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_id	caadria2021_445
id	caadria2021_445
authors	Noel, Vernelle A. A., Nikookar, Niloofar, Pye, Jamieson, Tran, Phuong 'Karen' and Laudeman, Sara
year	2021
title	The Infinite Line Active Bending Pavilion: Culture,Craft and Computation
doi	https://doi.org/10.52842/conf.caadria.2021.1.351
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 1, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 351-360
summary	Active bending projects today employ highly specialized, complex computer software and machines for design, simulation, and materialization. At times, these projects lack a sensitivity to cultures limited in high-tech infrastructures but rich in low-tech knowledges. Situated Computations is an approach to computational design that grounds it in the social world by acknowledging historical, cultural, and material contexts of design and making, as well as the social and political structures that drive them. In this article, we ask, how can a Situated Computations approach to contemporary active bending broaden the design space and uplift low-tech cultural practices? To answer this question, we design and build "The Infinite Line"- an active bending pavilion that draws on the history, material practices, and knowledges in design in the Trinidad Carnival - for the 2019 International Association for Shell and Spatial Structures (IASS) exhibition in Barcelona, Spain. We conclude that Situated Computations provide an opportunity to integrate local knowledges, histories, design practices, and material behaviors as drivers in active bending approaches, so that structure, material practices, and cultural settings are considered concurrently.
keywords	Situated Computations; craft; wire-bending; active bending structures; Trinidad Carnival; dancing sculptures
series	CAADRIA
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last changed	2022/06/07 07:58

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