Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 20 of 618

Reformat results as: short short into frame detailed detailed into frame

_id	ecaadesigradi2019_449
id	ecaadesigradi2019_449
authors	Becerra Santacruz, Axel
year	2019
title	The Architecture of ScarCity Game - The craft and the digital as an alternative design process
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 45-52
doi	https://doi.org/10.52842/conf.ecaade.2019.3.045
summary	The Architecture of ScarCity Game is a board game used as a pedagogical tool that challenges architecture students by involving them in a series of experimental design sessions to understand the design process of scarcity and the actual relation between the craft and the digital. This means "pragmatic delivery processes and material constraints, where the exchange between the artisan of handmade, representing local skills and technology of the digitally conceived is explored" (Huang 2013). The game focuses on understanding the different variables of the crafted design process of traditional communities under conditions of scarcity (Michel and Bevan 1992). This requires first analyzing the spatial environmental model of interaction, available human and natural resources, and the dynamic relationship of these variables in a digital era. In the first stage (Pre-Agency), the game set the concept of the craft by limiting students design exploration from a minimum possible perspective developing locally available resources and techniques. The key elements of the design process of traditional knowledge communities have to be identified (Preez 1984). In other words, this stage is driven by limited resources + chance + contingency. In the second stage (Post-Agency) students taking the architects´ role within this communities, have to speculate and explore the interface between the craft (local knowledge and low technological tools), and the digital represented by computation data, new technologies available and construction. This means the introduction of strategy + opportunity + chance as part of the design process. In this sense, the game has a life beyond its mechanics. This other life challenges the participants to exploit the possibilities of breaking the actual boundaries of design. The result is a tool to challenge conventional methods of teaching and leaning controlling a prescribed design process. It confronts the rules that professionals in this field take for granted. The game simulates a 'fake' reality by exploring in different ways with surveyed information. As a result, participants do not have anything 'real' to lose. Instead, they have all the freedom to innovate and be creative.
keywords	Global south, scarcity, low tech, digital-craft, design process and innovation by challenge.
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:54

_id	ecaadesigradi2019_298
id	ecaadesigradi2019_298
authors	Zboinska, Malgorzata A.
year	2019
title	Artistic computational design featuring imprecision - A method supporting digital and physical explorations of esthetic features in robotic single-point incremental forming of polymer sheets
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 719-728
doi	https://doi.org/10.52842/conf.ecaade.2019.1.719
summary	Design strategies that employ digital and material imprecision to achieve esthetic innovation exhibit high potential to transform the current precision-oriented practices of computation and digital fabrication in architecture. However, such strategies are still in their infancy. We present a design method facilitating intentionally-imprecise esthetic explorations within the framework of digital design and robotic single-point incremental forming. Our method gives access to the esthetic fine-tuning of molds from which architectural objects are cast. Semi-precise computational operations of extending, limiting, deepening and shallowing the geometrical deformations of the mold through robot toolpath fine-tuning are enabled by a digital toolkit featuring parametric modeling, surface curvature analyses, photogrammetry, digital photography and bitmap image retouching and painting. Our method demonstrates the shift of focus from geometric accuracy and control of material behaviors towards intentionally-imprecise digital explorations that yield novel esthetic features of architectural designs. By demonstrating the results of applying our method in the context of an exploration-driven design process, we argue that imprecision can be equally valid to accuracy, opening a vast, excitingly unknown territory for material-mediated esthetic explorations within digital fabrication. Such explorations can interestingly alter the esthetic canons and computational design methods of digital architecture in the nearest future.
keywords	Artistic architectural design; artistic digital crafting; creative robotics; material agency; fabrication inaccuracies; robotic single-point incremental forming of polymers
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:57

_id	ecaadesigradi2019_368
id	ecaadesigradi2019_368
authors	Sheng, Yu-Ting, Wang, Shih-Yuan, Li, Mofei, Chiu, Yu-Hung, Lu, Yi-Heng, Tu, Chun-Man and Shih, Yi-Chu
year	2019
title	Spatial Glass Bonds - Computation and fabrication system of complex glass structure
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 251-258
doi	https://doi.org/10.52842/conf.ecaade.2019.2.251
summary	This paper introduces an adaptive robotic spatial aggregation system for the development of an intricate self-supporting glass structure. Rather than using discrete and standardized building elements in the design and fabrication process, this research focuses on utilizing a non-arbitrary shape as an aggregated material for autonomous robotic assembly. More specifically, this paper presents an adaptive robotic fabrication pipeline that measures the size of hollow glass balls (inaccurate materials) as fabrication units to aggregate the entire glass structure. Ultraviolet (UV) curing adhesive is used as the bond between each glass element. Thus, through the live robotic programming as well as various combinations of spherical glass objects and UV curing adhesives/devices, the entire glass structure is self-supported. The project is aimed not only at the development of algorithms and a robotic fabrication system, but also the exploration of the aesthetics of glass materials. In other words, this project investigates a flexible and adaptable framework in response to live sensor data for the design and fabrication of nonstandard spatial structures aggregated out of discrete spherical glass elements, and it further explores glass material aesthetic and perception of architecture.
keywords	Robotic Fabrication; Computational Design; Digital Craft
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:56

_id	artificial_intellicence2019_15
id	artificial_intellicence2019_15
authors	Antoine Picon
year	2020
title	What About Humans? Artificial Intelligence in Architecture
source	Architectural Intelligence Selected Papers from the 1st International Conference on Computational Design and Robotic Fabrication (CDRF 2019)
doi	https://doi.org/https://doi.org/10.1007/978-981-15-6568-7_2
summary	Artificial intelligence is about to reshape the architectural discipline. After discussing the relations between artificial intelligence and the broader question of automation in architecture, this article focuses on the future of the interaction between humans and intelligent machines. The way machines will understand architecture may be very different from the reading of humans. Since the Renaissance, the architectural discipline has defined itself as a conversation between different stakeholders, the designer, but also the clients and the artisans in charge of the realization of projects. How can this conversation be adapted to the rise of intelligent machines? Such a question is not only a matter of design effectiveness. It is inseparable from expressive and artistic issues. Just like the fascination of modernist architecture for industrialization was intimately linked to the quest for a new poetics of the discipline, our contemporary interest for artificial intelligence has to do with questions regarding the creative core of the architectural discipline.
series	Architectural Intelligence
email
last changed	2022/09/29 07:28

_id	ecaadesigradi2019_389
id	ecaadesigradi2019_389
authors	Mohite, Ashish, Kochneva, Mariia and Kotnik, Toni
year	2019
title	Speed of Deposition - Vehicle for structural and aesthetic expression in CAM
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 1, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 729-738
doi	https://doi.org/10.52842/conf.ecaade.2019.1.729
summary	This paper presents intermediate results of an experimental research directed towards development of a method that uses additive manufacturing technology as a generative agent in architectural design process. The primary technique is to variate speed of material deposition of a 3D printer in order to produce undetermined textural effects. These effects demonstrate local variation of material distribution, which is treated as a consequence of interaction between machining parameters and material properties. Current stage of inquiry is concerned with studying the impact of these textural artefacts on structure. Experiments demonstrate that manipulating distribution of matter locally results in more optimal structural performance, it solves printability issues of overhanging geometry without the need for additional supports and provides variation to the surface. The research suggests aesthetic and structural benefits of applying the developed method for mass-customized fabrication. It questions the linear thinking that is predominant in the field of 3D printing and provides an approach that articulates interaction between digital and material logics as it directs the formation of an object that is informed by both.
keywords	digital fabrication; digital craft; texture; ceramic 3D printing
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:58

_id	ecaadesigradi2019_359
id	ecaadesigradi2019_359
authors	Tsikoliya, Shota, Kovaøík, David, Vasko, Imro, Garajová, Petra, Varga, Adam and Osifová, Marketa
year	2019
title	InFoamed Matter - Robotic production and assembly of foam-injected structures
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 235-240
doi	https://doi.org/10.52842/conf.ecaade.2019.2.235
summary	Project InFoamed Matter works with foam and explores the internal logic of the material and develops a construction system based on fluidity and expansion. The basic unit of the system consists of two elements, that continuously exchange their roles in the construction process - the frame (controlling element made of paper or, in later development, from glass or carbon fiber cured in epoxy resin) and the expander (filling element consisting of 2k polyurethane foam). The expander fills up voids within the frame. While initially only the frame plays crucial structural role within a system, the expander being a filling element, eventually the hardening process switches the roles, hardened expander being the structural core and the frame being a form-defining tool. In later development, fiber frame creates a composite together with hardened expander, being able to resist both tension and compression forces. Project further proposes computational model, which generates positions and orientations for placing further components as well as a robotic fiber laying, assembly and injection system, which leads to novel automated construction system based on material behavior.
keywords	robotic fabrication; foam; materiality; robotic assembly
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:57

_id	ecaadesigradi2019_599
id	ecaadesigradi2019_599
authors	Özkar, Mine, Hamzao?lu, Begüm and Özgan, Sibel Yasemin
year	2019
title	A Historical Perspective to Fabrication in Architecture for Preserving Heritage
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 2, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 619-624
doi	https://doi.org/10.52842/conf.ecaade.2019.2.619
summary	Digital technologies have recently been at the forefront of the causal link between making and design. A growing number of architecture programs of universities incorporates fabrication to the educational environment, and even to the curriculum. Fabrication technology is now considered among the set of tools students are expected to acquire a basic knowledge of and skills in. Nevertheless, the pedagogical potential of fabrication in communicating traditions of making is underused in an oversight of the continuity of the relevant know-how. Our position is that traditions of making can be the subject matter of fabrication with the objective to remedy the role of fabrication tools in architectural history, sustainable architectural production, and in the field of digital heritage. In this paper, we report on two comparative studies that illustrate how the instrumental factors of two historical crafts can be articulated using fabrication.
keywords	computational design; craft; stone carving; tile mosaic
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:57

_id	acadia19_458
id	acadia19_458
authors	Bartosh, Amber; Anzalone, Phillip
year	2019
title	Experimental Applications of Virtual Reality in Design Education
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 458-467
doi	https://doi.org/10.52842/conf.acadia.2019.458
summary	By introducing rapid reproduction, algorithms, and complex formal configurations, the digital era of architecture began a revolution. Architects incorporated the computational capacity of the computer into the design process both as a tool and as a critical component of the theories and practice of architecture as a whole. As we move into what has been coined “the second digital turn,” a period in which digital integration is considered ubiquitous, how can we consider, prepare, and propel towards the next technological innovation to significantly inform design thinking, representation, and manifestation? What tools are available to investigate this speculative design future and how can they be implemented? If the integration of technology in architecture is now a given, perhaps the next digital design era is not just digital but virtual. As new technologies emerge the potential for integrating the virtual design world with our physical senses affords novel possibilities for interactive design, simulation, analysis and construction. Hybrid reality technologies including virtual reality (VR) and augmented reality (AR), embody the potential to supersede conventional representation methodologies such as drawing, rendering, physical modeling, and animation. As they become increasingly pervasive, they will transform how we communicate ideas and data as spatial concepts. Further, they will reform the construct of the built environment when applied to both materiality and fabrication. This paper will describe the incorporation of VR as a tool in various classroom and laboratory settings, recognize the educational outcomes of this incorporation, and identify the potential relationship of these technologies to future academic exploration and application to practice.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	ijac201917106
id	ijac201917106
authors	Brown, Nathan C. and Caitlin T. Mueller
year	2019
title	Design variable analysis and generation for performance-based parametric modeling in architecture
source	International Journal of Architectural Computing vol. 17 - no. 1, 36-52
summary	Many architectural designers recognize the potential of parametric models as a worthwhile approach to performance- driven design. A variety of performance simulations are now possible within computational design environments, and the framework of design space exploration allows users to generate and navigate various possibilities while considering both qualitative and quantitative feedback. At the same time, it can be difficult to formulate a parametric design space in a way that leads to compelling solutions and does not limit flexibility. This article proposes and tests the extension of machine learning and data analysis techniques to early problem setup in order to interrogate, modify, relate, transform, and automatically generate design variables for architectural investigations. Through analysis of two case studies involving structure and daylight, this article demonstrates initial workflows for determining variable importance, finding overall control sliders that relate directly to performance and automatically generating meaningful variables for specific typologies.
keywords	Parametric design, design space formulation, data analysis, design variables, dimensionality reduction
series	journal
email
last changed	2019/08/07 14:04

_id	caadria2019_447
id	caadria2019_447
authors	Cheng, Chi-Li and Hou, June-Hao
year	2019
title	Robotic Glass Crafting by Dip Forming
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 193-202
doi	https://doi.org/10.52842/conf.caadria.2019.1.193
summary	This research is to develop a robotic glass crafting dip-forming process by dip forming. Instead of employing molds, we utilize repetitive dip coating and gravity to shape the glass. In addition, its morphogenesis process is similar to the certain growth mechanisms in nature, such as geotropism and branching. During the forming process, melted glass is accumulated layer by layer gradually until the target geometry is completed. The process takes advantage of the precision of the industrial robotic arm and the viscosity property of the material. This process requires the custom-made tool to operate in high temperature and controlling the timing of heating and annealing to eliminate Z artifacts caused by layered deposition, achieving the crystal-clear effect of the glass craft without the post cure process after printing. In addition, the robotic arm provides a higher degree of freedom for forming. This research demonstrates glassworks in the organic form including variations in thickness and branching to test the proposed method.
keywords	robotic arm; glass craft; Digital Fabrication; additive manufacturing; dipping forming
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	caadria2021_089
id	caadria2021_089
authors	Cristie, Verina, Ibrahim, Nazim and Joyce, Sam Conrad
year	2021
title	Capturing and Evaluating Parametric Design Exploration in a Collaborative Environment - A study case of versioning for parametric design
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 2, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 131-140
doi	https://doi.org/10.52842/conf.caadria.2021.2.131
summary	Although parametric modelling and digital design tools have become ubiquitous in digital design, there is a limited understanding of how designers apply them in their design processes (Yu et al., 2014). This paper looks at the use of GHShot versioning tool developed by the authors (Cristie & Joyce, 2018; 2019) used to capture and track changes and progression of parametric models to understand early-stage design exploration and collaboration empirically. We introduce both development history graph-based metrics (macro-process) and parametric model and geometry change metric (micro-process) as frameworks to explore and understand the captured progression data. These metrics, applied to data collected from three cohorts of classroom collaborative design exercises, exhibited students' distinct modification patterns such as major and complex creation processes or minor parameter explorations. Finally, with the metrics' applicability as an objective language to describe the (collaborative) design process, we recommend using versioning for more data-driven insight into parametric design exploration processes.
keywords	Design exploration; parametric design; history recording; version control; collaborative design
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ecaadesigradi2019_376
id	ecaadesigradi2019_376
authors	Das, Avishek, Worre Foged, Isak, Jensen, Mads Brath and Hansson, Michael Natapon
year	2019
title	Collaborative Robotic Masonry and Early Stage Fatigue Prediction
source	Sousa, JP, Xavier, JP and Castro Henriques, G (eds.), Architecture in the Age of the 4th Industrial Revolution - Proceedings of the 37th eCAADe and 23rd SIGraDi Conference - Volume 3, University of Porto, Porto, Portugal, 11-13 September 2019, pp. 171-178
doi	https://doi.org/10.52842/conf.ecaade.2019.3.171
summary	The nature of craft has often been dictated by the type and nature of the tool. The authors intend to establish a new relationship between a mechanically articulated tool and a human through the development a symbiotic relationship between them. This study attempts to develop and deploy a framework for collaborative robotic masonry involving one mason and one industrial robotic arm. This study aims to study the harmful posture and muscular stress developed during the construction work and involve a robotic arm to aid the mason to reduce the cumulative damage to one's body. Through utilization of RGBD sensors and surface electromyography procedure the study develops a framework that distributes the task between the mason and robot. The kinematics and electromyography detects the fatigue and harmful postures and activates the robot to collaborate with the mason in the process.
keywords	interactive robotic fabrication; human robot collaboration; fatigue and pose estimation; masonry
series	eCAADeSIGraDi
email
last changed	2022/06/07 07:56

_id	caadria2019_478
id	caadria2019_478
authors	Fingrut, Adam, Crolla, Kristof and Lau, Darwin
year	2019
title	Automation Complexity - Brick By Brick
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 93-102
doi	https://doi.org/10.52842/conf.caadria.2019.1.093
summary	This paper discusses the assembly of brick structures with a Cable Driven Parallel Robot (CDPR). Explored is the impact of using computational design tools and the deployment of robotic equipment for the creation of an expanded architectural design space, based on the limits of material and equipment in place of a skilled labor force.
keywords	Cable-Robot; Construction Automation; Digital Fabrication; Construction Complexity; Non-Standard Architecture
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	acadia19_448
id	acadia19_448
authors	Hahm, Soomeen
year	2019
title	Augmented Craftsmanship
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 448-457
doi	https://doi.org/10.52842/conf.acadia.2019.448
summary	Over the past decade, we have witnessed rapid advancements on both practical and theoretical levels in regard to automated construction as a consequence of increasing sophistication of digital fabrication technologies such as robotics, 3D printing, etc. However, digital fabrication technology is often very limited when it comes to dealing with delicate and complex crafting processes. Although digital fabrication processes have become widely accessible and utilized across industries in recent times, there are still a number of fabrication techniques—which heavily rely on human labour—due to the complex nature of procedures and delicacy of materials. With this in mind, we need to ask ourselves if full automation is truly an ultimate goal, or if we need to (re)consider the role of humans in the architectural construction chain, as automation becomes more prevalent. We propose rethinking the role which human, machine, and computer have in construction— occupying the territory between purely automated, exclusively robotically-driven fabrication and highly crafted processes requiring human labour. This is to propose an alternative to reducing construction to fully automated assembly of simplified/discretized building parts, by appreciating physical properties of materials and nature of crafting processes. The research proposes a design-to-construction workflow pursued and enabled by augmented humans using AR devices. As a result, proposed workflows are tested on three prototypical inhabitable structure, aiming to be applicable to other projects in the near future, and to bridge the gap between purely automated construction processes on one hand, and craft-based, material-driven but labour-intensive processes on the other.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	acadia23_v2_340
id	acadia23_v2_340
authors	Huang, Lee-Su; Spaw, Gregory
year	2023
title	Augmented Reality Assisted Robotic: Tube Bending
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 2: Proceedings of the 43rd Annual Conference for the Association for Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9891764-0-3]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 340-349.
summary	The intent of this research is to study potential improvements and optimizations in the context of robotic fabrication paired with Augmented Reality (AR), leveraging the technology in the fabrication of the individual part, as well as guiding the larger assembly process. AR applications within the Architecture, Engineering, and Construction (AEC) industry have seen constant research and development as designers, fabricators, and contractors seek methods to reduce errors, minimize waste, and optimize efficiency to lower costs (Chi, Kang, and Wang 2013). Recent advancements have made the technology very accessible and feasible for use in the field, as demonstrated by seminal projects such as the Steampunk Pavilion in Tallinn, Estonia (Jahn, Newnham, and Berg 2022). These types of projects typically improve manual craft processes. They often provide projective guidelines, and make possible complex geometries that would otherwise be painstakingly slow to complete and require decades of artisanal experience (Jahn et al. 2019). Building upon a previously developed robotic tube bending workflow, our research implements a custom AR interface to streamline the bending process for multiple, large, complex parts with many bends, providing a pre-visualization of the expected fabrication process for safety and part-verification purposes. We demonstrate the utility of this AR overlay in the part fabrication setting and in an inadvertent, human-robot, collaborative process when parts push the fabrication method past its limits. The AR technology is also used to facilitate the assembly process of a spatial installation exploring a unique aesthetic with subtle bends, loops, knots, bundles, and weaves utilizing a rigid tube material.
series	ACADIA
type	paper
email
last changed	2024/12/20 09:12

_id	acadia19_50
id	acadia19_50
authors	Ibrahim, Nazim; Joyce, Sam Conrad
year	2019
title	User Directed Parametric Design for Option Exploration
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 50-59
doi	https://doi.org/10.52842/conf.acadia.2019.050
summary	The potential of parametric associative models to explore large ranges of different designs is limited by our ability to manually create and modify them. While computation has been successfully used to generate variations by optimizing input parameters, adding or changing ‘components’ and ‘links’ of these models has typically been manual and human driven. The intellectual overhead and challenges of manually creating and maintaining complex parametric models has limited their usefulness in early stages of design exploration, where a quicker and wider design search is preferred. Recent methods called Meta Parametric Design using Cartesian Genetic Programming (CGP) specifically tailored to operate on parametric models, allows computational generation and topological modification for parametric models. This paper proposes the refinement of Meta Parametric techniques to quickly generate and manipulate models with a higher level of control than existing; enabling a more natural human centric user-directed design exploration process. Opening new possibilities for the computer to act as a co-creator: able to generate its own novel solutions, steered at a high-level by user(s) and able to develop convergent or divergent solutions over an extended interaction session, replicating in a faster way a human design assistant.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:50

_id	acadia19_438
id	acadia19_438
authors	Jahn, Gwyllim; Wit, Andrew John; Pazzi, James
year	2019
title	[BENT]
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 438-447
doi	https://doi.org/10.52842/conf.acadia.2019.438
summary	Over the past two decades, advances in computation, digital fabrication, and robotics have opened up new avenues for the design and production of complex forms, emergent processes, as well as new levels of efficiency. Many of these methods, however, tend to focus on a specific tool, such as the industrial robotic arm. Due to their initial costs and space/power/safety requirements, difficulties associated in creating automated workflows and custom tooling, as well as the need for reliable/repeatable procedures, these tools are often out of reach for the average designer or design institution. Additionally, these tools are typically treated as methods of production rather than collaborators, leaving outcomes that can feel void of craft, with the appearance of a typical CNC-machined object. Rather than focusing on a specific production tool for manufacturing, this paper investigates a novel method for holographic handcraft-based production. This holographic augmentation—of simple and easily attainable analog tool sets—allows for the creation of extremely complex forms with high levels of precision in extremely short time frames. Through the lens of the recently completed steam-bent timber installation [BENT] produced at the Tyler School of Art, this paper discusses how Microsoft HoloLens in conjunction with the Fologram software plug-in can be integrated into the entirety of design and production processes as a means of producing a new typology of digital craft.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:52

_id	acadia19_664
id	acadia19_664
authors	Koshelyuk, Daniil; Talaei, Ardeshir; Garivani, Soroush; Markopoulou, Areti; Chronis, Angelo; Leon, David Andres; Krenmuller, Raimund
year	2019
title	Alive
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 664-673
doi	https://doi.org/10.52842/conf.acadia.2019.664
summary	In the context of data-driven culture, built space still maintains low responsiveness and adaptability. Part of this reality lies in the low resolution of live information we have about the behavior and condition of surfaces and materials. This research addresses this issue by exploring the development of a deformation-sensing composite membrane material system following a bottom-up approach and combining various technologies toward solving related technical issues—exploring conductivity properties of graphene and maximizing utilization within an architecture-related proof-of-concept scenario and a workflow including design, fabrication, and application methodology. Introduced simulation of intended deformation helps optimize the pattern of graphene nanoplatelets (GNP) to maximize membrane sensitivity to a specific deformation type while minimizing material usage. Research explores various substrate materials and graphene incorporation methods with initial geometric exploration. Finally, research introduces data collection and machine learning techniques to train recognition of certain types of deformation (single point touch) on resistance changes. The final prototype demonstrates stable and symmetric readings of resistance in a static state and, after training, exhibits an 88% prediction accuracy of membrane shape on a labeled sample data-set through a pre-trained neural network. The proposed framework consisting of a simulation based, graphene-capturing fabrication method on stretchable surfaces, and includes initial exploration in neural network training shape detection, which combined, demonstrate an advanced approach to embedding intelligence.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:51

_id	caadria2019_001
id	caadria2019_001
authors	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.)
year	2019
title	CAADRIA 2019: Intelligent & Informed, Volume 2
source	Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, 830 p.
doi	https://doi.org/10.52842/conf.caadria.2019.2
summary	The territories of computational design are ever-changing and represent a substantial region that remains uncharted; one with expanding and permeable boundaries that continue to be fully breached. This ocean of opportunity implores researchers to embark on ambitious journeys of exploration. Undulating and temporal, computational design needs research that engages explicitly with the innovative, intelligent and informed exploitation of computational design, and with the array of computational technologies that the discipline may engage with. Human intelligence and creativity deliver the hegemonic direction for the field of computer-mediated architectural design research; an area where the computational component is a core aspect of the investigation. The actors in this are both witness to, and instigators of, the exciting, consequent, well-founded research that continues to deliver new knowledge, insights and information. This, then, explains the specific overarching theme of the conference: ‘Intelligent and Informed’. The scope of this theme is driven by the intention to take in aspects of machine intelligence, and a wide range of potential research that engages with the intelligent exploitation of computer-mediated techniques in Architecture.
series	CAADRIA
last changed	2022/06/07 07:49

_id	caadria2019_000
id	caadria2019_000
authors	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.)
year	2019
title	CAADRIA 2019: Intelligent & Informed, Volume 1
source	Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, 830 p.
doi	https://doi.org/10.52842/conf.caadria.2019.1
summary	The territories of computational design are ever-changing and represent a substantial region that remains uncharted; one with expanding and permeable boundaries that continue to be fully breached. This ocean of opportunity implores researchers to embark on ambitious journeys of exploration. Undulating and temporal, computational design needs research that engages explicitly with the innovative, intelligent and informed exploitation of computational design, and with the array of computational technologies that the discipline may engage with. Human intelligence and creativity deliver the hegemonic direction for the field of computer-mediated architectural design research; an area where the computational component is a core aspect of the investigation. The actors in this are both witness to, and instigators of, the exciting, consequent, well-founded research that continues to deliver new knowledge, insights and information. This, then, explains the specific overarching theme of the conference: ‘Intelligent and Informed’. The scope of this theme is driven by the intention to take in aspects of machine intelligence, and a wide range of potential research that engages with the intelligent exploitation of computer-mediated techniques in Architecture.
series	CAADRIA
last changed	2022/06/07 07:49

For more results click below: