CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 20 of 622

_id sigradi2016_639
id sigradi2016_639
authors Casimiro, Giovanna Graziosi; Medeiros, Marina Lima
year 2016
title Cartografias expandidas: Realidade Aumentada e a exposiç?o Memória da Amnésia [Expanded cartography: Augmented Reality and the exhibition Memória da Amnésia]
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.880-884
summary This article analyses the possibilities of expansion of the museum's exhibition space for the urban environment and the new relationships through the development of digital maps and augmented reality geolocated layers. The case study is the Guide of Nomadic Monuments (Guia dos Monumentos Nômades) organized for the exhibition Memory of Amnesia (Memória da Amnésia) that discussed the movement and displacement of statues through the last decades in the city of Sao Paulo, Brazil. The experience of the project is presented from the point of view of the methodological design research, thinking the interface of the city as a backdrop for several experimentations with art collections.
series SIGRADI
email
last changed 2021/03/28 19:58

_id ecaade2016_089
id ecaade2016_089
authors Hanzl, Malgorzata
year 2016
title Towards Understanding the Complexity of Urban Culture - A case study of Jewish communities in pre-war central Poland
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 2, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 49-58
doi https://doi.org/10.52842/conf.ecaade.2016.2.049
wos WOS:000402064400004
summary The current paper presents the experience of mapping pre-war Jewish communities in central Poland during a period of intensive social and cultural transformations. The initial analytical framework, provided thanks to the GIS database and concatenation of attributes coming from various sources, makes some initial observations and conclusions possible. It confirms the thesis that Jewish communities in pre-war Poland may be considered an example of a self-organising society, one which could be considered a prototype of contemporary postmodern cultural complexity. The current study provides the initial framework to map the morphology and spatial distribution of the complexity of everyday culture of use of space proper to this extremely diverse group.
keywords Urban design; urban morphology; anthropology; parametric modelling; outdoor space
series eCAADe
email
last changed 2022/06/07 07:49

_id sigradi2016_703
id sigradi2016_703
authors Tosello, María Elena
year 2016
title El espacio-interfaz: un lugar habitable [Interface-Space: a habitable place]
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.142-148
summary This paper, derived from the PHD thesis “The interface-space of the dynamic hypermedia device”, reflects on the impact of virtuality on the character, experience and production of actual space, analyzing how it has been re-signified in an augmented context, and it proposes new strategies for ordering and retrieving digital objects; patterns of spatial organization for virtual world; and conditions of habitability of interface-spaces for articulating the links, encourage dialogue and potentiate the experiences of subjects who attempt to build and inhabit an inclusive physical-virtual environment.
keywords Interface-space; Augmented context; Collaboration; Spatial patterns; Conditions of habitability
series SIGRADI
email
last changed 2021/03/28 19:59

_id sigradi2016_399
id sigradi2016_399
authors Trujillo, Juliana Couto; Alves, Gilfranco Medeiros
year 2016
title Digital mediation and occupation of public space: hybrid spaces for connection and cultural resistance
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.14-19
summary This paper presents a specific aspect of PhD research in progress titled “Hybrid dimensions of public space: from participatory city to collaborative city”. By studying two urban interventions in the older railway complex in Campo Grande / MS, one using the video mapping and other digital graffiti techniques, the paper brings the discussion of the hybrid condition of public spaces as a locus of conflict and social interactions in cities, which allow a collective and continued construction, proposing to imagine a pluralistic and inclusive society. The technological support strengthens the connection relations, giving new meanings to the local architecture through the images projected and open space for communication, emerging the cultural resistance.
keywords Digital culture; Public Space; Collaborative process; Digital graffiti; Vídeo mapping
series SIGRADI
email
last changed 2021/03/28 19:59

