Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 20 of 326

Reformat results as: short short into frame detailed detailed into frame

_id	sigradi2020_668
id	sigradi2020_668
authors	Cenci, Laline Elisangela; Pires, Júlio César Pinheiro; Vieira, Stéphane Soares
year	2020
title	Measuring the experience of algorithmic thought digital analogue design in architecture teaching
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 668-675
summary	Due to constant technological developments, society’s priorities and cultural perspectives have changed, requiring a redefinition of experiences in education. In the field of architecture teaching, the transition from CAD (Computer-Aided Design) to the design systems in other digital media, such as the parametric design, can be observed. This article aims to demonstrate two analog-digital experiences in an architecture school. The methodology consisted of dividing the activities into three stages: analog, logical, and digital. The results are described through quantitative and qualitative data acquired in the experiences. The data allowed toreflect on the strategies adopted, lessons learned, and futures challenges.
keywords	Teaching-learning, Parametric Design, Design Script, Dynamo Studio
series	SIGraDi
email
last changed	2021/07/16 11:52

_id	caadria2020_316
id	caadria2020_316
authors	Czynska, Klara
year	2020
title	Computational Methods for Examining Reciprocal Relations between the Viewshed of Planned Facilities and Historical Dominants - Their integration within the cultural landscape
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 1, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 853-862
doi	https://doi.org/10.52842/conf.caadria.2020.1.853
summary	The article presents a methodology for the assessment of the impact of new buildings on the cultural landscape, in particular the exposure of historical landmarks. While using digital analysis and a 3D city model, the methodology examines reciprocal visual relations between historical and planned buildings. The following methods have been used: a) Visual Impact Size (VIS) which enables to determine a visual impact area and the degree of architectural facility domination in space; b) comparative analysis (cumulative viewshed) which enables to determine areas where viewsheds of new investment and historical buildings overlap; c) simulation of selected views from the level of human eyesight. The proposed landscape examination methodology has been presented using the case study of Katowice, Poland. The goal was to determine reciprocal relations between historical landmarks of the Silesia Museum and tall buildings planned in the vicinity. The study used a Digital Surface Model (DSM), a 3D city model. All simulations have been performed using software developed by the author (C++).
keywords	cumulative viewshed; digital cityscape analysis; historical dominants; visual impact; VIS method
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	sigradi2021_151
id	sigradi2021_151
authors	Gameiro, Raquel and Paio, Alexandra
year	2021
title	IDEAS: Interactive Database for Experimental Architecture and Spatial Practices
source	Gomez, P and Braida, F (eds.), Designing Possibilities - Proceedings of the XXV International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2021), Online, 8 - 12 November 2021, pp. 643–655
summary	The interface of science and technology has become a fruitful transdisciplinary research field for spatial practices. To address this hybridization of space-related research, it is fundamental to ask what kind of practices are emerging within this context. To promote easy access and the dissemination of methodologies applied in innovative experimental spatial practices, the present study proposes the creation of a web-based Interactive Database for Experimental Architecture and Spatial Practices, IDEAS. Therefore, we will scope, observe, examine, and classify the digital cultural landscape in the 1960-2020 period. This paper describes the methodology applied to develop IDEAS.
keywords	Spatial practices, Data gathering, Taxonomy, Architecture Wiki, Interactive Repository
series	SIGraDi
email
last changed	2022/05/23 12:11

_id	sigradi2021_130
id	sigradi2021_130
authors	Hiilesmaa, Laura, Galbes Breda de Lima, Eduardo, Chieppe Carvalho, Leonardo, Wenzel Martins, Gisele and Vizioli, Simone Helena Tanoue
year	2021
title	Heritage Education: Computational Design of the Virtual Exhibition at the Cultural and Scientific Divulgation Center of USP
source	Gomez, P and Braida, F (eds.), Designing Possibilities - Proceedings of the XXV International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2021), Online, 8 - 12 November 2021, pp. 605–616
summary	During the current pandemic situation, in 2020/2021, there has been an increased need for easier remote access to cultural and heritage sites, especially on users’ smartphones and personal devices. The exhibition from the 40 years anniversary of the Cultural and Scientific Divulgation Center (CDCC) of the University of Sao Paulo (USP) was selected in order to accomplish the fundamental objectives of this study. The transition of its contents to digital media was enabled by three main technologies: 360° panoramic images, used broadly in the virtual tour; close-range photogrammetry for the creation of 3D models of objects, such as the bust of Dante Alighieri; and informative GIFs of the Transparent Woman of Dresden. As a result of the methodology proposed, this paper introduces a link with the virtual tour developed, presenting an important resource to spread a multidisciplinary knowledge about this meaningful built heritage of Sao Carlos (SP).
keywords	Fotogrametria, Imagens Panorâmicas 360°, Educaçao Patrimonial, Patrimônios Materiais, Tour Virtual 360°.
series	SIGraDi
email
last changed	2022/05/23 12:11

_id	acadia20_484
id	acadia20_484
authors	Kim, Namjoo; Otitigbe, Eto; Shannon, Caroline; Smith, Brian; Seyedahmadian, Alireza; Höweler, Eric; Yoon, J. Meejin; Marshall, Durham; Durham, James
year	2020
title	Parametric Photo V-Carve for Variable Surfaces
source	ACADIA 2020: Distributed Proximities / Volume I: Technical Papers [Proceedings of the 40th Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-95213-0]. Online and Global. 24-30 October 2020. edited by B. Slocum, V. Ago, S. Doyle, A. Marcus, M. Yablonina, and M. del Campo. 484-493.
doi	https://doi.org/10.52842/conf.acadia.2020.1.484
summary	This research project was part of the design and construction of the Memorial to Enslaved Laborers (MEL) at the University of Virginia (UVA). The MEL was dedicated to an estimated 4,000 enslaved persons who worked at UVA between 1817 and 1865. The 80-foot-diameter memorial is a tapered toroidal shape composed of 75 stone blocks. This project demonstrates how computational design tools along with robotic digital fabrication can be used to achieve unique social and experiential effects in an architectural application. The memorial’s design was informed by an extensive community engagement process that clarified the importance of including a visual representation of enslaved people on the memorial. With this input, the eyes of Isabella Gibbons were selected to be used as a symbolic representation of triumph on the outer wall of the memorial. The MEL project could not rely solely on prior methods or existing software applications to design and fabricate this portrait due to four particularities of the project: material, geometry, representation, and scale. To address these challenges, the MEL design team employed an interdisciplinary collaborative process to develop an innovative parametric design technique: parametric photo V-carve. This technique allowed the MEL design team to render a large-scale photo-realistic portrait into stone. This project demonstrates how the synthesis of artistic motivations, computational design, and robotic digital fabrication can develop unique expressions that shape personal and cultural experiences.
series	ACADIA
type	paper
email
last changed	2023/10/22 12:06

_id	sigradi2022_113
id	sigradi2022_113
authors	Lobato Valdespino, Juan Carlos; Flores Romero, Jorge Humberto
year	2022
title	Digital-cultural inclusion ERT / VDS; workshop indigenous housing for Purépechas Autonomous Communities.
source	Herrera, PC, Dreifuss-Serrano, C, Gómez, P, Arris-Calderon, LF, Critical Appropriations - Proceedings of the XXVI Conference of the Iberoamerican Society of Digital Graphics (SIGraDi 2022), Universidad Peruana de Ciencias Aplicadas, Lima, 7-11 November 2022 , pp. 1053–1062
summary	Since March 2020, architecture schools in the world took significant decisions to abandon face-to-face learning; overnight, for security reasons, institutions around the world had to close their doors, confining professors, and students at home to teach online. Education before the Covid-19 pandemic was moving towards digitalization and online teaching, so the emergency exponentially detonated this phenomenon, bringing the Virtual Design Studio (Virtual Design Studio, VDS) as a practical-pedagogical option for distance education. Therefore, defining the concept of Emergency Remote Teaching (ERT). Firstly, the identification and intercession of the previous notions, this work approaches an applicative case with the realization of a workshop, which under the modality Multilevel Workshop -also called Vertical Workshop-, the Faculty of Architecture of the UMSNH proposed to integrate knowledge, skills, and competences under the scheme of Problem Based Learning (PBL).
keywords	ERT, VDS, Design, Habitat, Architecture
series	SIGraDi
email
last changed	2023/05/16 16:57

_id	sigradi2020_81
id	sigradi2020_81
authors	Machado, Gabriela Pires; Freitas, Kamila Pacheco Louro; Sousa, Luísa Antunes de; Favre, Michelle Mayrink; Correa, Pedro Henrique Passos; Oliveira, Thais Gonçalves de; Calais, Victoria Mansur de
year	2020
title	DIGITAL ARCHAEOLOGY, FORENSIC ARCHITECTURE AND INTERACTIVE MODELS AS TOOLS OF RECONSTITUTION OF HISTORICAL MEMORY: The Human Rights Memorial of Minas Gerais Project (Brazil)
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 81-88
summary	This paper discusses how history, archaeology, and architecture can work together within restoration and interpretation of older buildings in a multidisciplinary and technologic way - especially in territorial contexts of human rights violations. In the last decades, a lot of softwares, tools, and interfaces have emerged with the possibility to connect hypermedia languages, simulating spatial narratives of cultural heritage in virtual reality. This paper addresses these new methodologies of representation of history and memory through projects and case studies of the Human Rights Memorial of Minas Gerais.
keywords	Forensic Architecture, Informational model, Digital archeology, Human rights, Places of Memory
series	SIGraDi
email
last changed	2021/07/16 11:48

_id	ijac202018204
id	ijac202018204
authors	Nathansohn, Nof; Molly Mason, David Allen White, Hugh Timothy Ebdy, Yaara Yacoby, Hila Sharabi, and Lawrence Sass
year	2020
title	Design for disassembly: Using temporary fabrication for land politics in the Negev
source	International Journal of Architectural Computing vol. 18 - no. 2, 155-173
summary	Political conflicts have increasingly displaced people from their homes, necessitating various forms of temporary structures and housing. However, these shelters are often one-size-fits-all and do not take into account the individual requirements, family structures, or cultural needs of these communities. This article explores how digital fabrication can be used to empower disenfranchised communities to act as their own architects. Because the police demolish the structures in Al Araqib every 3 weeks, the residents have to rebuild their structures, and appropriate architecture as a resistance tool, and not only as a housing solution. This circumstance allows us to develop a structure designed primarily for the condition of rapid disassembly that can additionally be produced with a low-tech setup of a mobile computer numerical control router. Through this case study with the Bedouin village Al Araqib in the Negev Desert, we introduce the term community-specific design, present our methodology for designing and fabricating a temporary structure in collaboration with the community, and outline the logistics for a future mobile infrastructure. Beyond aiding the Bedouin’s fight for justice, our intention as designers, acutely aware of the power of technology and architecture, is to harness both physical and digital tools in an effort to create innovative systems that can be leveraged by unrecognized populations struggling for cultural survival.
keywords	Digital fabrication, temporary structur
series	journal
email
last changed	2020/11/02 13:34

_id	sigradi2020_418
id	sigradi2020_418
authors	Neto, Olavo Avalone; Avalone, Marianne Costa
year	2020
title	CAPTURING THE ENVIRONMENT: using photogrammetry to register the built environment for simulation
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 418-424
summary	This study tested two forms of data gathering, three different methods of data registration, and two of modeling for the creation of 3D models of heritage landmarks. The applications on elements of three different scales were tested, a Cathedral, a Monument, and an Art Panel. The open-source Meshroom resulted in the best model in measures of mesh detail, reconstruction capability, and mesh refinement, regardless of the data acquisition method. Results may aid researchers and designers in choosing a workflow that suits their needs developing the best model possible, according to the tools they have at their disposal.
keywords	Photogrammetry, Mesh modeling, Reality capture, Cultural heritage, 3D models
series	SIGraDi
email
last changed	2021/07/16 11:49

_id	acadia23_v1_242
id	acadia23_v1_242
authors	Noel, Vernelle A.
year	2023
title	Carnival + AI: Heritage, Immersive virtual spaces, and Machine Learning
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 242-245.
summary	Built on a Situated Computations framework, this project explores preservation, reconfiguration, and presentation of heritage through immersive virtual experiences, and machine learning for new understandings and possibilities (Noel 2020; 2017; Leach and Campo 2022; Leach 2021). Using the Trinidad and Tobago Carnival - hereinafter referred to as Carnival - as a case study, Carnival + AI is a series of immersive experiences in design, culture, and artificial intelligence (AI). These virtual spaces create new digital modes of engaging with cultural heritage and reimagined designs of traditional sculptures in the Carnival (Noel 2021). The project includes three virtual events that draw on real events in the Carnival: (1) the Virtual Gallery, which builds on dancing sculptures in the Carnival and showcases AI-generated designs; (2) Virtual J’ouvert built on J’ouvert in Carnival with AI-generated J’ouvert characters specific; and (3) Virtual Mas which builds on the masquerade.
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	ecaade2020_138
id	ecaade2020_138
authors	Patel, Sayjel Vijay, Tchakerian, Raffi, Lemos Morais, Renata, Zhang, Jie and Cropper, Simon
year	2020
title	The Emoting City - Designing feeling and artificial empathy in mediated environments
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 2, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 261-270
doi	https://doi.org/10.52842/conf.ecaade.2020.2.261
summary	This paper presents a theoretical blueprint for implementing artificial empathy into the built environment. Transdisciplinary design principles have oriented the creation of a new model for autonomous environments integrating psychology, architecture, digital media, affective computing and interactive UX design. 'The Emoting City', an interactive installation presented at the 2019 Shenzhen Bi-City Biennale of Urbanism/Architecture, is presented as a first step to explore how to engage AI-driven sensing by integrating human perception, cognition and behaviour in a real-world scenario. The approach described encompasses two main elements: embedded cyberception and responsive surfaces. Its human-AI interface enables new modes of blended interaction that are conducive to self-empathy and insight. It brings forth a new proposition for the development of sensing systems that go beyond social robotics into the field of artificial empathy. The installation innovates in the design of seamless affective computing that combines 'alloplastic' and 'autoplastic' architectures. We believe that our research signals the emergence of a potential revolution in responsive environments, offering a glimpse into the possibility of designing intelligent spaces with the ability to sense, inform and respond to human emotional states in ways that promote personal, cultural and social evolution.
keywords	Artificial Intelligence; Responsive Architecture; Affective Computation; Human-AI Interfaces; Artificial Empathy
series	eCAADe
email
last changed	2022/06/07 07:59

_id	sigradi2020_23
id	sigradi2020_23
authors	Patino Mazo, Ever; Vélez-Granda, Sandra Marcela; Jaramillo Florez, Juan David
year	2020
title	Translation of cultural patterns through a "design for emotions" tool and the "Pre-inventive forms" method, into handicraft product design with cultural identity
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 23-30
summary	Based on the premise that the form generation phase in the design of handicraft products is one of the most complexes, the article proposes the use of the "Roles of products and users expectations" model by Jacob-Dazarola (2015), and “Pre-inventive 2D and 3D forms” method based on Finke (1993). The methods are evidenced in a case study, in which five handicraft product projects were developed, based on the cultural identity of Guapi, a town in the Colombian Pacific.
keywords	Design for emotions, participatory observation, cultural patterns, pre-inventive forms, handicraft
series	SIGraDi
email
last changed	2021/07/16 11:48

_id	sigradi2020_816
id	sigradi2020_816
authors	Perez-Espitia, Diego
year	2020
title	Field of lines. From architecture to art, and back
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 816-823
summary	From architecture to art, and back to architecture: this research interrogates the potential of computation to bridge between both disciplines. The endeavour is twofold, a body of drawings is produced through algorithms that translate cultural and natural events into thousands of lines. Further on, these drawings are used to delineate a procedure in order to give rise to experimental buildings. By means of applying organizational principles outlined in the notion of fields, and the use of non-deterministic algorithms, a method to generate architecture from the realm of the visual arts is explored.
keywords	Algorithm, Drawing, Architecture, Generative, Art
series	SIGraDi
email
last changed	2021/07/16 11:53

_id	sigradi2020_549
id	sigradi2020_549
authors	Rodríguez-Velásquez, Maribel
year	2020
title	Socio-technical interactions in the relationship between social movements and internet: a review of the state of the art and the theoretical framework
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 549-554
summary	The paper recognizes the relationship between social movements and internet how new practices of resistance through technological appropriation (Castells, 2012). This social interaction mediated by technology, understood as socio-technical interaction, establish new dynamics between human-technology-human and other heterogeneous actants (Latour, 2008), such as power and counter-power institutions that also connect to the socio-technical network. Therefore, the studies about digital interaction of the instrumental line are expanded, towards an understanding of socio-technical interactions, from the dynamics of design/use interconnected with cultural, political and economic contexts (Scolari, 2004, 2019), because the technology must satisfy social needs.
keywords	Socio-technical interaction, Social movements, Internet, Human-Computer Interaction, Socio- technical network
series	SIGraDi
email
last changed	2021/07/16 11:52

_id	caadria2020_189
id	caadria2020_189
authors	Rushton, Hannah and Schnabel, Marc Aurel
year	2020
title	Exhibiting Digital Heritage - The Curation of Un-Mediated Experiences in Museums
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 193-202
doi	https://doi.org/10.52842/conf.caadria.2020.2.193
summary	The aim of this paper is to examine how a museum exhibition can allow barrier-free access and engagement of visitors. This paper will discuss Immersive Legacies, an exhibition that presented the digital documentation and virtual representations of a significant heritage building, both physically and in virtual reality. Through the examination of the exhibition, Immersive Legacies and its broader museological context, this paper will discuss the emergence of these technologies in museums and its relation to the Anthropocene epoch. In an age of rapid advancement and destruction, it becomes essential to preserve heritage sites, architecture and cultural objects. Furthermore, connection and communication were, and continue to be facilitated by the technologies that began in the Anthropocene epoch. As a result of this era, heritage can be experienced anytime and anywhere, although it remains vital for citizens to have the opportunity to experience it in museums. In turn, this paper will examine how these technologies can be to help citizens understand and engage with heritage and the past in museums - now and in the future.
keywords	Digital Heritage; Museums; Digital Technology; Un-Mediated heritage; Virtual Reality
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	ecaade2020_498
id	ecaade2020_498
authors	Sousa, Megg and Paio, Alexandra
year	2020
title	Pattern-driven Design for Small Public Spaces - An analysis of pattern books and toolboxes
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 2, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 491-498
doi	https://doi.org/10.52842/conf.ecaade.2020.2.491
summary	Urban spatial patterns that can enhance the city's cultural, social, environmental, material and structural performance advance beyond the old notions of design patterns by incorporating the digital design. Pattern books such as "A Pattern Language" are revisited and toolboxes /toolkits are used in contemporary urban designs by laboratories and offices. The aim of this paper is to analyze the particularities and congruencies between some systems of patterns, pattern books, toolboxes and toolkits aimed at small public spaces, also considering the context of digital culture. The methodology proposed is the construction of a taxonomy that relates and classifies these selected patterns, by these following steps: a) selecting of patterns applicable to small public spaces; b) classification of patterns by "type" (location, behavior, processes and design components) and by "driven designs" approach (data-driven design, performance-driven design, and material- driven design) and relation to the recurrences of patterns between the systems; c) making and inserting in the taxonomy platform a table of elements and connections; d) filtering by classes for analysis. From the results obtained in the visualizations, it is possible to consider a larger volume of "location" type patterns and a smaller volume in "processes" indicating a field that can be developed.
keywords	Urban patterns; urban toolbox; small public spaces; data-driven design; pattern language
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ascaad2021_041
id	ascaad2021_041
authors	Taºdelen, Sümeyye; Leman Gül
year	2021
title	Social Network Analysis of Digital Design Actors: Exploratory Study Covering the Journal Architectural Design
source	Abdelmohsen, S, El-Khouly, T, Mallasi, Z and Bennadji, A (eds.), Architecture in the Age of Disruptive Technologies: Transformations and Challenges [9th ASCAAD Conference Proceedings ISBN 978-1-907349-20-1] Cairo (Egypt) [Virtual Conference] 2-4 March 2021, pp. 280-292
summary	This research asks the question of how the design knowledge production mechanism is processed differentiates digital design actors from each other in the social media/professional and academic fields of architecture. Due to the broad nature of the research question, the study focuses on academia and academia-related media through prominent architect-authors and subject titles in the literature. Bourdieu’s concept of capital is introduced, in which cultural and symbolic capital are considered part of the production values of digital design actors. Digital design actors use image-based social media tools such as Instagram effectively. The paper uses two methods: the first is a bibliographical analysis of author-texts, and the second is a social network analysis. By employing the keyword-based search from the Web of Science database, this study has managed to extract papers with full records (citations, keywords, and abstracts), with the journal Architectural Design having most publications. Considering that both academicians and professionals contribute to publications in Architectural Design, we selected all its publications between 2010-2020 for bibliometric analysis. These analysis techniques include the bibliometric network analyses and social network analysis with the focus on visualizing the algorithms and statistical calculations of well-established metrics. The research reveals the most critical nodes of the bibliometric network by calculating the appropriate central metrics. The network formed by the selected Instagram accounts of digital design actors are shown to be a small-scale network group, while the hashtags of digital design concepts are more numerous than the digital design actors.
series	ASCAAD
email
last changed	2021/08/09 13:11

_id	sigradi2020_824
id	sigradi2020_824
authors	Tosello, María Elena; Block, Micaela; Mariel Fontana, Silvana; Mines, Patricia
year	2020
title	Convergences about the river. Transmedia Narrative for cultural identity
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 824-829
summary	Visualizing the richness of a locality cultural heritage for its value as a source of social identity, requires means and actions that contribute to recognize it. The design of a documentary transmedia narrative that incorporates territorial navigation and integrates open and multiple citizen participation, constitutes an action aimed at disseminating and enhancing the city's immaterial cultural assets. The study made possible to survey the intangible heritage manifestations and to analyze the relevance of the available media and their communicative potential. It also constitutes an initial step for the creation of a useful database to manage its safeguard.
keywords	Cultural identity, Intangible Cultural Heritage, Documentary Transmedia Narrative, Territorial navigation
series	SIGraDi
email
last changed	2021/07/16 11:53

_id	sigradi2020_425
id	sigradi2020_425
authors	Vizioli, Simone Helena Tanoue; Adami, Andrea; Hiilesmaa, Laura; Carvalho, Leonardo Chieppe
year	2020
title	Comparative study of the photogrammetry process in different hardware
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 425-432
summary	Photogrammetry is not a new technology, but its use, nowadays is being potentiated either in urban projects, architecture, restoration of historical heritage and archaeological documentation, among others. In this research, the use of photogrammetry as an important tool in the preservation and documentation of cultural heritage will be addressed. The specific objective of the article is to analyze the photogrammetry modeling process: processing time, resolution quality and generated products, in 2 different hardware; highlighting its potentialities and deficiencies. The object of study is the Casa do Pinhal, an important historical heritage for the identity and memory of the city of Sao Carlos (SP-Brazil).
keywords	Photogrammetry, 3D Modeling, Metashape, Heritage education, Point cloud
series	SIGraDi
email
last changed	2021/07/16 11:49

_id	caadria2020_137
id	caadria2020_137
authors	Xu, Qiaoliang, Brown, Andre, Moleta, Tane, Schnabel, Marc Aurel and Rogers, Maria
year	2020
title	Inhabiting 'Prosperous Suzhou' through Smart VR - Interrogating an Ancient Artwork and Documents to manifest Tangible and Intangible Heritage
source	D. Holzer, W. Nakapan, A. Globa, I. Koh (eds.), RE: Anthropocene, Design in the Age of Humans - Proceedings of the 25th CAADRIA Conference - Volume 2, Chulalongkorn University, Bangkok, Thailand, 5-6 August 2020, pp. 173-182
doi	https://doi.org/10.52842/conf.caadria.2020.2.173
summary	The research investigates digital landscape heritage. It focuses on the application of Virtual Reality (VR) in a game engine. The aim is to aid the understanding and interpretation of ancient principles relating to sensitive and appropriate interaction of the built form and its associated landscape. The principles have at their root harmony of human inhabitation, the built forms and the landscape they are surrounded. This understanding can lead to re-application within a contemporary context, and the VR environment has the potential to augment and enrich it. For the first time ever, the research has reinterpreted a classical depiction of Suzhou, in an 18th-century handscroll painting, into a three-dimensional immersive virtual environment. It proposes that VR can be a way to experience and increase understanding of heritage landscapes; in our case one that now only exists in an ancient idealised painting. The reinterpretation aims to enhance the users' experience and understanding of the Tangible and Intangible Cultural Heritage. The spatialised scene is augmented through the integration of other historical information, such as poems and travel notes, to embed intangible aspects into the gardens and landscapes.
keywords	Digital Heritage; Cultural Landscape; Painting Reinterpretation; Immersive Environments; Virtual Reality
series	CAADRIA
email
last changed	2022/06/07 07:57

For more results click below: