Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	bba7
authors	Alexander, Christopher W.
year	1964
title	Notes on the Synthesis of Form
source	Harvard Graduate School of Design
summary	Every design problem begins with an effort to achieve fitness between two entities: the form in question and its context. The form is the solution to the problem; the context defines the problem. We want to put the context and the form into effortless contact or frictionless coexistence, i.e., we want to find a good fit. For a good fit to occur in practice, one vital condition must be satisfied. It must have time to happen. In slow-changing, traditional, unselfconscious cultures, a form is adjusted soon after each slight misfit occurs. If there was good fit at some stage in the past, no matter how removed, it will have persisted, because there is an active stability at work. Tradition and taboo dampen and control the rate of change in an unselfconscious culture's designs. It is important to understand that the individual person in an unselfconscious culture needs no creative strength. He does not need to be able to improve the form, only to make some sort of change when he notices a failure. The changes may not always be for the better; but it is not necessary that they should be, since the operation of the process allows only the improvements to persist. Unselfconscious design is a process of slow adaptation and error reduction. In the unselfconscious process there is no possibility of misconstruing the situation. Nobody makes a picture of the context, so the picture cannot be wrong. But the modern, selfconscious designer works entirely from a picture in his mind - a conceptualization of the forces at work and their interrelationships - and this picture is almost always wrong. To achieve in a few hours at the drawing board what once took centuries of adaptation and development, to invent a form suddenly which clearly fits its context - the extent of invention necessary is beyond the individual designer. A designer who sets out to achieve an adaptive good fit in a single leap is not unlike the child who shakes his glass-topped puzzle fretfully, expecting at one shake to arrange the bits inside correctly. The designer's attempt is hardly as random as the child's is; but the difficulties are the same. His chances of success are small because the number of factors which must fall simultaneously into place is so enormous. The process of design, even when it has become selfconscious, remains a process of error-reduction. No complex system will succeed in adapting in a reasonable amount of time or effort unless the adaptation can proceed component by component, each component relatively independent of the others. The search for the right components, and the right way to build the form up from these components, is the greatest challenge faced by the modern, selfconscious designer. The culmination of the modern designer's task is to make every unit of design both a component and a system. As a component it will fit into the hierarchy of larger components that are above it; as a system it will specify the hierarchy of smaller components of which it itself is made.
series	thesis:PhD
email
last changed	2003/02/12 22:37

_id	sigradi2016_816
id	sigradi2016_816
authors	Klinger, Kevin R.
year	2016
title	Praiseworthy Competition ? ^ ? Past: Design-through-Production: from Analysis to Formulation
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.433-440
summary	Parameters within a highly collaborative design-through-production process range from a very broad set of influences. To address the conundrum of selecting operational logics, we begin searching for form genesis with an examination and reproduction of the past in order to both restore and formulate a contemporary response to an existing ceiling within an iconic space, designed in 1964 by Alexander Girard in the atmosphere of significant architectural design influences radiating from Columbus, Indiana. Methods learned from analysis of original production are used, and synthesized as guiding principles in the design-through-production process of contemporary work.
keywords	Design-through-production; Digital fabrication, Columbus, Indiana, Design principles
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	avocaad_2001_02
id	avocaad_2001_02
authors	Cheng-Yuan Lin, Yu-Tung Liu
year	2001
title	A digital Procedure of Building Construction: A practical project
source	AVOCAAD - ADDED VALUE OF COMPUTER AIDED ARCHITECTURAL DESIGN, Nys Koenraad, Provoost Tom, Verbeke Johan, Verleye Johan (Eds.), (2001) Hogeschool voor Wetenschap en Kunst - Departement Architectuur Sint-Lucas, Campus Brussel, ISBN 80-76101-05-1
summary	In earlier times in which computers have not yet been developed well, there has been some researches regarding representation using conventional media (Gombrich, 1960; Arnheim, 1970). For ancient architects, the design process was described abstractly by text (Hewitt, 1985; Cable, 1983); the process evolved from unselfconscious to conscious ways (Alexander, 1964). Till the appearance of 2D drawings, these drawings could only express abstract visual thinking and visually conceptualized vocabulary (Goldschmidt, 1999). Then with the massive use of physical models in the Renaissance, the form and space of architecture was given better precision (Millon, 1994). Researches continued their attempts to identify the nature of different design tools (Eastman and Fereshe, 1994). Simon (1981) figured out that human increasingly relies on other specialists, computational agents, and materials referred to augment their cognitive abilities. This discourse was verified by recent research on conception of design and the expression using digital technologies (McCullough, 1996; Perez-Gomez and Pelletier, 1997). While other design tools did not change as much as representation (Panofsky, 1991; Koch, 1997), the involvement of computers in conventional architecture design arouses a new design thinking of digital architecture (Liu, 1996; Krawczyk, 1997; Murray, 1997; Wertheim, 1999). The notion of the link between ideas and media is emphasized throughout various fields, such as architectural education (Radford, 2000), Internet, and restoration of historical architecture (Potier et al., 2000). Information technology is also an important tool for civil engineering projects (Choi and Ibbs, 1989). Compared with conventional design media, computers avoid some errors in the process (Zaera, 1997). However, most of the application of computers to construction is restricted to simulations in building process (Halpin, 1990). It is worth studying how to employ computer technology meaningfully to bring significant changes to concept stage during the process of building construction (Madazo, 2000; Dave, 2000) and communication (Haymaker, 2000).In architectural design, concept design was achieved through drawings and models (Mitchell, 1997), while the working drawings and even shop drawings were brewed and communicated through drawings only. However, the most effective method of shaping building elements is to build models by computer (Madrazo, 1999). With the trend of 3D visualization (Johnson and Clayton, 1998) and the difference of designing between the physical environment and virtual environment (Maher et al. 2000), we intend to study the possibilities of using digital models, in addition to drawings, as a critical media in the conceptual stage of building construction process in the near future (just as the critical role that physical models played in early design process in the Renaissance). This research is combined with two practical building projects, following the progress of construction by using digital models and animations to simulate the structural layouts of the projects. We also tried to solve the complicated and even conflicting problems in the detail and piping design process through an easily accessible and precise interface. An attempt was made to delineate the hierarchy of the elements in a single structural and constructional system, and the corresponding relations among the systems. Since building construction is often complicated and even conflicting, precision needed to complete the projects can not be based merely on 2D drawings with some imagination. The purpose of this paper is to describe all the related elements according to precision and correctness, to discuss every possibility of different thinking in design of electric-mechanical engineering, to receive feedback from the construction projects in the real world, and to compare the digital models with conventional drawings.Through the application of this research, the subtle relations between the conventional drawings and digital models can be used in the area of building construction. Moreover, a theoretical model and standard process is proposed by using conventional drawings, digital models and physical buildings. By introducing the intervention of digital media in design process of working drawings and shop drawings, there is an opportune chance to use the digital media as a prominent design tool. This study extends the use of digital model and animation from design process to construction process. However, the entire construction process involves various details and exceptions, which are not discussed in this paper. These limitations should be explored in future studies.
series	AVOCAAD
email
last changed	2005/09/09 10:48

_id	ecaade2023_138
id	ecaade2023_138
authors	Crolla, Kristof and Wong, Nichol
year	2023
title	Catenary Wooden Roof Structures: Precedent knowledge for future algorithmic design and construction optimisation
doi	https://doi.org/10.52842/conf.ecaade.2023.1.611
source	Dokonal, W, Hirschberg, U and Wurzer, G (eds.), Digital Design Reconsidered - Proceedings of the 41st Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2023) - Volume 1, Graz, 20-22 September 2023, pp. 611–620
summary	The timber industry is expanding, including construction wood product applications such as glue-laminated wood products (R. Sikkema et al., 2023). To boost further utilisation of engineered wood products in architecture, further development and optimisation of related tectonic systems is required. Integration of digital design technologies in this endeavour presents opportunities for a more performative and spatially diverse architecture production, even in construction contexts typified by limited means and/or resources. This paper reports on historic precedent case study research that informs an ongoing larger study focussing on novel algorithmic methods for the design and production of lightweight, large-span, catenary glulam roof structures. Given their structural operation in full tension, catenary-based roof structures substantially reduce material needs when compared with those relying on straight beams (Wong and Crolla, 2019). Yet, the manufacture of their non-standard geometries typically requires costly bespoke hardware setups, having resulted in recent projects trending away from the more spatially engaging geometric experiments of the second half of the 20th century. The study hypothesis that the evolutionary design optimisation of this tectonic system has the potential to re-open and expand its practically available design solution space. This paper covers the review of a range of built projects employing catenary glulam roof system, starting from seminal historic precedents like the Festival Hall for the Swiss National Exhibition EXPO 1964 (A. Lozeron, Swiss, 1964) and the Wilkhahn Pavilions (Frei Otto, Germany, 1987), to contemporary examples, including the Grandview Heights Aquatic Centre (HCMA Architecture + Design, Canada, 2016). It analysis their structural concept, geometric and spatial complexity, fabrication and assembly protocols, applied construction detailing solutions, and more, with as aim to identify methods, tools, techniques, and construction details that can be taken forward in future research aimed at minimising construction complexity. Findings from this precedent study form the basis for the evolutionary-algorithmic design and construction method development that is part of the larger study. By expanding the tectonic system’s practically applicable architecture design solution space and facilitating architects’ access to a low-tech producible, spatially versatile, lightweight, eco-friendly, wooden roof structure typology, this study contributes to environmentally sustainable building.
keywords	Precedent Studies, Light-weight architecture, Timber shell, Catenary, Algorithmic Optimisation, Glue-laminated timber
series	eCAADe
email
last changed	2023/12/10 10:49

_id	sigradi2007_af89
id	sigradi2007_af89
authors	Rodrigues, Gelly; Gabriela Celani
year	2007
title	Cognitive modeling of the creative process in architecture by means of the object-oriented programming technique [Modelagem cognitiva do processo criativo em arquitetura por meio da técnica de programação orientada a objetos]
source	SIGraDi 2007 - [Proceedings of the 11th Iberoamerican Congress of Digital Graphics] México D.F. - México 23-25 October 2007, pp. 275-279
summary	The aim of this research was to investigate the relationship between the object-oriented paradigm and the design process in architecture. The work was inspired by Mitchell´s (1990) comparison between architectural types and classes of objects. An analogy was set between the development of classes and the structuring of design problems based on architectural typologies. The method was then compared to Alexander´s (1964) in terms of levels of abstraction. Two classes were implemented, illustrating the application of the object-oriented paradigm in architectural design. The method developed is expected to help architects develop a new understanding of the design process.
keywords	Design process; design method; object-oriented programming
series	SIGRADI
email
last changed	2016/03/10 09:59

_id	sigradi2013_117
id	sigradi2013_117
authors	Alves Veloso, Pedro L.; Anja Pratschke
year	2013
title	Uma Arqueologia de Diagramas Cibernéticos [An Archaeology of Cybernetic Diagrams]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 353 - 356
summary	This paper investigates the use of explicit structures of information in architectural design. Particularly, it approaches the use of diagrams related to cybernetics and information theory in experimental practices in the 1960’s and 1970’s. It analyses the diagram of cybernetic control proposed by the cybernetician Gordon Pask for the Fun Palace, the diagrams produced by the utopian architect Yona Friedman in the conceptual description of the Flatwriter program and Christopher Alexander’s diagrams and his theories of Synthesis of Form and Pattern Language. Finally it establishes a brief parallel between current domestication and use of dataflow programming with the cybernetic diagrams, highlighting differences in their complexity approach.
keywords	Dataflow diagrams; Cybernetics; Complexity
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	acadia10_125
id	acadia10_125
authors	Andersen, Paul; Salomon, David
year	2010
title	The Pattern That Connects
doi	https://doi.org/10.52842/conf.acadia.2010.125
source	ACADIA 10: LIFE in:formation, On Responsive Information and Variations in Architecture [Proceedings of the 30th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-4507-3471-4] New York 21-24 October, 2010), pp. 125-132
summary	While patterns have a spotty history in architecture, their definitions and uses in other fields offer new possibilities for design. This paper examines those definitions and uses—including theories put forward by architectural theorist, Christopher Alexander; art educator, Gyorgy Kepes; chemist, Ilya Prigogine; and anthropologist, Gregory Bateson. Of particular interest is the shift from eternal, essential, universal, and fundamental patterns to fleeting, superficial, specific, and incidental versions. While endemic to many contemporary architectural practices, this multifaceted view of patterns was anticipated by Bateson, who saw them as agents of evolution and learning. His desire to combine redundancy and noise offers architects new ways to understand patterns and use them to link form and information, matter and thought.
keywords	pattern, Bateson, evolution, noise, redundancy, feedback
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	ecaade2015_130
id	ecaade2015_130
authors	Asl, Mohammad Rahmani; Stoupine, Alexander, Zarrinmehr, Saied and Yan, Wei
year	2015
title	Optimo: A BIM-based Multi-Objective Optimization Tool Utilizing Visual Programming for High Performance Building Design
doi	https://doi.org/10.52842/conf.ecaade.2015.1.673
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 1, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 673-682
summary	Within the architecture, engineering, and construction (AEC) industry, the application of multidisciplinary optimization methods has been shown to reach significant improvements in building performance compared to conventional design methods. As a result, the use of multidisciplinary optimization in the process of design is growing and becoming a common method that provides desired performance feedback for decision making. However, there is a lack of BIM-based multidisciplinary optimization tools that use the rich information stored in Building Information Models (BIM) to help designers explore design alternatives across multiple competing design criteria. In this paper we introduce Optimo, an open-source visual programming-based Multi-Objective Optimization (MOO) tool, which is developed to parametrically interact with Autodesk Revit for BIM-based optimization. The paper details the development process of Optimo and also provides the initial validation of its results using optimization test functions. Finally, strengths, limitations, current adoption by academia and industry, and future improvements of Optimo for building performance optimization are discussed.
wos	WOS:000372317300073
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ecaade2022_285
id	ecaade2022_285
authors	Brasil, Alexander and Martinez, Andressa
year	2022
title	Potential for Social Housing Mass Customization in Brazil through the Integration between BIM and Algorithmic-Parametric Modeling
doi	https://doi.org/10.52842/conf.ecaade.2022.2.347
source	Pak, B, Wurzer, G and Stouffs, R (eds.), Co-creating the Future: Inclusion in and through Design - Proceedings of the 40th Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2022) - Volume 2, Ghent, 13-16 September 2022, pp. 347–356
summary	This paper presents a design system for low-cost production of mass customized housing units, in the context of the city of Teresina, in Piaui State, Brazil. The platform stands for the integration between Building Information Modeling (BIM) and algorithmic parametric modeling systems. The research aims to verify the potential of this integration to enable the mass customization of social housing during the design process through the automation of design solutions and real-time visualization of construction data, such as building schedule and estimation of the final cost. The results demonstrated that real-time manipulation and visualization of data related to construction, using specific algorithmic- parametric routines, is capable of aiding designers in developing a solution that matches specific demands with cost and scheduling estimation control in a short period of time.
keywords	Housing, Mass customization, Algorithmic-Parametric Modeling, BIM
series	eCAADe
email
last changed	2024/04/22 07:10

_id	sigradi2020_180
id	sigradi2020_180
authors	Cavalcanti, Isabella Eloy; Mendes, Leticia Teixeira
year	2020
title	Form and urban life in Christopher Alexander's work: translation of patterns for parametric code
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 180-187
summary	Computational design, specifically parametric modeling, has played important role in reaching complex forms, optimizations and automations of design processes. In addition to using parametric technology as a tool to generate form, this article aims to discuss the potential of parametric design as a connection between theory and design activity, both in practice and in the teaching activity. To illustrate that, this paper will present results of a bigger research that used the work of the architect Christopher Alexander as a basis for the development of decision-making instruments that deal with the complexity between form and urban life.
keywords	Urban design, Parametric modeling, Computational design, Christopher Alexander
series	SIGraDi
email
last changed	2021/07/16 11:48

_id	ecaade2015_119
id	ecaade2015_119
authors	Dokonal, Wolfgang; Knight, Michael W. and Dengg, Ernst Alexander
year	2015
title	New Interfaces - Old Models
doi	https://doi.org/10.52842/conf.ecaade.2015.1.101
source	Martens, B, Wurzer, G, Grasl T, Lorenz, WE and Schaffranek, R (eds.), Real Time - Proceedings of the 33rd eCAADe Conference - Volume 1, Vienna University of Technology, Vienna, Austria, 16-18 September 2015, pp. 101-106
summary	The rapid development of new Virtual Reality (VR) devices such as the Oculus Rift and Google Cardboard together with Augmented Reality (AR) applications such as 3Dplus (by the Finnish company advice) or gaming software such as Unity3D and Unreal Engine 4 raises the question of how we can use these new interfaces and applications to access our increasingly data-rich models. In this paper we will summarise the results of a joint international workshop where students explored the use of these new interfaces on existing models. During the course of the workshop, the students built their own VR environments to test spatial perception and then used different types of housing models with these interfaces to find out what kind of information inside those data rich models is best suited to be accessed using these new interfaces. The question will be if there is any added value - besides the novelty factor - in using these new devices in combination with old models. To give an extra dimension to the virtual nature of the workshop, students collaborated with some of the tutors primarily digitally using the virtual models and other online tools (Skype/Twitter/discussion boards). By having collaboration through the medium of the virtual interactive model as the core communication method, the amount, type and methods of presenting the information is tested and evaluated. This is work in progress and we had to experience several problems that we could not overcome in the available time.
wos	WOS:000372317300011
series	eCAADe
email
more	https://mh-engage.ltcc.tuwien.ac.at/engage/ui/watch.html?id=54a3a8e0-702c-11e5-9592-c7c2b292a6cf
last changed	2022/06/07 07:55

_id	ecaade2007_118
id	ecaade2007_118
authors	Fricker, Pia; Hovestadt, Ludger; Braach, Markus; Dillenburger, Benjamin; Dohmen, Philipp; Rüdenauer, Kai; Lemmerzahl, Steffen; Lehnerer, Alexander
year	2007
title	Organised Complexity
doi	https://doi.org/10.52842/conf.ecaade.2007.695
source	Predicting the Future [25th eCAADe Conference Proceedings / ISBN 978-0-9541183-6-5] Frankfurt am Main (Germany) 26-29 September 2007, pp. 695-701
summary	The objective of the paper is to demonstrate the application of architectural research and design methods from the fields of strategic design, digital production and design chains to facilitate the completion of demanding large-scale building projects. Since we have concentrated the efforts of the past few years on various aspects of building practice while applying and testing the “Digital Chain” method to several concrete projects, we are now engaged with linking the individual phases in order to make the final step towards the reality of building practice. With this knowledge, we attempt to propose a new way of thinking in the design and building sector based on digitized planning processes.
keywords	Collaborative design, parametric design, user participation in design, strategic design
series	eCAADe
email
last changed	2022/06/07 07:50

_id	ecaade2022_194
id	ecaade2022_194
authors	Fuchkina, Ekaterina, Bielik, Martin, Schneider, Sven, Ossenberg-Engels, Tobias and Hämmerle, Alexander
year	2022
title	Space Matcher - An interactive toolbox for assisting in spatializing & testing office programmes using graph centralities
doi	https://doi.org/10.52842/conf.ecaade.2022.2.039
source	Pak, B, Wurzer, G and Stouffs, R (eds.), Co-creating the Future: Inclusion in and through Design - Proceedings of the 40th Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2022) - Volume 2, Ghent, 13-16 September 2022, pp. 39–46
summary	Graph-based representations of functional requirements (adjacencies, bubble diagram) are a common and useful method that supports architects in the conceptual phase of planning. However, the task of specifying the functional requirements through an adjacency graph can be challenging due to a quadratic growth of complexity in relation to the number of spaces. In turn, this increase of complexity challenges the designer searching for solutions that fulfill these functional requirements. There are systems that aim to address the difficulties related to graph-based space allocation. They, for instance, use fuzzy logic to weight the edges of a graph (i.e., specify relations between spaces) and spring systems (Newtonian gravitation model) to visually clarify the resulting proximity of all spaces according to the rules. Nevertheless, the problem of specifying large-scale adjacencies itself is omitted due to the assumption that such matrices are correctly filled in some previous steps. Moreover, the translation of the resulting graph into a spatial configuration is rarely supported. This work addresses these limitations and proposes a set of tools to assist the designer when defining the adjacency requirements and searching for design solutions that fulfill these requirements. Our approach aims to reduce the complexity of the design task by using graph centrality-based design heuristics. We discuss these heuristics and show their application in a scenario where a new spatial program needs to be allocated into an existing building.
keywords	Graph Theory, Adjacency Graph, Bubble Diagram, Space Planning
series	eCAADe
email
last changed	2024/04/22 07:10

_id	acadia23_v1_34
id	acadia23_v1_34
authors	Gascon Alvarez, Eduardo; Curth, Alexander (Sandy); Feickert, Kiley; Martinez Schulte, Dinorah; Mueller, Caitlin; Ismail, Mohamed
year	2023
title	Algorithmic Design for Low-Carbon, Low-Cost Housing Construction in Mexico
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 34-38.
summary	Mexico is one of the most urbanized countries in the Global South, and simultaneously faces a rapidly increasing population and a deluge of inadequate housing (URBANET 2019). In 2016, it was estimated that 40 percent of all private residences in Mexico were considered inadequate by UN-Habitat (UN-Habitat 2018). As informal housing constitutes over half of all Mexican housing construction, the most vulnerable groups of the population are particularly impacted. Therefore, there is a serious need to innovate in the area of low-cost building construction for housing in Mexico. This research explores how shape-optimized concrete and earth construction could help provide adequate housing without jeopardizing the country’s commitment to sustainability.
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	ecaade2023_450
id	ecaade2023_450
authors	Govindarazan, Keerthana, Ligler, Heather, Abbas, Yasmine and Duarte, Jose
year	2023
title	Translating Christopher Alexander’s Patterns for Immersive Virtual Reality A rule-based approach to behavior testing in VR
doi	https://doi.org/10.52842/conf.ecaade.2023.2.399
source	Dokonal, W, Hirschberg, U and Wurzer, G (eds.), Digital Design Reconsidered - Proceedings of the 41st Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2023) - Volume 2, Graz, 20-22 September 2023, pp. 399–408
summary	Architecture has a profound impact on the behavior, emotions, and well-being of its occupants. Christopher Alexander's 'A Pattern Language' provides design solutions to create adaptive humanistic buildings. However, the lack of empirical support for these patterns is one of the reasons that hinder their widespread adoption that can result in the design of positive environments. It is imperative to test these patterns more rigorously. Immersive virtual reality can be used in this effort to simulate various architectural conditions based on recommendations from the patterns that can be tested with diverse groups of people. This paper proposes a method that demonstrates the use of shape grammar formalism to translate patterns presented textually into three dimensional architectural features. An initial/pilot test of this proposed method in a VR scene brought forward strengths and weaknesses in this approach that will aid in the development of future and more rigorous experiments.
keywords	Christopher Alexander, Pattern Language, Design patterns, Virtual reality, Shape grammar, Environment-behavior experiments, behavior testing
series	eCAADe
email
last changed	2023/12/10 10:49

_id	ecaade2022_184
id	ecaade2022_184
authors	Grasser, Alexander and Parger, Alexandra
year	2022
title	Blockchain Architectures, the Potential of Web3 for Decentralized Participatory Architecture - Collaborative objects on the Blockchain
doi	https://doi.org/10.52842/conf.ecaade.2022.1.431
source	Pak, B, Wurzer, G and Stouffs, R (eds.), Co-creating the Future: Inclusion in and through Design - Proceedings of the 40th Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2022) - Volume 1, Ghent, 13-16 September 2022, pp. 431–440
summary	This paper explores the potential of blockchain technology and the Web3 for a decentralized participatory architecture. In this context, the polyvalent capacity of a block in a blockchain is at the center of this investigation. Blockchain innovations in cryptography and efficient block validation and creation systems have led to autonomous blocks that act as decentralized, transparent, and secure Web3 assets. Following our previous research on collaborative objects that enable real-time participatory design activities, a case study project H=N BLOCK+A is developed that implements blockchain principles at both the conceptual and infrastructural levels. At the conceptual level, architectural blocks are speculated and applied as autonomous and decentralized Web3 assets, i.e., a decentralized kit of parts/blocks/NFTs/applications that can form a crazy patchwork of heterogeneous compatible blocks. At the infrastructural level, an existing sustainable blockchain is facilitated to embed a decentralized design methodology that enables real-time participatory co-creation of a collective architectural form.
keywords	Collaborative Objects, Participation, Open Architecture, Blockchain, Web3
series	eCAADe
email
last changed	2024/04/22 07:10

_id	ecaade2023_369
id	ecaade2023_369
authors	Grasser, Alexander
year	2023
title	Decentralized Participation and Agency in Digital Art and Architecture, An Exploration of Pixel and Voxel-Based Case Studies
doi	https://doi.org/10.52842/conf.ecaade.2023.1.691
source	Dokonal, W, Hirschberg, U and Wurzer, G (eds.), Digital Design Reconsidered - Proceedings of the 41st Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2023) - Volume 1, Graz, 20-22 September 2023, pp. 691–700
summary	This paper investigates the evolution of participatory approaches in digital architecture and art, from the early stages of Web 2.0 to the emerging Web 3.0 landscape. By examining three pixel-based projects - The Million Dollar Homepage, Reddit's r/place, and the Poietic Generator - the study highlights the diverse outcomes and potentials of collaborative creativity when different conceptual choices are made. Drawing insights from these projects, a case study is presented, extending the principles from 2D pixel-based projects to a 3D voxel-based framework for participatory digital architecture. This case study demonstrates the importance of strategic conceptual decisions in shaping the realization of collective forms and provides valuable insights into questions of authorship and open-ended design. As the paper looks forward to the integration of Web 3.0 and blockchain technologies, it speculates on the potential for decentralized participatory applications and the future of collaborative creativity within architecture and beyond. The paper ultimately advocates for a more open, inclusive, and collaborative approach to cultural production that values individual contributions, fosters local collaborations, and avoids the formation of power structures.
keywords	Collaborative Objects, Participation, Discrete, Open Architecture
series	eCAADe
email
last changed	2023/12/10 10:49

_id	acadia23_v1_62
id	acadia23_v1_62
authors	Grasser, Alexander; Parger, Alexandra
year	2023
title	Meta Form - Co-Creating Open Architectures
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 62-67.
summary	This project explores the potential of ‘Variation through Code and Participation,’ embracing the uncertainty of decentralized co-creation within a highly computational design workflow - a human-centered open architecture of tangible complexity. This project was part of a group exhibition entitled ‘Meta.Space - Visions of Space’, curated by Markus Reindl and Fabian Müller-Nittel at the Francisco Carolinum museum in Linz, Austria. This exhibition showcased various works by more than 60 international artists that reflect on and discuss the topic of space in general, as well as space in the context of the metaverse. Our contribution to this exhibition considered the creation of space as a collective effort, proposing a space sculpture that was publicly co-created in the metaverse and realized as a 1:1 scale physical prototype at the museum (Figures 1 and 2). The project consists of three parts: decentralized participation in real time, automation and documentation, and the architectural prototype.
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	c1ae
authors	Gulliehsen, Eric and Chang, Ernest
year	1984
title	An Expert System for Generative Architectural Design
source	December, 1984. pp. 253-267. includes bibliography
summary	The mathematician-architect Christopher Alexander has devised a scientific theory of architectural design. He believes that all existing architectural entities can be described as interacting patterns, all possible relationships of which are governed by generative rules. These form a pattern language capable of generating design forms appropriate to a given environmental context. The complexity of interaction among these rules leads to difficulties in their representation by conventional methods. This paper presents a computer-based expert system which implements Alexander's design methodology
keywords	synthesis, expert systems, CAD, patterns, design, methods, architecture, theory
series	CADline
last changed	2003/06/02 10:24

_id	137d
authors	Jencks, Charles and Kropf, Karl
year	1997
title	Theories And Manifestoes of Contemporary Architecture
source	Academy Editions, Chichester, UK
summary	This book presents over 120 of the key arguments of today's major architectural philosophers and gurus. These show that the Modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological Post-Modernism; a High-Tech and sculptural Late Modernism, and deconstructive, subversive New Modernism. Here are the seminal texts of James Stirling, Robert Venturi, Colin Rowe, Christopher Alexander, Frank Gehry, Reyner Banham, Bernard Tschumi, Rem Koolhaas and many others who have changed the discourse of architecture. Here also are the anti-Modern texts of the traditionalists - Leon Krier, Demetri Porphyrios, Quinlan Terry, Prince Charles and others. Many of these texts are concise, edited versions of influential books. Highly informative and richly illustrated with over forty drawings and photographs.
series	other
last changed	2003/04/23 15:14

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