_id ascaad2016_046
id ascaad2016_046
authors Albarakat, Reem; Gehan Selim
year 2016
title Radicalism vs. Consistency - The Cyber Influence on Individuals’ Non-Routine Uses in the Heritage Public Spaces of Cairo
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 451-460
summary Since the emergence of the concept of user-generated content websites – Web 2.0, Internet communications have developed as a powerful personal and social phenomenon. Many Internet applications have become partially or entirely related to the concept of social network; and cyberspace has become a space about ‘us’ not ‘where’ we are. This paper investigates the theoretical grounds of the effect of cyber experience on changing the individuals’ uses of the public spaces, and sustaining this change through maintaining the ties and reciprocal influence between actions in physical and cyber spaces. It aims at examining the impact of cyber territories on the perception, definition and effectiveness of personal space within different circumstances; and its role in changing the uses of spaces where people used to act habitually. The personal space, here, will be represented as the core of both: change and consistency – the space of bridging the reciprocal effect of cyber and physical counterparts, which is transformed through the experience of physical events mediated into the cyberspace. The paper is part of a study which looks at the case of Tahrir Square during the Egyptian political movement in 2011. We will compare the activists’ actions and practices in the Square during different events of non-routine use of the square and its surroundings. The case study will show the level of consistency in the features of the produced personal space within different waves of the revolutionary actions for all that different circumstances, motivations and results.
series ASCAAD
email
last changed 2017/05/25 13:33

_id ascaad2016_031
id ascaad2016_031
authors Amireh, Omar; Manal Ryalat and Tasbeeh Alaqtum
year 2016
title Narrative Architectural Fiction in Mentally Built Environments
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 283-294
summary A thin line lies between reality and fiction; what is mentally imagined and what is visualized. It all depends on how ideas and images are perceived or what neurological activity is triggered in the user’s brain. Architects and designers spare no effort or tools in presenting buildings, architecture or designs in all forms or ways that would augment users’ experience whether on the perceptual or the cognitive level and in both the digital or the physical environments. In a progressive tendency they, the designers, tend to rely more and more on digitizing their vision and mission, which subsequently give them, impressive and expressive superiority, that would influence the users conscious on the one hand and manipulate their subconscious on the other. Within that process designers work hard to break any mental firewall that would prevent their ideas from pervading the space of any mental environment the user, build or visualize. In that context, to what extent such ways of mental entertainments used by architects, legitimize deception in design? What distinguishes employing the rhythmic simulation of the narrative fictional inceptions (virtual reality) from deploying the adaptive stimulation of the experience modeling conceptions. The difference between planting an idea and constructing an idea. It is not the intention of the paper to prove the failure of the computer aided design neither to stand against the digital architectural design media and applications development. It is rather to present a different way of understanding of how architectural design whether virtual, digital, or real can stimulates and induces codes and messages that is correlated to the brainwave cognitive attributes and can generate a narrative brain environment where the brain can construct and simulate its own fictional design. Doing so, the paper will review certain experimental architectural events and activities which integrate sound and sight elements and effects within some electronic, technical and digital environments.
series ASCAAD
email
last changed 2017/05/25 13:33

_id lasg_whitepapers_2016_292
id lasg_whitepapers_2016_292
authors Andreas Simon, Jan Torpus & Christiane Heibach
year 2016
title Evaluation and Analysis of Experience in Responsive Atmospheric Environments
source Living Architecture Systems Group White Papers 2016 [ISBN 978-1-988366-10-4 (EPUB)] Riverside Architectural Press 2016: Toronto, Canada pp. 292 - 299
summary Living Architecture Systems Group "White Papers 2016" is a dossier produced for the occasion of the Living Architecture Systems Group launch event and symposium hosted on November 4 and 5 at the Sterling Road Studio in Toronto and the University of Waterloo School of Architecture at Cambridge. The "White Papers 2016" presents research contributions from the LASG partners, forming an overview of the partnership and highlighting oppportunities for future collaborations.
keywords design, dissipative methods, design methods, synthetic cognition, neuroscience, metabolism, STEAM, organicism, field work, responsive systems, space, visualizations, sensors, actuators, signal flows, art and technology, new media art, digital art, emerging technologies, citizen building, bioinspiration, performance, paradigms, artificial nature, virtual design, regenerative design, 4DSOUND, spatial sound, biomanufacturing, eskin, delueze, bees, robotics
email
last changed 2019/07/29 14:02

_id ecaade2016_028
id ecaade2016_028
authors Asanowicz, Aleksander
year 2016
title Digital Architectural Composition - 30 years of experience and experimentation
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 195-203
doi https://doi.org/10.52842/conf.ecaade.2016.1.195
wos WOS:000402063700022
summary In this paper the evolution of architectural composition teaching will be presented and discussed. The main point of these deliberations is to consider how digital methods and technologies have influenced the teaching methods and the understanding of compositional rules/principles by students. Another important factor which will be analysed, is the difficulties faced by teachers in the evaluation of students' work. The paper is divided into four parts, each of which concerns different approaches to architectural composition teaching. In the first part the historical background of architectural composition teaching is presented. In the second part traditional teaching methods is described, the third concerns teaching of digital architectural composition, and the fourth - digital architectural composition in virtual space. At the end of each section, the advantages and disadvantages of the discussed methods are presented. These disadvantages were a stimulus for changes in the teaching process, which was enabled thanks to the development of digital technologies (software and hardware) during the last 20 years. The last part of the paper will be devoted to the presentation of potential directions of development of architectural composition teaching methods.Please write your abstract here by clicking this paragraph.
keywords Architectural Composition; digital modelling; Virtual Reality
series eCAADe
email
last changed 2022/06/07 07:54

_id ecaade2017_280
id ecaade2017_280
authors Baldissara, Matteo, Perna, Valerio, Saggio, Antonino and Stancato, Gabriele
year 2017
title Plug-In Design - Reactivating the Cities with responsive Micro-Architectures. The Reciprocal Experience
source Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 571-580
doi https://doi.org/10.52842/conf.ecaade.2017.2.571
summary Every city has under utilized spaces that create a series of serious negative effects. Waiting for major interventions, those spaces can be reactivated and revitalized with soft temporary projects: micro interventions that light up the attention, give new meaning and add a new reading to abandoned spaces. We can call this kind of operations "plug-in design", inheriting the term from computer architecture: interventions which aim to involve the citizens and activate the environment, engage multiple catalyst processes and civil actions. Plug-in design interventions are by all meanings experimental, they seek for interaction with the users, locally and globally. Information Technology - with its parametric and site-specific capabilities and interactive features - can be instrumental to create such designs and generate a new consciousness of the existing environment. With this paper we will illustrate how two low-budget interventions have re-activated a forgotten public space. Parametric design with a specific script allowing site-specific design, materials and structure optimization and a series of interactive features, will be presented through Reciprocal 1.0 and Reciprocal 2.0 projects which have been built in 2016 in Italy by the nITro group.
keywords reciprocal frame; parametric design; responsive technology; plug-in design; interactivity; re-activate
series eCAADe
email
last changed 2022/06/07 07:54

_id lasg_whitepapers_2016_044
id lasg_whitepapers_2016_044
authors Colin Ellard
year 2016
title Human Experience
source Living Architecture Systems Group White Papers 2016 [ISBN 978-1-988366-10-4 (EPUB)] Riverside Architectural Press 2016: Toronto, Canada pp. 044 - 049
summary Living Architecture Systems Group "White Papers 2016" is a dossier produced for the occasion of the Living Architecture Systems Group launch event and symposium hosted on November 4 and 5 at the Sterling Road Studio in Toronto and the University of Waterloo School of Architecture at Cambridge. The "White Papers 2016" presents research contributions from the LASG partners, forming an overview of the partnership and highlighting oppportunities for future collaborations.
keywords design, dissipative methods, design methods, synthetic cognition, neuroscience, metabolism, STEAM, organicism, field work, responsive systems, space, visualizations, sensors, actuators, signal flows, art and technology, new media art, digital art, emerging technologies, citizen building, bioinspiration, performance, paradigms, artificial nature, virtual design, regenerative design, 4DSOUND, spatial sound, biomanufacturing, eskin, delueze, bees, robotics
email
last changed 2019/07/29 14:00

_id sigradi2016_737
id sigradi2016_737
authors Costa, Phillipe Cunha da
year 2016
title Purple Haze vs Don Giovanni: a experi?ncia de mashup no Pavillion 21 MINI Opera Space de Coop Himmelb(l)au [Purple Haze vs Don Giovanni: the mashup experience in the Coop Himmelb(l)au’s Pavillion 21 MINI Opera Space]
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.572-578
summary Recurring theme in architectural design, the relations between architecture and music in contemporary times have important discussions about parametric and cryptographic methods of notation. Through the Pavilion 21 MINI Opera Space, the ephemeral space for the Baviera State Opera, design by Wolf Prix and his office Coop Himmelb(l)au, we pretend to understand some concepts of notation and sound phenomena in architecture. This pavilion dialogue between the Xenakis notes and the electronic music advent, specially the composition methods of mixing like mashup, as simulations of the object.
keywords Architecture and music; graphic notation; parametric simulation; soundscaping; Coop Himmelb(l)au
series SIGRADI
email
last changed 2021/03/28 19:58

_id ecaade2016_078
id ecaade2016_078
authors Das, Subhajit, Zolfagharian, Samaneh, Nourbakhsh, Mehdi and Haymaker, John
year 2016
title Integrated Spatial-Structural Optimization in the Conceptual Design Stage of Project - A tool to generate and optimize design solutions aiding informed decision making for Architects, Engineers and Stakeholders
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 2, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 117-126
doi https://doi.org/10.52842/conf.ecaade.2016.2.117
wos WOS:000402064400011
summary Healthcare design projects require the careful integration of spatial and structural requirements. Today, design teams typically resolve these requirements in two separate, largely sequential steps. In the first step, architects leverage their experience and vision to develop space plans that address program and goals. Next, based on the architect's recommended design, engineers generate and refine a structural design to address structural requirements. This manual process produces a very limited number of non optimal spatial and structural design solutions with unclear decision rationale. This paper presents the Integrated Spatial-Structural Optimization (ISSO) decision making methodology. ISSO supports design teams by helping them generate, analyze, and manage a vast number of integrated spatial and structural solutions. ISSO features a bi-level optimization workflow that has been customized for spatial and structural design of healthcare facilities. The paper describes implementation in the Dynamo parametric modeling platform, and retrospective validation of the algorithm and workflow on an industry case study to demonstrate how ISSO can help design teams generate, analyze, and manage more conceptual design options.
keywords Spatial Design; Generative Design; Design Optimization; Facility Planning; Design Tools; Design Automation
series eCAADe
email
last changed 2022/06/07 07:55

_id caadria2016_767
id caadria2016_767
authors De Azambuja Varela, Pedro and Timothy Merritt
year 2016
title CorkVault Aarhus: exploring stereotomic design space of cork and 5-axis CNC waterjet cutting
source Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 767-776
doi https://doi.org/10.52842/conf.caadria.2016.767
summary This paper presents the design, fabrication, and construc- tion of CorkVault Aarhus, which was designed using parametric and physics simulation software and realized from ECA cork sheets cut using a CNC waterjet cutter. We recount the lessons learned through the intensive two-week workshop that explored the limits of the mate- rials and tools through prototypes and culminated with the assembly of the final free-form vault structure. Various vaults and arch proto- types provided pedagogical and research value, building up knowledge essential to the final structure built, a human scale pavilion designed and built in three days and made of a thin shell of cork pan- els working only in compression. Three driving concepts were crucial to the experience: stereotomy as a supporting theory, expanded cork agglomerate (ECA) as the main material and water jet cutting as the principal means of fabrication. The complex vault shape called for precise 5-axis cuts supporting a new paradigm in building stereotomic components for architecture.
keywords Stereotomy; generative algorithm; digital fabrication; waterjet; cork
series CAADRIA
email
last changed 2022/06/07 07:55

_id ecaade2016_095
id ecaade2016_095
authors Doumpioti, Christina
year 2016
title Material Agency and Physical Boundaries
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 521-528
doi https://doi.org/10.52842/conf.ecaade.2016.1.521
wos WOS:000402063700057
summary The research builds on the relationship between matter and energy and the idea of boundaries as sentient interfaces capable of affecting our bodily experience and perception of space due to their inherent physical attributes. Two key issues addressed are firstly, the revisiting of the architectural boundary as a thermodynamic zone and secondly, the identification of material behaviour in relation to energy stimuli. It is argued that the transient behaviour of materials can offer an instrumental reconsideration on how architecture establishes spatial articulation through boundaries and this is demonstrated through a design-led project.
keywords thermal field; responsive materials; passively active materials; heat transfer; thermodynamic; matter and energy
series eCAADe
email
last changed 2022/06/07 07:55

_id ecaade2016_002
id ecaade2016_002
authors Ferreira, Maria da Piedade, Kretzer, Andreas, Duarte, José Pinto, Stricker, Didier, Schenkenberger, Benjamin, Weber, Markus and Toyama, Takumi
year 2016
title De Humani Corporis Fabrica - Fabricating Emotions through Architecture
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 501-507
doi https://doi.org/10.52842/conf.ecaade.2016.1.501
wos WOS:000402063700055
summary This paper describes an experiment that took place as the last day of the elective course "De Humani Corporis Fabrica - Fabricating Emotions through Architecture". The goal of the Experiment was to evaluate the emotional experience of 1:1 scale architectural settings. The Experiment was part of the research for a PhD thesis which describes the relationship between architecture and the body since Vitruvius until the current theories of embodiment. The referred to thesis proposes the incorporation of the corporeal practices of performance art in the teaching of Architecture and combines these with the use of emotion measurement methodologies in order to evaluate the experience of architectural space and design objects during the design process. Psycho-physiological changes in the body's sensory perception during the performances were evaluated through the combined use of biometric technology (e-health platform), a Presence Questionnaire and a SAM chart. The course was attended by 4 students who participated as subjects in the Experiment. The Experiment had the technical support of the DFKI - Deutsches Forschungszentrum für Künstliche Intelligenz, which provided the machinery necessary to collect the biometric data during the Experiment and the knowledge needed to process them.
keywords Corporeal Architecture; Performance Art; Emotion Measurement; Pedagogy
series eCAADe
email
last changed 2022/06/07 07:51

_id acadia16_478
id acadia16_478
authors Franzke, Luke; Rossi, Dino; Franinovic, Karmen
year 2016
title Fluid Morphologies: Hydroactive Polymers for Responsive Architecture
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 478-487
doi https://doi.org/10.52842/conf.acadia.2016.478
summary This paper describes Hydroactive Polymers (HAPs), a novel way of combining shape-changing Electroactive Polymers (EAPs) and water for potential design and architectural explorations. We present a number of experiments together with the Fluid Morphologies installation, which demonstrated the materials through an interactive and sensory experience. We frame our research within the context of both material science and design/architecture projects that engage the unique material properties of EAPs. A detailed description of the design and fabrication process is given, followed by a discussion of material limitations and potential for improving robustness and production. We demonstrate fluid manipulation of light and shadow that would be impossible to achieve with traditional electromechanical actuators. Through the development of this new actuator, we have attempted to advance the accessibility of programmable materials for designers and architects to conduct hands-on experiments and prototypes. We thus conclude that the HAP modules hold a previously unexplored yet promising potential for a new kind of shape-changing, liquid-based architecture
keywords active materials, electroactive polymers, programmable materials, embedded responsiveness
series ACADIA
type paper
email
last changed 2022/06/07 07:50

_id sigradi2016_809
id sigradi2016_809
authors García Amen, Fernando; Martín Iglesias, Rodrigo; Schieda, Alejandro; Lagomarsino, Federico; Miret, Santiago
year 2016
title Digital domes that become urban symbionts
source SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.892-896
summary Montevideo has a new visitor. In the heritage building of the german architect Karl Trambauer, located in the Old City, a new presence was installed filling the vacuum left by its former collapsed dome, seeking to restore a message, adding a new vision and recovering the lost dialogue between the architecture, the city and its inhabitants. This paper summarizes and explains the experience of the workshop Adaptation 2015, held on September 2015 at the Universidad de la República, Uruguay. Exposing the theoretical framework, design strategies, morphogenetic development, digital manufacturing experimentations, conclusions and open questions from the experience made. We will go through this temporary intervention on Trambauer’s building, being a rare but symbiotic object, with parametric genes, digital and handcrafted manufacture, and also looking for the impact of theory and academic practices in the city.
keywords Urban intervention – Cities – Heritage – Parametric design – Digital fabrication
series SIGRADI
email
last changed 2021/03/28 19:58

