Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 20 of 617

Reformat results as: short short into frame detailed detailed into frame

_id	sigradi2014_047
id	sigradi2014_047
authors	Igansi Nunes, João Fernando
year	2014
title	PréCRIAR - ProGRAMAR : Por Uma Estética Da Interface Computational
source	SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 429-432
summary	Definitions of Computational Aesthetics from the metric measurement of algorithmic mathematical language will be treated here under the concepts of: Aesthetic Measures by Birkhoff (1928); Information-, Generativ-, Abstract- and Experimental-Aesthetic by Bense (1965); Aesthetic of algorithmic by Stiny and Gips (1978); Endo-Aesthetic by Claudia Giannetti (2005); and, Maximizing Transfer of Struture and Maximizing Recoverability of the Generative Operations by Leyton (2006). The methodological approach to issues of practice and theory used is the main concepts of the relationship between author / reader on the perspective of Arts and Design with Computational Science.
keywords	Interface; Computational; Aesthetic
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	10a8
authors	McCall, Raymond Joseph
year	1978
title	On the structure and use of issue systems in design
source	University of California, Berkeley
summary	The purpose of this dissertation is to explain and justify the concept of issue serving-systems as a new paradigm for descriptive and normative models of design processes. This paradigm is based in general on Horst Rittel's "Argumentative Planning Paradigm" and in particular on Rittel's "Issue-Based Information System" --IBIS-- method. Like IBIS, the issue serving-system concept views design as consisting of the raising and answering of various questions, called issues. The addition of the issue serving-system concept to IBIS is the claim that the serving relationship is the main means for structuring issues into a system for design. That relationship is the one in which an issue A serves an issue B, by which it is meant that the answering of A is useful in deriving the answer to B. Collections of issues structured by this relationship are labelled "issue serving-systems." In the dissertation it is explained that an issue servingsystem has a quasi-hierarchical structure and has as its function the answering of a P!L issue, i.e., an issue of the form, "What should this plan be." Two projects are undertaken in order to demonstrate the normative significance of the issue serving-system concept. The first is to show that the concept forms the basis of a variety of techniques for mechanical (algorithmic) generation of issues and answers. The second is to show how the concept provides criteria for determining which issues should be dealt with and in what order. In particular, it is argued that a topdown breadth-first order of raising issues is best. These conclusions are incorporated into procedures for design, and two applications of these procedures are described. One application involves use of an interactive computer program written by the author. The other involves a non-computerized version of the method.
series	thesis:PhD
last changed	2003/02/12 22:37

_id	caadria2015_048
id	caadria2015_048
authors	Austin, Matthew and Gavin Perin
year	2015
title	The Other Digital
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 829-838
doi	https://doi.org/10.52842/conf.caadria.2015.829
summary	The paper compares the implications of glitch aesthetics as an alternative digital design process to the more the commonly used algorithmic processes. It will argue the synthetic nature of architectural production in the digital age is used typically to privilege the representation of form through lines and curves, while the production of glitches rely on the image. This reliance on the image means that the pixel comes to the forefront as a possible new medium of architectural drawing. This paper therefore aims to outline the advantages and problems with using ‘glitches’ within architectural production.
keywords	Glitch aesthetics; Processing; theory; algorithmic design; process.
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	caadria2017_182
id	caadria2017_182
authors	Austin, Matthew
year	2017
title	The Other Digital - What is the Glitch in Architecture?
source	P. Janssen, P. Loh, A. Raonic, M. A. Schnabel (eds.), Protocols, Flows, and Glitches - Proceedings of the 22nd CAADRIA Conference, Xi'an Jiaotong-Liverpool University, Suzhou, China, 5-8 April 2017, pp. 551-559
doi	https://doi.org/10.52842/conf.caadria.2017.551
summary	This paper will discuss and investigate the issues with the concept of 'glitch' in architecture. There are currently two definitions that sit in a symbiotic relationship with each other; Moradi's (2004) and Menkman's (2011). This paper will explore the implications of these two approaches, while investigating the possibility of a third, unique definition (the encoded transform), and what effect they have on the possibility for a 'glitch architecture'. The paper will then focus on the glitches' capacity to be disruptive within the design process. In the context of architecture, it has been previously argued that the inclusion of glitches within a design process can easily create a process that does not 'converge' to a desired design outcome, but instead shifts haphazardly within a set of family resemblances (Austin & Perin 2015). Further to this, it will be revealed that this 'divergent' quality of glitches is due to the encoded nature of architectural production.
keywords	Glitch aesthetics; Theory; Algorithmic Design; Process.
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	acadia18_36
id	acadia18_36
authors	Austin, Matthew; Matthews, Linda
year	2018
title	Drawing Imprecision. The digital drawing as bits and pixels
source	ACADIA // 2018: Recalibration. On imprecisionand infidelity. [Proceedings of the 38th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-17729-7] Mexico City, Mexico 18-20 October, 2018, pp. 36-45
doi	https://doi.org/10.52842/conf.acadia.2018.036
summary	This paper explores the consequences of digitizing the architectural drawing. It argues that the fundamental unit of drawing has shifted from “the line” to an interactive partnership between bits and pixels. It also reveals how the developmental focus of imaging technology has been to synthesize and imitate the line using bits and pixels, rather than to explore their innate productive value and aesthetic potential. Referring to variations of the architectural drawing from a domestic typology, the paper uses high-precision digital tools tailored to quantitative image analysis and digital tools that sit outside the remit of architectural production, such as word processing, to present a new range of drawing techniques. By applying a series of traditional analytical procedures to the image, it reveals how these maneuvers can interrogate and dislocate any predetermined formal normalization. The paper reveals that the interdisciplinary repurposing of precise digital toolsets therefore has explicit disciplinary consequences. These arise as a direct result of the recalibration of scale, the liberation of the bit’s representational capacity, and the pixel’s properties of color and brightness. It concludes by proposing that deliberate instances of translational imprecision are highly productive, because by liberating the fundamental qualitative properties of the fundamental digital units, these techniques shift the disciplinary agency of the architectural drawing
keywords	full paper, imprecision, representation, recalibration, theory, glitch aesthetics, algorithmic design, process
series	ACADIA
type	paper
email
last changed	2022/06/07 07:54

_id	ecaade2023_272
id	ecaade2023_272
authors	Jorge, Leonardo, Eyesen, Carolina and Beirao, José Nuno
year	2023
title	Design Cost Analysis in a BIM/VPI Framework
source	Dokonal, W, Hirschberg, U and Wurzer, G (eds.), Digital Design Reconsidered - Proceedings of the 41st Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2023) - Volume 2, Graz, 20-22 September 2023, pp. 217–226
doi	https://doi.org/10.52842/conf.ecaade.2023.2.217
summary	This paper aims to investigate the relations between architectural quality and financial feasibility of the design for constructing a sustainable environment. how is it possible to make the architect a protagonist of the design decision-making process, in which the financial impact on the final result is often most valued? The design process is often the stage of conflicting processes, and in particular, most requirements aiming at design sustainability usually collide with the financial plan and investment feasibility. How can the architect manage these conflicting requirements at early stages of the design process and keep track of their impacts as the design progresses in detail? During the design process, the architect is responsible to generate options seeking to meet the objectives of the stakeholders, while balancing multiple criteria such as sustainability requirements, cost, aesthetics and other. The set of design objectives must not impair the other qualities of the building or subjugate them to the final cost. In this way, we propose a digital tool to assist the architect, based on customer feedback, in different stages of the architectural project. Considering that financial feasibility is an essential design objective, the architect can operate a central role in this process, by balancing design decisions. The method consisted of (1) definition of the calculation models, (2) computational implementation of the tool (composed of a BIM modeling tool and an evaluation module), and (3) carrying out the case study. Initially, we present the framework, with an approach to the different stages of the project, systematized in LOD. Then, the different calculation models were implemented in a BIM/VPI environment, following a modular structure. We show a case study based on a housing project. Finally, we implemented the tool in a professional environment. Once a design program and a maximum investment value is defined for that program, the tool allows to confront construction cost and sustainability objectives (e.g.: designing a nZEB - netZero Energy Building) along the design process at different levels of detail. The flowchart for our BIM/VPI algorithm is presented and discussed in regard to its possible contributions to the production of more sustainable environments.
keywords	Performance-based Design, Collaborative/Multi-disciplinary Design, Building Information Modelling, LOD, Algorithmic and Parametric Design, Decision-making
series	eCAADe
email
last changed	2023/12/10 10:49

_id	ascaad2010_135
id	ascaad2010_135
authors	Lostritto, Carl
year	2010
title	Computation Without Computers
source	CAAD - Cities - Sustainability [5th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2010 / ISBN 978-1-907349-02-7], Fez (Morocco), 19-21 October 2010, pp. 135-144
summary	This work documents the implications of using physical media to teach digital design concepts, techniques, values and approaches. With the pedagogy and work of a seminar and studio across two Universities as test cases, this research seeks to prove that a parametric and algorithmic approach to architecture is most fruitfully understood as the connection between logic, mathematics and aesthetics. Students trace the indirect relationships between process and product so as to enable the application of these connections in a non-linear, exploratory and goal-flexible design process. The first phase of student work involves the creation of an image, constructed with ink or graphite on paper, that embodies a parametric aesthetic. Students are tasked articulating and performing operations, such as dividing a curve, packing shapes, and conditional transformations. Subsequently, students fabricate a surface-conscious model with modules that have the capacity to vary based on their grid parameter, using historically rooted techniques such as weaving, perforating, layering and tessellation. Digital fabrication and parametric modeling is then introduced, not as a means to a predefined end, but as another medium, capable of participating with manual techniques. As an example, a fabricated paper-based installation is generated with parametrically generating a cut-sheet, partially blind to its assembled manifestation. The hypothesis of this research is tested in more comprehensive projects that follow as environmental forces are resolved through dynamic and ambiguous visual and spatial conditions.
series	ASCAAD
email
last changed	2011/03/01 07:36

_id	acadia10_81
id	acadia10_81
authors	Marcos, Carlos L.
year	2010
title	Complexity, Digital Consciousness and Open Form: A New Design Paradigm
source	ACADIA 10: LIFE in:formation, On Responsive Information and Variations in Architecture [Proceedings of the 30th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-4507-3471-4] New York 21-24 October, 2010), pp. 81-87
doi	https://doi.org/10.52842/conf.acadia.2010.081
summary	Complexity as a result of improved design capabilities through the use of computer tools was introduced in the architectural debate since these became irreplaceable. On the other hand, not every designer is genuinely aware of the logical implications that the use of these tools may entail. Used as a simple emulation of enhanced traditional design tools—drawings and models, they do not alter the process of design significantly. However, the potential of such tools beyond their instrumentality introduces designers into the realm of digital consciousness. This paper analyzes complexity as an inherent quality of computer aided architectural design in relation to four different digitally conscious design strategies. First, the increase of complexity involved in digital architectural designs because of their potentiality to manage enormous amounts of differentiated information. Second, the complexity inherent to an open form such as parametric or generative designs may be defined. Third, the use of the computer as a smart partner involved in the design process —i.e., form finding strategies— rather than as a simple efficient machine able to repeat our abilities faster and more effectively in certain roles of the design process. Finally, it analyzes the possibility of generating parameterized typologies as a result of the openness of form, as well as the increased complexity that randomness may introduce in algorithmic design. The paper concludes with reflections on complexity vs. simplexity considering the fact that the simplicity characteristic of Modernism aesthetics and constructive values collide with the baroque formal complexity achieved in generative design.
keywords	Digital consciousness, complexity, added information, open form, form finding, randomness
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	acadia11_300
id	acadia11_300
authors	Ruffo Calderon, Emmanuel; Schimek, Heimo; Wiltsche, Albert
year	2011
title	Seeking Performative Beauty
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 300-307
doi	https://doi.org/10.52842/conf.acadia.2011.300
summary	With digital design and fabrication becoming ever more common in architectural design, the computational geometry topic of discretizing freeform surfaces into flat panels has become a common challenge. At the present, most approaches to the issue of preserving a 2D-tessellation on a freeform surface are focused on optimizing the shape of the structure by approximating geometric “equally-sized” flat patterns. In doing so, these strategies treat the approximation of the desired shape as the primary goal, leaving aside the aesthetical aspect of the paneling, which can be seen as having an ornamental quality. In contrast to these common strategies, the project presented in this paper pursues a more holistic approach that tries to integrate aesthetical as well as structural issues by using more complex as well as more performative patterns for the discretization. In the present paper, we present algorithmic strategies that were designed to integrate from the aesthetics of an exposed timber structure, through analysis of structural loading feedbacks to a detailed level of the physical joint system, as part of the fundamental early design decisions. The consequence of the overall negotiations relies fully on their physical integration through computational design. The present paper discusses both the algorithmic techniques and the joint systems through a series of case studies. At the end of the paper we provide an overview to upcoming tasks including the production of a major structure.
keywords	digital architecture; mathematics in architecture; higher-dimensional objects in architecture; design computation and mathematics
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:56

_id	caadria2022_227
id	caadria2022_227
authors	Stuart-Smith, Robert and Danahy, Patrick
year	2022
title	Visual Character Analysis within Algorithmic Design: Quantifying Aesthetics Relative to Structural and Geometric Design Criteria
source	Jeroen van Ameijde, Nicole Gardner, Kyung Hoon Hyun, Dan Luo, Urvi Sheth (eds.), POST-CARBON - Proceedings of the 27th CAADRIA Conference, Sydney, 9-15 April 2022, pp. 131-140
doi	https://doi.org/10.52842/conf.caadria.2022.1.131
summary	Buildings are responsible for 40% of world C02 emissions and 40% of the world's raw material consumption. Designing buildings with a reduced material volume is essential to securing a post-carbon built environment and supports a more affordable, accessible architecture. Architecture‚s material efficiency is correlated to structural efficiency however, buildings are seldom optimal structures. Architects must resolve several conflicting design criteria that can take precedence over structural concerns, while material-optimization is also impacted from limited means to quantitatively assess aesthetic decisions. Flexible design methods are required that can adapt to diverse constraints and generate filagree material arrangements, currently infeasible to explicitly model. A novel approach to generative topological design is proposed employing a custom multi-agent method that is adaptive to diverse structural conditions and incorporates quantitative analysis of visual formal character. Computer vision methods Gabor filtering, Canny Contouring and others are utilized to evaluate the visual appearance of designs and encode these within quantitative metrics. A matrix of design outcomes for a pavilion are developed to test adaptation to different spatial arrangements. Results are evaluated against visual character, structural, and geometric methods of analysis and demonstrate a limited set of aesthetic design criteria can be correlated with structural and geometric data in a quantitative metric.
keywords	Generative/Algorithmic Design, Computer Vision, Environmental Performance, Multi-Agent Systems, Visual Character Analysis, SDG 10, SDG 11, SDG 9, SDG 12, SDG 13
series	CAADRIA
email
last changed	2022/07/22 07:34

_id	acadia19_288
id	acadia19_288
authors	Vivaldi, Jordi
year	2019
title	Surrealist Aesthetics in Second-Order, Cybernetic Architecture
source	ACADIA 19:UBIQUITY AND AUTONOMY [Proceedings of the 39th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-578-59179-7] (The University of Texas at Austin School of Architecture, Austin, Texas 21-26 October, 2019) pp. 288-297
doi	https://doi.org/10.52842/conf.acadia.2019.288
summary	In experimental architecture and during the last decade, second-order cybernetic systems (SOCA) have been broadly explored. Under this umbrella, the implementation of robotics and machine learning in recent experimental projects has impacted academia through new fabrication strategies, new design methods, and new adaptive devices. This paper presents a theoretical approach to the aesthetic side of this impact. In particular, it argues that SOCA rearticulates Benjamin’s concept of “distracted perception” through three structural principles of Surrealism: the emphasis of presentation over representation; the centrality of the notion of automatism; and the simultaneous management of closeness and distance. Each alignment is doubly articulated. First it establishes a comparison between Surrealist artwork from the first half of the 20th century and three SOCA projects in which the notion of autonomy and ubiquity are crucial. Second, it evaluates the impact on Benjamin’s notion of “distracted perception.” The paper concludes that the Surrealist aesthetic structures analysed in SOCA differ from traditional Surrealism in the replacement of an inner and unconscious other by an outer and algorithmic other. Its presence simultaneously expands and contracts Benjamin’s architectural understanding of “distracted perception,” a double movement whose perception paradoxically occurs under the single framework of Benjamin’s haptic vision.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	6387
authors	Akin, Omer
year	1978
title	How do Architects Design?
source	Artificial Intelligence and Pattern Recognition in Computer Aided Design. North-Holland Publishing Company, 1978. pp. 65-98. includes bibliography
summary	This study is proposes a descriptive model of the design behavior of architects. In the first section a framework for the model is proposed. In the second section the framework is tested against empirical data. 11 information processing mechanisms are observed in the data. Eight of these: information acquisition, problem interpretation, problem representation, solution generation, solution integration, solution evaluation, perception and sketching, are used in developing design solutions. The three remaining mechanisms: design 'plans,' transformation rules and design-symbols, represent the categories of the priori knowledge used in design. In the third section these three knowledge mechanisms are explored in detail using the results of two additional experiments with designers
keywords	design methods, architecture, design process
series	CADline
email
last changed	2003/05/17 10:09

_id	20c1
authors	Alavalkama, Ilkka
year	1993
title	Technical Aspects of the Urban Simulator in Tampere University of Technology
source	Endoscopy as a Tool in Architecture [Proceedings of the 1st European Architectural Endoscopy Association Conference / ISBN 951-722-069-3] Tampere (Finland), 25-28 August 1993, pp. 35-46
summary	The colour video recording Urban Simulator in TUT was built very early compared with the development of video systems. A contract for planning the simulator electronics, mechanics and camera systems was made in january 1978 with two TUT students: Jani Granholm (computer science and engineering) and Ilkka Alavalkama (machine design and automation). Ease of control and maintenance were asked by side of ”human movement inside coloured small-scale architectural models”. From the beginning, all components of the system were carefully tested and chosen from various alternatives. Financial resources were quite limited, which lead to a long building process and to self-planned and produced mechanical and electronical elements. Some optical systems were constructed by using elements from various manufacturers.
keywords	Architectural Endoscopy
series	EAEA
more	http://info.tuwien.ac.at/eaea/
last changed	2005/09/09 10:43

_id	629c
authors	Ball, A. A.
year	1978
title	A Simple Specification of the Parametric Cubic Segment
source	computer Aided Design. Business Press, May, 1978. vol. 10: pp. 181-182
summary	A parametric cubic segment may be specified in many ways but most specifications require quantities peculiar to the parametric representation rather than the geometric properties of the curve segment. This paper shows that a three- dimensional cubic segment is specified completely by its end points, end slopes and one intermediate point
keywords	parametrization, curves, curved surfaces, representation
series	CADline
last changed	2003/06/02 10:24

_id	898a
authors	Bay, J.H.
year	2002
title	Cognitive Biases and Precedent Knowledge in Human and Computer-Aided Design Thinking
source	CAADRIA 2002 [Proceedings of the 7th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 983-2473-42-X] Cyberjaya (Malaysia) 18–20 April 2002, pp. 213-220
doi	https://doi.org/10.52842/conf.caadria.2002.213
summary	Cognitive biases (illusions) and potential errors can occur when using precedent knowledge for analogical, pre-parametric and qualitative design thinking. This paper refers largely to part of a completed research (Bay 2001) on how heuristic biases, discussed by Tversky and Kahneman (1982) in cognitive psychology, can affect judgement and learning of facts from precedents in architectural design, made explicit using a kernel of conceptual system (Tzonis et. al., 1978) and a framework of architectural representation (Tzonis 1992). These are used here to consider how such illusions and errors may be transferred to computer aided design thinking.
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	e671
authors	Bentley, Jon L., Haken, Dorothea and Saxe, James B.
year	1978
title	A General Method for Solving Divide-and-Conquer Recurrences
source	10 p Carnegie Mellon University: December, 1978. includes bibliography.
summary	The complexity of divide-and-conquer algorithms is often described by recurrence relations of the form T(n) = kT(n/c) + f(n). The only method currently available for solving such recurrences consists of solution tables for fixed functions f and varying k and c. In this note the authors describe a unifying method for solving these recurrences that is both general in applicability and easy to apply without the use of large tables
keywords	recursion, algorithms, divide-and-conquer
series	CADline
last changed	2003/06/02 13:58

_id	e1e8
authors	Bezier, Pierre E.
year	1978
title	General Distortion of an Ensemble of Biparametric Surfaces
source	computer Aided Design. March, 1978. vol. 10: pp. 116-120 : ill. includes bibliography
summary	When the shape of an object has been numerically defined, it is sometimes necessary to distort it to improve either its technical performance or its aesthetic appearance. After briefly recalling the major properties of space curves and surfaces defined by Bernstein polynomials, it is shown how the result can be automatically obtained by distorting an auxiliary triparametric set of references. The principle of an approximate method for high-order curves and surfaces is explained
keywords	curves, curved surfaces, Bernstein, representation, Bezier, computational geometry
series	CADline
last changed	2003/06/02 13:58

_id	6509
authors	Blinn, J.F.
year	1978
title	Simulation of Wrinkled Surfaces
source	Computer Graphics 12 3. 286-292
summary	Computer generated shaded images have reached an impressive degree of realism with the current state of the art. They are not so realistic, however, that they would fool many people into believing they are real. One problem is that the surfaces tend to look artificial due to their extreme smoothness. What is needed is a means of simulating the surface irregularities that are on real surfaces. In 1973 Ed Catmull introduced the idea of using the parameter values of parametrically defined surfaces to index into a texture definition function which scales the intensity of the reflected light. By tying the texture pattern to the parameter values, the texture is guaranteed to rotate and move with the object. This is good for showing patterns painted on the surface, but attempts to simulate rough surfaces in this way are unconvincing. This paper presents a method of using a texturing function to perform a small perturbation on the direction of the surface normal before using it in the intensity calculations. This process yields images with realistic looking surface wrinkles without the need to model each wrinkle as a separate surface element. Several samples of images made with this technique are included.
series	journal paper
last changed	2003/04/23 15:14

_id	0fd5
authors	Borkin, Harold J., McIntosh, John F. and Turner, James A.
year	1978
title	The Development of Three-Dimensional Spatial Modeling Techniques for the Construction of Nuclear Power Plants
source	SIGGRAPH-ACM Quarterly Report. August, 1978. pp. 26-30 : ill. includes bibliography
summary	This paper presents the results of the first phase of a research project on the application of spatial modeling techniques to the process of planning and executing the construction of a nuclear power plant. A computer modeling technique, based on sets of polyhedra and spatial set operations, was developed and applied to modeling the components of a nuclear power plant. The objectives of the modeling are: To store and retrieve information about the various systems in the facility; to produce drawings of those systems from any angle in differing amounts of detail; to aid in the search for interference among the parts of the plant by identifying those elements that occupy the same space or are too close to each other; to calculate information such as surface area, length, and volume of selected elements of the plant; and to aid in finding the optimum construction sequence by simulating the construction of selected areas of the plant. Computer techniques are described for inputing information by digitizing directly from engineering drawings, for editing the spatial model, for management of the spatial and non-spatial data, and for graphic output from the model. The software is implemented on the University central time- sharing computer system and on a mini-computer system in the Architectural Research Laboratory
keywords	geometric modeling, polyhedra, relational database, construction, synthesis, evaluation, design, applications
series	CADline
last changed	2003/06/02 13:58

_id	0189
authors	Brodlie, K.W. (editor)
year	1980
title	Mathematical Methods in Computer Graphics and Design
source	xi, 147 p. : ill. New York: Academic Press, 1980. includes subject index
summary	Based on the proceeding of the conference on mathematical methods in computer graphics and design, organized by the Institute of Mathematics and Its Applications and held at the university of Leicester on september 28th, 1978
keywords	algorithms, geometric modeling, techniques, computer graphics, mathematics
series	CADline
last changed	2003/06/02 13:58

For more results click below: