Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	cf2019_065
id	cf2019_065
authors	Noel, Vernelle
year	2019
title	Design Computation and Restoring Craftsmanship: The Bailey-Derek Grammar in Wire-Bending
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, pp. 506-525
summary	Craft knowledge, practices, and communities are vanishing due to globalization, automation, and techno-centric developments. This paper evaluates a computational design tool - the Bailey-Derek Grammar - for restoration of craftsmanship in the practice of wire-bending. By conducting workshops, interviews and surveys, document and artifact analyses, I examine the role of the Grammar in repairing the craft. The results shed light on how a computational description of tacit knowledge in the form of a shape grammar aids in restoring technical knowledge and skill in a craft. Results also indicate that the computational design tool promotes democratization of the craft by creating new forms of practice, and new roles for participation and engagement.
keywords	Craft, Repair, Restoration, Shape grammar, Wire-bending
series	CAAD Futures
email
last changed	2019/07/29 14:18

_id	caadria2021_445
id	caadria2021_445
authors	Noel, Vernelle A. A., Nikookar, Niloofar, Pye, Jamieson, Tran, Phuong 'Karen' and Laudeman, Sara
year	2021
title	The Infinite Line Active Bending Pavilion: Culture,Craft and Computation
doi	https://doi.org/10.52842/conf.caadria.2021.1.351
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 1, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 351-360
summary	Active bending projects today employ highly specialized, complex computer software and machines for design, simulation, and materialization. At times, these projects lack a sensitivity to cultures limited in high-tech infrastructures but rich in low-tech knowledges. Situated Computations is an approach to computational design that grounds it in the social world by acknowledging historical, cultural, and material contexts of design and making, as well as the social and political structures that drive them. In this article, we ask, how can a Situated Computations approach to contemporary active bending broaden the design space and uplift low-tech cultural practices? To answer this question, we design and build "The Infinite Line"- an active bending pavilion that draws on the history, material practices, and knowledges in design in the Trinidad Carnival - for the 2019 International Association for Shell and Spatial Structures (IASS) exhibition in Barcelona, Spain. We conclude that Situated Computations provide an opportunity to integrate local knowledges, histories, design practices, and material behaviors as drivers in active bending approaches, so that structure, material practices, and cultural settings are considered concurrently.
keywords	Situated Computations; craft; wire-bending; active bending structures; Trinidad Carnival; dancing sculptures
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	cf2019_067
id	cf2019_067
authors	Pebryani , Nyoman Dewi and Michael C.B. Kleiss
year	2019
title	Ethno-Computation: Culturally Specific Design Application of Geringsing Textile Patterns
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, pp. 538-551
summary	This study focuses on (1) understanding the indigenous algorithm of specific material culture named Geringsing textile patterns, and then (2) transforming the indigenous algorithm into an application that best serves local artisans and younger generation as a design tool and educational tool. Patterns design, which is created in textile as a material culture from a specific area, has a unique design grammar. Geringsing textile is unique to this part of the world because it is produced with double-ikat weaving technique, and this technique is only used in three places in the world. This material culture passes from generation to generation as an oral tradition. To safeguard, document, and digitize this knowledge, a sequential research methodology of ethnography and computation is employed in this study to understand the indigenous algorithm of Geringsing textile patterns, and then to translate the algorithm with computer simulation. This culturally specific design application then is tested by two local artisans and two aspiring artists from the younger generations in the village to see whether this application can serve as a design and educational tool.
keywords	Ethno-Computation, Culturally specific, Indigenous algorithm, Geringsing
series	CAAD Futures
email
last changed	2019/07/29 14:18

_id	ijac201917105
id	ijac201917105
authors	Agkathidis, Asterios; Yorgos Berdos and André Brown
year	2019
title	Active membranes: 3D printing of elastic fibre patterns on pre-stretched textiles
source	International Journal of Architectural Computing vol. 17 - no. 1, 74-87
summary	There has been a steady growth, over several decades, in the deployment of fabrics in architectural applications; both in terms of quantity and variety of application. More recently, three-dimensional printing and additive manufacturing have added to the palette of technologies that designers in architecture and related disciplines can call upon. Here, we report on research that brings those two technologies together – the development of active membrane elements and structures. We show how these active membranes have been achieved by laminating three-dimensional printed elasto-plastic fibres onto pre-stretched textile membranes. We report on a set of experimentations involving one-, two- and multi-directional geometric arrangements that take TPU 95 and polypropylene filaments and apply them to Lycra textile sheets, to form active composite panels. The process involves a parameterised design, actualised through a fabrication process including stress-line simulation, fibre pattern three-dimensional printing and the lamination of embossed patterns onto a pre-stretched membrane; followed by the release of tension afterwards in order to allow controlled, self-generation of the final geometry. Our findings document the investigation into mapping between the initial two-dimensional geometries and their resulting three-dimensional doubly curved forms. We also reflect on the products of the resulting, partly serendipitous, design process.
keywords	Digital fabrication, three-dimensional printing, parametric design, material computation, fabrics
series	journal
email
last changed	2019/08/07 14:04

_id	ecaadesigradi2019_335
id	ecaadesigradi2019_335
authors	Amorim, Luiz and Griz, Cristiana
year	2019
title	Amorim's Law - A modern grammar
doi	https://doi.org/10.52842/conf.ecaade.2019.2.393
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 393-402
summary	In normative or prescriptive theories, architectural requirements are set as parameters to support design decisions. A set of formal parameters is suffice to generate a wide variety of compositions, but associated to the same formal language. This paper looks at the work of the Portuguese-Brazilian architect, Delfim Fernandes Amorim, whose contributions to the dissemination of modern ideas and the development of a particular architectural lexicon is quite relevant, particularly his addendum to the municipal land use and occupation act, which became generally known as the Amorim's Law. It consists basically in allowing spaces of transitory occupation and specific architectural elements to be built beyond the mandatory setback limits. This paper presents the development of a grammar that shows how some of the parameters described in Amorim's law are able to create a strong formal language and influence the building's architectural composition. The grammar was developed in two successive stages: the first allows the generation of the pattern of adjacency of the apartment's rooms; the second, guide the insertion of the openings and architectural elements as defined by the Amorim's Law.
keywords	Shape grammar; Parametric design; Design building; Modern architecture
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	acadia23_v1_196
id	acadia23_v1_196
authors	Bao, Ding Wen; Yan, Xin; Min Xie, Yi
year	2023
title	Intelligent Form
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 196-201.
summary	InterLoop employs previously developed workflows that enable multi-planar robotic bending of metal tubes with high accuracy and repeatability (Huang and Spaw 2022). The scale and complexity is managed by employing augmented reality (AR) technology in two capacities, fabrication and assembly (Jahn et al. 2018; Jahn, Newnham, and Berg 2022). The AR display overlays part numbers, bending sequences, expected geometry, and robot movements in real time as the robot fabrication is occurring. For assembly purposes, part numbers, centerlines, and their expected positional relationships are projected via quick response (QR) codes spatially tracked by the Microsoft Hololens 2 (Microsoft 2019). This is crucial due to the length and self-similarity of complex multi-planar parts that make them difficult to distinguish and orient correctly. Leveraging augmented reality technology and robotic fabrication uncovers a novel material expression in tubular structures with bundles, knots, and interweaving (Figure 1).
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	ecaadesigradi2019_449
id	ecaadesigradi2019_449
authors	Becerra Santacruz, Axel
year	2019
title	The Architecture of ScarCity Game - The craft and the digital as an alternative design process
doi	https://doi.org/10.52842/conf.ecaade.2019.3.045
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 45-52
summary	The Architecture of ScarCity Game is a board game used as a pedagogical tool that challenges architecture students by involving them in a series of experimental design sessions to understand the design process of scarcity and the actual relation between the craft and the digital. This means "pragmatic delivery processes and material constraints, where the exchange between the artisan of handmade, representing local skills and technology of the digitally conceived is explored" (Huang 2013). The game focuses on understanding the different variables of the crafted design process of traditional communities under conditions of scarcity (Michel and Bevan 1992). This requires first analyzing the spatial environmental model of interaction, available human and natural resources, and the dynamic relationship of these variables in a digital era. In the first stage (Pre-Agency), the game set the concept of the craft by limiting students design exploration from a minimum possible perspective developing locally available resources and techniques. The key elements of the design process of traditional knowledge communities have to be identified (Preez 1984). In other words, this stage is driven by limited resources + chance + contingency. In the second stage (Post-Agency) students taking the architects´ role within this communities, have to speculate and explore the interface between the craft (local knowledge and low technological tools), and the digital represented by computation data, new technologies available and construction. This means the introduction of strategy + opportunity + chance as part of the design process. In this sense, the game has a life beyond its mechanics. This other life challenges the participants to exploit the possibilities of breaking the actual boundaries of design. The result is a tool to challenge conventional methods of teaching and leaning controlling a prescribed design process. It confronts the rules that professionals in this field take for granted. The game simulates a 'fake' reality by exploring in different ways with surveyed information. As a result, participants do not have anything 'real' to lose. Instead, they have all the freedom to innovate and be creative.
keywords	Global south, scarcity, low tech, digital-craft, design process and innovation by challenge.
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	cf2019_020
id	cf2019_020
authors	Belém, Catarina; Luís Santos and António Leitão
year	2019
title	On the Impact of Machine Learning: Architecture without Architects?
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, pp. 148-167
summary	Architecture has always followed and adopted technological breakthroughs of other areas. As a case in point, in the last decades, the field of computation changed the face of architectural practice. Considering the recent breakthroughs of Machine Learning (ML), it is expectable to see architecture adopting ML-based approaches. However, it is not yet clear how much this adoption will change the architectural practice and in order to forecast this change it is necessary to understand the foundations of ML and its impact in other fields of human activity. This paper discusses important ML techniques and areas where they were successfully applied. Based on those examples, this paper forecast hypothetical uses of ML in the realm of building design. In particular, we examine ML approaches in conceptualization, algorithmization, modeling, and optimization tasks. In the end, we conjecture potential applications of such approaches, suggest future lines of research, and speculate on the future face of the architectural profession.
keywords	Machine Learning, Algorithmic Design, AI for Building Design
series	CAAD Futures
type	normal paper
email
last changed	2019/07/29 14:54

_id	acadia19_80
id	acadia19_80
authors	Bouayad, Ghali
year	2019
title	Three-Dimensional Translation of Japanese Katagami Patterns
doi	https://doi.org/10.52842/conf.acadia.2019.080
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 80-89
summary	The aim of this ongoing doctoral research is to rely on the incommensurable potential held in Japanese Katagami patterns in order to translate them into three-dimensional speculative architectures and architectural components that afford architects other design approaches differentiated from systemic and typical space configurations. While many designers are diving in the generative and computational design world by developing new personal methods, we would like to recycle the existing production of Katagami patterns into three-dimensional architectural elements that will perpetuate work of Katagami artists beyond time, borders, and scope of applicability. Given that the current digital shift has given us more computation power, we are broadening Katagami with new fabrication strategies and new methods to explore, produce, and stock geometry and data. In this paper, we rely on the Processing library IGeo (developed by Satoru Sugihara) to build bottom-up agent-based algorithms to study the architectural potential of Katagami patterns as a top-down clean and simple initial topology that avoids imitation of standard templates applied during the process of configuring and planning architectural space.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	caadria2019_328
id	caadria2019_328
authors	Boychenko, Kristina
year	2019
title	Agency of Interactive Space in Social Relationship
doi	https://doi.org/10.52842/conf.caadria.2019.2.381
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 381-390
summary	Embedded computation allows built space to be intelligent and get smarter, becoming interactive and gaining agency with ability not to merely adapt to changing conditions, but to process information and react, observe and learn, communicate and make decisions. The paper investigates agency of interactive space based on interpretation of input data, like users' response to the spatial agency, data from environment or other actors, and ability to change its performance accordingly. The research is focused on the role of interactive space as an active participant in social relationship communicating with users, constantly changing and having its' attitude. The research is aimed at defining social role of interactive environments and explains how they interact with users, what qualities are enabled by interactive behaviour and how do they influence space perception, revealing the significance of bi-directional communication between society and smart spaces. Interactive space does not just providing location for activities and facility for lifestyle, but influences these activities. Users and interactive space constitute one social network being constantly aware of each other establishing bi-directional communication.
keywords	interactive architecture; computation; programmable; design; social
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2019_491
id	caadria2019_491
authors	Cai, Chenyi, Tang, Peng and Li, Biao
year	2019
title	Intelligent Generation of Architectural layout inheriting spatial features of Chinese Garden Based on Prototype and Multi-agent System - A Case Study on Lotus Teahouse in Yixing
doi	https://doi.org/10.52842/conf.caadria.2019.1.291
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 291-300
summary	This study presents an approach for the intelligent generation of architectural layout, in which partial space inherits Chinese garden spatial features. The approach combines spatial prototype analysis and evolutionary optimization process. On one hand, from the perspective of shape grammar, this paper both analyzes and abstracts the spatial prototype that describes the spatial characteristics of Chinese gardens, including the organization system of architecture and landscape, with the spatial sequences along the tourism orientation. On the other hand, taking the design task of Lotus teahouse as an example, a typical spatial prototype is selected to develop the generative intelligent experiment to achieve the architectural layout, in which the spatial prototype is inherited. Through rule-making and parameter adjustment, the spatial prototype will eventually be transformed into a computational model based on the multi-agent system. Hence, the experiment of intelligent generation of architectural layout is carried out under the influence of the function, form and environmental factors; and a three-dimensional conceptual model that inherits the Chinese garden spatial prototype is obtained ultimately.
keywords	Chinese garden; Architectural layout; Spatial prototype; Multi-agent system; Intelligent generation
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	ecaadesigradi2019_205
id	ecaadesigradi2019_205
authors	Campos, Filipe Medéia de, Leite, Raquel Magalh?es, Prudencio, Christina Figueiredo, Dias, Maíra Sebasti?o and Celani, Gabriela
year	2019
title	Prototyping a Facade Component - Mixed technologies applied to fabrication
doi	https://doi.org/10.52842/conf.ecaade.2019.1.179
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 179-186
summary	During the last decade, mass customization in developing countries has been rising. The combination of conventional methods and materials with computer numeric control technologies offers a possibility of merging established craftsmanship to the production of personalized components with mass production efficiency. This article aims to present the development of a facade component prototype as a means to prospect possibilities for mixing parametric design and digital fabrication to casting, especially in developing countries like Brazil. This is an applied research with an exploratory and constructive approach, which was a result of a graduate class structured on a research by design basis. The conceptual development and prototyping of the artifact followed iterative cycles, considering its performance, fabrication methods and feasibility. The selection of materials that are commonly used in Brazilian architecture, like concrete, facilitates the component adoption as as a facade solution. The main conclusion emphasizes the need of involvement between academia and industry for the development of innovative products and processes, and highlights different levels of mass customization to include a range of manufacturing agents, from major industries to local craftspeople.
keywords	digital fabrication; mass customization; prototyping; facade component
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	ecaadesigradi2019_146
id	ecaadesigradi2019_146
authors	Castro e Costa, Eduardo, Verniz, Debora, Varasteh, Siavash, Miller, Marc and Duarte, José
year	2019
title	Implementing the Santa Marta Urban Grammar - a pedagogical tool for design computing in architecture
doi	https://doi.org/10.52842/conf.ecaade.2019.2.349
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 349-358
summary	We present a tool intended to enable non-expert users to apply and manipulate a shape grammar, SMUG, which encodes the urban design of informal settlements such as favelas. Such tool, the Interpreter, was developed considering that students would be its main users, and therefore we consider this grammar implementation to potentially be a multipurpose pedagogical tool since it supports conveying knowledge about urban design, shape grammars and parametric modeling using Grasshopper. This paper focuses on the development of the Interpreter and discusses the results of its use in a design studio, which can better inform subsequent iteration as well as other courses and schools.
keywords	Shape grammars; Urban design; Design studio; Parametric modelling;
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:55

_id	caadria2020_090
id	caadria2020_090
authors	Crolla, Kristof and Goepel, Garvin
year	2020
title	Designing with Uncertainty - Objectile vibrancy in the TOROO bamboo pavilion
doi	https://doi.org/10.52842/conf.caadria.2020.2.507
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 507-516
summary	This paper challenges digital preoccupations with precision and control and questions the status of tolerance, allowance and error in post-digital, human-centred architectural production. It uses the participatory action research design-and-build project TOROO, a light-weight bending-active bamboo shell structure, built in Hsinchu, Taiwan, in June 2019, as a demonstrator project to discuss how protean digital design diagrams, named 'vibrant objectiles,' are capable of productively absorbing serendipity throughout project crystallisation processes, increasing designer agency in challenging construction contexts with high degrees of unpredictability. The demonstrator project is then used to discuss future research directions that were exposed by the project. Finally, the applicability of working with 'vibrant objectiles' is discussed beyond its local project use. Common characteristics and requirements are extracted, highlighting project setup preconditions for which the scope covered by the architect needs to be both broadened and relaxed to allow for feedback from design implementation phases.
keywords	Post-digital; Bamboo; Bending-active shell structures; Uncertainty; Objectile
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	caadria2019_136
id	caadria2019_136
authors	Dounas, Theodoros and Lombardi, Davide
year	2019
title	Blockchain Grammars - Designing with DAOs - The blockchain as a design platform for shape grammarists' decentralised collaboration
doi	https://doi.org/10.52842/conf.caadria.2019.2.293
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 293-302
summary	This paper presents an application of Decentralised Autonomous Organisation (DAO) in the field of design and AEC industry. The model is applied in the realm of shape grammar proposing the possibility of allowing multiple grammarists to collaborate in the definition of a new grammar within a Blockchain environment that acts as a distributed ledger. DAOs systems and Blockchain are introduced as well as shape grammar and its fundamental rules. The collaborative nature of a DAO with the inner logic of shape grammar, which bases its principle and rules in multiple variations and combinations of simple initial shapes, brings to the problem of recording and validating changes and improvements in the design chain. For this reason, a voting system to govern the process is introduced, based on both quantitative values, i.e. number of votes, and qualitative power, i.e. the reputation of who votes, applying a factor that scales the vote according to the expertise of the voter. An example is provided showing a possible scenario in a design environment along with validation criteria, and predicting future stages applied in an always more BIM-oriented practice.
keywords	Decentralised Autonomous Organisation; Shape Grammar; Intelligent organisms; Distributed Ledger; Blockchain;
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	cf2019_060
id	cf2019_060
authors	Duarte, Jose and Mahyar Hadighi
year	2019
title	Bauhaus Internationalism to College Town Modernism: Exploring Bauhaus Culture in Hajjar’s Hybrid Architecture
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, p. 501
summary	The purpose of this study is to analyze William Hajjar’s singlefamily houses in State College, PA, and compare them with the European modernist work of Walter Gropius and Marcel Breuer in the United States. This analysis is performed using shape grammars as a computational design methodology. Hajjar was a member of the architecture faculty at the Pennsylvania State University, a practitioner in State College, and an influential figure in the history of architecture in the area. Shape grammars are used specifically to verify and describe the influences of Bauhaus/European modernism on Hajjar’s domestic architecture. The focus is on establishing Hajjar’s single-family architectural language and comparing it to the architectural language of Gropius (Gropius-Breuer partnership) as the founder of the Bauhaus architecture and a prominent practitioner in introducing European modernism to American architecture students in the mid-twentieth century like Hajjar.
keywords	Shape grammar, Modern architecture, Bauhaus modernism, William Hajjar, Walter Gropius
series	CAAD Futures
email
last changed	2019/07/29 14:18

_id	ecaadesigradi2019_475
id	ecaadesigradi2019_475
authors	Düring, Serjoscha, Sluka, Andrej, Vesely, Ondrej and König, Reinhard
year	2019
title	Applied Spatial Accessibility Analysis for Urban Design - An integrated graph-gravity model implemented in Grasshopper
doi	https://doi.org/10.52842/conf.ecaade.2019.3.333
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 333-342
summary	This paper introduces a prototype for a user-friendly, responsive toolbox for spatial accessibility analysis in data-poor environments to support urban design processes. It allows for real-time computation of several evaluation indicators, mostly focused on accessibility related measures. The proposed framework is exemplified with three real-world case studies. Each of them demonstrates one part of the workflow; data gathering and preparation, sketching and developing scenarios, and impact analysis and scenario comparison.
keywords	accessibility; urban design; evidence-based design; graph model; gravity model
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:55

_id	caadria2019_367
id	caadria2019_367
authors	Forren, James
year	2019
title	Intelligent Systems and Mass Production of Form - Tacit and Explicit Information in Dynamic Concrete Molds
doi	https://doi.org/10.52842/conf.caadria.2019.2.705
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 705-714
summary	This paper constructs a lexicon of tacit intentionalities around tools and materials in computational design and fabrication contexts through a close study of dynamic molds. Drawing on historical, theoretical, and practice-based research we develop methods for reading, teaching, and designing with intelligence in computational design contexts in concert with the tacit information provided by tools and materials.
keywords	Material computation; Dynamic mold; Human-technology interaction; Precast concrete technology
series	CAADRIA
email
last changed	2022/06/07 07:51

_id	acadia19_90
id	acadia19_90
authors	Forward, Kristen; Taron, Joshua
year	2019
title	Waste Ornament
doi	https://doi.org/10.52842/conf.acadia.2019.090
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 90-99
summary	The emergence of computational design and fabrication tools has escalated the potentials of architectural ornamentation to become innovative, beautiful, and highly sustainable. Historically, ornament has been known to express character and reveal relationships between materiality, technological advances, and societal evolution. But ornament rapidly declined in the late 1800s in large part due to mechanization and modernist ideals of uniform, unadorned façade components. However, ornamentation in architecture has recently reappeared—a development that can be linked closely to advancements in computational design and digital fabrication. While these advancements offer the ability to create expressive architecture, their potential contribution to the improvement of sustainable architecture has largely been overlooked (Augusti-Juan and Habert 2017). This paper provides a brief revisitation to the history of ornament and investigates the impact of computation and automation on the production of contemporary ornament. The paper also attempts to catalog examples of how designers have used computational technologies to address the growing criticality of environmental concerns. Moreover, the paper presents the Waste Ornament project, a research platform that critically examines how we can leverage technology to augment the visual and sustainable performance of facade ornamentation to reduce energy use in buildings. Three sub-projects are identified as territories for further research into sustainable ornamentation, ranging from material sourcing, to high-performance buildings, to the development of a systematic upcycling process that transforms old facades into new ones. While the examples are not exhaustive, they attempt to interlace the general ideas of waste and ornament by addressing particular issues that converge at building envelopes.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	caadria2020_426
id	caadria2020_426
authors	Goepel, Garvin and Crolla, Kristof
year	2020
title	Augmented Reality-based Collaboration - ARgan, a bamboo art installation case study
doi	https://doi.org/10.52842/conf.caadria.2020.2.313
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 313-322
summary	ARgan is a geometrically complex bamboo sculpture that relied on Mixed Reality (MR) for its joint creation by multiple sculptors and used latest Augmented Reality (AR) technology to guide manual fabrication actions. It was built at the Chinese University of Hong Kong in the fall of 2019 by thirty participants of a design-and-build workshop on the integration of AR in construction. As part of its construction workflow, holographic setups were created on multiple devices, including a series of Microsoft HoloLenses and several handheld Smartphones, all linked simultaneously to a single digital base model to interactively guide the manufacturing process. This paper critically evaluates the experience of extending recent AR and MR tool developments towards applications that centre on creative collaborative production. Using ARgan as a demonstrator project, its developed workflow is assessed on its ability to transform a geometrically complex digitally drafted design to its final physically built form, highlighting the necessary strategic integration of variability as an opportunity to relax notions on design precision and exact control. The paper concludes with a plea for digital technology's ability to stimulate dialogue and collaboration in creative production and augment craftsmanship, thus providing greater agency and more diverse design output.
keywords	Augmented-Reality; Mixed-Reality; Post-digital; High-tech vs low-tech; Bamboo
series	CAADRIA
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last changed	2022/06/07 07:51

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