Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaade2022_398
id	ecaade2022_398
authors	Dzurilla, Dalibor and Achten, Henri
year	2022
title	What’s Happening to Architectural Sketching? - Interviewing architects about transformation from traditional to digital architectural sketching as a communicational tool with clients
doi	https://doi.org/10.52842/conf.ecaade.2022.1.389
source	Pak, B, Wurzer, G and Stouffs, R (eds.), Co-creating the Future: Inclusion in and through Design - Proceedings of the 40th Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2022) - Volume 1, Ghent, 13-16 September 2022, pp. 389–398
summary	The paper discusses 23 interviewed architects in practice about the role of traditional and digital sketching (human-computer interaction) in communication with the client. They were selected from 1995 to 2018 (the interval of graduation) from three different countries: the Czech Republic (CR), Slovakia (SR), Netherland (NR). To realize three blending areas that impact the approach to sketching: (I) Traditional hand and physical model studies (1995-2003). (II)Transition form - designing by hand and PC (2004–2017). (III) Mainly digital and remote forms of designing (2018–now). Interviews helped transform 31 “parameters of tools use” from the previous theoretical framework narrowed down into six main areas: (1) Implementation; (2)Affordability; (3)Timesaving; (4) Drawing support; (5) Representativeness; (6) Transportability. Paper discusses findings from interviewees: (A) Implementation issues are above time and price. (B) Strongly different understanding of what digital sketching is. From drawing in Google Slides by mouse to sketching in Metaverse. (C) Substantial reduction of traditional sketching (down to a total of 3% of the time) at the expense of growing responsibilities. (D) 80% of respondents do not recommend sketching in front of the client. Also, other interesting findings are further described in the discussion.
keywords	Architectural Sketch, Digital Sketch, Effective Visual Communication
series	eCAADe
email
last changed	2024/04/22 07:10

_id	acadia17_360
id	acadia17_360
authors	L'Huillier, Nicole; Machover, Tod
year	2017
title	Spaces That Perform Themselves: Multisensory Kinetic Environment for Sonic-Spatial Composition
doi	https://doi.org/10.52842/conf.acadia.2017.360
source	ACADIA 2017: DISCIPLINES & DISRUPTION [Proceedings of the 37th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-96506-1] Cambridge, MA 2-4 November, 2017), pp. 360- 365
summary	Building on the understanding of music and architecture as creators of spatial experience, this paper presents a novel way of unfolding music’s spatial qualities in the physical world. Spaces That Perform Themselves arose as an innovative response to the current relationship between sound and space, where we build static spaces to contain dynamic sounds. What if we change the static parameter of spaces and start building dynamic spaces to contain dynamic sounds? This project combines architectural theories with musical mastery and computation to create an environment as kinetically undulant and emotionally varied as music itself. To achieve this, a multisensory kinetic room is built in order to augment our sonic perception through a cross-modal spatial choreography that combines sound, spatial movement, light, color and vibration. By breaking down boundaries between disciplines, the possibilities of a new type of architectural typology that morphs responsively with a musical piece can be explored. As a result, spatial and musical composition can exist as one synchronous entity. Spaces That Perform Themselves seeks to contribute a novel perspective to the discourse on leveraging today’s technology to provide a setting to enrich and augment the way we relate with the built environment. This project’s objective is to enhance our perception and challenge models of thinking by presenting a post-humanistic phenomenological encounter of the world.
keywords	design methods; information processing; education; art and technology; hybrid practices; computational / artistic cultures
series	ACADIA
email
last changed	2022/06/07 07:52

_id	cf2017_414
id	cf2017_414
authors	Shireen, Naghmi; Erhan, Halil; Woodbury, Robert; Wang, Ivy
year	2017
title	Making Sense of Design Space: What Designers do with Large Numbers of Alternatives?
source	Gülen Çagdas, Mine Özkar, Leman F. Gül and Ethem Gürer (Eds.) Future Trajectories of Computation in Design [17th International Conference, CAAD Futures 2017, Proceedings / ISBN 978-975-561-482-3] Istanbul, Turkey, July 12-14, 2017, p. 414.
summary	Today’s generative design tools and large screen displays present opportunities for designers to explore large number of design alternatives. Besides numerous studies in design, the act of exploring design space is yet to be integrated in the design of new digital media. To understand how designer’s search patterns will uncover when provided with a gallery of large numbers of design solutions, we conducted a lab experiment with nine designers. Particularly the study explored how designers used spatial structuring of their work environment to make informed design decisions. The results of the study present intuitions for development of next generation front-end gallery interfaces for managing a large set of design variations while enabling simultaneous editing of design parameters.
keywords	Parametric design, Alternatives, Design space exploration, New interfaces, New media, Protocol analysis, User study
series	CAAD Futures
email
last changed	2017/12/01 14:38

_id	ecaade2017_199
id	ecaade2017_199
authors	Al-Douri, Ph.D., Firas
year	2017
title	Computational and Modeling Tools - How effectively are Urban Designers and Planners using them Across the Design Development Process?
doi	https://doi.org/10.52842/conf.ecaade.2017.1.409
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 1, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 409-418
summary	Literature suggests that despite the increasing range and variety of computational tools and technologies, they have not really been employed for designing as extensively as it might be. This is due in part to the numerous challenges and impediments limiting their effective usage such as the methodological, procedural, and substantive factors and limitations, and skepticism about their impact of usage on the design process and outcome. The gap in our understanding of how advanced computational tools could support the design activities and design decision-making has expanded considerably to become a new area of inquiry with considerable room for the expansion of knowledge. This research is a single-case study that has been pursued in two phases: literature review and survey followed by analysis and discussion of the empirical results. The empirical observations were compared to the theoretical propositions and with results of similar research to highlight the areas and the extent to what the IT tools' usage have influenced the outcome of the design process. The comparison has helped highlight, explain, and justify the mechanism and improvements in the design outcome. Please write your abstract here by clicking this paragraph.
keywords	Computational urban design; Urban Design Practice
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ecaade2017_038
id	ecaade2017_038
authors	Asanowicz, Aleksander
year	2017
title	Parametric design - Tool, medium or new paradigm?
doi	https://doi.org/10.52842/conf.ecaade.2017.2.379
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 379-386
summary	Parametric design is an emerging research issue in the design domain. However, discussions about the creative process in parametric design are limited. What is more, despite the passing of 57 years of parametric design's existence we still do not know what parametric design is. Is it a simple tool, which is useful in some kind of optimization of the architectural form, or it is a medium, which helps architects develop unexpected solutions, and perhaps this is already a new design paradigm? The presented paper will contain general considerations relating to the nature of parametric design, the history of which starts in 1960, when D.T. Ross has formulated the thesis that our main objective is to formulate constrains and all needed parameters of the solved problem.Please write your abstract here by clicking this paragraph.
keywords	optimisation; parametric design; design tool; design media
series	eCAADe
email
last changed	2022/06/07 07:54

_id	caadria2017_182
id	caadria2017_182
authors	Austin, Matthew
year	2017
title	The Other Digital - What is the Glitch in Architecture?
doi	https://doi.org/10.52842/conf.caadria.2017.551
source	P. Janssen, P. Loh, A. Raonic, M. A. Schnabel (eds.), Protocols, Flows, and Glitches - Proceedings of the 22nd CAADRIA Conference, Xi'an Jiaotong-Liverpool University, Suzhou, China, 5-8 April 2017, pp. 551-559
summary	This paper will discuss and investigate the issues with the concept of 'glitch' in architecture. There are currently two definitions that sit in a symbiotic relationship with each other; Moradi's (2004) and Menkman's (2011). This paper will explore the implications of these two approaches, while investigating the possibility of a third, unique definition (the encoded transform), and what effect they have on the possibility for a 'glitch architecture'. The paper will then focus on the glitches' capacity to be disruptive within the design process. In the context of architecture, it has been previously argued that the inclusion of glitches within a design process can easily create a process that does not 'converge' to a desired design outcome, but instead shifts haphazardly within a set of family resemblances (Austin & Perin 2015). Further to this, it will be revealed that this 'divergent' quality of glitches is due to the encoded nature of architectural production.
keywords	Glitch aesthetics; Theory; Algorithmic Design; Process.
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	acadia17_128
id	acadia17_128
authors	Bacharidou, Maroula
year	2017
title	Touch, See, Make: Employing Active Touch in Computational Making
doi	https://doi.org/10.52842/conf.acadia.2017.128
source	ACADIA 2017: DISCIPLINES & DISRUPTION [Proceedings of the 37th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-96506-1] Cambridge, MA 2-4 November, 2017), pp. 128-137
summary	In architectural education and practice, we don’t come in physical contact with what we make until the later stages of the design process. This vision-oriented approach to design is something deeply rooted in architectural practice: from Alberti’s window to the screens of our computers, design has traditionally been more of a visual and less of a hands-on process. The vision of the presented study is that if we want to understand the way we make in order to improve tools for computational design and making, we need to understand how our ability to make things is enhanced by both our visual and tactile mechanisms. Bringing the notion of active touch from psychology into the design studio, I design and execute a series of experiments investigating how seeing, touching, or seeing and touching exhibit different sensory competencies, and how these competencies are expressed through the process of making. The subjects of the experiment are asked to tactilely, visually, or tactilely and visually observe a three-dimensional object, create descriptions of its composition, and to remake it based on their experience of it using plastic materials. After the execution of the experiment, I analyze twenty-one reproductions of the original object; I point to ways in which touch can detect scale and proportions more accurately than vision, while vision can detect spatial components more efficiently than touch; I then propose ways in which this series of experiments can lead to the creation of new design and making tools.
keywords	education society & culture; computational / artistic culture;s hybrid practices; digital craft; manual craft
series	ACADIA
email
last changed	2022/06/07 07:54

_id	ijac201715101
id	ijac201715101
authors	Bieg, Kory and Clay Odom
year	2017
title	Lumifoil and Tschumi: Virtual projections and architectural interventions
source	International Journal of Architectural Computing vol. 15 - no. 1, 6-17
summary	This article introduces the theoretical and technical framework for the design of a temporary rooftop canopy on the red generator—one of the buildings designed by Bernard Tschumi for the Florida International University School of Architecture. The project, Lumifoil, was designed using both top-down and bottom-up computational techniques, including surface modeling via projected geometries and scripted cellular subdivisions and assemblies. Lumifoil attempts to synthesize these two often-conflicting design approaches into a generative design process which leverages context, form, surface, and structure as affective and effective actors. Lumifoil is the result of a design methodology which is both active and reactive to existing conditions of the site and new opportunities afforded by the program. It is contextual in its top-down relationship to Tschumi’s existing building and theory, generative in how details emerge bottom-up through scripts which lack any reference to site, and emergent in the resulting synthetic processes and effects which are produced. Through this methodological development, the project both tracks and responds to popular architectural theory and design from the mid-1990s to today. The theoretical underpinnings of the project build upon the idea that the actual (the real-life physical manifestation of matter) and the virtual (the potential for an object to be) are two constantly shifting paradigms in which design processes can intervene to help develop an architectural solution from a range of possibilities. The technical aspect of the project includes the collaborative workflow between the architecture offices of OTA+ and studio MODO with Arup Engineers to resolve structural issues using parametric modeling tools and structural analysis software. The final project is entirely parametric and fabrication is completely automated.
keywords	Tschumi, Parametric, Installation, Generative, Projection
series	other
type	normal paper
email
last changed	2019/08/02 08:16

_id	ecaade2017_293
id	ecaade2017_293
authors	D'Amico, Alessandro and Curr?, Edoardo
year	2017
title	From TSL survey to HBIM, issues on survey and information modeling implementation for the built heritage - The case study of the Temple di Bacco Ravello
doi	https://doi.org/10.52842/conf.ecaade.2017.2.039
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 39-48
summary	The research presents an application of HBIM to the recovery process and design, which allows to highlight some potentialities and criticalities of what has become an important instrument in the documentation and conservation of architectural heritage. The object of the research is the Temple di Bacco, built by Lord Girmthorpe as his final resting place and located within the gardens of Villa Cimbrone, Ravello (SA).The survey has presented several difficulties due to the particular configuration of the site, very steep, with very limited space around the object. If on the one hand the TLS obvious to the lack of edges of cylindrical objects, on the other hand it poses problems for the tangency of the scan points. The Scan to BIM methodology has proven to be effective and has allowed to overcome the difficulties associated with the conformation of the artefact and of the site, in the study of the analyzed object. In conclusion, some assessments and results are reported, aimed at sharing and defining strategies and methodologies of scientific validity regarding the application of the HBIM model to a process of recovery and consolidation of an existing building object.
keywords	BIM; HBIM; Built Heritage; TLS; Scan to BIM
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ecaade2017_157
id	ecaade2017_157
authors	Date, Kartikeya, Schaumann, Davide and Kalay, Yehuda E.
year	2017
title	A Parametric Approach To Simulating Use-Patterns in Buildings - The Case Of Movement
doi	https://doi.org/10.52842/conf.ecaade.2017.2.503
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 503-510
summary	We describe one of the three core use-pattern building blocks of a parametric approach to simulating use-patterns in buildings. Use-patterns are modeled as events which use specified descriptions of spaces, actors and activities which constitute them. The simulation system relies on three fundamental patterns of use - move, meet and do. The move pattern is considered in detail in this paper with specific reference to what we term the partial knowledge issue. Modeling decision making about how to move through the space (what path to take) depends on modeling the actor's partial access to knowledge. Visibility is used as an example of partial knowledge. The parametric approach described in the paper enables the clear separation of syntactical and semantic conditions which inform decisions and the coordination of decisions made by agents in a simulation of use-patterns. This approach contributes to extending the analytical capability of Building Information Models from the point of view of evaluating how a proposed building design may be used, given complex, interrelated patterns of use.
keywords	Agent-Based Systems, Simulation, Use-Patterns, Design Tools
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ecaade2017_048
id	ecaade2017_048
authors	Dennemark, Martin, Schneider, Sven, Koenig, Reinhard, Abdulmawla, Abdulmalik and Donath, Dirk
year	2017
title	Towards a modular design strategy for urban masterplanning - Experiences from a parametric urban design studio on emerging cities in Ethiopia
doi	https://doi.org/10.52842/conf.ecaade.2017.1.485
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 1, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 485-494
summary	In emerging countries there is a need for rapid urban planning, since they are confronted by unprecedented wave of urbanization. This need is even bigger since usually there is no adequate number of professional educated urban planners in these countries. Therefore, we investigate in this paper how to develop a set of methods that allow to generate urban fabric semi-automatically. The challenge is to come up with a generative planning model that adapts to multiple boundary conditions.Through a modular design strategy generative methods are applied by students in an urban design studio in order to combine them into more complex planning strategies for small cities in the emerging country of Ethiopia. The modular approach allows to break down planning into sub-issues to better deal with the overarching problem. For testing the implemented generative urban design strategies various cities are generated at different locations in Ethiopia with various topographic situations. Their underlying design strategies and modular approach are discussed in this paper.
keywords	Urban Design; Planning Systems; Modules; Teaching; Emerging Country
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ecaade2017_116
id	ecaade2017_116
authors	Dickey, Rachel
year	2017
title	Ontological Instrumentation in Architecture - A Collection of Prototypes Engaging Bodies and Machines from the Inside Out
doi	https://doi.org/10.52842/conf.ecaade.2017.2.667
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 667-672
summary	This paper provides a theoretical discourse on ontological instruments in design by exploring the ways in which design and technology might help get us back to an understanding of our own humanity. The intent of this theoretical discourse is to illuminate the possibilities of what can be, by looking at history as a way to see the world with perspective and as a predictor of what may happen. Another objective is to demonstrate the proof of those possibilities through the presentation of two design research projects which actualize those ideas. The first project is a prototype for an interactive chair that explores the calming effects of conscious and synchronized breathing. The second project is a reinterpretation of the veil and explores the relationship between the individual and the public. Both projects are artistic and performative in character and are embedded in a theoretical discourse on ontological instruments and investigate the opportunities of interaction of the human body with the environment moderated by technology.
keywords	prosthesis; cyborgs; robots; technology; humanity; culture
series	eCAADe
email
last changed	2022/06/07 07:55

_id	ascaad2021_065
id	ascaad2021_065
authors	Fraschini, Matteo; Julian Raxworthy
year	2021
title	Territories Made by Measure: The Parametric as a Way of Teaching Urban Design Theory
source	Abdelmohsen, S, El-Khouly, T, Mallasi, Z and Bennadji, A (eds.), Architecture in the Age of Disruptive Technologies: Transformations and Challenges [9th ASCAAD Conference Proceedings ISBN 978-1-907349-20-1] Cairo (Egypt) [Virtual Conference] 2-4 March 2021, pp. 494-506
summary	Design tools like Grasshopper are often used to either generate novel forms, to automate certain design processes or to incorporate scientific factors. However, any Grasshopper definition has certain assumptions about design and space built into it from its earliest genesis, when the initial algorithm is set out. Correspondingly, implicit theoretical positions are built into definitions, and therefore its results. Approaching parametric design as a question of architectural, landscape architectural or urban design theory allows the breaking down of traditional boundaries between the technical and the historical or theoretical, and the way parametric design, and urban design history & theory, can be conveyed in the teaching environment. Once the boundaries between software and history & theory are transgressed, Grasshopper can be a way of testing the principles embedded in historical designs and thus these two disciplines can be joined. In urban design, there is an inherent clash between an ideal model and existing urban geography or morphology, and also between formal (qualitative) and numerical (quantitative) aspects. If a model provides a necessary vision for future development, an existing topography then results from the continuous human and natural modifications of a territory. To explore this hypothesis, the “Urban Design Representation” subject in the Master of Urban Design program at the University of Cape Town taught in 2017 & 2018 was approached “parametrically” from these two opposite, albeit convergent, starting points: the conceptual/rational versus the physical/empiric representations of a territory. In this framework, Grasshopper was used to represent typical standards and parameters of modern urban planning (for example, Floor/Area Ratio, height and distance between buildings, site coverage, etc), and a typological approach was adopted to study and “decode” the relationship between public and private space, between the street, the block and topography, between solids and voids. This methodology permits a cross-comparison of different urban design models and the immediate evaluation of their formal outputs derived from parametric data.
series	ASCAAD
email
last changed	2021/08/09 13:13

_id	sigradi2017_057
id	sigradi2017_057
authors	Gomes, Micke Rogério; Sérgio de Lima Saraiva Junior, Sérgio de Lima Saraiva Junior
year	2017
title	Da Prototipagem ao DIY: Criação de mobiliário de baixo custo a partir de modelagem e fabricação digitais [From Prototyping to DIY: Creating low-cost furniture from digital modeling and manufacturing]
source	SIGraDi 2017 [Proceedings of the 21th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-227-439-5] Chile, Concepción 22 - 24 November 2017, pp.393-397
summary	This paper discusses the potential of digital fabrication for assisting people in building low cost furniture. It is analyzed what motivates people to join the “Do-it-Yourself” culture, and proposes the construction of a desk from reused materials, combined with joints and components that are digitally designed and become available online. Finally, the paper discusses the possibilities of digital fabrication to adapt to a context that is not inserted in the industrial environment and highlights the research potentials to increase the user autonomy.
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	caadria2019_626
id	caadria2019_626
authors	Hahm, Soomeen, Maciel, Abel, Sumitiomo, Eri and Lopez Rodriguez, Alvaro
year	2019
title	FlowMorph - Exploring the human-material interaction in digitally augmented craftsmanship
doi	https://doi.org/10.52842/conf.caadria.2019.1.553
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 553-562
summary	It has been proposed that, after the internet age, we are now entering a new era of the '/Augmented Age/' (King, 2016). Physician Michio Kaku imagined the future of architects will be relying heavily on Augmented Reality technology (Kaku, 2015). Augmented reality technology is not a new technology and has been evolving rapidly. In the last three years, the technology has been applied in mainstream consumer devices (Coppens, 2017). This opened up possibilities in every aspect of our daily lives and it is expected that this will have a great impact on every field of consumer's technology in near future, including design and fabrication. What is the future of design and making? What kind of new digital fabrication paradigm will emerge from inevitable technological development? What kind of impact will this have on the built environment and industry? FlowMorph is a research project developed in the Bartlett School of Architecture, B-Pro AD with the collaboration of the authors and students as a 12 month MArch programme, we developed a unique design project trying to answer these questions which will be introduced in this paper.
keywords	Augmented Reality, Mixed Reality, Virtual Reality, Design Augmentation, Digital Fabrication, Cognition models, Conceptual Designing, Design Process, Design by Making, Generative Design, Computational Design, Human-Machine Collaboration, Human-Computer Collaboration, Human intuition in digital fabrication
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	ecaade2017_255
id	ecaade2017_255
authors	Heinrich, Mary Katherine, Ayres, Phil and Bar-Yam, Yaneer
year	2017
title	A Multiscale Model of Morphological Complexity in Cities - Characterising Emergent Homogeneity and Heterogeneity
doi	https://doi.org/10.52842/conf.ecaade.2017.2.561
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 561-570
summary	Approaches from complex systems science can support design decision-making by extracting important information about key dependencies from large, unstructured data sources. This paper presents an initial case study applying such approaches to city structure, by characterising low-level features and aggregate properties of artifact morphology in urban areas. First, shape analysis is used to describe microscale artifact clusters, analysed in aggregate to characterise macroscale homogeneity and heterogeneity. The characterisation is used to analyse real-world example cities, from both historic maps and present-day crowdsourced data, testing against two performance evaluation criteria. Next, the characterisation is used to generate simple artificial morphologies, suggesting directions for future development. Finally, results and extensions are discussed, including real-world applications for decision support.
keywords	Complex systems; morphology; shape analysis; urban planning
series	eCAADe
email
last changed	2022/06/07 07:49

_id	sigradi2017_024
id	sigradi2017_024
authors	Howe, Nathan; Ryan Gedney
year	2017
title	Data-driven Age \| Educating the Architects of Tomorrow [Data-driven Age \| Educating the Architects of Tomorrow]
source	SIGraDi 2017 [Proceedings of the 21th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-227-439-5] Chile, Concepción 22 - 24 November 2017, pp.174-179
summary	This paper delves into the paradigm shift of architecture practice and teaching in a data-driven age. What tools are needed within the architectural environment? What type of expertise must professionals be exposed to? What type of research and analysis is necessary to provide conviction for a design? These are just a few questions introduced in this paper to create a methodology for discovering alternate ways of teaching and practicing architecture. In this exploration, an architectural firm and a graduate studio’s expertise were combined to create a framework for educating the architect of tomorrow in a data-driven age.
keywords	data-drive; parameters; technology; architecture; urban; academy; profession
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	ecaade2017_144
id	ecaade2017_144
authors	Lange, Christian J.
year	2017
title	Elements \| robotic interventions II
doi	https://doi.org/10.52842/conf.ecaade.2017.1.671
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 1, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 671-678
summary	Reviewing the current research trends in robotic fabrication around the world, the trajectory promises new opportunities for innovation in Architecture and the possible redefinition of the role of the Architect in the industry itself. New entrepreneurial, innovative start-ups are popping up everywhere challenging the traditional model of the architect. However, it also poses new questions and challenges in the education of the architect today. What are the appropriate pedagogical methods to instill enthusiasm for new technologies, materials, and craft? How do we avoid the pure application of pre-set tools, such as the use of the laser cutter has become, which in many schools around the world has caused problems rather than solving problems? How do we teach students to invent their tools especially in a society that doesn't have a strong background in the making? The primary focus of this paper is on how architectural CAAD/ CAM education through the use of robotic fabrication can enhance student's understanding, passion and knowledge of materiality, technology, and craftsmanship. The paper is based on the pedagogical set-up and method of an M. Arch I studio that was taught by the author in fall 2016 with the focus on robotic fabrication, materiality, traditional timber construction systems, tool design and digital and physical craftsmanship.
keywords	CAAD Education, Digital Technology, Craftsmanship, Material Studies, Tool Design, Parametric Modeling, Robotic Fabrication
series	eCAADe
email
last changed	2022/06/07 07:52

_id	ecaade2017_105
id	ecaade2017_105
authors	Miodragovic Vella, Irina and Kotnik, Toni
year	2017
title	Stereotomy, an Early Example of a Material System
doi	https://doi.org/10.52842/conf.ecaade.2017.2.251
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 251-258
summary	Stereotomy originated as a technique that accumulated theoretical and practical knowledge on stone material properties and construction. At its peak in the nineteenth century, by pushing the structure and construction limits, it gained the ability of using "the weight of the stone against itself by making it hover in space through the very weight that should make it fall down" (Perrault 1964, cited Etelin, 2012). The modern architectural tectonics, based on structural comprehension in architecture, found no value in stereotomy beyond its early, Gothic period. Similarly, digital architectural theory recognized in Gothic the early examples of a material systems. This paper reassesses stereotomy at its fundamental levels, as a material system based on generative processes that assimilate structure and construction through parameterization. In this way, a theoretical framework is established that exposes stereotomy's intrinsic potentials: the continuity of historic and contemporary examples, overlaps between current research endeavours, and its genuine relevance for contemporary digital architecture.
keywords	stereotomy, material system, Abeille vault, parametric design
series	eCAADe
email
last changed	2022/06/07 07:58

_id	ecaade2017_170
id	ecaade2017_170
authors	Modesitt, Adam and Wendell, Augustus
year	2017
title	Interiority & Perception in Cinema - Digitally Reconstructing Space, Light, and Motion
doi	https://doi.org/10.52842/conf.ecaade.2017.2.055
source	Fioravanti, A, Cursi, S, Elahmar, S, Gargaro, S, Loffreda, G, Novembri, G, Trento, A (eds.), ShoCK! - Sharing Computational Knowledge! - Proceedings of the 35th eCAADe Conference - Volume 2, Sapienza University of Rome, Rome, Italy, 20-22 September 2017, pp. 55-64
summary	Cinematic space is ephemeral and fleeting. After capture on film, the physical space of cinema is erased as lights are dimmed, props are dismantled, old sets torn down and new ones erected. For the understanding and research of historic cinematic space this is inherently limiting. Can computational tools aid this research and allow for digital reconstruction of film sets and scenes? This paper initiates a line of study into restitution methods of cinematic space. Assessment of software-based photogrammetry methods to cinematic sequences leads to the development of a bespoke parametric linear perspective reconstruction tool.
keywords	Linear Perspective; Photogrammetry; Perspective Reconstruction; Cinema; Parametric Modeling; CATIA
series	eCAADe
email
last changed	2022/06/07 07:58

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