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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia20_436
id	acadia20_436
authors	Chun Hin Fong, Jacky; Long Wun Poon, Adabelle; Sze Ngan, Wing; Hei Ho, Chung; Goepel, Garvin; Crolla, Kristof
year	2020
title	Augmenting Craft with Mixed Reality
source	ACADIA 2020: Distributed Proximities / Volume I: Technical Papers [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95213-0]. Online and Global. 24-30 October 2020. edited by B. Slocum, V. Ago, S. Doyle, A. Marcus, M. Yablonina, and M. del Campo. 436-444.
doi	https://doi.org/10.52842/conf.acadia.2020.1.436
summary	This paper discusses novel methods for and advantages of integrating augmented reality (AR) and photogrammetry in hand clay-sculpting workflows. These techniques permit nontrained users to achieve higher precision during the sculpting process by holographically overlaying instructions from digital 3D source geometry on top of the sculpting material. By employing alternative notational systems in design implementation methods, the research positions itself in a postdigital context aimed at humanizing digital technologies. Throughout history, devices have been developed to increase production, such as Henry Dexter’s 1842 “Apparatus for Sculptors” for marble sculpting. Extrapolating from this, the workflow presented in this paper uses AR to overlay extracted information from 3D models directly onto the sculptor’s field of vision. This information can then become an AR-driven guidance system that assists the sculptor. Using the Microsoft HoloLens, holographic instructions are introduced in the production sequence, connecting the analog sculpture fabrication directly with a digital environment, thus augmenting the craftspeople’s agency. A series of AR-aided sculpting methods were developed and tested in a demonstrator case study project that created a small-scale clay copy of Henry Moore’s Sheep Piece (1971–1972). This paper demonstrates how user-friendly software and hardware tools have lowered the threshold for end users to develop new methods that straightforwardly facilitate and improve their crafts’ effectiveness and agency. This shows that the fusion of computational design technology and AR visualization technology can innovate a specific craft’s design and production workflow, opening the door for further application developments in more architecture-specific fabrication contexts.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

_id	acadia20_658
id	acadia20_658
authors	Ho, Brian
year	2020
title	Making a New City Image
source	ACADIA 2020: Distributed Proximities / Volume I: Technical Papers [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95213-0]. Online and Global. 24-30 October 2020. edited by B. Slocum, V. Ago, S. Doyle, A. Marcus, M. Yablonina, and M. del Campo. 658-667.
doi	https://doi.org/10.52842/conf.acadia.2020.1.658
summary	This paper explores the application of computer vision and machine learning to streetlevel imagery of cities, reevaluating past theory linking urban form to human perception. This paper further proposes a new method for design based on the resulting model, where a designer can identify areas of a city tied to certain perceptual qualities and generate speculative street scenes optimized for their predicted saliency on labels of human experience. This work extends Kevin Lynch’s Image of the City with deep learning: training an image classification model to recognize Lynch’s five elements of the city image, using Lynch’s original photographs and diagrams of Boston to construct labeled training data alongside new imagery of the same locations. This new city image revitalizes past attempts to quantify the human perception of urban form and improve urban design. A designer can search and map the data set to understand spatial opportunities and predict the quality of imagined designs through a dynamic process of collage, model inference, and adaptation. Within a larger practice of design, this work suggests that the curation of archival records, computer science techniques, and theoretical principles of urbanism might be integrated into a single craft. With a new city image, designers might “see” at the scale of the city, as well as focus on the texture, color, and details of urban life.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

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