Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2004_182
id	sigradi2004_182
authors	Lygia Saboia
year	2004
title	Realidade virtual e ilusionismo [Virtual Reality and Illusionism]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This work is based on Oliver Grau.s analyses about some aspects of virtual reality. When making his considerations, Grau says virtual reality always has been part of artists. concern when creating their art and, as today, it is an atempt to keep the viewers envolved far from the real world, and deep inside another reality. Oliver Grau.s ponderations are pointed before. Then the comparisons among the installation named .The Place-Rhur., from Jeffrey Shaw, and the panoramas from the XIX and XX centuries are made. It is intended to point out that creations on virtual reality from today are extensions of those that came before. The difference resides on technology employed, cultural context from different moments in which they are created, and the level of envolvment they can offer.
keywords	Visual arts, virtual reality, panoramas, illusionism, immersion
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	028c
authors	Léglise, Michel
year	1998
title	Ordinateurs dans l'apprentissage de la conception : mental et instrumental
doi	https://doi.org/10.52842/conf.ecaade.1998.138
source	Computerised Craftsmanship [eCAADe Conference Proceedings] Paris (France) 24-26 September 1998, pp. 138-145
summary	Il n'est pas inéluctable d'utiliser, dans les écoles d'architecture et pour l'apprentissage de la conception, les outils logiciels qu'exploitent les architectes en phase de production. On exposera en quoi ces systèmes lourds et efficaces dans la fabrication des pièces écrites et graphiques en fin de projet, se révèlent inadaptés en phase d'apprentissage et de pré-conception. L'alternative ici proposée consiste à considérer un étudiant comme un acteur qui décide, dans un environnement multiple et changeant de modules logiciels, d'appeler tel ou tel élément propre à stimuler son imagination ou aider sa réflexion, dans la phase où il se trouve, dans le mode de représentation qu'il choisit. Cet environnement est considéré comme un dispositif. Quelques exemples existants de ces modules logiciels sont brièvement présentés, comme incitation à continuer d'explorer cette voie. La conclusion expose la difficulté de l'entreprise, mais insiste sur les enjeux qui y sont attachés.
series	eCAADe
email
more	http://www.paris-valdemarne.archi.fr/archive/ecaade98/html/05leglise/index.htm
last changed	2022/06/07 07:59

_id	sigradi2023_99
id	sigradi2023_99
authors	López Carmona, Juan Alejandro and Villota Cuásquer, Óscar Darío
year	2023
title	Construction and Experience of the Physical-Digital Space: A Reflection on Digital Interaction as a Vector in the Construction of Narratives and Signification in the Urban Space.
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 1513–1523
summary	This paper addresses a reflection on the cultural transformation caused by the advent of digital materials in the daily interaction of human beings and their impact on the construction of imaginaries. To do this, an approach to the notions of culture is sought from the conditions of material interaction and the generation of semiospheres, as well as the implications of the insertion of digital materiality into this dynamic. On the other hand, approaches are made to the consequences produced in the collective imaginaries of Medellín, Colombia, in terms of the transformation it has undergone over the past two decades, in the clear context of the advent of digital media and the consequent transformation they produce in collective narratives.
keywords	Digital mediation, Convergence, Imaginaries updating, Digital ethics, Object autonomy
series	SIGraDi
email
last changed	2024/03/08 14:08

_id	sigradi2007_af19
id	sigradi2007_af19
authors	López de Anda, María Magdalena
year	2007
title	Aesthetics and spatial representation in the Ragnarok On Line [La estética y la representación espacial en el Ragnarok On Line]
source	SIGraDi 2007 - [Proceedings of the 11th Iberoamerican Congress of Digital Graphics] México D.F. - México 23-25 October 2007, pp. 397-403
summary	Videogames known as “persistan worlds” have become an important object of study because of the increasing and large number of users, and the time they spent playing and interacting with them. This document presents a fragment (space and aesthetic) of the research on the discourse construction process in the Ragnarok On Line game. This work is the result of a documentary quest, analysis and ethnography work.
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	ecaade2007_111
id	ecaade2007_111
authors	Lömker, Thorsten M.
year	2007
title	Location-Based Optimization to Foster Economic Decision-Making in Revitalization
doi	https://doi.org/10.52842/conf.ecaade.2007.311
source	Predicting the Future [25th eCAADe Conference Proceedings / ISBN 978-0-9541183-6-5] Frankfurt am Main (Germany) 26-29 September 2007, pp. 311-317
summary	The existent and idle stock of buildings is extensive. However, significant information about these buildings is hardly available. The real estate owners are usually not known by prospective customers and they can be elicited only with substantial effort. But even if data about a building is available, it is difficult to valuate it precisely, because there are no standard classification techniques available, which would also consider the subjective subsequent requirements of the interested parties. The question whether a building is suitable for a certain subsequent use is therefore hard to answer. It involves an extensive expenditure of time and manpower. No reliable statement about a prospective reuse of a building can be made on site by prospective clients, i.e. buyers or renters. Therefore, we examined the technology needed by the customer to accomplish in-situ ad-hoc analyses of existing buildings. These technologies are namely remote sensing devices using georeferenced data, Location-Based Services and web-based optimization techniques. The aim is to give prospective clients the possibility to visit a building and run an in-situ usability simulation. To accomplish this, building information will be transferred between the building and the client through the use of common communication devices. These devices automatically connect to server-based applications, which compare the requirements of the prospective customer with the existing building and run remote simulations on concrete further utilization. By the use of georeferenced data alternative locations of unused buildings can be integrated into the simulation as well.
keywords	Revitalization, location-based services, ubiquitous computing, web-based optimization
series	eCAADe
email
last changed	2022/06/07 07:59

_id	277f
authors	Mabel, Fabiana
year	2001
title	CIDADE ARTE: UM PROJETO VIRTUAL-DIGITAL (City Art: A Virtual-Digital Project)
source	SIGraDi biobio2001 - [Proceedings of the 5th Iberoamerican Congress of Digital Graphics / ISBN 956-7813-12-4] Concepcion (Chile) 21-23 november 2001, pp. 248-250
summary	“Art city” is focus in analizing the traditional process of urban plan - using the highest tecnology - to propose an urban plan of the ocupation in the real and virtual space. The timing and space has transformed during this new way of representation. Allow the exposition of the elements in differents years and cultures , the change of objects and process, to receive and transmit information. Doesn’t represent a specific place; the elaboration depend the way we realize and how we deal with the propsing and inside the struture of navegation
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2020_81
id	sigradi2020_81
authors	Machado, Gabriela Pires; Freitas, Kamila Pacheco Louro; Sousa, Luísa Antunes de; Favre, Michelle Mayrink; Correa, Pedro Henrique Passos; Oliveira, Thais Gonçalves de; Calais, Victoria Mansur de
year	2020
title	DIGITAL ARCHAEOLOGY, FORENSIC ARCHITECTURE AND INTERACTIVE MODELS AS TOOLS OF RECONSTITUTION OF HISTORICAL MEMORY: The Human Rights Memorial of Minas Gerais Project (Brazil)
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 81-88
summary	This paper discusses how history, archaeology, and architecture can work together within restoration and interpretation of older buildings in a multidisciplinary and technologic way - especially in territorial contexts of human rights violations. In the last decades, a lot of softwares, tools, and interfaces have emerged with the possibility to connect hypermedia languages, simulating spatial narratives of cultural heritage in virtual reality. This paper addresses these new methodologies of representation of history and memory through projects and case studies of the Human Rights Memorial of Minas Gerais.
keywords	Forensic Architecture, Informational model, Digital archeology, Human rights, Places of Memory
series	SIGraDi
email
last changed	2021/07/16 11:48

_id	sigradi2005_037
id	sigradi2005_037
authors	Maciel, Mario
year	2005
title	Interactive virtual art
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 1, pp. 37-41
summary	The interactivity presumes behavior action events exercised mutually between machines, between digital information and persons, between two or more persons, machines and digital information in real time. Nelson Max presented in Paris the first interactive landscape in 1983. The pioneer of scientific image was Ivan Sutherland, researcher of Massachusetts Institute of Technology (MIT). Another fundamental reference is Sonia Sheridan that invented a system where the user could modify the original image and visualize the result in real time. In Brazil, as well as in the outside, artists in assembly with scientists, see developing works computacionais with resorts of immersion and interatividade. Like this, in that search of new references, the text presents initially the main concepts about interactive virtual art and analyzes two important expositions: Emoção Art.Ficial 2.0 and Maior ou igual a 4D: computer art interactive. [Full paper in Portuguese]
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	2768
authors	Maciel, P.W.C. and Shirley, P.
year	1995
title	Visual navigation of large environments using textured clusters
source	Proceedings 1995 Symposium on Interactive 3D Graphics, pp. 95-102, June 1995
summary	A visual navigation system is described which uses texture mapped primitives to represent clusters of objects to maintain high and approximately constant frame rates. In cases where there are more unoccluded primitives inside the view- ing frustum than can be drawn in real-time on the workstation, this system ensures that each visible object, or a cluster that includes it, is drawn in each frame. The system supports the we of traditional "level-of-detail" representations for individual objects, and supports the automatic genera- tion of a certain type of level-of-detail for objects and clusters of objects. The concept of choosing a representation from among those associated with an object that accounts for the direction from which the object is viewed is also supported. The level-of-detail concept is extended to the whole model and the entire scene is stored as a hierarchy of levels-of-detail that is traversed top-down to iind a good representation for a given viewpoint. This system does not assume that visibility information can be extracted from the model and is thus especially suited for outdoor environments.
series	other
last changed	2003/04/23 15:50

_id	sigradi2009_985
id	sigradi2009_985
authors	Mackay, William Iain; Neander Furtado Silva
year	2009
title	From Ancient To Digital: The Challenges Of A Major Transition Towards The Virtual Reconstruction Of The Andean Past (With Special Reference To Inca Architecture.)
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	The definition of an underlying shape grammar behind Inca architecture can assist in the virtual archaeological reconstruction of destroyed sites; that is, allowing us to step from the ancient to the digital realm. The Inca architectural style tends to be consistent throughout the Andes and was in effect, a statement of power. Geometricity, interlocking patterns, orthogonal layouts, colour and texture reversal, modular compression, derivations, rotation, mirroring, repetition, symmetry, proportion, ratios, recombination and Andean “entasis” are qualities frequently encountered in Andean art and architecture. They are “CAD-friendly” and can be integrated into predictive digital virtual reconstruction techniques representing partially damaged and substantially destroyed ancient Andean monuments (and fine arts).
keywords	Inca; virtual reconstruction; shape grammars; kanchas; Ollantaytambo
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	caadria2019_183
id	caadria2019_183
authors	Macken, Marian, Mulla, Sarosh and Paterson, Aaron
year	2019
title	Inhabiting the Drawing - 1:1 in time and space
doi	https://doi.org/10.52842/conf.caadria.2019.1.505
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 1, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 505-514
summary	One of the fundamental characteristics of architectural drawing is its use of scale. Since the Renaissance - during which architectural production shifted from the construction site to paper - this scalar understanding began by using bodily measurements. In developing designs, the architect projects future occupation of the drawing with their eyes and hands moving over both its physical surface and represented space. The different relationship established between the digital drawer and the body has been criticised; Paul Emmons argues that CAD's full scale - or rather scale-less - capabilities omit this bodily presence of the drawer (Emmons, 2005). Due to the use of full scale data recording, the drawer zooms in and out to consider aspects, severing the drawing's relation to the operator's body. This paper explores ways in which the body and drawings intersect, beyond Emmons definition, and hence considers the influence of the method of drawing on perceptions of scale and the inhabitation of digital drawings. It uses ongoing collaborative research projects and exhibitions to explore the inhabitation of digital drawing at full scale. These works highlight the fundamental importance of the line within architecture, not as demarcation, divider or indexical reference, but as a traces of bodily projections.
keywords	architectural drawing; architectural scale; full scale drawing; post factum documentation
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	sigradi2004_400
id	sigradi2004_400
authors	Madhu C. Dutta
year	2004
title	From cybrids to cyborgs: In search of value in scripted virtuality
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	The juxtaposition of the temporal element on traditional architecture has created the possibility of a non-hierarchical, .nomadic. space (-Deleuze) which calls for an intriguing phenomenological experience of the inhabitants, in relationship to their architectural space. The paper explores some current theories which propagate these ideas of virtual reality/realism in an attempt to understand the contradictions and connections they make with the .tangible. world. Drawing from Kant.s position that .Nothing that is predicated on its real existence is considerable. the author searches for a more universal understanding of what these virtualities want to be- in this era of diluted tactility. The reason for such questions is not an attempt at ad hoc compartmentalization of these ideas, but more to find a place and meaning in the inevitable evolutionary pattern. In conclusion, the author postulates that it is only when these scripted virtualities are conditioned through such frames of reference will they cease to be merely .temporal. spaces.
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	madrazo02_paper_eaea2007
id	madrazo02_paper_eaea2007
authors	Madrazo, Leandro; Gonçal Costa
year	2008
title	In-Space: Learning to Give Form to Space
source	Proceedings of the 8th European Architectural Endoscopy Association Conference
summary	A perspective represents space as seen from the outside, with the eye of the transcendental subject; an eye –represented by a geometric view point– which not only sees a space, but a space as it is seen by the subject. Motion is inherent to our experience of space which is not fixed and static –like a perspective assumes– but dynamic.
keywords	space conception, space perception, space representation, computer-supported collaborative learning
series	EAEA
email
more	http://info.tuwien.ac.at/eaea
last changed	2008/04/29 20:46

_id	sigradi2007_000
id	sigradi2007_000
authors	Maganda Mercado, Adriana Gómez (et. al)
year	2007
title	Sigradi 2007: Communication in the Visual Society [La Comunicación en la Comunidad Visual]
source	Proceedings of the 11th Iberoamerican Congress of Digital Graphics Graphics / ISBN 13 978-968-7451-15-2] México D.F. - México 23-25 October 2007, 467 p.
summary	In a simple communication model we must talk about the understanding between participants. This is the result of a continuing connection and a dialog of agreements and disagreements in order to arrive at sharing an idea. However, society today is in an evolutionary lapse at an accelerated pace that interjects itself in this process. It is here where social forces distend and generate important ruptures between generations and individuals that fight to prevail or impose new languages and lifestyles. Today's society has become a visual society whose effect has been reinforced through technology in the devices that we use on a daily basis. The daily use of technology and its new languages has marked a disconnection between individuals that must be closed by using a new acculturation and teaching models. Disconnection is a omnipresent modern phenomenon that can be felt as the main effect in what specialists call the digital gap. This gap not only separates generations, but also ideologies with respect to the form in which we perceive, transmit and teach in our society today. This disconnection can be easily understood through a school system that has been designed for a manufacturing and agricultural world. However, many sectors within our society have been in state of constant change and evolution. This situation generates many opportunities where an agile society is required in response to these new local and global challenges. The students of today have, for example, multi-tasking abilities that better assimilate these changes. The researchers, Ian Jukes and Anita Dosaj refer to this disconnection as the result of poor communication between digital natives (our present-day students) and digital immigrants (many present-day adults). This phenomenon results in the fact that parents and educators speak the digital dialect as a second language, and because of that are lacking in their models of communication. For example, digital natives prefer a variety of sources with rapid access, while the digital immigrants prefer slower, more controlled sources that are limited and regulated. Nowadays, our educational or production activities in which we find ourselves immersed on a daily basis cause us to participate in a wide range of processes of production, dissemination and analysis of visual forms as part of our final product or service. Much of the work that we elaborate in movies, video and photography explore meaning, perception and communication in context as well as anthropological and ethnographic themes. Using this framework for our society today, the importance of the search for the promotion of the study of visual representation and the media for the greatest development and generation of benefits is brought to the fore. Through the use of images we can describe, analyze, communicate and interpret human behavior. All these settings, full of digital disconnections and reencounters, impact on all the visual aspects of culture, including art, architecture and material objects, influencing the bodily expressions of human beings. We have created a visual society when we put emphasis on the meaning and interpretation of all we receive through our visual sense. Wherever we look, we find objects that have been modified beyond their primary function to communicate messages. In this ecosystem we are consumers and suppliers. The communication and research needed to achieve reconnection, as well as the creation of new forms of production and visual understanding, are the themes on which the works contained in this edition are centered.
series	SIGRADI
type	normal paper
more	http://www.sigradi.org
last changed	2016/03/10 09:55

_id	ecaade2020_192
id	ecaade2020_192
authors	Maghool, Sayyed Amir Hossain, Homolja, Mitra and Schnabel, Marc Aurel
year	2020
title	Cybernetics Approach to Virtual Emotional Spaces - An electrodermal activity actuated adaptive space
doi	https://doi.org/10.52842/conf.ecaade.2020.1.537
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 1, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 537-546
summary	In contrast to reductionist investigating of interrelation between emotion and architecture, we have proposed a new concept for creating an adaptive architecture system that employs biosensors and virtual reality (VR). We have generated a dynamic audio-visual Virtual Environment (VE) that has the potential of manipulating the emotional arousal level of the users measured via electrodermal activity (EDA) of skin. Much like the second-order cybernetics system, our simulations have actuators, sensors, and an adaptation mechanism, whereby participant's real-time biofeedback is interpreted and loops back into the simulation to moderate the user experience. The results of our preliminary test show that our system is capable of manipulating the emotional arousal level of the participants by using its dynamic VE.
keywords	Adaptive architecture; biosensor; virtual reality; cybernetic; emotion; physiological responses
series	eCAADe
email
last changed	2022/06/07 07:59

_id	ijac20032201
id	ijac20032201
authors	Mahalingam, Ganapathy; Kavasseri, Rajesh G.
year	2004
title	Improving Objective Digital Images with Neuronal Processing: A Computational Approach
source	International Journal of Architectural Computing vol. 2 - no. 2
summary	This paper describes an experiment where an imagerecorded with a digital camera is processed using anelectro-physiological model of a neuron. Theluminosity level of each pixel of the source image istreated as the stimulus for an individual neuron, andthe source image is transformed into a responseimage based on the processing behavior of theHodgkin-Huxley neuronal model. It is seen thattransformation of the image through neuronalprocessing yields (i) more evenly balanced levels ofluminosity and (ii) a more ‘subjective’ rendering of theenvironment than what was photographed with thedigital camera.The CCD (charge coupled device) –based digital camera reveals its limitation as a linearrecording device that does not have a balanceddynamic range.The neuronal processing of the imageadds non-linearity and a balanced range to theluminosity levels in the image, rendering it closer to a‘subjective’ perception of the scene.
series	journal
email
more	http://www.multi-science.co.uk/ijac.htm
last changed	2007/03/04 07:08

_id	3c98
authors	Mahdavi, Ardeshir and Ries, Robert
year	2003
title	Habitat patterns and their environmental implications
source	CORP 2003, Vienna University of Technology, 25.2.-28.2.2003 [Proceedings on CD-Rom]
summary	This paper deals with the evaluation of the environmental implication of the built environment. Specifically, it argues in favor of evaluative strategies that transcend single-criteria object-focused thinking.
keywords	Habitat; Environment; Life-cycle; Evaluation
series	other
email
last changed	2003/03/11 20:39

