Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia19_630
id	acadia19_630
authors	Ahlquist, Sean
year	2019
title	Expanding the Systematic Agencyof a Material System
doi	https://doi.org/10.52842/conf.acadia.2019.630
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 630-641
summary	Computational design and fabrication have reached an accomplished level of ubiquity and proficiency in the field of architecture, in both academia and practice. Materiality driving structure, responsiveness, and spatial organization can be seen to evolve, in kind, with the capabilities to fabricate deeper material hierarchies. Such maturity of a procedural material-driven approach spurs a need to shift from the dictations of how to explorations of why material efficiencies, bespoke aesthetics, and performativity are critical to a particular architecture, requiring an examination of linkages between approach, techniques, and process. The material system defines a branch of architectural research utilizing bespoke computational techniques to generate performative material capacities that are inextricably linked to both internal and external forces and energies. This paper examines such a self-referential view to define an expanded ecological approach that integrates new modes of design agency and shift the material system from closed-loop relationship with site to open-ended reciprocation with human behavior. The critical need for this capacity is shown in applications of novel textile hybrid material systems—as sensorially-responsive environments for children with the neurological autism spectrum disorder—in ongoing research titled Social Sensory Architectures. Through engaging fabrication across all material scales, manners of elastic responsivity are shown, through a series of feasibility studies, to exhibit a capacity for children to become design agents in exploring the beneficial interrelationship of sensorimotor agency and social behavior. The paper intends to contribute a theoretical approach by which novel structural capacities of a material system can support a larger ecology of social and behavioral agency.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	ecaadesigradi2019_179
id	ecaadesigradi2019_179
authors	Castelo-Branco, Renata, Leit?o, António and Santos, Guilherme
year	2019
title	Immersive Algorithmic Design - Live Coding in Virtual Reality
doi	https://doi.org/10.52842/conf.ecaade.2019.2.455
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 455-464
summary	As many other areas of human activity, the architectural design process has been recently shaken by Virtual Reality (VR), as it offers new ways to experience and communicate architectural space. In this paper we propose Live Coding in Virtual Reality (LCVR), a design approach that allows architects to benefit from the advantages of VR within an algorithmic design workflow. LCVR integrates a live coding solution, where the architect programs his design intent and immediately receives feedback on the changes applied to the program; and VR, which means this workflow takes place inside the virtual environment, where the architect is immersed in the model that results from the program he is concurrently updating from inside VR. In this paper we discuss the possible impacts of such an approach, as well as the most pressing implementation issues. We offer a critical analysis and comparison of the various solutions available in the context of two different programming paradigms: visual and textual.
keywords	Virtual Reality; Algorithmic Design; Live Coding
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:55

_id	ecaadesigradi2019_447
id	ecaadesigradi2019_447
authors	Jutraž, Anja, Kukec, Andreja, Otorepec, Peter, Lampiè, Ladi, Pohleven, Jure, Sandak, Jakub, Malovrh, Katja and Varkonji Sajn, Monika
year	2019
title	Monitoring Environmental and Health Impact Data in BIM Models to Assure Healthy Living Environments
doi	https://doi.org/10.52842/conf.ecaade.2019.2.287
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 287-294
summary	Health is our wealth and we are rarely aware that the choice of living and working environment affects us. We spend most of our time in indoor environments so the quality of indoor air plays an important role in the maintenance of health and well-being. Moreover, Building Information Modeling (BIM) is emerging technology, which plays an essential role in collaboration among multi-discipline professions, time and cost saving, fabrication and construction as well as facilities management. However, it is not accepted by all planners yet. BIM could also offer a framework to help improving health and well-being of future users of the new building. The main aim of this paper is to monitor environmental and health impact data in BIM models to assure healthy living environments. First, the paper explores which environmental and health parameters could be measured in the indoor environment and which are already present in BIM models. Second, it explores options to expand BIM specifications to support monitoring environmental and health impact data in BIM models to assure healthy living environments.
keywords	Building Information Modeling (BIM); environmental impact data; indoor comfort; health impact data; healthy living environment
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:52

_id	caadria2019_625
id	caadria2019_625
authors	Konieva, Kateryna, Knecht, Katja and Koenig, Reinhard
year	2019
title	Collaborative Large-Scale Urban Design with the Focus on the Agent-Based Traffic Simulation
doi	https://doi.org/10.52842/conf.caadria.2019.2.221
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 221-230
summary	The better integration of the knowledge and expertise from different disciplines into urban design and the creation of more interdisciplinary and collaborative work processes to accommodate this have been under discussion in related research for decades. Nevertheless, many barriers preventing a seamless collaborative work flow still persist. In this paper we present an experiment taking place under real-world conditions, which outlines an alternative way for more efficient collaboration by focusing on the design process rather than the result and thus providing additional insights for all parties involved. A parametric design approach was chosen to help mediate between the areas of expertise involved supporting the smooth transition of data, the mutual translation of design feedback and better informed design decisions as an outcome. The case study presented in this paper exemplifies the application of the approach in a design project on masterplan scale integrating inputs from urban design, economics and mobility experts; and shows the opportunity for transforming the formerly segregated design process into a platform for transparent negotiations.
keywords	parametric urban design; urban mobility; collaborative design
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	acadia21_70
id	acadia21_70
authors	McAndrew, Claire; Jaschke, Clara; Retsin, Gilles; Saey, Kevin; Claypool, Mollie; Parissi, Danaë
year	2021
title	House Block
doi	https://doi.org/10.52842/conf.acadia.2021.070
source	ACADIA 2021: Realignments: Toward Critical Computation [Proceedings of the 41st Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-986-08056-7]. Online and Global. 3-6 November 2021. edited by B. Bogosian, K. Dörfler, B. Farahi, J. Garcia del Castillo y López, J. Grant, V. Noel, S. Parascho, and J. Scott. 70-75.
summary	House Block was a temporary housing prototype in East London, UK from April to May 2021. The project constituted the most recent in a series of experiments developing Automated Architecture (AUAR) Labs’ discrete framework for housing production, one which repositions the architect as curator of a system and enables participants to engage with active agency. Recognizing that there is a knowledge gap to be addressed for this reconfiguration of practices to take form, this project centred on making automation and its potential for local communities tangible. This sits within broader calls advocating for a more material alignment of inclusive design with makers and 21st Century making in practice (see, for example, Luck 2018). House Block was designed and built using AUAR’s discrete housing system consisting of a kit of parts, known as Block Type A. Each block was CNC milled from a single sheet of plywood, assembled by hand, and then post-tensioned on site. Constructed from 270 identical blocks, there are no predefined geometric types or hierarchy between parts. The discrete enables an open-ended, adaptive system where each block can be used as a column, floor slab, wall, or stair—allowing for disconnection, reconfiguration, and reassembly (Retsin 2019). The democratisation of design and production that defines the discrete creates points for alternative value systems to enter, for critical realignments in architectural production.
series	ACADIA
type	project
email
last changed	2023/10/22 12:06

_id	cf2019_068
id	cf2019_068
authors	Md Rian, Iasef
year	2019
title	IFS-Based Computational Morphogenesis of a Hierarchical Trussed Beam
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, pp. 552-564
summary	This paper applies IFS (Iterated Function System) as a rule-based computational modeling process for modeling a hierarchical truss beam inspired by the concept of fractal geometry. IFS is a type of recursive algorithm, which repeatedly uses the outcome as a input for an affine transformation function in generating a fractal shape, i.e., a complex shape which contains the self-similar repetitions of the overall shape in its parts. Hierarchical trusses also follow a similar geometric configuration. IFS-based computational modeling, hence, allows us to parametrically morph a parent model, thus repeat the same morphing to all its self-similar parts automatically. This IFS-based morphogenesis opens a possibility to find an optimal configuration of a hierarchical truss structurally. In this parametric modeling process, the iteration number is a unique geometric parameter. This paper uses two geometric variables (iteration number and angle) to find the most efficient design of a hierarchical truss beam through an optimization process.
keywords	hierarchical truss, fractal geometry, IFS, computational design
series	CAAD Futures
email
last changed	2019/07/29 14:18

_id	acadia19_616
id	acadia19_616
authors	Sitnikov, Vasily; Eigenraam, Peter; Papanastasis, Panagiotis; Wassermann-Fry, Stephan
year	2019
title	IceFormwork for Cast HPFRC Elements
doi	https://doi.org/10.52842/conf.acadia.2019.616
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 616-627
summary	The following paper introduces a design implementation of an innovative fabrication method that aims at enabling an environmental and automated production of geometrically challenging cast concrete elements. The fabrication method is based on the use of ice as the molding material for cast concrete. Empirical testing of ice CNC-processing, and a concrete mix capable of hardening at subzero temperatures was undertaken during previous research stages. The current paper illustrates a practical application of ice formwork. A façade rain screen has been developed using algorithmic modeling to illustrate a common case in which a non-repetitive geometrical pattern requires individual formwork to be produced for each element. Existing industrial methods capable of delivering such a project for formidable costs are based on CNC-processed expanded polystyrene (EPS), wood-based materials, or industrial wax formwork. These materials have been found to be either difficult to recycle, expensive, insufficiently strong, energy- or labor-intensive to produce. Preliminary evaluation has shown that ice, used in their place, facilitates a much cleaner, economic, and an even more energy-efficient process. Moreover, a very gentle demolding process through ice-thawing eliminates any shock stresses exposed on newly cast concrete and provides optimal curing conditions. As a result, the thickness of façade elements can be reduced while still fulfilling all structural requirements.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:56

_id	ecaadesigradi2019_068
id	ecaadesigradi2019_068
authors	Agirbas, Asli
year	2019
title	The Effect of Complex Wall Forms on the Room Acoustics - An experimental case study
doi	https://doi.org/10.52842/conf.ecaade.2019.2.097
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 97-102
summary	The complexity of the wall form affects the acoustics of the space. In this study, the effect of the complex form walls produced by nCloth dynamic simulation on the acoustics of an office space was investigated. In this research, reverberation time and Speech Transmission Index (STI) values of the pilot office space with one wall having complex form and the office space with all of the walls as flat were measured by acoustic simulation. As a result of the comparison, it has been found that, within speech intelligibility and reverberation time, the acoustics of the space with one wall having complex form is better than the acoustics of the space with all the walls as flat.
keywords	nCloth; Acoustics; Complex forms; Modeling & simulation
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	ecaadesigradi2019_335
id	ecaadesigradi2019_335
authors	Amorim, Luiz and Griz, Cristiana
year	2019
title	Amorim's Law - A modern grammar
doi	https://doi.org/10.52842/conf.ecaade.2019.2.393
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 393-402
summary	In normative or prescriptive theories, architectural requirements are set as parameters to support design decisions. A set of formal parameters is suffice to generate a wide variety of compositions, but associated to the same formal language. This paper looks at the work of the Portuguese-Brazilian architect, Delfim Fernandes Amorim, whose contributions to the dissemination of modern ideas and the development of a particular architectural lexicon is quite relevant, particularly his addendum to the municipal land use and occupation act, which became generally known as the Amorim's Law. It consists basically in allowing spaces of transitory occupation and specific architectural elements to be built beyond the mandatory setback limits. This paper presents the development of a grammar that shows how some of the parameters described in Amorim's law are able to create a strong formal language and influence the building's architectural composition. The grammar was developed in two successive stages: the first allows the generation of the pattern of adjacency of the apartment's rooms; the second, guide the insertion of the openings and architectural elements as defined by the Amorim's Law.
keywords	Shape grammar; Parametric design; Design building; Modern architecture
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	ecaadesigradi2019_290
id	ecaadesigradi2019_290
authors	Assem, Ayman, Abdelmohsen, Sherif and Ezzeldin, Mohamed
year	2019
title	A Fuzzy-Based Approach for Evaluating Existing Spatial Layout Configurations
doi	https://doi.org/10.52842/conf.ecaade.2019.2.035
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 35-44
summary	This paper proposes a fuzzy-based approach for the automated evaluation of spatial layout configurations. Our objective is to evaluate soft and interdependent design qualities (such as connectedness, enclosure, spaciousness, continuity, adjacency, etc.), to satisfy multiple and mutually inclusive criteria, and to account for all potential and logical solutions without discarding preferable, likely or even less likely possible solutions. Using fuzzyTECH, a fuzzy logic software development tool, we devise all possible spatial relation inputs affecting physical and non-physical outputs for a given space using descriptive rule blocks. We implement this fuzzy logic system on an existing residential space to evaluate different layout alternatives. We define all linguistic input variables, output variables, and fuzzy sets, and present space-space relations using membership functions. We use the resulting database of fuzzy agents to evaluate the design of the existing residential spaces.
keywords	Fuzzy logic; Space layout planning; Heuristic methods
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	ecaadesigradi2019_449
id	ecaadesigradi2019_449
authors	Becerra Santacruz, Axel
year	2019
title	The Architecture of ScarCity Game - The craft and the digital as an alternative design process
doi	https://doi.org/10.52842/conf.ecaade.2019.3.045
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 45-52
summary	The Architecture of ScarCity Game is a board game used as a pedagogical tool that challenges architecture students by involving them in a series of experimental design sessions to understand the design process of scarcity and the actual relation between the craft and the digital. This means "pragmatic delivery processes and material constraints, where the exchange between the artisan of handmade, representing local skills and technology of the digitally conceived is explored" (Huang 2013). The game focuses on understanding the different variables of the crafted design process of traditional communities under conditions of scarcity (Michel and Bevan 1992). This requires first analyzing the spatial environmental model of interaction, available human and natural resources, and the dynamic relationship of these variables in a digital era. In the first stage (Pre-Agency), the game set the concept of the craft by limiting students design exploration from a minimum possible perspective developing locally available resources and techniques. The key elements of the design process of traditional knowledge communities have to be identified (Preez 1984). In other words, this stage is driven by limited resources + chance + contingency. In the second stage (Post-Agency) students taking the architects´ role within this communities, have to speculate and explore the interface between the craft (local knowledge and low technological tools), and the digital represented by computation data, new technologies available and construction. This means the introduction of strategy + opportunity + chance as part of the design process. In this sense, the game has a life beyond its mechanics. This other life challenges the participants to exploit the possibilities of breaking the actual boundaries of design. The result is a tool to challenge conventional methods of teaching and leaning controlling a prescribed design process. It confronts the rules that professionals in this field take for granted. The game simulates a 'fake' reality by exploring in different ways with surveyed information. As a result, participants do not have anything 'real' to lose. Instead, they have all the freedom to innovate and be creative.
keywords	Global south, scarcity, low tech, digital-craft, design process and innovation by challenge.
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	acadia19_80
id	acadia19_80
authors	Bouayad, Ghali
year	2019
title	Three-Dimensional Translation of Japanese Katagami Patterns
doi	https://doi.org/10.52842/conf.acadia.2019.080
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 80-89
summary	The aim of this ongoing doctoral research is to rely on the incommensurable potential held in Japanese Katagami patterns in order to translate them into three-dimensional speculative architectures and architectural components that afford architects other design approaches differentiated from systemic and typical space configurations. While many designers are diving in the generative and computational design world by developing new personal methods, we would like to recycle the existing production of Katagami patterns into three-dimensional architectural elements that will perpetuate work of Katagami artists beyond time, borders, and scope of applicability. Given that the current digital shift has given us more computation power, we are broadening Katagami with new fabrication strategies and new methods to explore, produce, and stock geometry and data. In this paper, we rely on the Processing library IGeo (developed by Satoru Sugihara) to build bottom-up agent-based algorithms to study the architectural potential of Katagami patterns as a top-down clean and simple initial topology that avoids imitation of standard templates applied during the process of configuring and planning architectural space.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	cf2019_013
id	cf2019_013
authors	Boychenko, Kristina
year	2019
title	Agency of Interactive Architecture in socio-technological relationship through Actor-Network Theory
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, p. 102
summary	With fast development of new technologies built environment transitioned from a silent background of activities performed by users to another participant of those activities. Agency of interactive architecture is based on interpretation of input data, like users’ actions, their response to the spatial agency, data from environment or other actors, and changing its performance accordingly. Architectural components, environmental conditions and people are all treated as agents and closely correspond to Actor-Network Theory (ANT). This theory generally aims to reveal the complexities of socio-technological world. ANT incorporates a principle of generalized symmetry, it means that human and nonhuman (artifacts, organization structures, etc.) actors are incorporated into the same conceptual framework and assigned equal level of agency. By analysis of the agency of Interactive Architecture through ANT the paper provides insight on social role of this new emerging type of space and its influence on other participants on socio-technological relationship.
keywords	Interactive architecture, Communication, Agency, Social, ActorNetwork Theory
series	CAAD Futures
email
last changed	2019/07/29 14:08

_id	acadia19_278
id	acadia19_278
authors	Ca?izares, Galo
year	2019
title	Digital Suprematism
doi	https://doi.org/10.52842/conf.acadia.2019.278
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 278-287
summary	It is widely held that sometime around 2006, the World Wide Web as we knew it mutated into Web 2.0. This colloquial label signaled a shift from an Internet designed for us to an Internet designed by us. Nowhere was this more explicitly stated than in Time Magazine’s 2006 Person of the Year selection: You. More than a decade later, Internet browsers have evolved into ubiquitous interfaces accessible from mobile devices, tablet computers, public kiosks, workstations, laptops, etc. It would, therefore, not be an overstatement to say that the browser is the most widespread content canvas in the world. Designers frequently use web browsers for their ability to exhibit and organize content. They are the sites for portfolios, announcements, magazines, and at times, discussions. But despite its flexibility and rich infrastructure, rarely is the browser used to generate design elements. Thanks to advanced web development languages like JavaScript and open-source code libraries, such as p5.JS, Matter.JS, and Three.JS, browsers now support interactive and spatial content. Typically, these tools are used to generate gimmicks or visual effects, such as the parallax illusion or the infinite scroll. But if we perceive the browser as a timebased picture plane, we can immediately recognize its architectonic potential. This paper puts forth a method for engaging the creative potential of web-based media and Internet browsers. Through example projects, I argue that the Internet browser is a highly complex spatial plane that warrants more architectural analysis and experimentation.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	cf2019_016
id	cf2019_016
authors	Cardoso Llach, Daniel and Scott Donaldson
year	2019
title	An Experimental Archaeology of CAD Using Software Reconstruction to Explore the Past and Future of ComputerAided Design
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, p. 130
summary	This paper proposes software reconstruction as a method to shed new light into the material, gestural, and sensual dimensions of computer-aided design technologies. Specifically, it shows how by combining historical research and creative prototyping this method can bring us closer to distant ways of seeing, touching, drawing, and designing—while raising new questions about the impact of CAD technologies on present-day architectural practices. It documents the development of two software reconstructions—of Ivan Sutherland’s “Sketchpad” and of Steven A. Coons’s “Coons Patch”—and reflects on the responses they elicited in the context of two exhibitions. The paper shows how software reconstruction can offer access to overlooked aspects of computer-aided design systems, specially their material and sensual dimensions, and how we may explore its broader potential for research, preservation, pedagogy, and speculative design of design technologies.
keywords	Software Reconstruction, Media Archaeology, CAD, Sketchpad, Steven A. Coons, Ivan Sutherland, Computational Design History
series	CAAD Futures
email
last changed	2019/07/29 14:08

_id	ecaadesigradi2019_342
id	ecaadesigradi2019_342
authors	Costa Couceiro, Mauro, Lobo, Rui and Monteiro, António
year	2019
title	Inserting and Encircling - Two complementary immersive strategies for mixed-reality applied to cultural heritage *
doi	https://doi.org/10.52842/conf.ecaade.2019.3.091
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 91-98
summary	To accomplish the aims of a three-year research project we are developing, connected to cultural heritage, we became interested in the fusion of Virtual Reality and Augmented Reality, two emergent development fields that gave birth to what was coined as Mixed Reality. Both dimensions have intricate connections with hardware and software improvements related with the so called "4th Industrial Revolution".Virtual Reality (VR), an interactive experience generated by a computer, takes place inside of simulated environments, which can be analogous to the real world or which can be created as imaginary contexts. On the other hand, Augmented Reality (AR) is always based in an interactive experience inside a tangible environment where the elements of that reality are nurtured with digital information, across several senses, to empathize certain aspects of reality. Our research combines both VR and AR to empathize sensory and intellectual experience. To do so, several senses, mainly visual and auditory, are stimulated.We therefore explore two Case-Studies from our research project in order to show two different strategies. The intention of both situations is to create immersive mixed reality environments where the fusion of the digital and analogue elements can be persistently sustained by the visual outputs.
keywords	Santa Cruz Monastery; Mixed Reality; VR/AR; 3D scanning; 3D modeling; Lost heritage
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:56

_id	caadria2020_090
id	caadria2020_090
authors	Crolla, Kristof and Goepel, Garvin
year	2020
title	Designing with Uncertainty - Objectile vibrancy in the TOROO bamboo pavilion
doi	https://doi.org/10.52842/conf.caadria.2020.2.507
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 507-516
summary	This paper challenges digital preoccupations with precision and control and questions the status of tolerance, allowance and error in post-digital, human-centred architectural production. It uses the participatory action research design-and-build project TOROO, a light-weight bending-active bamboo shell structure, built in Hsinchu, Taiwan, in June 2019, as a demonstrator project to discuss how protean digital design diagrams, named 'vibrant objectiles,' are capable of productively absorbing serendipity throughout project crystallisation processes, increasing designer agency in challenging construction contexts with high degrees of unpredictability. The demonstrator project is then used to discuss future research directions that were exposed by the project. Finally, the applicability of working with 'vibrant objectiles' is discussed beyond its local project use. Common characteristics and requirements are extracted, highlighting project setup preconditions for which the scope covered by the architect needs to be both broadened and relaxed to allow for feedback from design implementation phases.
keywords	Post-digital; Bamboo; Bending-active shell structures; Uncertainty; Objectile
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	acadia19_156
id	acadia19_156
authors	Dahy, Hanaa; Baszyñski, Piotr; Petrš, Jan
year	2019
title	Experimental Biocomposite Pavilion
doi	https://doi.org/10.52842/conf.acadia.2019.156
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 156-165
summary	Excessive use of aggregate materials and metals in construction should be balanced by increasing use of construction materials from annually renewable resources based on natural lignocellulosic fibers. Parametric design tools gave here a possibility of using an alternative newly developed biocomposite material, for realization of complex geometries. Contemporary digital fabrication tools have enabled precise manufacturing possibilities and sophisticated geometry-making to take place that helped in obtaining high structural behavior of the overall global geometry of the discussed project. This paper presents a process of realizing an experimental structure made from Natural Fiber-Reinforced Polymers (NFRP)- also referred to as biocomposites, which were synthesized from lignocellulosic flexible core reinforced by 3D-veneer layers in a closed-moulding vacuum-assisted process. The biocomposite sandwich panels parameters were developed and defined before the final properties were imbedded in the parametric model. This paper showcases the multi-disciplinarity work between architects, structural engineers and material developers. It allowed the architects to work on the material development themselves and enabled to apply a new created design philosophy by the first author, namely applying ‘Materials as a Design-Tool’. The erected biocomposite segmented shell construction allowed a 1:1 validation for the whole design process, material development and the digital fabrication processes applied. The whole development has been reached after merging an ongoing industrial research project results with academic education at the school of architecture in Stuttgart-Germany.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:56

_id	cf2019_035
id	cf2019_035
authors	Dickey, Rachel
year	2019
title	Cultural Prosthetics: Mediating Bodies, Technology, and Space
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, pp. 257-271
summary	Instead of amplifying anxieties about conditions of alienation produced by advanced technologies and machines, this research looks for ways design and technology recalibrate human scale in architecture and inform social interactions. This research outlines two case studies specifically looking at gesture as a method for finding humanity in certain forms and reintroducing it through design and technology. The research asks, how might technology provide us with newfound intimacies with ourselves, each other, and the world around us?
keywords	Instrumentation, Prosthesis, Wearable Technology, Gesture, Interaction, Cyborgs
series	CAAD Futures
email
last changed	2019/07/29 14:15

_id	ecaadesigradi2019_282
id	ecaadesigradi2019_282
authors	Fernández González, Alberto, Guerrero del Rio, Camilo and Jorquera Sepúlveda, Layla
year	2019
title	BIM Chilean Social Housing Analysis - from the 70´s to 90´s
doi	https://doi.org/10.52842/conf.ecaade.2019.1.259
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 259-266
summary	This research based on education digs on the "evolution" of Chilean social housing between the period from 70's to 90's asking us the "phylogenic" relation between "typos" of designs that developed several problems in the urban fabric development during 20 years of intricate design just thinking in quantity but not quality in our country.The focus in this research is as the first step understanding the design behind dwellings between this time range, then its process of evolution and transformation by users, and then by BIM understand the virtues and defects of each design and rethink the typologies in a housing life cycle look for the next years.
keywords	BIM; Social Housing; Catalogue; Design; Intervention; Strategies
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:50

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