Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

PDF papers
References

Hits 1 to 20 of 2960

Reformat results as: short short into frame detailed detailed into frame

_id	acadia23_v3_211
id	acadia23_v3_211
authors	Kataw, Hanan
year	2023
title	ACADIA’s Open Call: Expanding the Narrative of Diversity and Inclusion in Computational Design
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 3: Proceedings of the 43rd Annual Conference for the Association for Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9891764-1-0]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 24-32.
summary	The Association for Computer Aided Design in Architecture (ACADIA) was founded on October 17, 1981. The first meeting was held at Carnegie-Mellon University and attended by 24 founding members. When the history of ACADIA is discussed, out of these two dozen founders, three are frequently noted: William Mitchell, Charles Eastman, and Chris Yessios. Mitchell was a pioneer in computer-aided design and smart cities research and is, as Wassim Jabi, ACADIA’s 21st president put it, “one of ACADIA’s most famous founding members.”1 Eastman was not only ACADIA’s first president, but also one of the leading figures in the history of Building Information Modeling (BIM) and is often referred to as “the father of BIM.” Yessios is widely known for his work at Ohio State University and his role in developing Form.Z.
series	ACADIA
email
last changed	2024/04/17 14:00

_id	176f
authors	Habraken, N.J. and Gross, M.D.
year	1988
title	Concept Design Games
source	Design Studies, Volume 9, Number 3, 1988, pp. 12-23
summary	This paper describes our work on using games as a tool for research in design theory and methods. Games offer a means of isolating certain aspects, or concepts, of designing for purposes of scrutiny. A game provides an environment for a group of players, acting with individual goals and a shared program, to make and transform complex configurations, free of functional requirements. Adjusting game parameters emphasizes different concepts. We have developed nine games that explore a variety of concepts of general interest to those concerned with organizing physical configurations. Beyond these particular concepts, we argue that games are a useful way to couch studies in design theory and methods.
series	journal paper
last changed	2003/04/23 15:14

_id	c65d
authors	Habraken, N.J. and Teicher, J (ed.)
year	1998
title	The Structure of the Ordinary
source	MIT Press, Cambridge, USA, pp. 73-76
summary	According to N. J. Habraken, intimate and unceasing interaction between people and the forms they inhabit uniquely defines built environment. The Structure of the Ordinary, the culmination of decades of environmental observation and design research, is a recognition and analysis of everyday environment as the wellspring of urban design and formal architecture. The author's central argument is that built environment is universally organized by the Orders of Form, Place, and Understanding. These three fundamental, interwoven principles correspond roughly to physical, biological, and social domains. Historically, "ordinary" environment was the background against which architects built the "extraordinary." Drawing upon extensive examples from archaeological and contemporary sites worldwide, the author illustrates profound recent shifts in the structure of everyday environment. One effect of these transformations, Habraken argues, has been the loss of implicit common understanding that previously enabled architects to formally enhance and innovate while still maintaining environmental coherence. Consequently, architects must now undertake a study of the ordinary as the fertile common ground in which form- and place-making are rooted. In focusing on built environment as an autonomous entity distinct from the societies and natural environments that jointly create it, this book lays the foundation for a new dialogue on methodology and pedagogy, in support of a more
series	other
last changed	2003/04/23 15:14

_id	c0ee
authors	Bentley, Jon L. and Ottmann, Thomas
year	1981
title	The Complexity of Manipulating Hierarchically Defined Sets of Rectangles
source	40 p. : ill. Pittsburgh, PA: Department of Computer Science, CMU., April, 1981. CMU-CS-81-109. includes bibliography
summary	Algorithms that manipulate sets of rectangles are of great practical importance in VLSI design systems and other applications. Although much theoretical work has appeared recently on the complexity of rectangle problems, it has assumed that the inputs are given as a list of rectangles. In this paper the authors study the complexity of rectangle problems when the inputs are given in a hierarchical language that allows the designer to build large designs by replicating small designs. They show that while most of the problems are NP-hard in the general case, there are O(N log N) algorithms that process inputs obeying certain restrictions
keywords	rectangles, algorithms, computational geometry, data structures
series	CADline
last changed	2003/06/02 10:24

_id	bf5a
authors	Botman, J.J.
year	1981
title	Dynamics of Housing and Planning: A Regional Simulation Model
source	Delft University of Technology - Martinus Nijhoff Publishers, Dordrecht (ISBN 90-247-2499-6)
series	thesis:PhD
email
last changed	2003/02/12 22:37

_id	sigradi2009_1044
id	sigradi2009_1044
authors	Cruz, Débora Melo; Gabriela Celani
year	2009
title	A influência de Frank Lloyd Wright sobre João Batista Vilanova Artigas – uma análise formal [The Influence of Frank Lloyd Wright on João Batista Vilanova Artigas - A Formal Analysis]
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	This study intends to propose a new use of the shape grammar: verify the influence of a certain architect’s language over another architect’s language. Some Brazilian modern architecture critics suggest the existence of an influence of Wright’s prairie houses over Artigas’ early work, but the methods used to reach to this conclusion are always empirical and not very objective. The present work aims to confirm this influence in a more rational manner, comparing Wright’s prairie houses grammar developed by Koning and Eizenberg (1981) to Artigas’ first phase grammar that will developed in this work.
keywords	Gramática da forma; F. L. Wright; J. V. Artigas
series	SIGRADI
email
last changed	2016/03/10 09:49

_id	2f1a
authors	Dabney, M.K., Wright, J.C. and Sanders, D.H.
year	1999
title	Virtual Reality and the Future of Publishing Archaeological Excavations: the multimedia publication of the prehistoric settlement on Tsoungiza at Ancient Nemea
source	New York: The Metropolitan Museum of Art
summary	The Nemea Valley Archaeological Project is a study of settlement and land use in a regional valley system in Greece extending from the Upper Paleolithic until the present. Active field research was conducted by four teams between 1981 and 1990. The first component was a regional archaeological survey. Second, and closely related to the first, was a social anthropological study of modern settlement and land use. Next was a team assigned to excavate the succession of prehistoric settlements of Ancient Nemea on Tsoungiza. Last, historical ecologists, a palynologist, and a geologist formed the environmental component of the research. As a result of advances in electronic publishing, plans for the final publication of the Nemea Valley Archaeological Project have evolved. Complete publication of the excavation of the prehistoric settlements of Ancient Nemea on Tsoungiza will appear in an interactive multimedia format on CD/DVD in Fall 2000. This project is planned to be the first electronic publication of the American School of Classical Studies at Athens. We have chosen to publish in electronic format because it will meet the needs and interests of a wider audience, including avocational archaeologists, advanced high school and college students, graduate students, and professional archaeologists. The multimedia format on CD/DVD will permit the inclusion of text, databases, color and black-and-white images, two and three-dimensional graphics, and videos. This publication is being developed in cooperation with Learning Sites, Inc., which specializes in interactive three-dimensional reconstructions of ancient worlds http://www.learningsites.com. The Nemea Valley Archaeological Project is particularly well prepared for the shift towards electronic publishing because the project's field records were designed for and entered in computer databases from the inception of the project. Attention to recording precise locational information for all excavated objects enables us to place reconstructions of objects in their reconstructed architectural settings. Three-dimensional images of architectural remains and associated features will appear both as excavated and as reconstructed. Viewers will be able to navigate these images through the use of virtual reality. Viewers will also be able to reference all original drawings, photographs, and descriptions of the reconstructed architecture and objects. In this way a large audience will be able to view architectural remains, artifacts, and information that are otherwise inaccessible.
series	other
last changed	2003/04/23 15:14

_id	01bb
authors	Er, M.C.
year	1981
title	A Representation Approach to the Tower of Hanoi Problem
source	22 p. : ill. Wollongong: Department of Computing Science, University of Wollongong, August, 1981. includes bibliography
summary	By making the moving direction of each disc explicit in the representation, a bit-string so constructed can be used to drive the Tower of Hanoi algorithm. The behavior of disc moves is further analyzed based on the bit-string representation. It has been shown that the bit-string for moving n discs can be used to generate successively the Gray codes of n bits
keywords	representation, programming, combinatorics, algorithms, recursion
series	CADline
last changed	2003/06/02 13:58

_id	0776
authors	Er, M.C.
year	1981
title	Matrices of Fibonacci Numbers
source	12 p. Wollongong: Department of Computing Science, University of Wollongong, October, 1981. includes bibliography
summary	The matrices of Fibonacci numbers (called windows) possess some unusual properties which are not shared by normal matrices, such as commutativity under multiplication and +1 for all determinants. The beauty of multiplicative closure lends a hand to the fast computation of generalized order-k Fibonacci numbers in O(k2 log n) time
keywords	Fibonacci, mathematics
series	CADline
last changed	2003/06/02 13:58

_id	2430
authors	Kernighan, Brian W. and Plauger, P.J.
year	1981
title	Software Tools in Pascal
source	ix, 366 p. Reading,Mass.: Addison-Wesley Pu. Co., 1981. includes bibliography and index
summary	How to write programs that make good tools, and how to program well in the process are the two main concepts. Structured programming and top down design are emphasized and applied to every program as are principles of design, testing efficiency and portability
keywords	programming, PASCAL, education
series	CADline
last changed	2003/06/02 13:58

_id	ecca
authors	Koning, H. and Eizenberg, J.
year	1981
title	The Language of the Prairie : Frank Lloyd Wright's Prairie Houses
source	Environment and Planning B. 1981. vol. 8: pp. 295-323 : ill. includes bibliography
summary	The following parametric shape grammar generates the compositional forms and specifies the function zones of Frank Lloyd Wright's prairie-style houses. The establishment of a fireplace is the key to the definition of the prairie-style house. Around this fireplace, functionally distinguished Froebelean-type blocks are recursively added and interpenetrated to from the basic compositions from which elaborated prairie-style houses are derived. The grammar is based on a corpus of eleven houses from the Winslow house, the evolutionary precursor of the style, to the Robie house, considered by many as the culmination of the style. Much has been written about prairie-style houses - their balance, their debt to Beaux Arts and Japanese design traditions, and their organic qualities. However, such descriptions do not explicitly inform us as to how prairie-style houses are constructed, and consequently provide little help in designing new members of this style. The power of a grammar, such as the one given here, is that it establishes a recursive structure from which new designs can be constructed. Three new prairie houses generated by the grammar as well as step-by-step generation of one of these designs are shown
keywords	synthesis, analysis, architecture, shape grammars, parametrization,
series	CADline
last changed	2003/06/02 13:58

_id	b719
authors	Maver, T.W.
year	1981
title	Simulation and Solution Teams in Architectural Design
source	Proceedings of Design Participation Conference, (Ed: N Cross), Academy Editions, 79-83
series	other
type	normal paper
email
last changed	2015/02/20 11:25

_id	4925
authors	Poon, J. and Maher, M.L.
year	1997
title	Co-evolution in Design
doi	https://doi.org/10.52842/conf.caadria.1997.439
source	CAADRIA ‘97 [Proceedings of the Second Conference on Computer Aided Architectural Design Research in Asia / ISBN 957-575-057-8] Taiwan 17-19 April 1997, pp. 439-448
summary	A design process is traditionally viewed as a sequential process model from the formulation of the problem to the synthesis of solutions. Simon (1981) regards design as a state-space search where a problem leads to the solution. To be more practical, there are many versions of solution generated during design, where each current one is an improvement over the previous one. This kind of synthesis of solutions can be viewed as an evolutionary system over time. We propose to apply the metaphor of "exploration” to design, and further argue that evolution occurs in the problem space as well as in the solution space. Co-evolutionary design is introduced to remove the assumption of having a fixed goal (problem). The problem is allowed to change over time. Two algorithms for co-evolution are presented. Their characteristics and differences are highlighted. The paper moves on to review the design history of the Sydney Opera House and to show how observations from this real life example confirm our co-evolutionary model.
series	CAADRIA
email
last changed	2022/06/07 08:00

_id	4617
authors	Wang, Ming-Hung and Habraken, John N.
year	1982
title	Six Operations : Notations of Design Process
source	Spring, 1982. pp. 1-18 : ill
summary	This paper defines six design operations that are to be sufficient to explicate physical design processes. Some inherent relations among these six operations are explored to provide a technical base for notating design processes in a network format. An example of describing a real design process is given, and a demonstration of how the network representation system can facilitate planning a given design process more efficiently is given
keywords	design process, architecture
series	CADline
last changed	2003/06/02 13:58

_id	caadria2021_001
id	caadria2021_001
authors	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.)
year	2021
title	CAADRIA 2021: Projections, Volume 2
doi	https://doi.org/10.52842/conf.caadria.2021.2
source	PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 2, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, 764 p.
summary	Rapidly evolving technologies are increasingly shaping our societies as well as our understanding of the discipline of architecture. Computational developments in fields such as machine learning and data mining enable the creation of learning networks that involve architects alongside algorithms in developing new understanding. Such networks are increasingly able to observe current social conditions, plan, decide, act on changing scenarios, learn from the consequences of their actions, and recognize patterns out of complex activity networks. While digital technologies have already enabled architecture to transcend static physical boxes, new challenges of the present and visions for the future continue to call for both innovative responses integrating emerging technologies into experimental architectural practice and their critical reflection. In this process, the capability of adapting to complex social and environmental challenges through learning, prototyping and verifying solution proposals in the context of rapidly shifting realities has become a core challenge to the architecture discipline. Supported by advancing technologies, architects and researchers are creating new frameworks for digital workflows that engage with new challenges in a variety of ways. Learning networks that recognize patterns from massive data, rapid prototyping systems that flexibly iterate innovative physical solutions, and adaptive design methods all contribute to a flexible and networked digital architecture that is able to learn from both past and present to evolve towards a promising vision of the future.
series	CAADRIA
last changed	2022/06/07 07:49

_id	caadria2021_000
id	caadria2021_000
authors	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.)
year	2021
title	CAADRIA 2021: Projections, Volume 1
doi	https://doi.org/10.52842/conf.caadria.2021.1
source	PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 1, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, 768 p.
summary	Rapidly evolving technologies are increasingly shaping our societies as well as our understanding of the discipline of architecture. Computational developments in fields such as machine learning and data mining enable the creation of learning networks that involve architects alongside algorithms in developing new understanding. Such networks are increasingly able to observe current social conditions, plan, decide, act on changing scenarios, learn from the consequences of their actions, and recognize patterns out of complex activity networks. While digital technologies have already enabled architecture to transcend static physical boxes, new challenges of the present and visions for the future continue to call for both innovative responses integrating emerging technologies into experimental architectural practice and their critical reflection. In this process, the capability of adapting to complex social and environmental challenges through learning, prototyping and verifying solution proposals in the context of rapidly shifting realities has become a core challenge to the architecture discipline. Supported by advancing technologies, architects and researchers are creating new frameworks for digital workflows that engage with new challenges in a variety of ways. Learning networks that recognize patterns from massive data, rapid prototyping systems that flexibly iterate innovative physical solutions, and adaptive design methods all contribute to a flexible and networked digital architecture that is able to learn from both past and present to evolve towards a promising vision of the future.
series	CAADRIA
last changed	2022/06/07 07:49

_id	acadia23_v3_49
id	acadia23_v3_49
authors	A. Noel, Vernelle; Dortdivanlioglu, Hayri
year	2023
title	Text-to-image generators: Semiotics, Semantics, Syntax, and Society
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 3: Proceedings of the 43rd Annual Conference for the Association for Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9891764-1-0]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 24-32.
summary	Text-to-image generators, such as Midjourney, DALL-E, and Stable Diffusion, are becoming increasingly popular. These generators, whose models are trained on large datasets of text-image pairs, often scraped from the web, take text prompts as input, and use them to generate images—text-to-image prompting. In this visual essay, we raise questions about the entanglement of semiotics, semantics, syntax, and society in these text-to-image generator tools. We are intrigued by how these technologies are “intrawoven” with social and cultural contexts. How are their constructions and presentations reconfigurations? How do, or might they, inform pedagogy, theory, methods, and our publics? To explore these questions, we entered six prompts related to the built environment in six different languages, eight months apart in Midjourney (“Midjourney” n.d.). The generated images (Figure 1), require that we ask deep questions of each image, in comparison with each other, across each group of four, and across time (eight months apart). We argue that text-to-image generators call for a rigorous exploration of semiotics, semantics, syntax, and the society, with implications for pedagogy, theory-building, methodologies, and public enlightenment. Furthermore, we assert that these tools can facilitate pertinent questions about the relationships between technology and society. This is just the beginning. For now, we have questions.
series	ACADIA
type	field note
email
last changed	2024/04/17 13:59

_id	41e5
authors	Abendroth, M., Decock, J. and Mestaoui, N.
year	2000
title	O_1:// the hypertextu(r)al matrix
source	SIGraDi’2000 - Construindo (n)o espacio digital (constructing the digital Space) [4th SIGRADI Conference Proceedings / ISBN 85-88027-02-X] Rio de Janeiro (Brazil) 25-28 september 2000, pp. 75-76
summary	Founded in 1995 LAB[au], laboratory for architecture and urbanism, links theoretic research LAB[a+u] to concrete works of conception and realisations LA.BAU. LAB[au] elaborates a “hyperdesign” investigating the implications of new technologies of communication and computation in spatiotemporal and social processes and their forms of representation as architecture and urbanism. The transposition of the hypertext model to architectural and urban concepts question the mutation of the spatial and semantic construct of space. The definition of architecture as a code is based on “glocal” systems according to the processes of computation and communication.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	9d26
authors	Adriane Borda Da Silva, A., Félix, N.R., Magallón Lacarta, J.A., Serón Arbeloa, F.J.
year	2000
title	Da Representação à Modelagem (From Representation Towards Modeling)
source	SIGraDi’2000 - Construindo (n)o espacio digital (constructing the digital Space) [4th SIGRADI Conference Proceedings / ISBN 85-88027-02-X] Rio de Janeiro (Brazil) 25-28 september 2000, pp. 280-282
summary	This work intends to structure a conceptual and technical referential to guide the development of the “Post-Graduate Drawing Course - from traditional tracing to computer graphics” (DTGC-IFM,UFPel, RS, Brasil), related to the process of using the computer technology for problem-solving in graphics representation. The referential intends to evaluate the level of development, and also orientate the investments with qualification of the staff, hardware and software. This study refers only to the process of solving problems using computer graphics techniques for Geometric and Visual Modeling.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2004_192
id	sigradi2004_192
authors	Adrián J. Levy
year	2004
title	Espacios 4-d animados - Arquitectura de la música [4-D Animated Spaces - The Architecture of Music]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This project involves the creation of an architecture of music which may be defined as a series of interdisciplinary steps which seek to generate four-dimensional virtual spaces for the materialization of music. This materialization uses music as its .genetic information ., the virtual space as its medium, and the execution time of the musical piece as the fourth dimension to a three-dimensional virtual space. Within this space, each instrument.s execution is represented by a shape whose properties undergo changes resulting from the musical information. Through the use of new Virtual Reality techniques, we will soon have the possibility to be inside the music, as a habitable place. The achievement of this project is to provide the opportunity to experience this representation through virtual animation.
keywords	Architecture of music, navigable music, cyberspace, four-dimensional, animation
series	SIGRADI
email
last changed	2016/03/10 09:47

For more results click below: