Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2019_626
id	caadria2019_626
authors	Hahm, Soomeen, Maciel, Abel, Sumitiomo, Eri and Lopez Rodriguez, Alvaro
year	2019
title	FlowMorph - Exploring the human-material interaction in digitally augmented craftsmanship
doi	https://doi.org/10.52842/conf.caadria.2019.1.553
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 553-562
summary	It has been proposed that, after the internet age, we are now entering a new era of the '/Augmented Age/' (King, 2016). Physician Michio Kaku imagined the future of architects will be relying heavily on Augmented Reality technology (Kaku, 2015). Augmented reality technology is not a new technology and has been evolving rapidly. In the last three years, the technology has been applied in mainstream consumer devices (Coppens, 2017). This opened up possibilities in every aspect of our daily lives and it is expected that this will have a great impact on every field of consumer's technology in near future, including design and fabrication. What is the future of design and making? What kind of new digital fabrication paradigm will emerge from inevitable technological development? What kind of impact will this have on the built environment and industry? FlowMorph is a research project developed in the Bartlett School of Architecture, B-Pro AD with the collaboration of the authors and students as a 12 month MArch programme, we developed a unique design project trying to answer these questions which will be introduced in this paper.
keywords	Augmented Reality, Mixed Reality, Virtual Reality, Design Augmentation, Digital Fabrication, Cognition models, Conceptual Designing, Design Process, Design by Making, Generative Design, Computational Design, Human-Machine Collaboration, Human-Computer Collaboration, Human intuition in digital fabrication
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	acadia19_380
id	acadia19_380
authors	Özel, Güvenç; Ennemoser, Benjamin
year	2019
title	Interdisciplinary AI
doi	https://doi.org/10.52842/conf.acadia.2019.380
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 380- 391
summary	Architecture does not exist in a vacuum. Its cultural, conceptual, and aesthetic agendas are constantly influenced by other visual and artistic disciplines ranging from film, photography, painting and sculpture to fashion, graphic and industrial design. The formal qualities of the cultural zeitgeist are perpetually influencing contemporary architectural aesthetics. In this paper, we aim to introduce a radical yet methodical approach toward regulating the relationship between human agency and computational form-making by using Machine Learning (ML) as a conceptual design tool for interdisciplinary collaboration and engagement. Through the use of a highly calibrated and customized ML systems that can classify and iterate stylistic approaches that exist outside the disciplinary boundaries of architecture, the technique allows for machine intelligence to design, coordinate, randomize, and iterate external formal and aesthetic qualities as they relate to pattern, color, proportion, hierarchy, and formal language. The human engagement in this design process is limited to the initial curation of input data in the form of image repositories of non-architectural disciplines that the Machine Learning system can extrapolate from, and consequently in regulating and choosing from the iterations of images the Artificial Neural Networks are capable of producing. In this process the architect becomes a curator that samples and streamlines external cultural influences while regulating their significance and weight in the final design. By questioning the notion of human agency in the design process and providing creative license to Artificial Intelligence in the conceptual design phase, we aim to develop a novel approach toward human-machine collaboration that rejects traditional notions of disciplinary autonomy and streamlines the influence of external aesthetic disciplines on contemporary architectural production.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:57

_id	ecaadesigradi2019_425
id	ecaadesigradi2019_425
authors	Betti, Giovanni, Aziz, Saqib and Ron, Gili
year	2019
title	Pop Up Factory : Collaborative Design in Mixed Rality - Interactive live installation for the makeCity festival, 2018 Berlin
doi	https://doi.org/10.52842/conf.ecaade.2019.3.115
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 115-124
summary	This paper examines a novel, integrated and collaborative approach to design and fabrication, enabled through Mixed Reality. In a bespoke fabrication process, the design is controlled and altered by users in holographic space, through a custom, multi-modal interface. Users input is live-streamed and channeled to 3D modelling environment,on-demand robotic fabrication and AR-guided assembly. The Holographic Interface is aimed at promoting man-machine collaboration. A bespoke pipeline translates hand gestures and audio into CAD and numeric fabrication. This enables non-professional participants engage with a plethora of novel technology. The feasibility of Mixed Reality for architectural workflow was tested through an interactive installation for the makeCity Berlin 2018 festival. Participants experienced with on-demand design, fabrication an AR-guided assembly. This article will discuss the technical measures taken as well as the potential in using Holographic Interfaces for collaborative design and on-site fabrication.Please write your abstract here by clicking this paragraph.
