Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2016_135
id	caadria2016_135
authors	Min, Deedee A. and Ji-Hyun Lee
year	2016
title	Finding relationships between movement and tree planting patterns in theme parks
doi	https://doi.org/10.52842/conf.caadria.2016.135
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 135-144
summary	Tree planting in design practice is considered simply as void fillers or view blockers. However, for a sustainable design, creat- ing places using trees need to be reconsidered. Going beyond tradi- tional tree plantings in urban environments, an application of compu- tational methods in landscape architecture for the management of the complex system is needed. While computational methods have been extensively applied to buildings, less has been applied to trees. The goal of this paper is to investigate how the presence of trees affects human movement and find out if computational methods can be used for recommending tree planting patterns. We analysed the tree plant- ing patterns in renowned theme parks as an initial research categoriz- ing tree planting patterns, using an agent-based analysis for simula- tion, and comparing the results of the average agent counts in theme park plans without trees and those with trees. We noticed there was a clear distinction between tree planting pattern types and the change in agent counts supporting the qualitative theory in landscape architec- ture. The result of this research can guide theme park designers as well as urban park designers when deciding which tree planting pat- terns to implement for the purpose of controlling pedestrian move- ments.
keywords	Tree planting pattern; agent-based analysis; theme parks; pedestrian movement
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	caadria2016_281
id	caadria2016_281
authors	Pinochet, Diego
year	2016
title	Making - Gestures: Continuous design through real time Human Machine interaction
doi	https://doi.org/10.52842/conf.caadria.2016.281
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 281-290
summary	Design is “something that we do” that is related to our unique human condition as creative individuals, so as “making” is related to how we manifest and impress that uniqueness into our surrounding environment. As designers, the way we impress our ideas into the material world is tightly connected to a ‘continuous creative performance’ and with concepts often missing in digital design and fabrication techniques –yet present in analog processes - such as ambiguity, improvisation and imprecision. In this paper, a model of human-machine interaction is proposed, that seeks to transcend the ‘hylomorphic’ model imperative in today’s digital architectural design practice to a more performative and reciprocal form of computational making. By using body gestures and imbuing fabrication machines with behaviour, the research seeks to embrace the concept of ‘performance and error’ as promoters of creativity and cognition about the things we create, installing human as the bond of the interrelations between designing and making.
keywords	Human machine interaction; computational making; machine learning; digital design and fabrication
series	CAADRIA
email
last changed	2022/06/07 08:00

_id	caadria2016_641
id	caadria2016_641
authors	Baerlecken, D.; K. Wright, J. Reitz, N. Mueller and B. Heiermann
year	2016
title	Performative Agency of Materials: Matter agency of vernacular African pattern systems
doi	https://doi.org/10.52842/conf.caadria.2016.641
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 641-650
summary	This paper investigates an agency of materials through a design methodology that follows Martin Heidegger’s process of “Entbergen” or “unconcealing” as a non-instrumentalist understanding of tools and materials. This investigation takes place through the de- sign of a children’s theatre in South Africa where material innovation for architectural components is needed. The research studies vernacu- lar African patterns and their inherent behaviour when transferred to materials. The transference of pattern systems to architectural proto- types is discussed alongside the discussion of their technical and ar- chitectural performance criteria. Following Heidegger’s theory of “Entbergen” (“unconcealing”) the paper will demonstrate how making in this methodology becomes an “unconcealing”, which includes both digital and analogue means, linking the four causalities - causa mate- rialis, causa formalis, causa finalis, and causa efficiens – through the agency of material within an integrated process between all four caus- es. Making becomes a process in which form is generated through in- terventions within fields of forces and currents of materials, taking cause and agency into account, and standing in opposition to methods that are defined by a premeditated notion of an ideal outcome.
keywords	African patterns, making, design build, design methodology
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2016_343
id	caadria2016_343
authors	Asriana, Nova and Aswin Indraprastha
year	2016
title	Making Sense of Agent-based Simulation: Developing Design Strategy for Pedestrian-centric Urban Space
doi	https://doi.org/10.52842/conf.caadria.2016.343
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 343-352
summary	This study investigates the relationships of field observa- tion, multi-agent simulation and space-syntax theory in spatial config- uration for developing design strategy for a case study, a tourist hub area in Musi Riverside, Palembang. Having such potential advantage and to tackle existing social and urban issues, our study developed a design approach based on multi-agent simulation enhanced by space syntax theory. The goal of this study is a deep understanding of multi agent simulation through mechanism of validation using field obser- vation and by taking into account the existing urban features. The purpose is to develop design strategy of pedestrian-centric urban space to be functioned as a tourist hub based on computational modelling. Following the paths result of pedestrian flow by multi-agents simula- tion, we elaborated the analysis of facility programming by means of Space Syntax theory. It shows the ranking of facility programs based on their relative connectivity and integration. By merging this result, it assembles programs and their circulation spaces by means of compu- tational simulation. Experimenting in both fields show a novel ap- proach for pedestrian-centric design in urban scale, particularly since behavioural models rarely used in early stage of design process. It shows that multi-agent simulation should be coupled with field obser- vation.
keywords	Multi-agents simulation; network analysis; Space Syntax theory; design strategy; urban space
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	ijac201614207
id	ijac201614207
authors	Chaszar, Andre and Sam Conrad Joyce
year	2016
title	Generating freedom: Questions of flexibility in digital design and architectural computation
source	International Journal of Architectural Computing vol. 14 - no. 2, 167-181
summary	Generative processes and generative design approaches are topics of continuing interest and debate within the realms of architectural design and related fields. While they are often held up as giving designers the opportunity (the freedom) to explore far greater numbers of options/alternatives than would otherwise be possible, questions also arise regarding the limitations of such approaches on the design spaces explored, in comparison with more conventional, human-centric design processes. This article addresses the controversy with a specific focus on parametric-associative modelling and genetic programming methods of generative design. These represent two established contenders within the pool of procedural design approaches gaining increasingly wide acceptance in architectural computational research, education and practice. The two methods are compared and contrasted to highlight important differences in freedoms and limitations they afford, with respect to each other and to ‘manual’ design. We conclude that these methods may be combined with an appropriate balance of automation and human intervention to obtain ‘optimal’ design freedom, and we suggest steps towards finding that balance.
keywords	Design space exploration, parametric-associative modelling, genetic programming, mixed-initiative methods
series	journal
last changed	2016/06/13 08:34

_id	ijac201614102
id	ijac201614102
authors	Cifuentes Quin, Camilo Andre?s
year	2016
title	The cybernetic imagination of computational architecture
source	International Journal of Architectural Computing vol. 14 - no. 1, 16-29
summary	Since the publication in 1948 of Norbert Wiener’s Cybernetics, this thought model has exerted a profound influence in contemporary knowledge. Such influence has been decisive for a paradigm shift in the profession of architecture and particularly for the rise of a computational perspective in architectural design. This article explores the link between the cybernetic paradigm and the conception of architectural objects as performative, responsive, intelligent, and sentient artifacts—the visions of buildings that have been central to the development of digital architecture since its early stages. This connection shows that the dominant visions of design problems associated with the development of a computational perspective in architecture have not been exclusively the result of the introduction of computer pragmatics in architectural design. On the contrary, following such scholars as Bruno Latour and Katherine Hayles, these developments must be considered as the result of a particular feedback process that includes technical aspects as well as the definition of design problems around an informational ontology and epistemology. The understanding of the intellectual foundations of digital architecture is crucial not only to promote a critical regard of its productions but to imagine scenarios for a viable cybernetic practice of computer-mediated architectural design.
keywords	Architecture, cybernetics, computational design
series	journal
last changed	2016/06/13 08:34

_id	ecaade2017_046
id	ecaade2017_046
authors	Ezzat, Mohammed
year	2017
title	Implementing the General Theory for Finding the Lightest Manmade Structures Using Voronoi and Delaunay
doi	https://doi.org/10.52842/conf.ecaade.2017.2.241
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 241-250
summary	In previous efforts, the foundation of a general theory that searches for finding lightest manmade structures using the Delaunay diagram or its dual the Voronoi diagram was set (Ezzat, 2016). That foundation rests on using a simple and computationally cheap Centroid method. The simple Centroid method is expected to play a crucial role in the more sophisticated general theory. The Centroid method was simply about classifying a cloud of points that represents specific load case/s stresses on any object. That classification keeps changing using mathematical functions until optimal structures are found. The point cloud then is classified into different smaller points' groups; each of these groups was represented by a single positional point that is related to the points' group mean. Those representational points were used to generate the Delaunay or Voronoi diagrams, which are tested structurally to prove or disprove the optimality of the classification. There was not a single optimized classification out of that process but rather a family of them. The point cloud was the input to the centroid structural optimization, and the family of the optimized centroid method is the input to our proposed implementation of the general theory (see Figure 1). The centroid method produced promising optimized structures that performed from five to ten times better than the other tested variations. The centroid method was implemented using the two structural plugins of Millipede and Karmaba, which run under the environment of the Grasshopper plugin. The optimization itself is done using the grasshopper's component of Galapagos.
keywords	Agent-based structural optimization; Evolutionary conceptual tree representation; Heuristic structural knowledge acquisition ; Centroid structural classification optimization method
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ascaad2016_010
id	ascaad2016_010
authors	Harnomo Fajar I.; Aswin Indraprastha
year	2016
title	Computational Weaving Grammar of Traditional Woven Pattern
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 75-84
summary	Weaving technique is one of the indigenous craftsmanship practices that are common in most of ethnic groups in Indonesia. Generally, it uses thin strips of organic material such as bamboo or rattan to make plane of surface that further can be developed into daily utensils or as a traditional architectural building components such as partition wall and floor. The research of weaving grammar as a system and process had been introduced and explored using Shape Grammar theory and principles. Having the potential implementation and to preserve the traditional weaving method, the grammar can be explored as a method of exploration in architectural design by extending the computation method based on the visual embedding of its pattern languages. The aim of the study is to discover the geometrical configuration underlied traditional weaving grammar by reconfiguring and elaborating procedures and further develop generative method using computational approach. We focused on the exploration of single and dual patterns of biaxial types of West Java woven pattern by using shape grammar principles. The result shows computational method is constructed by several rules which are defined as generative procedure. The result advised that traditional woven pattern has similarity according to its ruled-based system of generative algorithm.
series	ASCAAD
email
last changed	2017/05/25 13:13

_id	ecaade2016_170
id	ecaade2016_170
authors	Hysa, Desantila and Özkar, Mine
year	2016
title	Computation in Early Design Education as Investment in Attitudes
doi	https://doi.org/10.52842/conf.ecaade.2016.1.357
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 357-366
summary	While education programs are generally defined in terms of learning outcomes known as knowledge, skills and attitudes, it is not always obvious how attitudes are to be gained. This study focuses on the formation of attitudes of accountability and sharing of knowledge in computational approaches to basic design education. We posit that computational thinking, even without computers, is supportive of both the reflective practice and the learning of such values in design education. We report on comparatively observed collaborative design processes of first year architecture students who externalized their thought processes through visual rules. While a reflection-in-action stage helps in learning the know-how, a second reflection on reflection-in-action deepens the understanding and initiates habits for how to think and act within and beyond the design domain, leading to attitude formation.
wos	WOS:000402063700040
keywords	design computation; attitudes; visual rules; learning outcomes; foundation design studios
series	eCAADe
email
last changed	2022/06/07 07:50

_id	ascaad2016_002
id	ascaad2016_002
authors	Jabi, Wassim
year	2016
title	Rigorous Creativity - Ubiquity, Parametrics, Tectonics
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 3-6
summary	Architects frequently understand and experience design and creativity as a personal and lonely activity. However, there is, increasingly, a need to collaborate with others in the design and construction of buildings. Digital technology is intricately intertwined with the creative and social aspects of the emerging practice world. A prime example is the use of digital fabrication technology and building information models to directly transfer information among architects, contractors, fabricators and consultants. At the same time, the discipline and practice of creative design is increasingly seen as a valuable cognitive skill, to be emulated, tapped, and understood by other disciplines in various settings. Fields outside of architecture and governmental granting agencies have shown strong interest in understanding, rationalizing and importing the creative design process that architects engage in. The obstacle, however, has been that architects and designers are rarely able to explain their processes in a manner understood by others. The advent of digital tools and social computing further complicates the issues of how designers design with such tools and how designers design with others (Lawson, 2005). Our aim should be to define a discipline of collaborative digital design with clear conceptual frameworks, methodologies, and epistemologies. The goal is two-fold: 1) to formulate a discipline of digital design based on sound theoretical and pragmatic underpinnings, and 2) to elucidate the processes of digital design so that we can better communicate them to other disciplines and thus engage more effectively in interdisciplinary research.
series	ASCAAD
email
last changed	2017/05/25 13:13

_id	ascaad2016_041
id	ascaad2016_041
authors	Kartalou, Nikolia
year	2016
title	Visualising Heritage-Memory - The paradigm of Chambers Street
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 399-408
summary	Aristotle in his treatise, On the Soul, defined memory as knowledge of the past, obtained through seeing, sensing, observing, listening and learning. Memory can be envisaged as the mental imprint of an image that can be recalled through the experience of existing objects and places. How is cultural heritage related to the experience and knowledge called memory? Why do memories appear to have a strong influence in unconscious spatial perception? How can visualisation techniques activate heritage-memory? Buildings, as tangible elements of the historic city, disclose the memories of the past into the present, and direct us to an experience of time through matter. Buildings serve as a link bridging the past with the present, and eventually, the future sites of memory. Their fabric is constantly altered with engraved layers of historical change, a sequence of past events which emerge from the remnants of their structure. The past, imprinted on the city’s artefacts, manifests its tangible form, and through a new reading of heritage, as ‘heritage-memory’, immaterial qualities of previous eras can perhaps be revealed. This paper, part of an ongoing research situated in between theory and practice, argues that the immaterial elements of cultural heritage emerging from historic urban spaces, can be critically explored in a new way through the use of digital technology, as a tool to revisualise the memory of a locus. Taking Chambers Street in the Old Town of Edinburgh as a site of focus, this presentation demonstrates several steps towards visualising the heritage-memory of the site. The paper poses the question of how the site might serve as a memorial itself, revealing to the observer the knowledge of past events engraved on its locus. Chambers Street serves as a paradigm of constructing a virtual narrative of heritage-memory, examining the site in parts and whole.
series	ASCAAD
email
last changed	2017/05/25 13:33

_id	caadria2016_063
id	caadria2016_063
authors	Kawiti, Derek; Marc Aurel Schnabel and James Durcan
year	2016
title	Indigenous Parametricism - Material Computation.
doi	https://doi.org/10.52842/conf.caadria.2016.063
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 63-72
summary	The use of computational formats and digital tools includ- ing machine fabrication by indigenous people worldwide to augment traditional practices and material culture is becoming more and more commonplace. However within the practice of architecture while there are indigenous architectural practitioners utilizing digital tools, it is unclear as to whether there is motivation to implement traditional in- digenous knowledge in conjunction with these computational instru- ments and methodologies. This paper explores how the tools might be used to investigate the potential for indigenous development, cultural empowerment and innovation. It also describes a general methodology whereby capacity can be shared between academia and indigenous groups to foster new knowledge through a recently implemented in- digenous focused design research entity, SITUA. The importance and significant research potential of what we term 'domain based research' is reinforced through the exploration of emergent materials and build- ing systems located within specific tribal domains. A recent project employing 3D clay extrusion printing is used to illustrate this ap- proach.
keywords	Indigenous domain based research: Maori; materials; digital fabrication
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	caadria2016_651
id	caadria2016_651
authors	Loh, Paul; Jane. Burry and Malte Wagenfeld
year	2016
title	Workmanship of Risk: continuous designing in digital fabrication
doi	https://doi.org/10.52842/conf.caadria.2016.651
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 651-660
summary	Research projects exploring the realm of digital fabrication have shifted in recent years from developing novel techniques and outcomes to the development of tools that are part of the design pro- cess. The alignment of material systems with digital fabrication tech- nology and tooling processes have led to new terminology such as ‘digital craft’ and ‘digital making’; both terms imply a relationship be- tween craft and digital design and fabrication. Also implied is an inti- mate relationship between material production, digital tools and CNC fabrication techniques; critical ingredients in contemporary design processes. David Pye’s concept of ‘the workmanship of risk’ is used extensively in current discourse as a means to qualify digital fabrica- tion as craft production. This reading of digital fabrication as craft is limited because the word craft is used as an analogy to draw parallels between craft production and digital fabrication. There is a gap in the knowledge of what contemporary craft practice can bring to digital fabrication as a discourse or more precisely, the mechanism that al- lows digital fabrication projects to be read as a form of craft practice. This paper suggests that craft practice is rooted in the relationship be- tween material, tools and technique as an intricate workflow within a project; quantifying risk is just a means to assess this relationship. The workflow however can be considered as autopoietic in nature; it is both self-referential and self-making at the same time as continuously designing.
keywords	Digital craft; digital fabrication; systems theory
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	sigradi2016_000
id	sigradi2016_000
authors	Martin Iglesias, Rodrigo
year	2016
title	Crowdthinking
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016
summary	The topic "Crowdthinking" reveals the inquiries of researchers about collaborative work, distributed intelligence and collective research. The call focuses on transdisciplinary thinking as a construct based on multiplicity and diversity. All these topics are essential not only in the field of design and architecture, but also in emerging areas of human sciences and arts . Currently, the collaborative design is considered one of the key bases for change in the city and society. In its genesis, it manifests the notion that the world around us is inadequate for many of the needs of the society and from that design can be collectively improved. Such collective research, by combining distributed intelligence, sustainable social development, design cutting edge research, theories and computational strategies, generates a research partnership based on participation and distributed cognition of complex problems. This call proposes an approach in which the results of the experiences can build a model, define or apply axioms and lead to applications. It also looks for emerging conjectures about the process, the creation of computer models and the behaviour of the resulting designs. On the other hand, the need to find solutions that improve the quality of life for the community and sustainable development includes concerns about the integration of the physical and cultural context of cities, mass education and the inclusion of parametric design, digital manufacturing and digital prototyping, and BIM as a system that organizes and ensures the correspondence between the physical urban design and sustainable archetypes. These are some of the concerns in which technology has been contributing to improve the design process by integrating information. This integration optimizes resources and enables the various project professionals to work on the same model, run simulations, improve materializations and evaluate massive amount of data. Projects with greater social and environmental responsibility can be achieved adopting into the teaching and practice this new way of design that anticipates an extensive exchange that wilt foster self-evaluation and reformulation of educational paradigms.
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	ecaade2016_036
id	ecaade2016_036
authors	Varinlioglu, Guzden, Halici, Suheyla Muge and Alacam, Sema
year	2016
title	Computational Thinking and the Architectural Curriculum - Simple to Complex or Complex to Simple?
doi	https://doi.org/10.52842/conf.ecaade.2016.1.253
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 253-259
summary	Recent trends in architectural education and practice have encouraged the use of computational tools and methods for solving complex design problems. Newer technology can augment the design process by applying progressively more-advanced computational tools. However, the complex nature of these tools can lead to students getting lost at the skill-building stage, they can become trapped in computational design terminology, leading to designs of limited spatial quality. This paper introduces a pilot study from Izmir University of Economics (IUE) for the integration of computational design technology in the undergraduate architectural curricula, based on a workshop series using a top-down teaching strategy.
wos	WOS:000402063700028
keywords	Basic design; learning outcomes; keyword analysis; visual scripting environment (VSE)
series	eCAADe
email
last changed	2022/06/07 07:58

_id	ijac201614206
id	ijac201614206
authors	Yanagawa, Kane
year	2016
title	ReIndustrializing Architecture
source	International Journal of Architectural Computing vol. 14 - no. 2, 158-166
summary	After decades of improving the efficiency and economy of our existing building ecology, instruments of the Third Industrial Revolution are redefining the practice of architecture, both internally and externally. This article focuses on the employment of the Constrained Design Hysteresis methodology as a mediating strategy, in which computational tools for content creation and fabrication can merge in post-industrial societies to effectively reindustrialize the fields of architectural design manufacturing and building. Such reformation of the accepted norms of architectural building practice do not represent a regression of the profession to a pre-industrial mode of building craftsmanship, but an evolution into one that directly addresses various shortcomings of global industrialization, ranging from restrictions imposed by mass production to the creation of social class disparity. In this context, the application of computational tools and processes can both empower and liberate design individuals through the restructuring of the existing industrial manufacturing ecosystems.
keywords	Digital fabrication, design automation, third industrial revolution, constrained design hysteresis, social reform
series	journal
last changed	2016/06/13 08:34

_id	caadria2016_353
id	caadria2016_353
authors	Yuan, Feng; Shuyi Huang and Tong Xiao
year	2016
title	Physical and numerical simulation as a generative design tool
doi	https://doi.org/10.52842/conf.caadria.2016.353
source	Living Systems and Micro-Utopias: Towards Continuous Designing, Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2016) / Melbourne 30 March–2 April 2016, pp. 353-362
summary	Environmentally sound and high-performance buildings are contributing towards a sustainable future. With increased density of contemporary urban space and the urgent desire to promote building performance, a better understanding of wind behaviour will positively influence future design explorations. In the traditional sequential ar- chitectural practice, there is a gap between design and performance simulation. This paper presents an experimental and systematic study of the performance-oriented design tools, strategies and workflows utilized in the concept prototyping of a high-rise building. It describes a new approach to incorporate wind tunnel testing, computational flu- id dynamics simulation as well as parametric software, sensors and open-source electronics platform into an accessible, interactive and low-cost form generation kit, rapidly evaluating the performance of potential design options in the early design stage. As indicated in this research, environmental simulation can be a decision-making tool, in- tegrating the concept of continuity into the design process.
keywords	Environmental performance; building aerodynamics; wind tunnel testing; computational fluid dynamics
series	CAADRIA
email
last changed	2022/06/07 07:57

_id	ecaade2016_096
id	ecaade2016_096
authors	Chen, Nai Chun, Nagakura, Takehiko and Larson, Kent
year	2016
title	Social Media as Complementary Tool to Evaluate Cities - Data Mining Innovation Districts in Boston
doi	https://doi.org/10.52842/conf.ecaade.2016.2.447
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 2, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 447-456
summary	High tech industries are playing an important role in the economic development in the United States. While some cities are shrinking, the "innovation" cities are growing. The attributes that cause some cities to successfully become innovative is a very relevant 21st century topic and will be investigated here.Previous work conduct city analysis through conventional government GIS or census data but such analyses do not answer questions about the perception of citizens inhabiting the city, and the activities they conduct. The novelty of this current project is to make use of large-scale bottom-up data available from social media. Several social media sources-CrunchBase, Twitter, Yelp, and Flickr- were data mined pertaining to four innovation districts in Boston. We found that the success of innovation districts in Boston were correlated with several important variables: the most successful districts tended to occur near research institutions, in very "mixed use" areas, and were unexpectedly not correlated with land and labor prices, unlike technology districts in the past. Based on our study, we make recommendations for the urban design that cities should put in place to increase the potential for "innovation".
wos	WOS:000402064400044
keywords	Smart Cities; Social Media; Innovation District; Spatial Analysis; Data Mining; Natural Language Processing
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ascaad2016_045
id	ascaad2016_045
authors	Dahadreh, Saleem; Rasha Alshami
year	2016
title	The Four F's of Architecture - A conceptual framework for understanding architectural works
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 439-450
summary	This paper presents a conceptual framework for understanding architectural works. This framework provides an understanding of an architectural building through qualitatively discerning the complexity of issues involved in its design and enabling their systematic integration into a theoretical construct. The premise behind this framework is that in design a better understanding of ‘what’ to design leads to a more informed base to ‘how’ to design. Using a grounded theory method, the paper postulates an ontological framework that recasts the Vitruvian triad of utilitas, venustas, and firmitas into spatial, intellectual, and structural forms respectively, and more importantly expands the triad to include context and architectural thinking as formative ideas, as integral components in any architectural work, thus closing a gap that existed in many frameworks dealing with architecture. The paper concluded that this framework offers a level of robust understanding of architecture that can be used in structuring the generation of architectural form as well as the description and analysis of existing works of architecture. Its value exceeds theory framing and extends towards architectural pedagogy as a theoretical framework in teaching design studio.
series	ASCAAD
email
last changed	2017/05/25 13:33

_id	ecaade2016_164
id	ecaade2016_164
authors	Dobiesz, Sebastian and Grajper, Anna
year	2016
title	Animating the Static. Case Study of The Project "Urbanimals" - Enhancing play in the cities through an augmented and interactive environment
doi	https://doi.org/10.52842/conf.ecaade.2016.1.691
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 691-700
summary	This article delineates the process of developing the project "Urbanimals" - an interactive installation designed and realised in Bristol, UK, in 2015. As the case study research, it draws attention to the difficulties in designing interactive structures in urban spaces - from an architects' idea to a construction stage. There are four areas that are being investigated: (1) Modelling interactions, (2) Negotiating locations and logistics, (3) Developing hardware and (4) Performing the on-site observations. The project draws from the idea of Smart City (SC) as the concept of the urban environment with a certain level of responsiveness through implementing a technology-driven matter that expands city offer perceivable, but gentle and not hindering way. It highlights the possible applications of projection technology and the utilisation of the 3D modelling software which provides complex tools for creating animations, movements and interactions with future users. The article gives clues how to design more engaging interactions and how to deal with implementing them in public realm.
wos	WOS:000402063700074
keywords	Smart Cities; Interactive Architecture; public realm; art installations
series	eCAADe
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last changed	2022/06/07 07:55

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