.52842/conf.acadia.2016.308
source	ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 308-317
summary	This paper introduces concepts and methodologies for multiscale modeling in architecture, and demonstrates their application to support bi-directional information flows in the design of a panelized, thin skinned metal structure. Parameters linked to the incremental sheet forming fabrication process, rigidisation, panelization, and global structural performance are included in this information flow. The term multiscale refers to the decomposition of a design problem into distinct but interdependent models according to scales or frameworks, and to the techniques that support the transfer of information between these models. We describe information flows between the scales of structure, panel element, and material via two mesh-based approaches. The first approach demonstrates the use of adaptive meshing to efficiently and sequentially increase resolution to support structural analysis, panelization, local geometric formation, connectivity, and the calculation of forming strains and material thinning. A second approach shows how dynamically coupling adaptive meshing with a tree structure supports efficient refinement and coarsening of information. The multiscale modeling approaches are substantiated through the production of structures and prototypes.
keywords	adaptive meshing, robotic fabrication, simulation, material behavior, incremental sheet forming, multiscale
series	ACADIA
type	paper
email
last changed	2022/06/07 07:58

_id	sigradi2016_733
id	sigradi2016_733
authors	Guedes, Thiago Matheus Costa; Acosta, Daniel Albernaz; Borda, Adriane; Ferreira, Cristiano Correa; Peronti, Gabriela Gonzalez; Brum, Valentina Toaldo
year	2016
title	Antropoplástico: Desdobramentos em arte a partir do desenho paramétrico e da fabricaç?o digital [Antropoplástico: Developments in art from the parametric design and digital fabrication]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.567-571
summary	The present article represents a series of contextual works started through the collection of a stone. The process occurred during an artistic residency in Argentine Patagonia. This procedural event shows interest in investigating situations of geometrization and scale between body, object and landscape. Resulting of these works from the residency experience I present a research which focuses on an artistic view between the fields of art and architecture.
keywords	Geometrization of landscape; body scale; resonant place; art-architecture
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	sigradi2016_465
id	sigradi2016_465
authors	Santos, Angela Maria dos; Campos, Gisela Belluzzo de
year	2016
title	Design Gráfico de Comunicaç?o Visual Urbana como Espaço Instalativo [Graphic Design of Urban Visual Communication as Installative Space]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.620-624
summary	The paper analyses the hybridization processes occurred in the graphic design and the visual arts since the digital technologies established in the 1990s, taking as example, a graphic design of visual urban communication located at Line 4 Subway Station in S?o Paulo. In it, the graphic design uses the photographic language to transform a passageway into an installation space, through which users are required to traffic. By means of creating an image and text ambience, the installation performs an unusual and well succeed urban/ visual communication design.
keywords	Graphic design; Urban visual communication; Artistic installation; Hybridization
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	sigradi2016_387
id	sigradi2016_387
authors	Sperling, David M.; Santos, Fábio Lopes de Souza; Costa, Luciano Bernardino da; Lopes, Ruy Sardinha
year	2016
title	Jogo e deriva com mídias (des)locativas [Playing and drifting with (dis)locative media]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.853-859
summary	The article presents and discusses premises, processes and results of the workshop ''Offerings - Game-performance" organized in 2015 as part of the experimental format of the III International Seminar “Representar”, structured by remote and multicentric activities. The workshop faces the pervasiveness of global positioning systems (GPS) and geographic information systems (GIS) in the contemporary context, developing behavioral aesthetic works in order to update the concept of "drift" (Situacionist International) and to discuss some modes of urban perception that can be activated through the (mis)use of mobile interfaces and geolocation devices and the practice of artistic interventions in the city.
keywords	Locative media, drifting, playing, urban perception, displacement
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	sigradi2017_098
id	sigradi2017_098
authors	Zorzón, Cecilia Verónica; María Elena Tosello, Luis Gustavo Gonçalves Costa, Lucas Baisch, Figueiredo
year	2017
title	Procesos creativos y colaborativos mediatizados. Caso Expo 3D/20. [Creative and collaborative mediated processes. Expo 3D / 20 Case.]
source	SIGraDi 2017 [Proceedings of the 21th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-227-439-5] Chile, Concepción 22 - 24 November 2017, pp.684-691
summary	This research documents the results of an international collaborative artistic production. The "Expo 3D / 20" initiative emerged from the celebration of the 20th Conference of the Ibero-American Digital Graphic Society, held in Buenos Aires in 2016. Each work represents one of the twenty editions of the conference, starting from the reinterpretation and resignification of their subjects, graphics, papers, etc., and were made using different digital techniques, or mixed techniques that combine analog and digital procedures. This article aims to examine, evaluate and quantify the results of the collaborative experience, and reflect on the interactions and creative potential of crowdthinking.
keywords	Crowdthinking; Digital design; Collaborative process; Collaborative art; Maker culture.
series	SIGRADI
email
last changed	2021/03/28 19:59

_id	ecaade2016_095
id	ecaade2016_095
authors	Doumpioti, Christina
year	2016
title	Material Agency and Physical Boundaries
doi	https://doi.org/10.52842/conf.ecaade.2016.1.521
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 521-528
summary	The research builds on the relationship between matter and energy and the idea of boundaries as sentient interfaces capable of affecting our bodily experience and perception of space due to their inherent physical attributes. Two key issues addressed are firstly, the revisiting of the architectural boundary as a thermodynamic zone and secondly, the identification of material behaviour in relation to energy stimuli. It is argued that the transient behaviour of materials can offer an instrumental reconsideration on how architecture establishes spatial articulation through boundaries and this is demonstrated through a design-led project.
wos	WOS:000402063700057
keywords	thermal field; responsive materials; passively active materials; heat transfer; thermodynamic; matter and energy
series	eCAADe
email
last changed	2022/06/07 07:55

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