keywords	Holographic Interface; Augmented Reality; Multimodal Interface; Collaborative Design; Robotic Fabrication; On-Site Fabrication
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:52

_id	ecaadesigradi2019_514
id	ecaadesigradi2019_514
authors	de Miguel, Jaime, Villafa?e, Maria Eugenia, Piškorec, Luka and Sancho-Caparrini, Fernando
year	2019
title	Deep Form Finding - Using Variational Autoencoders for deep form finding of structural typologies
doi	https://doi.org/10.52842/conf.ecaade.2019.1.071
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 71-80
summary	In this paper, we are aiming to present a methodology for generation, manipulation and form finding of structural typologies using variational autoencoders, a machine learning model based on neural networks. We are giving a detailed description of the neural network architecture used as well as the data representation based on the concept of a 3D-canvas with voxelized wireframes. In this 3D-canvas, the input geometry of the building typologies is represented through their connectivity map and subsequently augmented to increase the size of the training set. Our variational autoencoder model then learns a continuous latent distribution of the input data from which we can sample to generate new geometry instances, essentially hybrids of the initial input geometries. Finally, we present the results of these computational experiments and lay out the conclusions as well as outlook for future research in this field.
keywords	artificial intelligence; deep neural networks; variational autoencoders; generative design; form finding; structural design
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:55

_id	acadia19_448
id	acadia19_448
authors	Hahm, Soomeen
year	2019
title	Augmented Craftsmanship
doi	https://doi.org/10.52842/conf.acadia.2019.448
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 448-457
summary	Over the past decade, we have witnessed rapid advancements on both practical and theoretical levels in regard to automated construction as a consequence of increasing sophistication of digital fabrication technologies such as robotics, 3D printing, etc. However, digital fabrication technology is often very limited when it comes to dealing with delicate and complex crafting processes. Although digital fabrication processes have become widely accessible and utilized across industries in recent times, there are still a number of fabrication techniques—which heavily rely on human labour—due to the complex nature of procedures and delicacy of materials. With this in mind, we need to ask ourselves if full automation is truly an ultimate goal, or if we need to (re)consider the role of humans in the architectural construction chain, as automation becomes more prevalent. We propose rethinking the role which human, machine, and computer have in construction— occupying the territory between purely automated, exclusively robotically-driven fabrication and highly crafted processes requiring human labour. This is to propose an alternative to reducing construction to fully automated assembly of simplified/discretized building parts, by appreciating physical properties of materials and nature of crafting processes. The research proposes a design-to-construction workflow pursued and enabled by augmented humans using AR devices. As a result, proposed workflows are tested on three prototypical inhabitable structure, aiming to be applicable to other projects in the near future, and to bridge the gap between purely automated construction processes on one hand, and craft-based, material-driven but labour-intensive processes on the other.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	caadria2019_439
id	caadria2019_439
authors	Lo, Tian Tian, Xiao, ZuoPeng and Yu, Henry
year	2019
title	Designing 'Action Trigger' for Architecture Modelling Design within Immersive Virtual Reality
doi	https://doi.org/10.52842/conf.caadria.2019.1.545
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 545-552
summary	Architectural modelling is radically evolving with time. The introduction of VR into gaming and education has also encouraged architecture to integrate VR into its course of the design process. However, the current integration of Augmented Reality (AR) and Virtual Reality (VR) components is mostly limited to enhancing visualisation, especially towards the corresponding design tasks. This opportunity lead to an increase in attempts to bring the modelling process into the immersive environment. This paper aims to challenge the current design capabilities within the immersive environment and introduce a new interaction method between the human and the virtual reality. The research in human-computer interaction (HCI) has been ongoing for years till present day to observe how humans interact with computers and design technologies. The appearance of the smartphone has extended this HCI research towards hand-carried devices. With VR, although the hardware is still considered 'computer', the interaction is very much different. Since the human is immersed in the virtual environment, the interaction is already beyond the traditional keyboard and mouse. This paper responds to the conference theme by capitalising the power of VR technology to bring new methods of HVRI to the architecture design process.
