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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	caadria2020_354
id	caadria2020_354
authors	Tomarchio, Ludovica, He, Peijun, Herthogs, Pieter and Tuncer, Bige
year	2020
title	Cultural-Smart City: Establishing New Data-informed Practices to Plan Culture in Cities
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 81-90
doi	https://doi.org/10.52842/conf.caadria.2020.2.081
summary	The idea of the Creative City has encouraged planners to develop cultural policies to support creative economies, city branding, urban identity and urban quality. On the other side, the concept of Smart City introduced the possibility to create, collect and analyse data to inform decisions on cities. The two city agendas overlap in different ways, creating a Smart cultural city nexus, that propose similar goals and mixed methodologies, like the possibility to inform planning processes with big data-based technologies. In line with this direction, we introduced conceptual and methodological tools: the first tool is the definition of Hybrid Art Spaces, the second tool is the Singapore Art Maps (SAM), which uses social media data to locate art venues in cities (Tomarchio et al. 2016); the third tool is the Social Media Art Model, which establishes a relationship between social media production and art venues features. While these tools have already shown interesting analytics outcomes (Tomarchio et al. 2016), it is important to validate their utility among practitioners and to set protocols of practices. This paper presents results from semi-structured interviews and a focus group, as a first step towards assessing the usefulness of our three tools for cultural planning practice.
keywords	social media; art; cultural planning; urban planning
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	ijac202018205
id	ijac202018205
authors	Ahlquist, Sean
year	2020
title	Negotiating human engagement and the fixity of computational design: Toward a performative design space for the differently-abled bodymind
source	International Journal of Architectural Computing vol. 18 - no. 2, 174-193
summary	Computational design affords agency: the ability to orchestrate the material, spatial, and technical architectural system. In this specific case, it occurs through enhanced, authored means to facilitate making and performance—typically driven by concerns of structural optimization, material use, and responsivity to environmental factors—of an atmospheric rather than social nature. At issue is the positioning of this particular manner of agency solely with the architect auteur. This abruptly halts—at the moment in which fabrication commences—the ability to amend, redefine, or newly introduce fundamentally transformational constituents and their interrelationships and, most importantly, to explore the possibility for extraordinary outcomes. When the architecture becomes a functional, social, and cultural entity, in the hands of the idealized abled-bodied user, agency—especially for one of an otherly body or mind—is long gone. Even an empathetic auteur may not be able to access the motivations of the differently-abled body and neuro- divergent mind, effectively locking the constraints of the design process, which creates an exclusionary system to those beyond the purview of said auteur. It can therefore be deduced that the mechanisms or authors of a conventional computational design process cannot eradicate the exclusionary reality of an architectural system. Agency is critical, yet a more expansive terminology for agent and agency is needed. The burden to conceive of capacities that will always be highly temporal, social, unpredictable, and purposefully unknown must be shifted far from the scope of the traditional directors of the architectural system. Agency, and who it is conferred upon, must function in a manner that dissolves the distinctions between the design, the action of designing, the author of design, and those subjected to it.
keywords	Adaptive environments, neurodiversity, inclusion, systems thinking, computational design, disability theory, material systems, design agency
series	journal
email
last changed	2020/11/02 13:34

_id	sigradi2020_668
id	sigradi2020_668
authors	Cenci, Laline Elisangela; Pires, Júlio César Pinheiro; Vieira, Stéphane Soares
year	2020
title	Measuring the experience of algorithmic thought digital analogue design in architecture teaching
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 668-675
summary	Due to constant technological developments, society’s priorities and cultural perspectives have changed, requiring a redefinition of experiences in education. In the field of architecture teaching, the transition from CAD (Computer-Aided Design) to the design systems in other digital media, such as the parametric design, can be observed. This article aims to demonstrate two analog-digital experiences in an architecture school. The methodology consisted of dividing the activities into three stages: analog, logical, and digital. The results are described through quantitative and qualitative data acquired in the experiences. The data allowed toreflect on the strategies adopted, lessons learned, and futures challenges.
keywords	Teaching-learning, Parametric Design, Design Script, Dynamo Studio
series	SIGraDi
email
last changed	2021/07/16 11:52

_id	acadia20_708
id	acadia20_708
authors	Charbel, Hadin; López Lobato, Déborah
year	2020
title	Between Signal and Noise
source	ACADIA 2020: Distributed Proximities / Volume I: Technical Papers [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95213-0]. Online and Global. 24-30 October 2020. edited by B. Slocum, V. Ago, S. Doyle, A. Marcus, M. Yablonina, and M. del Campo. 708-718.
doi	https://doi.org/10.52842/conf.acadia.2020.1.708
summary	Climate change continues to have noticeable and accelerated impacts on various territories. Previously predictable and recognizable patterns used by humans and nonhumans alike are perpetually being altered, turning localized signals into noise and effectively disrupting indigenous modes of life. While the use of certain technologies such as data collection, machine learning, and automation can render these otherwise patternless information streams into intelligible content, they are generally associated as being “territorializing,” as an increase in resolution generally lends itself to control, exploitation, and colonization. Contrarily, indigenous groups with long-lasting relationships that have evolved over time have distinct ways of reading and engaging with their contexts, developing sustainable practices that, while effective, are often overlooked as being compatible with contemporary tools. This paper examines how the use of traditionally territorializing technologies can be paired with indigenous knowledge and protocols in order to operate between signal and noise, rendering perverse changes in the landscape comprehensible while also presenting their applications as a facet for sociopolitical, cultural, and ecological adaptation. A methodology defined as “decoding” and “recoding” presents four distinct case studies in the Arctic, addressing various scales and targets with the aim of disrupting current trends in order to grant and/or retain autonomy through what can be read as a form of preservation via augmented adaptation.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

_id	caadria2020_316
id	caadria2020_316
authors	Czynska, Klara
year	2020
title	Computational Methods for Examining Reciprocal Relations between the Viewshed of Planned Facilities and Historical Dominants - Their integration within the cultural landscape
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 1, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 853-862
doi	https://doi.org/10.52842/conf.caadria.2020.1.853
summary	The article presents a methodology for the assessment of the impact of new buildings on the cultural landscape, in particular the exposure of historical landmarks. While using digital analysis and a 3D city model, the methodology examines reciprocal visual relations between historical and planned buildings. The following methods have been used: a) Visual Impact Size (VIS) which enables to determine a visual impact area and the degree of architectural facility domination in space; b) comparative analysis (cumulative viewshed) which enables to determine areas where viewsheds of new investment and historical buildings overlap; c) simulation of selected views from the level of human eyesight. The proposed landscape examination methodology has been presented using the case study of Katowice, Poland. The goal was to determine reciprocal relations between historical landmarks of the Silesia Museum and tall buildings planned in the vicinity. The study used a Digital Surface Model (DSM), a 3D city model. All simulations have been performed using software developed by the author (C++).
keywords	cumulative viewshed; digital cityscape analysis; historical dominants; visual impact; VIS method
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ecaade2022_368
id	ecaade2022_368
authors	Das, Avishek, Brunsgaard, Camilla and Madsen, Claus Brondgaard
year	2022
title	Understanding the AR-VR Based Architectural Design Workflow among Selected Danish Architecture Practices
source	Pak, B, Wurzer, G and Stouffs, R (eds.), Co-creating the Future: Inclusion in and through Design - Proceedings of the 40th Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2022) - Volume 1, Ghent, 13-16 September 2022, pp. 381–388
doi	https://doi.org/10.52842/conf.ecaade.2022.1.381
summary	Virtual reality (VR) and augmented reality (AR) have been proposed to be additional architectural design mediums for at least 25 years (Dagit, 1993). Despite rapid technical and technological development, it has not been adopted into architectural design practices as compared to academia and research. Surveys from the American Institute of Architects (AIA) and Royal Institutes of British Architects (RIBA) demonstrate the state of architectural practices; 72% of architects and 65% of architects respectively are not using any kind of virtual, augmented, or mixed reality in their practices(RIBA and Microsoft, 2018; Hampson, 2020). In this paper, the authors investigate the state of practices, issues, challenges, and opportunities of the utilization of virtual, augmented, and mixed realities in six architectural practices in the Danish context. Three of the practices are large architectural practices, one medium-sized practice specializing in institutional, healthcare and cultural architecture, and one firm designing private family houses, kindergartens, daycares and places for people with disability and, one experimental design studio. All these practices have used VR/AR in their projects to various degrees. In recent years Danish architectural practices have been involved in various VR/AR-based exhibitions, demonstrations, and tool developments to promote the usage of the same in design practice. Through a set of qualitative interviews with personnel from key architectural practices, the authors would like to demonstrate the present state of practices. The investigation explores the usage of VR and AR in Danish architecture practices by identifying challenges and opportunities regarding skill levels, architectural typology, use cases, toolchains, and workflow and shows similarities and differences between traditional and VR-based design processes. The main findings show how VR/AR-based visualization helps architects to perceive spatiality and also ushers creativity through immersion and overlays.
keywords	Virtual Reality, Augmented Reality, Architectural Design Practice, Denmark
series	eCAADe
email
last changed	2024/04/22 07:10

_id	acadia20_720
id	acadia20_720
authors	Farahi, Behnaz
year	2020
title	Can the subaltern speak?
source	ACADIA 2020: Distributed Proximities / Volume I: Technical Papers [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95213-0]. Online and Global. 24-30 October 2020. edited by B. Slocum, V. Ago, S. Doyle, A. Marcus, M. Yablonina, and M. del Campo. 720-729.
doi	https://doi.org/10.52842/conf.acadia.2020.1.720
summary	How could design be used as a method of interrogation for addressing larger cultural, social, or political issues? How could we explore the possibility of using emerging technologies such as robotics and artificial intelligence in order to subvert the status quo? The project presented in this paper is inspired by the historical masks, known as Niqab, worn by the Bandari women from southern Iran. It has been said that these masks were developed during Portuguese colonial rule as a way to protect the wearer from the gaze of slave masters looking for pretty women. In this project two robotic masks seemingly begin to develop their own language to communicate with each other, blinking their eyelashes in rapid succession, using Morse code generated by artificial intelligence (AI). The project draws on a Facebook experiment where two AI bots began to develop their own language. It also draws on an incident when an American soldier used his eyes to blink the word “TORTURE” using Morse code during his captivity in Vietnam, and stories of women using code to report domestic abuse during the COVID-19 lockdown. Here the “wink” of the sexual predator is subverted into a language to protect women from the advances of a predator. Through the lens of the design methodology that is referred to as “critical making,” this project bridges AI, interactive design, and critical thinking. Moreover, while most feminist discourse takes a Eurocentric view, this project addresses feminism from a non-Western perspective.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

_id	sigradi2021_151
id	sigradi2021_151
authors	Gameiro, Raquel and Paio, Alexandra
year	2021
title	IDEAS: Interactive Database for Experimental Architecture and Spatial Practices
source	Gomez, P and Braida, F (eds.), Designing Possibilities - Proceedings of the XXV International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2021), Online, 8 - 12 November 2021, pp. 643–655
summary	The interface of science and technology has become a fruitful transdisciplinary research field for spatial practices. To address this hybridization of space-related research, it is fundamental to ask what kind of practices are emerging within this context. To promote easy access and the dissemination of methodologies applied in innovative experimental spatial practices, the present study proposes the creation of a web-based Interactive Database for Experimental Architecture and Spatial Practices, IDEAS. Therefore, we will scope, observe, examine, and classify the digital cultural landscape in the 1960-2020 period. This paper describes the methodology applied to develop IDEAS.
keywords	Spatial practices, Data gathering, Taxonomy, Architecture Wiki, Interactive Repository
series	SIGraDi
email
last changed	2022/05/23 12:11

_id	sigradi2021_130
id	sigradi2021_130
authors	Hiilesmaa, Laura, Galbes Breda de Lima, Eduardo, Chieppe Carvalho, Leonardo, Wenzel Martins, Gisele and Vizioli, Simone Helena Tanoue
year	2021
title	Heritage Education: Computational Design of the Virtual Exhibition at the Cultural and Scientific Divulgation Center of USP
source	Gomez, P and Braida, F (eds.), Designing Possibilities - Proceedings of the XXV International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2021), Online, 8 - 12 November 2021, pp. 605–616
summary	During the current pandemic situation, in 2020/2021, there has been an increased need for easier remote access to cultural and heritage sites, especially on users’ smartphones and personal devices. The exhibition from the 40 years anniversary of the Cultural and Scientific Divulgation Center (CDCC) of the University of Sao Paulo (USP) was selected in order to accomplish the fundamental objectives of this study. The transition of its contents to digital media was enabled by three main technologies: 360° panoramic images, used broadly in the virtual tour; close-range photogrammetry for the creation of 3D models of objects, such as the bust of Dante Alighieri; and informative GIFs of the Transparent Woman of Dresden. As a result of the methodology proposed, this paper introduces a link with the virtual tour developed, presenting an important resource to spread a multidisciplinary knowledge about this meaningful built heritage of Sao Carlos (SP).
keywords	Fotogrametria, Imagens Panorâmicas 360°, Educaçao Patrimonial, Patrimônios Materiais, Tour Virtual 360°.
series	SIGraDi
email
last changed	2022/05/23 12:11

_id	acadia20_484
id	acadia20_484
authors	Kim, Namjoo; Otitigbe, Eto; Shannon, Caroline; Smith, Brian; Seyedahmadian, Alireza; Höweler, Eric; Yoon, J. Meejin; Marshall, Durham; Durham, James
year	2020
title	Parametric Photo V-Carve for Variable Surfaces
source	ACADIA 2020: Distributed Proximities / Volume I: Technical Papers [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95213-0]. Online and Global. 24-30 October 2020. edited by B. Slocum, V. Ago, S. Doyle, A. Marcus, M. Yablonina, and M. del Campo. 484-493.
doi	https://doi.org/10.52842/conf.acadia.2020.1.484
summary	This research project was part of the design and construction of the Memorial to Enslaved Laborers (MEL) at the University of Virginia (UVA). The MEL was dedicated to an estimated 4,000 enslaved persons who worked at UVA between 1817 and 1865. The 80-foot-diameter memorial is a tapered toroidal shape composed of 75 stone blocks. This project demonstrates how computational design tools along with robotic digital fabrication can be used to achieve unique social and experiential effects in an architectural application. The memorial’s design was informed by an extensive community engagement process that clarified the importance of including a visual representation of enslaved people on the memorial. With this input, the eyes of Isabella Gibbons were selected to be used as a symbolic representation of triumph on the outer wall of the memorial. The MEL project could not rely solely on prior methods or existing software applications to design and fabricate this portrait due to four particularities of the project: material, geometry, representation, and scale. To address these challenges, the MEL design team employed an interdisciplinary collaborative process to develop an innovative parametric design technique: parametric photo V-carve. This technique allowed the MEL design team to render a large-scale photo-realistic portrait into stone. This project demonstrates how the synthesis of artistic motivations, computational design, and robotic digital fabrication can develop unique expressions that shape personal and cultural experiences.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

_id	sigradi2022_113
id	sigradi2022_113
authors	Lobato Valdespino, Juan Carlos; Flores Romero, Jorge Humberto
year	2022
title	Digital-cultural inclusion ERT / VDS; workshop indigenous housing for Purépechas Autonomous Communities.
source	Herrera, PC, Dreifuss-Serrano, C, Gómez, P, Arris-Calderon, LF, Critical Appropriations - Proceedings of the XXVI Conference of the Iberoamerican Society of Digital Graphics (SIGraDi 2022), Universidad Peruana de Ciencias Aplicadas, Lima, 7-11 November 2022 , pp. 1053–1062
summary	Since March 2020, architecture schools in the world took significant decisions to abandon face-to-face learning; overnight, for security reasons, institutions around the world had to close their doors, confining professors, and students at home to teach online. Education before the Covid-19 pandemic was moving towards digitalization and online teaching, so the emergency exponentially detonated this phenomenon, bringing the Virtual Design Studio (Virtual Design Studio, VDS) as a practical-pedagogical option for distance education. Therefore, defining the concept of Emergency Remote Teaching (ERT). Firstly, the identification and intercession of the previous notions, this work approaches an applicative case with the realization of a workshop, which under the modality Multilevel Workshop -also called Vertical Workshop-, the Faculty of Architecture of the UMSNH proposed to integrate knowledge, skills, and competences under the scheme of Problem Based Learning (PBL).
keywords	ERT, VDS, Design, Habitat, Architecture
series	SIGraDi
email
last changed	2023/05/16 16:57

_id	sigradi2020_81
id	sigradi2020_81
authors	Machado, Gabriela Pires; Freitas, Kamila Pacheco Louro; Sousa, Luísa Antunes de; Favre, Michelle Mayrink; Correa, Pedro Henrique Passos; Oliveira, Thais Gonçalves de; Calais, Victoria Mansur de
year	2020
title	DIGITAL ARCHAEOLOGY, FORENSIC ARCHITECTURE AND INTERACTIVE MODELS AS TOOLS OF RECONSTITUTION OF HISTORICAL MEMORY: The Human Rights Memorial of Minas Gerais Project (Brazil)
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 81-88
summary	This paper discusses how history, archaeology, and architecture can work together within restoration and interpretation of older buildings in a multidisciplinary and technologic way - especially in territorial contexts of human rights violations. In the last decades, a lot of softwares, tools, and interfaces have emerged with the possibility to connect hypermedia languages, simulating spatial narratives of cultural heritage in virtual reality. This paper addresses these new methodologies of representation of history and memory through projects and case studies of the Human Rights Memorial of Minas Gerais.
keywords	Forensic Architecture, Informational model, Digital archeology, Human rights, Places of Memory
series	SIGraDi
email
last changed	2021/07/16 11:48

_id	acadia23_v3_111
id	acadia23_v3_111
authors	Markopoulou, Areti
year	2023
title	Urban Mining: Material Resources for Circular Construction
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 3: Proceedings of the 43rd Annual Conference for the Association for Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9891764-1-0]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 24-32.
summary	The material balance of the Earth is being challenged. The year 2020 was marked as the year when the total weight of human-made materials globally surpassed the weight of all life on Earth, while it is estimated that in the years to come the growth rate of mass added to the anthroposphere will increase exponentially (Elhacham et al., 2020). In this context of hypergrowth coupled with the climate emergency, the growing rate of urbanization and the increasing social and political awareness on the matters of the Anthropocene, the topics of resource depletion or insufficiency are being reframed. This keynote lecture at ACADIA 2023 highlights the importance of redefining resources and is introducing a new cultural, design and construction paradigm. Operating from an abundance mindset rather than from scarcity (Gausa et al., 2020) presents a new paradigm, particularly relevant in the design and production of the built environment. This approach expands the definition of resources, encompassing raw, non-raw, renewable, and recyclable materials. Shifting attention to the Anthroposphere as a source rather than just a destination for processed goods has the potential to disrupt linear design patterns and enhance circularity in cities and the built environment.
series	ACADIA
type	keynote
email
last changed	2024/04/17 13:59

_id	ijac202018204
id	ijac202018204
authors	Nathansohn, Nof; Molly Mason, David Allen White, Hugh Timothy Ebdy, Yaara Yacoby, Hila Sharabi, and Lawrence Sass
year	2020
title	Design for disassembly: Using temporary fabrication for land politics in the Negev
source	International Journal of Architectural Computing vol. 18 - no. 2, 155-173
summary	Political conflicts have increasingly displaced people from their homes, necessitating various forms of temporary structures and housing. However, these shelters are often one-size-fits-all and do not take into account the individual requirements, family structures, or cultural needs of these communities. This article explores how digital fabrication can be used to empower disenfranchised communities to act as their own architects. Because the police demolish the structures in Al Araqib every 3 weeks, the residents have to rebuild their structures, and appropriate architecture as a resistance tool, and not only as a housing solution. This circumstance allows us to develop a structure designed primarily for the condition of rapid disassembly that can additionally be produced with a low-tech setup of a mobile computer numerical control router. Through this case study with the Bedouin village Al Araqib in the Negev Desert, we introduce the term community-specific design, present our methodology for designing and fabricating a temporary structure in collaboration with the community, and outline the logistics for a future mobile infrastructure. Beyond aiding the Bedouin’s fight for justice, our intention as designers, acutely aware of the power of technology and architecture, is to harness both physical and digital tools in an effort to create innovative systems that can be leveraged by unrecognized populations struggling for cultural survival.
keywords	Digital fabrication, temporary structur
series	journal
email
last changed	2020/11/02 13:34

_id	sigradi2020_418
id	sigradi2020_418
authors	Neto, Olavo Avalone; Avalone, Marianne Costa
year	2020
title	CAPTURING THE ENVIRONMENT: using photogrammetry to register the built environment for simulation
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 418-424
summary	This study tested two forms of data gathering, three different methods of data registration, and two of modeling for the creation of 3D models of heritage landmarks. The applications on elements of three different scales were tested, a Cathedral, a Monument, and an Art Panel. The open-source Meshroom resulted in the best model in measures of mesh detail, reconstruction capability, and mesh refinement, regardless of the data acquisition method. Results may aid researchers and designers in choosing a workflow that suits their needs developing the best model possible, according to the tools they have at their disposal.
keywords	Photogrammetry, Mesh modeling, Reality capture, Cultural heritage, 3D models
series	SIGraDi
email
last changed	2021/07/16 11:49

_id	acadia23_v1_242
id	acadia23_v1_242
authors	Noel, Vernelle A.
year	2023
title	Carnival + AI: Heritage, Immersive virtual spaces, and Machine Learning
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 242-245.
summary	Built on a Situated Computations framework, this project explores preservation, reconfiguration, and presentation of heritage through immersive virtual experiences, and machine learning for new understandings and possibilities (Noel 2020; 2017; Leach and Campo 2022; Leach 2021). Using the Trinidad and Tobago Carnival - hereinafter referred to as Carnival - as a case study, Carnival + AI is a series of immersive experiences in design, culture, and artificial intelligence (AI). These virtual spaces create new digital modes of engaging with cultural heritage and reimagined designs of traditional sculptures in the Carnival (Noel 2021). The project includes three virtual events that draw on real events in the Carnival: (1) the Virtual Gallery, which builds on dancing sculptures in the Carnival and showcases AI-generated designs; (2) Virtual J’ouvert built on J’ouvert in Carnival with AI-generated J’ouvert characters specific; and (3) Virtual Mas which builds on the masquerade.
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	ecaade2020_138
id	ecaade2020_138
authors	Patel, Sayjel Vijay, Tchakerian, Raffi, Lemos Morais, Renata, Zhang, Jie and Cropper, Simon
year	2020
title	The Emoting City - Designing feeling and artificial empathy in mediated environments
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 2, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 261-270
doi	https://doi.org/10.52842/conf.ecaade.2020.2.261
summary	This paper presents a theoretical blueprint for implementing artificial empathy into the built environment. Transdisciplinary design principles have oriented the creation of a new model for autonomous environments integrating psychology, architecture, digital media, affective computing and interactive UX design. 'The Emoting City', an interactive installation presented at the 2019 Shenzhen Bi-City Biennale of Urbanism/Architecture, is presented as a first step to explore how to engage AI-driven sensing by integrating human perception, cognition and behaviour in a real-world scenario. The approach described encompasses two main elements: embedded cyberception and responsive surfaces. Its human-AI interface enables new modes of blended interaction that are conducive to self-empathy and insight. It brings forth a new proposition for the development of sensing systems that go beyond social robotics into the field of artificial empathy. The installation innovates in the design of seamless affective computing that combines 'alloplastic' and 'autoplastic' architectures. We believe that our research signals the emergence of a potential revolution in responsive environments, offering a glimpse into the possibility of designing intelligent spaces with the ability to sense, inform and respond to human emotional states in ways that promote personal, cultural and social evolution.
keywords	Artificial Intelligence; Responsive Architecture; Affective Computation; Human-AI Interfaces; Artificial Empathy
series	eCAADe
email
last changed	2022/06/07 07:59

_id	sigradi2020_23
id	sigradi2020_23
authors	Patino Mazo, Ever; Vélez-Granda, Sandra Marcela; Jaramillo Florez, Juan David
year	2020
title	Translation of cultural patterns through a "design for emotions" tool and the "Pre-inventive forms" method, into handicraft product design with cultural identity
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 23-30
summary	Based on the premise that the form generation phase in the design of handicraft products is one of the most complexes, the article proposes the use of the "Roles of products and users expectations" model by Jacob-Dazarola (2015), and “Pre-inventive 2D and 3D forms” method based on Finke (1993). The methods are evidenced in a case study, in which five handicraft product projects were developed, based on the cultural identity of Guapi, a town in the Colombian Pacific.
keywords	Design for emotions, participatory observation, cultural patterns, pre-inventive forms, handicraft
series	SIGraDi
email
last changed	2021/07/16 11:48

_id	artificial_intellicence2019_31
id	artificial_intellicence2019_31
authors	Patrik Schumacher and Xuexin Duan
year	2020
title	An Architecture for Cyborg Super-Society
source	Architectural Intelligence Selected Papers from the 1st International Conference on Computational Design and Robotic Fabrication (CDRF 2020)
doi	https://doi.org/https://doi.org/10.1007/978-981-15-6568-7_3
summary	This paper embraces the future-open, anti-humanist sensibility of cyborgism from a societal perspective and locates the origin of the ongoing historical transformation of human identities and ways of life in the technology-induced transformation of societal communication dynamics. The evolution of language, and later of writing systems, is identified as crucial empowering engines of human productive cooperation and cultural evolution. Equally crucial for collective human selftransformation is the ever-evolving construction of artificial environments. Built environments are as much a human universal as language and all societal evolution depends on them as frames within which an increasingly complex social order can emerge and evolve. They constitute an indispensable material substrate of societal evolution. These built environments do not only function as physical ordering channels but also operate as information-rich spatio-visual languages, as a form of writing. This insight opens up the project of architectural semiology as task to radically upgrade the communicative capacity of the built environment via deliberate design efforts that understand the design of built environments primarily as the design of an eloquent text formulated by an expressive architectural language. The paper ends with a critical description of a recent academic design research project illustrating how such a semiological project can be conceived. Extrapolating from this leads the authors to speculate about a potentially far-reaching, new medium of communication and means of societal integration, facilitating a ‘cyborg super-society’.
series	Architectural Intelligence
email
last changed	2022/09/29 07:28

_id	sigradi2020_816
id	sigradi2020_816
authors	Perez-Espitia, Diego
year	2020
title	Field of lines. From architecture to art, and back
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 816-823
summary	From architecture to art, and back to architecture: this research interrogates the potential of computation to bridge between both disciplines. The endeavour is twofold, a body of drawings is produced through algorithms that translate cultural and natural events into thousands of lines. Further on, these drawings are used to delineate a procedure in order to give rise to experimental buildings. By means of applying organizational principles outlined in the notion of fields, and the use of non-deterministic algorithms, a method to generate architecture from the realm of the visual arts is explored.
keywords	Algorithm, Drawing, Architecture, Generative, Art
series	SIGraDi
email
last changed	2021/07/16 11:53

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