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CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaaderis2018_116
id	ecaaderis2018_116
authors	Giannopoulou, Effimia, Montás Laracuente, Nelson Bernardo and Baquero, Pablo
year	2018
title	Qualitative Study on two Kinetic System Simulations - Experiments Based on Shape Memory Material and Stepper Motors
source	Odysseas Kontovourkis (ed.), Sustainable Computational Workflows [6th eCAADe Regional International Workshop Proceedings / ISBN 9789491207143], Department of Architecture, University of Cyprus, Nicosia, Cyprus, 24-25 May 2018, pp. 95-102
keywords	This investigation intends to compare two computational design experiments operating on two kinetic architecture (Zuk and Clark 1970) design application domains: Shape-memory material (SMM) activated grids and stepper-actuated (SA) responsive skins. In the first one, the goal was to build a standard way of simulating SMM, which can be used as actuators in the construction of kinetic structures and in the second, to simulate and construct a responsive skin according to human interaction using kinect and stepper motors. In both experiments, a similar generative workflow was employed, combining insights from materials and mechanical systems. The objective is to investigate kinetic performance, kinetic design methodology, simulation implementation and applications within the two separate design domains. The general hypothesis is that both experiments become design workflows in themselves as real-time, dynamic modeling systems. A qualitatively study of both sets of cases, is taking in count general, simulation and application aspects, using evaluation criteria including workflow, material quantity, data capture and mechanical properties.
series	eCAADe
email
last changed	2018/05/29 14:33

_id	3eb3
authors	Maver, T.W.
year	1970
title	Appraisal in the Building Design Process
source	Emerging Methods in Environmental Design and Planning (Ed: G Moore) MIT Press, 195-202
series	other
email
last changed	2003/06/02 15:00

_id	7134
id	7134
authors	Penttilä, Hannu (Ed.)
year	2001
title	Architectural Information Management [Conference Proceedings]
doi	https://doi.org/10.52842/conf.ecaade.2001
source	19th eCAADe Conference Proceedings / ISBN 0-9523687-8-1 / Helsinki (Finland) 29-31 August 2001, 578 p.
summary	Several common phrases, such as “information society” or “virtual reality” point out the fact that information technology, digital tools and numerous different services via various communication networks have become crucially important factors of our western lifestyle and living environment. The trends of the society reflects naturally the working environments of the construction field, architectural discipline being amongst them. It is almost inconceivable to even imagine an architect without computer-based tools anymore. This evolutional development process has, from historical perspective, only recently started. The process is constantly evolving and rapidly increasing our possibilities to use and enjoy these modern digital fruits. The sometimes unpredictable and rapid changes in our working environment should make architects nervous about the impacts of the changes. All those delicate methods and collective traditions of the several thousand year architectural discipline(!), just simply cannot be transferred into the digital realm in a few decades. Researchers and teachers should very carefully, but still open mindedly, critically explore, analyse and adjust the so-called “modern technology” into the world of architecture, construction, design, planning – and education. We are not just “endusers”, It is we, in fact, who should define what, where and how are we willing to use it(IT). The value of information is constantly growing in our society, and in the future it will evidently be even more so. The value of information is quite hard to define with measurable or agreed concepts, but information evidently contains value-factors. The information which the architects are creating, modifying and manipulating, contains essential and valuable core data concerning the whole built environment of our society. It affects the physical surroundings of our society, in which we will be living for decades – hence, the information has a historical basis. The architectural core information also very strongly affects the quality of life of our fellow citizens – consequently, it has deep social meaning. The essentials of architectural information relies on the tradition of centuries – hence, it clearly has acknowledged cultural values, which are also extremely difficult to quantify. So how could architectural information be described? The information covers a wide range of heterogeneous concepts, items, values, methods, tools, materials, true facts, rumours, intuition and knowledge, plus a multitude of yet undefined or unpredictable factors, which still have to be watched and prepared for. Since the information deals with common and general subjects, it should also be described with common and general concepts. On the other hand as the information is also concerned with the minutiae of specific projects, the architectural information should also be described with well identified and unique entities. With our digital tools we handle all information – including architectural – more and more digitally. We have to handle and manipulate information currently as digital data, which could be understood the ”raw material” of architectural information. Digital data becomes valuable information, when some kind of meaning or purpose to somebody can be attributed to it. In the early gloomy days of ”digital architecture” in the 1960’s and 1970’s, researchers tried to describe architectural artefacts and even design process mathematically. The details of architectural information were quite difficult to describe with binary alphanumeric information of main-frame machines. The architects’ tools development then led to a trend where architects could better represent and visualize the design objects digitally. The widespread and common use of 2D-drawing and 3D-modelling tools is still a very strong trend within our discipline. In fact it is “the way” the majority of architectural information is managed today. During the last 15–20 years, so-called conceptual modelling or product data modelling, done in various technical and construction field research units worldwide, has from one viewpoint clarified the basis and essence of architectural information. Hence, it’s not only CAD-software application development, but also elementary and theoretical research that gives us valuable help to survive among the ever growing seas of terabits of data in the future to come. Architectural information is something that simply cannot be described just with DWG-drawings or dummy scanned photographs any more. Although drawings and photos may contain very important bits of architectural documentation, we need ntimes more “complexity layers”, concepts and tools to manage and understand the essence of architectural information today. A proper way to manage the data we are working with, has to cover the whole architectural discipline. The methods and tools also have to be valid and flexible for several decades in the future.
keywords	Information Management & Data Structuring, Education & Curricula, Modeling & City Planning
series	eCAADe
email
more	http://www.hut.fi/events/ecaade/
last changed	2022/06/07 07:49

_id	ddssar0031
id	ddssar0031
authors	Witt, Tom
year	2000
title	Indecision in quest of design
source	Timmermans, Harry (Ed.), Fifth Design and Decision Support Systems in Architecture and Urban Planning - Part one: Architecture Proceedings (Nijkerk, the Netherlands)
summary	Designers all start with a solution (Darke, 1984), with what is known (Rittel, 1969, 1970). Hans Menghol, Svein Gusrud and Peter Opvik did so with the chair in the 1970s. Not content with the knowledge of the chair, however, they walked backward to the ignorance of the question that has always elicited the solution of chair and asked themselves the improbable question, “What is a chair?” Their answer was the Balans chair. “Until the introduction of the Norwegian Balans (balance) chair, the multi-billion dollar international chair industry had been surprisingly homogeneous. This chair is the most radical of the twentieth century and probably since the invention of the chair-throne itself (Cranz 1998). Design theorists have tried to understand in a measurable way what is not measurable: the way that designers think. Rather than attempt to analyze something that cannot be taken apart, I attempt to illuminate methods for generating new knowledge through ways of seeing connections that are not logical, and in fact are sometimes ironic. Among the possibilities discussed in this dialogue are the methodological power of language in the form of metaphor, the power of the imagination in mind experiments, the power of mythological story telling, and the power of immeasurable intangibles in the generation of the new knowledge needed to design.
series	DDSS
last changed	2003/08/07 16:36

_id	ascaad2004_paper17
id	ascaad2004_paper17
authors	Al-Attili, Aghlab A. and Richard D. Coyne
year	2004
title	Embodiment and Illusion: The Implications of Scale as a Cue for Immersion in Virtual Environments
source	eDesign in Architecture: ASCAAD's First International Conference on Computer Aided Architectural Design, 7-9 December 2004, KFUPM, Saudi Arabia
summary	This paper examines the extent to which the issue of scale impinges on our sense of immersion in virtual environments. We consider perception from the point of view of Merleau-Ponty's phenomenology, and describe a study involving extended interviews of a small number of subjects who were presented with static, moving and interactive images of spaces. We test a series of propositions about scale cues, and speculate on the wider phenomenological issues of expectation, metaphor and play.
series	ASCAAD
email
last changed	2007/04/08 19:47

_id	679e
authors	Coyne, R.
year	1995
title	Designing Information Technology in the Postmodern Age
source	The MIT Press, Cambridge, Ma and London UK
summary	Designing Information Technology in the Postmodern Age puts the theoretical discussion of computer systems and information technology on a new footing. Shifting the discourse from its usual rationalistic framework, Richard Coyne shows how the conception, development, and application of computer systems is challenged and enhanced by postmodern philosophical thought. He places particular emphasis on the theory of metaphor, showing how it has more to offer than notions of method and models appropriated from science. Coyne examines the entire range of contemporary philosophical thinking -- including logical positivism, analytic philosophy, pragmatism, phenomenology, critical theory, hermeneutics, and deconstruction -- comparing them and showing how they differ in their consequences for design and development issues in electronic communications, computer representation, virtual reality, artificial intelligence, and multimedia. He also probes the claims made of information technology, including its presumptions of control, its so-called radicality, even its ability to make virtual worlds, and shows that many of these claims are poorly founded. Among the writings Coyne visits are works by Heidegger, Adorno, Benjamin, Gadamer, Derrida, Habermas, Rorty, and Foucault. He relates their views to information technology designers and critics such as Herbert Simon, Alan Kay, Terry Winograd, Hubert Dreyfus, and Joseph Weizenbaum. In particular, Coyne draws extensively from the writing of Martin Heidegger, who has presented one of the most radical critiques of technology to date.
series	other
email
last changed	2003/04/23 15:14

_id	7546
authors	Coyne, R.
year	1999
title	Technoromanticism - digital narrative, holism, and the romance of the real
source	MIT Press
summary	It's no secret that contemporary culture romanticizes digital technologies. In books, articles, and movies about virtual community, virtual reality, artificial intelligence, artificial life, and other wonders of the digital age, breathless anticipation of vast and thrilling changes has become a running theme. But as Richard Coyne makes clear in Technoromanticism: Digital Narrative, Holism, and the Romance of the Real, a dense but rewarding piece of academic criticism, we also get romantic about the new technologies in a more rigorous sense of the word. Whether heralding an electronic return to village communalism or celebrating cyberspace as a realm of pure mind, today's utopian thinking about the digital, Coyne argues, essentially replays the 18th- and 19th-century cultural movement called Romanticism, with its powerful yearnings for transcendence and wholeness. And this apparently is not a good thing. Romanticism, like the more sober Enlightenment rationalism against which it rebelled, has outlived its usefulness as a way of understanding the world, Coyne argues. And so he spends the duration of the book bombarding both the romantic and the rationalist tendencies in cyberculture with every weapon in the arsenal of 20th-century critical theory: poststructuralism, Freudianism, postmodern pragmatism, Heideggerian phenomenology, surrealism--Coyne uses each in turn to whack away at conventional wisdoms about digital tech. Whether the conventional wisdoms remain standing at the end is an open question, but Coyne's tour of the contemporary intellectual landscape is a tour de force, and never before has digital technology's place in that landscape been mapped so thoroughly. --
series	other
email
last changed	2003/04/23 15:14

_id	5f4b
authors	Coyne, R.D.
year	1988
title	Logic Models of Design
source	Pitman, London
summary	This monograph places design in a theoretical context which applies developments in knowledge-based systems, logic programming and planning to design. It addresses two important design issues: the interpretation of designs, which concerns the discovery of implicit design attributes, a key activity in design evaluation that can be modelled by deductive inference in logic programming; and the process of generation, whereby a design description is produced which exhibits these implicit design attributes. Implicit attributes can be seen as analogous to the semantic content of natural language utterances. The work presented here is mainly concerned with design generation, and an operational model of design is investigated in which operations on processes are treated in a similar way to operations on form. It is argued that there are advantages in representing control knowledge as rules in a design system, and that logic is an effective medium for this purpose. This is demonstrated by means of programs developed in Prolog and C using the example of spatial layout in buildings. Primarily, this book is directed at those in artificial intelligence (AI) involved in logic programming, planning and expert systems. However, since AI techniques are finding widespread application in industry, the use of an architectural design example makes this work relevant to architects, designers, engineers and developers of intelligent architectural design software.
series	other
email
last changed	2003/04/23 15:14

_id	ee16
authors	Coyne, R.D., Newton, S. and Sudweeks, F.
year	1989
title	Modeling the Emergence of Schemas in Design Reasoning
source	Design Computing Unit, Department of Architectural and Design Science, University of Sydney, 1989. pp. 173-205. CADLINE has abstract only
summary	The authors explore how neural networks can be used to model important aspects of design reasoning: the way design involves memory; and a 'holistic' kind of reasoning by which designs appear to emerge from that memory. A simple neural network is constructed to demonstrate how information about schemas (in this case, room types) is stored implicitly after exposure to a number of examples of specific rooms. We then demonstrate how new room types emerge from this information. The paper includes a discussion of design, a discussion of schemas from a psycholinguistic perspective, a technical explanation of neural networks and the demonstration of an implemented examples
keywords	neural networks, modeling, design, reasoning, learning, knowledge acquisition, experimentation
series	CADline
email
last changed	2003/05/17 10:13

_id	0748
authors	Coyne, R.D., Rosenman, M.A. and Radford, A.D. (et.al.)
year	1987
title	Innovation and Creativity in Knowledge-based CAD
source	Amsterdam: North-Holland, 1987. pp. 435-465
summary	The authors examine the creativity of knowledge-based design systems from a narrow information processing perspective. As a property of the design process innovation and creativity can be identified by observing both the quality of the product, and also the characteristics of the process itself. The key theme running through the discussion is the acquisition of knowledge as the key to understanding creativity. This involves not only the ability of a system to acquire knowledge, but also its ability to control its own processes and change its own structure. In order to discuss this view a model of design systems is put forward in which a distinction between interpretative and syntactic subsystems for innovation and creativity is made
keywords	design process, knowledge base, systems, creativity, knowledge acquisition, representation
series	CADline
email
last changed	2003/05/17 10:13

_id	e5e2
authors	Coyne, R.D., Rosenman, M.A. and Radford, A.D. (et.al.)
year	1990
title	Knowledge Based Design Systems
source	576 p. : ill Reading, Mass.: Addison-Wesley, 1990. includes bibliographies and index.
summary	This book describes the bases, approaches, techniques, and implementations of knowledge-based design systems, and advocates and develops new directions in design systems generally. A formal model of design coupled with the notion of prototypes provides a coherent framework for all that follows and is a platform on which a comprehension of knowledge-based design rests. The book is divided into three parts. Part I, Design, examines and describes design and design processes, providing the context for the remainder of the book. Part II, Representation and Reasoning, explores the kinds of knowledge involved in design and the tools and techniques available for representing and controlling this knowledge. It examines the attributes of design that must be described and the ways in which knowledge-based methods are capable of describing and controlling them. Part III, Knowledge-Based Design, presents in detail the fundamentals of the interpretation of design, including the role of expert systems in interpreting existing designs, before describing how to produce designs within a knowledge-based environment. This part includes a detailed examination of design processes from the perspective of how to control these processes. Within each of these processes, the place and role of knowledge is presented and examples of knowledge-based design systems given. Finally, the authors examine central areas of human design and demonstrate what current knowledge-based design systems are capable of doing now and in the future
keywords	knowledge base, design process, representation, CAD, AI, prototypes, expert systems
series	CADline
email
last changed	2003/05/17 10:13

_id	403c
authors	Coyne, Richard
year	1991
title	The Impact of Computer Use on Design Practice
source	Computer Aided Architectural Design Futures: Education, Research, Applications [CAAD Futures ‘91 Conference Proceedings / ISBN 3-528-08821-4] Zürich (Switzerland), July 1991, pp. 413-424
summary	This paper presents a critical review of the impact of computing on design practice. It presents an overview of - the impact as it relates to the intrusion of a highly technical resources into organizations. This involves a discussion of the changing nature of computing, the implications of training, management, and perceptions about the compatibility of computers and design. This leads to a consideration of less direct implications in terms of power structures, how computers influence the way we carry out intellectual tasks, the emphasis instilled by computers on form in design, and the influence of computers on attitudes of self worth.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	811e
authors	Coyne, Richard and Mclachlan, Fiona
year	1997
title	The Legacy of Surrealism in the Electronic Design Studio
source	CAAD Futures 1997 [Conference Proceedings / ISBN 0-7923-4726-9] München (Germany), 4-6 August 1997, pp. 733-748
summary	We examine how Surrealist themes are evident in the world of information technology, and in the electronic design studio. We show that much of the current popular appeal of the computer in design schools is attributable to the computer's apparent surrealistic possibilities rather than the potentialities traditionally put forward by exponents of formalism, design methods and systems theory. We discuss developments on Surrealism, including the application of Freud's concept of the uncanny and Lacan's understanding of the image, before concluding that Surrealism and its developments support a "hermeneutics of suspicion", which is one way of interpreting what occurs in the design studio.
series	CAAD Futures
email
more	http://www.caad.ed.ac.uk/
last changed	1999/04/06 09:19

_id	0ac0
authors	Coyne, Richard and Newton, Sidney
year	1992
title	Metaphors, Computers and Architectural Education
doi	https://doi.org/10.52842/conf.ecaade.1992.307
source	CAAD Instruction: The New Teaching of an Architect? [eCAADe Conference Proceedings] Barcelona (Spain) 12-14 November 1992, pp. 307-318
summary	In this paper we present the case for employing metaphor to explain the impact of technology. This contrasts with the empirical-theoretical method of inquiry. We also contrast two widely held metaphors of architectural education (the EPISTEMOLOGICAL and the COMMUNITY metaphors) and of the role of the computer (the MAINFRAME and the UBIQUITOUS COMPUTING metaphors). We show how in each case both metaphors result in different kinds of decision making in relation to resourcing an architecture school.
series	eCAADe
email
last changed	2022/06/07 07:56

_id	e303
authors	Coyne, Richard D. and Newton, S.
year	1989
title	A Tutorial on Neural Networks and Expert Systems for Design
source	University of Sydney, 1989. pp. 321-337. CADLINE has abstract only
summary	This paper presents an overview of neural network (connectionist) systems and their potential contribution to computer-aided design. The authors discuss the appeal of neural networks and some of the problems. The major contribution to design is in the representation and manipulation of schemas. A neural network system can be 'taught' various examples (such as room descriptions). The system then apparently recognizes schemas (room types) and can produce novel but sensible combinations of descriptions constituting new types. A simple handworked example is presented, and the learning and reasoning mechanism is explained
keywords	representation, CAD, expert systems, design, neural networks
series	CADline
email
last changed	2003/05/17 10:13

_id	49d5
authors	Coyne, Richard D. and Newton, S.
year	1990
title	Design Reasoning by Association
source	Environment and Planning B: Planning and Design. 1990. vol. 17: pp. 39-56
summary	The utility is demonstrated of a parallel distributed processing (PDP) approach to processing certain kinds of information of interest to designers. The information is of the kind that could be stored on a Hypercard stack. A system which facilitates the automatic linking of information on the basis of similarity is demonstrated. This approach fits within an overall framework of design reasoning by association
keywords	reasoning, design, methods
series	CADline
email
last changed	2003/05/17 10:13

_id	411f
authors	Coyne, Richard D. and Postmus, A.G.
year	1990
title	Spatial Applications of Neural Networks in Computer-Aided Design
source	Artificial Intelligence in Engineering. 1990. vol. 5: pp. 9-22. CADLINE has abstract only
summary	Neural networks of PDP (parallel distributed processing), models of computation are based on mathematical models of neural processes. The authors explore the application of PDP to simple spatial reasoning in computer-aided design. Knowledge that provides a mapping from performances to design descriptions can be encoded into PDP systems in the form of learned patterns. The implementation of a simple PDP pattern associator is described. The system is shown to facilitate a rudimentary kind of associative or analogical reasoning. It also facilitates reasoning where only incomplete information is available. There are important concerns in design reasoning
keywords	CAD, neural networks, design, representation, knowledge, reasoning
series	CADline
email
last changed	2003/05/17 10:13

_id	c3ec
authors	Coyne, Richard D. and Radford, Antony D.
year	1989
title	Knowledge-based Design Systems in Architecture : a Linguistic Perspective
source	Knowledge Based Systems in Architecture. Helsinki: Acta Polytechnica Scandinavica, 1989. pp. 27-36
summary	The separation of syntax and semantics in systems for the production of architectural designs is discussed. In producing designs we are less interested in mapping between buildings and their meaning than in mapping between an intended meaning and a design description of a kind that can be constructed, a mapping between semantic and syntactic realms. The thesis of this paper is that it is both feasible and operationally useful to separate the consideration of interpretation and syntactic generating in design. The authors first examine the possibility of operating in the syntactic realm, then the possibility of operating in the interpretative realm. Finally they examine how a design system might combine interpretative and syntactic systems
keywords	reasoning, design, CAD, architecture, knowledge base, semantics
series	CADline
email
last changed	2003/05/17 10:13

_id	e2ad
authors	Coyne, Richard D.
year	1988
title	The Logic of Computer-aided Design
source	Design Computing. 1988. vol. 3: CADLINE has abstract only
summary	The appropriateness of logic and language as the basis of models of the design process are discussed in relation to computer-aided design. A model of design systems is discussed which accounts for the role of interpretative and generative knowledge. It is argued that this knowledge serves to define design spaces. Interpretative knowledge can be used to derive implicit properties of designs, but designs can also be produced by 'abduction.' How interpretative and generative knowledge continue to produce designs is discussed. The relationship to other models is also reviewed
keywords	CAD, logic, design process
series	CADline
email
last changed	2003/05/17 10:13

_id	ab54
authors	Coyne, Richard D.
year	1988
title	Logic Models of Design
source	317 p. London: Pitman, 1988. CADLINE has abstract only
summary	This book constitutes both a theoretical and a technical exploration into modelling design tasks in logic. It provides a framework for describing design processes based on logic, achieved primarily by gathering together various strands evident in theories of reasoning, problem solving, design and knowledge engineering. The book demonstrates the applicability of logic programming and knowledge-based techniques to design, particularly in the area of controlling generative systems. The design task by which this is demonstrated is spatial layout, though the issues reach further than this one application
keywords	reasoning, logic, design process
series	CADline
email
last changed	2003/05/17 10:13

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