keywords	VR; HVRI; Interaction; Action Trigger; Immersive
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	ecaadesigradi2019_002
id	ecaadesigradi2019_002
authors	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.)
year	2019
title	Architecture in the Age of the 4th Industrial Revolution, Volume 3
doi	https://doi.org/10.52842/conf.ecaade.2019.3
source	Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, 374 p.
summary	Going back in history, the 1st Industrial Revolution occurred between the 18th and 19th centuries, when water and steam power led to the mechanization period. By then, social changes radically transformed cities and, together with manufactured materials like steel and glass, promoted the emergence of new building design typologies like the railway station. In the end of the 19th century, the advent of electrical power triggered mass production systems. This 2nd Revolution affected the building construction industry in many ways, inspiring the birth to the modern movement. For some, standardization emerged as an enemy of arts and crafts, while, for others, it was an opportunity to embrace new design agendas, where construction economy and quality could be controlled in novel ways. More recently, electronics and information technology fostered the 3rd Revolution with the production automation. In architecture, the progressive use of digital design, analysis and fabrication processes started to replace the traditional means of analogical representation. This opened the door for the exploration of a higher degree of design freedom, complexity and customization. The rise of the Internet also changed the way architects communicated and promoted the emergence of global architectural practices in the planet. Today, in the beginning of the 21th century, we are in a moment of profound and accelerated changes in the way we perceive and interact with(in) the world, which many authors, like Klaus Schwab, do not hesitate to call as the Fourth Industrial Revolution. Extraordinary advancements in areas like mobile communication, artificial intelligence, big data, cloud computing, blockchain, nanotechnology, biotechnology, facial recognition, robotics or additive manufacturing are fusing the physical, biological and digital systems of production. Such technological context has triggered a series of disruptive concepts and innovations, like the smart-phone, social networks, online gaming, internet of things, smart materials, interactive environments, personal fabrication, 3D printing, virtual and augmented realities, drones, selfdriving cars or the smart cities, which, all together, are drawing a radically new world.
series	eCAADeSIGraDi
last changed	2022/06/07 07:49

_id	ecaadesigradi2019_001
id	ecaadesigradi2019_001
authors	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.)
year	2019
title	Architecture in the Age of the 4th Industrial Revolution, Volume 2
doi	https://doi.org/10.52842/conf.ecaade.2019.2
source	Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, 872 p.
summary	Going back in history, the 1st Industrial Revolution occurred between the 18th and 19th centuries, when water and steam power led to the mechanization period. By then, social changes radically transformed cities and, together with manufactured materials like steel and glass, promoted the emergence of new building design typologies like the railway station. In the end of the 19th century, the advent of electrical power triggered mass production systems. This 2nd Revolution affected the building construction industry in many ways, inspiring the birth to the modern movement. For some, standardization emerged as an enemy of arts and crafts, while, for others, it was an opportunity to embrace new design agendas, where construction economy and quality could be controlled in novel ways. More recently, electronics and information technology fostered the 3rd Revolution with the production automation. In architecture, the progressive use of digital design, analysis and fabrication processes started to replace the traditional means of analogical representation. This opened the door for the exploration of a higher degree of design freedom, complexity and customization. The rise of the Internet also changed the way architects communicated and promoted the emergence of global architectural practices in the planet. Today, in the beginning of the 21th century, we are in a moment of profound and accelerated changes in the way we perceive and interact with(in) the world, which many authors, like Klaus Schwab, do not hesitate to call as the Fourth Industrial Revolution. Extraordinary advancements in areas like mobile communication, artificial intelligence, big data, cloud computing, blockchain, nanotechnology, biotechnology, facial recognition, robotics or additive manufacturing are fusing the physical, biological and digital systems of production. Such technological context has triggered a series of disruptive concepts and innovations, like the smart-phone, social networks, online gaming, internet of things, smart materials, interactive environments, personal fabrication, 3D printing, virtual and augmented realities, drones, selfdriving cars or the smart cities, which, all together, are drawing a radically new world.
series	eCAADeSIGraDi
last changed	2022/06/07 07:49

_id	ecaadesigradi2019_000
id	ecaadesigradi2019_000
authors	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.)
year	2019
title	Architecture in the Age of the 4th Industrial Revolution, Volume 1
doi	https://doi.org/10.52842/conf.ecaade.2019.1
source	Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, 835 p.
summary	Going back in history, the 1st Industrial Revolution occurred between the 18th and 19th centuries, when water and steam power led to the mechanization period. By then, social changes radically transformed cities and, together with manufactured materials like steel and glass, promoted the emergence of new building design typologies like the railway station. In the end of the 19th century, the advent of electrical power triggered mass production systems. This 2nd Revolution affected the building construction industry in many ways, inspiring the birth to the modern movement. For some, standardization emerged as an enemy of arts and crafts, while, for others, it was an opportunity to embrace new design agendas, where construction economy and quality could be controlled in novel ways. More recently, electronics and information technology fostered the 3rd Revolution with the production automation. In architecture, the progressive use of digital design, analysis and fabrication processes started to replace the traditional means of analogical representation. This opened the door for the exploration of a higher degree of design freedom, complexity and customization. The rise of the Internet also changed the way architects communicated and promoted the emergence of global architectural practices in the planet. Today, in the beginning of the 21th century, we are in a moment of profound and accelerated changes in the way we perceive and interact with(in) the world, which many authors, like Klaus Schwab, do not hesitate to call as the Fourth Industrial Revolution. Extraordinary advancements in areas like mobile communication, artificial intelligence, big data, cloud computing, blockchain, nanotechnology, biotechnology, facial recognition, robotics or additive manufacturing are fusing the physical, biological and digital systems of production. Such technological context has triggered a series of disruptive concepts and innovations, like the smart-phone, social networks, online gaming, internet of things, smart materials, interactive environments, personal fabrication, 3D printing, virtual and augmented realities, drones, selfdriving cars or the smart cities, which, all together, are drawing a radically new world.
series	eCAADeSIGraDi
last changed	2022/06/07 07:49

_id	caadria2019_234
id	caadria2019_234
authors	Bamborough, Chris
year	2019
title	The Nature of Data in Early Modern Architectural Practice.
doi	https://doi.org/10.52842/conf.caadria.2019.2.343
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 343-352
summary	In contemporary data-driven society, forces of capital increasingly seek risk-averse decision making through data and digital calculation, aligned to this the discourse around design intelligence in architecture has begun to embrace the role of data and the technical non-human as much as the human. In parallel, the cultural understanding of data, in technologically mediated societies, has become tied to the digital representation of information experienced in everyday life, which in turn influences human practices. A problem exists in the dominance of scientific thought around data in architecture that exerts disciplinary bias towards quantity rather than quality. In contemporary digital practice, data is assumed to offer an objective characterisation of the world and have faithful representation through the mechanisms of the computer. From this shift, a macro question exists concerning the influence of data's conceptualisation on the physical products of architecture. To contribute to this overall question this paper considers the register of data in early modernism identified as a moment when scientific abstraction and the mapping capacity of the machine combine to afford recognisable data practices and infrastructures.
keywords	Data; Design Practice; Infrastructure; History; Theory
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2019_553
id	caadria2019_553
authors	del Campo, Matias, Manninger, Sandra, Sanche, Marianne and Wang, Leetee
year	2019
title	The Church of AI - An examination of architecture in a posthuman design ecology
doi	https://doi.org/10.52842/conf.caadria.2019.2.767
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 767-772
summary	The Project, the Church of AI, taps into the opportunities of Artificial Intelligence as a device for Architecture Design in a twofold way: On the one side by employing a design technique that is based on the ability of Artificial Intelligence to generate form autonomously of human interaction, and on the other hand by speculating about the nature of devotion, the sublime and awe in a posthuman society.
keywords	Artificial Intelligence; Posthuman; Postdigital; Machine Learning; DeepDream
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	acadia19_412
id	acadia19_412
authors	Del Campo, Matias; Manninger, Sandra; Carlson, Alexandra
year	2019
title	Imaginary Plans
doi	https://doi.org/10.52842/conf.acadia.2019.412
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 412-418
summary	Artificial Neural Networks (NN) have become ubiquitous across disciplines due to their high performance in modeling the real world to execute complex tasks in the wild. This paper presents a computational design approach that uses the internal representations of deep vision neural networks to generate and transfer stylistic form edits to both 2D floor plans and building sections. The main aim of this paper is to demonstrate and interrogate a design technique based on deep learning. The discussion includes aspects of machine learning, 2D to 2D style transfers, and generative adversarial processes. The paper examines the meaning of agency in a world where decision making processes are defined by human/machine collaborations (Figure 1), and their relationship to aspects of a Posthuman design ecology. Taking cues from the language used by experts in AI, such as Hallucinations, Dreaming, Style Transfer, and Vision, the paper strives to clarify the position and role of Artificial Intelligence in the discipline of Architecture.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:55

_id	acadia19_404
id	acadia19_404
authors	Liu, Henan; Liao, Longtai; Srivastava, Akshay
year	2019
title	AN ANONYMOUS COMPOSITION
doi	https://doi.org/10.52842/conf.acadia.2019.404
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 404-411
summary	Within the context of continuous technology transformations, the way scientists and designers process data is changing dramatically from simplification and explicit defined rules to searching and retrieving. Ideally, such a trending method can eliminate issues including deviation and ambiguity with the help of hypothetically unlimited computational power. To process data in this manner, artificial intelligence is necessary and needs to be integrated into the design process. An experiment of a design process that consists of a generative model, a data library, and a machine learning system (GAN) is introduced to demonstrate its effectiveness. The methodology is further evaluated by comparing its output with its input targets, which proves the possibility of employing machine learning systems to aggressively process data and automate the design process. Further improvement of such methodology, including judging criteria and possible applications, and the sensibility of the machine is also discussed at the end.
keywords	Machine Learning, Automation, Variables, Data Processing, Sensibility, Generative Design
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	caadria2019_000
id	caadria2019_000
authors	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.)
year	2019
title	CAADRIA 2019: Intelligent & Informed, Volume 1
doi	https://doi.org/10.52842/conf.caadria.2019.1
source	Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, 830 p.
summary	The territories of computational design are ever-changing and represent a substantial region that remains uncharted; one with expanding and permeable boundaries that continue to be fully breached. This ocean of opportunity implores researchers to embark on ambitious journeys of exploration. Undulating and temporal, computational design needs research that engages explicitly with the innovative, intelligent and informed exploitation of computational design, and with the array of computational technologies that the discipline may engage with. Human intelligence and creativity deliver the hegemonic direction for the field of computer-mediated architectural design research; an area where the computational component is a core aspect of the investigation. The actors in this are both witness to, and instigators of, the exciting, consequent, well-founded research that continues to deliver new knowledge, insights and information. This, then, explains the specific overarching theme of the conference: ‘Intelligent and Informed’. The scope of this theme is driven by the intention to take in aspects of machine intelligence, and a wide range of potential research that engages with the intelligent exploitation of computer-mediated techniques in Architecture.
series	CAADRIA
last changed	2022/06/07 07:49

_id	caadria2019_001
id	caadria2019_001
authors	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.)
year	2019
title	CAADRIA 2019: Intelligent & Informed, Volume 2
doi	https://doi.org/10.52842/conf.caadria.2019.2
source	Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, 830 p.
summary	The territories of computational design are ever-changing and represent a substantial region that remains uncharted; one with expanding and permeable boundaries that continue to be fully breached. This ocean of opportunity implores researchers to embark on ambitious journeys of exploration. Undulating and temporal, computational design needs research that engages explicitly with the innovative, intelligent and informed exploitation of computational design, and with the array of computational technologies that the discipline may engage with. Human intelligence and creativity deliver the hegemonic direction for the field of computer-mediated architectural design research; an area where the computational component is a core aspect of the investigation. The actors in this are both witness to, and instigators of, the exciting, consequent, well-founded research that continues to deliver new knowledge, insights and information. This, then, explains the specific overarching theme of the conference: ‘Intelligent and Informed’. The scope of this theme is driven by the intention to take in aspects of machine intelligence, and a wide range of potential research that engages with the intelligent exploitation of computer-mediated techniques in Architecture.
series	CAADRIA
last changed	2022/06/07 07:49

_id	caadria2019_126
id	caadria2019_126
authors	Ng, Jennifer Mei Yee, Khean, Nariddh, Madden, David, Fabbri, Alessandra, Gardner, Nicole, Haeusler, M. Hank and Zavoleas, Yannis
year	2019
title	Optimising Image Classification - Implementation of Convolutional Neural Network Algorithms to Distinguish Between Plans and Sections within the Architectural, Engineering and Construction (AEC) Industry
doi	https://doi.org/10.52842/conf.caadria.2019.2.795
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 795-804
summary	Modern communication between built environment professionals are governed by the effective exchange of digital models, blueprints and technical drawings. However, the increasing quantity of such digital files, in conjunction with inconsistent filing systems, increases the potential for human-error upon their look-up and retrieval. Further, current methods are manual, thus slow and resource intensive. Evidently, the architectural, engineering and construction (AEC) industry lacks an automated classification system capable of systematically identifying and categorising different drawings. To intercede, we aim to investigate artificially intelligent solutions capable of automatically identifying and retrieving a wide set of AEC files from a company's resource library. We present a convolutional neural network (CNN) model capable of processing large sets of technical drawings - such as sections, plans and elevations - and recognise their individual patterns and features, ultimately minimising laboriousness.
keywords	Convolutional Neural Network; Artificial Intelligence; Machine Learning; Classification; Filing architectural drawings.
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	caadria2019_283
id	caadria2019_283
authors	Rosenberg, Daniel and Tsamis, Alexandros
year	2019
title	Human-Building Collaboration - A Pedagogical Framework for Smart Building Design
doi	https://doi.org/10.52842/conf.caadria.2019.2.171
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 171-180
summary	We introduce Human-Building Collaboration (HBC), a pedagogical framework for the design of next-generation smart buildings in architecture. Using the framework's philosophy, model, and tools we show designers how to enhance smart building performance by increasing and diversifying the ways humans have to share their intelligence with that of the building. We apply this framework through design exercises and present the result of two projects: (1) a tangible wall interface for lighting co-optimization and (2) a shape display facade interface for rainwater purification and reuse. Preliminary findings demonstrate that the framework helped designers proposing new means for humans to collaborate with smart buildings.
keywords	Smart Buildings; Artificial Intelligence ; Tangible Interfaces; Human-Building Interaction ; User Experience Design
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ecaadesigradi2019_280
id	ecaadesigradi2019_280
authors	Rossi, Gabriella and Nicholas, Paul
year	2019
title	Haptic Learning - Towards Neural-Network-based adaptive Cobot Path-Planning for unstructured spaces
doi	https://doi.org/10.52842/conf.ecaade.2019.2.201
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 201-210
summary	Collaborative Robots, or Cobots, bring new possibilities for human-machine interaction within the fabrication process, allowing each actor to contribute with their specific capabilities. However creative interaction brings unexpected changes, obstacles, complexities and non-linearities which are encountered in real time and cannot be predicted in advance. This paper presents an experimental methodology for robotic path planning using Machine Learning. The focus of this methodology is obstacle avoidance. A neural network is deployed, providing a relationship between the robot's pose and its surroundings, thus allowing for motion planning and obstacle avoidance, directly integrated within the design environment. The method is demonstrated through a series of case-studies. The method combines haptic teaching with machine learning to create a task specific dataset, giving the robot the ability to adapt to obstacles without being explicitly programmed at every instruction. This opens the door to shifting to robotic applications for construction in unstructured environments, where adapting to the singularities of the workspace, its occupants and activities presents an important computational hurdle today.
keywords	Architectural Robotics; Neural Networks; Path Planning; Digital Fabrication; Artificial Intelligence; Data
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:56

_id	ecaadesigradi2019_516
id	ecaadesigradi2019_516
authors	Fioravanti, Antonio and Trento, Armando
year	2019
title	Close Future: Co-Design Assistant - How Proactive design paradigm can help
doi	https://doi.org/10.52842/conf.ecaade.2019.1.155
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 155-160
summary	The present paper is focused on exploring a new paradigm in architectural design process that should raise the bar for a mutual collaboration between humans and digital assistants, able to face challenging problems of XXI century. Such a collaboration will aid design process freeing designer from middle level reasoning tasks, so they could focus on exploring - on the fly - design alternatives at a higher abstraction layer of knowledge. Such an assistant should explore and instantiate as much as possible knowledge structures and their inferences thanks to an extensive use of defaults, demons and agents, combined with its power and ubiquity so that they will be able to mimic behaviour of architectural design human experts. It aims other than to deal with data (1st layer) and simple reasoning tools (2nd layer) to automate design exploring consequences and side effects of design decisions and comparing goals (3rd layer). This assistant will speed up the evaluation of fresh design solutions, will suggest solutions by means of generative systems and will be able of a digital creativity.
keywords	Design process paradigm; Architectural design; Design assistant; Agents; Knowledge structures
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:50

_id	ecaadesigradi2019_549
id	ecaadesigradi2019_549
authors	Reinhardt, Dagmar, Haeusler, M. Hank, Loke, Lian, de Oliveira Barata, Eduardo, Firth, Charlotte, Khean, Nariddh, London, Kerry, Feng, Yingbin and Watt, Rodney
year	2019
title	CoBuilt - Towards a novel methodology for workflow capture and analysis of carpentry tasks for human-robot collaboration
doi	https://doi.org/10.52842/conf.ecaade.2019.3.207
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 207-216
summary	Advanced manufacturing and robotic fabrication for the housing construction industry is mainly focused on the use of industrial robots in the pre-fabrication stage. Yet to be fully developed is the use on-site of collaborative robots, able to work cooperatively with humans in a range of construction trades. Our study focuses on the trade of carpentry in small-to-medium size enterprises in the Australian construction industry, seeking to understand and identify opportunities in the current workflows of carpenters for the role of collaborative robots. Prior to presenting solutions for this problem, we first developed a novel methodology for the capture and analysis of the body movements of carpenters, resulting in a suite of visual resources to aid us in thinking through where, what, and how a collaborative robot could participate in the carpentry task. We report on the challenges involved, and outline how the results of applying this methodology will inform the next stage of our research.
keywords	Robotic Fabrication; Collaborative Robots; Training Methodology; Machine Learning; Interaction Analysis
series	eCAADeSIGraDi
email
last changed	2022/06/07 08:00

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