CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id caadria2019_165
id caadria2019_165
authors Luo, Chuanwen, Jin, Mingyu and Yin, Lu
year 2019
title Architectural Form Generation Based on the DNA Algorithm
doi https://doi.org/10.52842/conf.caadria.2019.2.471
source M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 471-480
summary With the development of computer technology, complex patterns in architectural design modeling have become a reality. The core of architectural form generation in the parametric design is the algorithm. The article observes the morphology and structure of DNA and implements the algorithm by the secondary development of Rhinoceros. By comparing the different parameter combinations that generate forms, the affection of each parameter is more intuitively understood. In the end, a prototype design of a landscape bridge has been carried out applied with the Double Helix algorithm.
keywords :DNA algorithm; Double helix structure; Architectural Form Generation; Secondary development;parametric design
series CAADRIA
email
last changed 2022/06/07 07:59

_id ecaadesigradi2019_663
id ecaadesigradi2019_663
authors Sha, Yin
year 2019
title The Emerging of Spontaneous Materiality under Limited Digital Control
doi https://doi.org/10.52842/conf.ecaade.2019.2.553
source Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 553-558
summary This paper focuses on a new form making method of spontaneous materiality under limited digital control, as a supplement to the trending method of digital materiality. A specific emphasis is placed on the connection between material selection and sensational expression in the contemporary information and digital technologies era. Spontaneous materiality refers to the alteration of material attributes by natural forces. The current techniques of digital materiality rely on accurate digital control and inhibit from the intervention of any unpredictable material variable, which shows excessive scientific calculations and a loss of artistic articulation in design. In the new form making method proposed here, intentional yet limited digital control sets the material framework where the combination of soft and hard materials takes place. With the influence of gravity and spatiotemporal accumulation of selected materials, the fusion of softness and hardness brings a coexistence of different material states and qualities in one object. Thus an integration of shape and matter produces a blurring boundary between physical material and digital form, and more importantly, a sensational experience with expectational slippages of vision and touch. Additional to the ongoing discussion of computation, this design research expands the potential of computation by restricting its influence.
keywords Spontaneous materiality; limited digital control; sensational expression; sensuous quality; illusion
series eCAADeSIGraDi
email
last changed 2022/06/07 07:57

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