_id ascaad2016_041
id ascaad2016_041
authors Kartalou, Nikolia
year 2016
title Visualising Heritage-Memory - The paradigm of Chambers Street
source Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 399-408
summary Aristotle in his treatise, On the Soul, defined memory as knowledge of the past, obtained through seeing, sensing, observing, listening and learning. Memory can be envisaged as the mental imprint of an image that can be recalled through the experience of existing objects and places. How is cultural heritage related to the experience and knowledge called memory? Why do memories appear to have a strong influence in unconscious spatial perception? How can visualisation techniques activate heritage-memory? Buildings, as tangible elements of the historic city, disclose the memories of the past into the present, and direct us to an experience of time through matter. Buildings serve as a link bridging the past with the present, and eventually, the future sites of memory. Their fabric is constantly altered with engraved layers of historical change, a sequence of past events which emerge from the remnants of their structure. The past, imprinted on the city’s artefacts, manifests its tangible form, and through a new reading of heritage, as ‘heritage-memory’, immaterial qualities of previous eras can perhaps be revealed. This paper, part of an ongoing research situated in between theory and practice, argues that the immaterial elements of cultural heritage emerging from historic urban spaces, can be critically explored in a new way through the use of digital technology, as a tool to revisualise the memory of a locus. Taking Chambers Street in the Old Town of Edinburgh as a site of focus, this presentation demonstrates several steps towards visualising the heritage-memory of the site. The paper poses the question of how the site might serve as a memorial itself, revealing to the observer the knowledge of past events engraved on its locus. Chambers Street serves as a paradigm of constructing a virtual narrative of heritage-memory, examining the site in parts and whole.
series ASCAAD
email
last changed 2017/05/25 13:33

_id ecaade2016_057
id ecaade2016_057
authors Kreutzberg, Anette
year 2016
title High quality Virtual Reality for Architectural Exhibitions
source Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 2, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 547-554
doi https://doi.org/10.52842/conf.ecaade.2016.2.547
wos WOS:000402064400055
summary This paper will summarise the findings from creating and implementing a visually high quality Virtual Reality (VR) experiment as part of an international architecture exhibition. It was the aim to represent the architectural spatial qualities as well as the atmosphere created from combining natural and artificial lighting in a prominent not yet built project. The outcome is twofold: Findings concerning the integration of VR in an exhibition space and findings concerning the experience of the virtual space itself. In the exhibition, an important aspect was the unmanned exhibition space, requiring the VR experience to be self-explanatory. Observations of different visitor reactions to the unmanned VR experience compared with visitor reactions at guided tours with personal instructions are evaluated. Data on perception of realism, spatial quality and light in the VR model were collected with qualitative and quantitative methods at two different occasions and setups after the exhibition, both showing a high degree of immersion and experience of reality.
keywords Virtual Reality; Oculus Rift; GearVR; Exhibition display
series eCAADe
email
last changed 2022/06/07 07:51

_id acadia16_372
id acadia16_372
authors Maia, Sara Costa; Meyboom, AnnaLisa
year 2016
title Researching Inhabitant Agency in Interactive Architecture
source ACADIA // 2016: POSTHUMAN FRONTIERS: Data, Designers, and Cognitive Machines [Proceedings of the 36th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-77095-5] Ann Arbor 27-29 October, 2016, pp. 372-381
doi https://doi.org/10.52842/conf.acadia.2016.372
summary The study of Interactive Architecture (IA) spans over several decades and appears to be gaining increasing momentum in recent years. Yet, inhabitant-centered approaches towards research and design in the field still have a long way ahead to explore. Particularly, we observed that the examination of IA’s social relevance in literature is still incipient and ill supported by evidence. The study discussed in this paper is attempting to remediate this gap by exploring one of the first socio-political arguments around the relevance of IA, namely inhabitant empowerment and agency. It investigates whether an inhabitant’s relation and experience with interactive spaces, conceived according to different interaction strategies, increases the participants’ perception of their own agency in the space. In this paper, we briefly explain the prototyping of an interactive space-plan designed to emulate the behavior of four basic models of interaction. Finally, the paper presents an experimental study set to test inhabitant agency in IA. It concludes that IA has the potential to increase inhabitant agency, but that this is very dependable on the system’s design regarding behavior and interaction.
keywords agency, responsive environments, interactive architecture, sensate systems
series ACADIA
type paper
email
last changed 2022/06/07 07:59

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