_id	architectural_intelligence2024_17
id	architectural_intelligence2024_17
authors	Mahnaz Bahremandi-Tolou, Chenhao Wang, Joseph M. Gattas & Dan Luo
year	2024
title	Curved surface form-finding with self-shaping perforated plates
doi	https://doi.org/https://doi.org/10.1007/s44223-024-00059-y
source	Architectural Intelligence Journal
summary	Self-shaping systems offer a promising approach for making complex 3D geometries from the material-driven transformation of 2D sheets. However, current research development of such systems is focused on small-scale applications. This study proposes a self-shaping composite for generation of larger-scale curved surfaces suitable for spatial structures. The composite arises from the novel combination of a perforated plate passive layer and a heat-shrinkable active layer. Experimental investigations are undertaken to assess the influence of perforation parameters of the passive layer over the degree of curvature generated in the self-shaping composite system. A 3D scanner and parametric curvature evaluation tool were used to extract and analyse the fabricated surface curvatures. Three key deformation characteristics were identified: the generated surface is cylindrical with dominant curvature in the x-direction; curvature is approximately uniform across the surface width and length; and curvature is strongly influenced by perforation bridge and strap length parameters. Results of this study support the application of self-shaping curved surfaces for customizable discrete structure parts.
series	Architectural Intelligence
email
last changed	2025/01/09 15:05

_id	ga9917
id	ga9917
authors	Maia Jr., A., Valle, R. do, Manzolli, J. and Pereira, L.N.S.
year	1999
title	Generative Polymodal Music Process
source	International Conference on Generative Art
summary	We present underlying ideas used to develop an Algorithmic Composition software named KYKLOS. It was designed to generate music based on generalised musical scales and modes. It is an interactive sonic device to be applied in composition as well in performance. The sonic output of the whole process can be described as generalised polymodal music since “synthetic scales” are generated by the algorithm. This environment can be used in a Computer Assisted Composition manner in order to generate MIDI files. On the other hand, it can equally be used as a performance environment in which a dynamic change of parameters enables a real time control of the sonic process. Recently, we advocated that several mathematical applications in Computer Music can be understood as Sound Functors [1]. In extension, we describe here a sound functor used to model scales and modes. As can be verified, part of early investigations on mathematical structures in music studied musical scales and modes using Combinatorics, Fibonacci Series and Golden Mean in order to understand compositional processes which use modal concepts. Using the Functor definition it is possible to enumerate n-scales as a sequence of integers. Each value in that sequence gives the distance (in half tones) between two consecutive tones. For example, the sequence 3:2:2:3 is interpreted as a pentatonic scale C-Eb-F-G-Bb, and as defined above it is a C mode. So, if we apply cyclical permutations, (n-1)-sequences of numbers should be interpreted as n-modes of tones. Our algorithmic implementation is described briefly. A n-mode is defined as an array with n-1 integers [a1, a2, ...an-1]. Each array generated at k-th step can be read as a number a1a2a3 ....an-1 in decimal representation, where ai is a integer between 1 and 9. We denote the number obtained at k-th step as (a1a2a3 ...an-1)(k) . The rules to implement the algorithm are the following:1) V0 = (1, 1, 1, 1 ......,1) (initial n-mode)2) ? ai ? 11 with i= 1, 2...n-1 (octave range constraint)3) Vk = (a1a2a3 ...an-1)(k) < (b1b2b3 ...bn-1)(k+1) = Vk+1 where aj ?bj , 1? j ? n-1.4) Vmax = (13 – n, 1, 1, ...,1)In this paper we start with a theoretical view and an introduction on the algorithmic mechanism used. Further, we present a concept of man ? machine interaction used to create the composition environment. We also describe the compositional graphic interface developed and general functions of the system. Finally there is a set of music examples generated by KYKLOS as MIDI files.
series	other
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

_id	sigradi2023_366
id	sigradi2023_366
authors	Maia, Marcelo, Silva, Beatriz, Marajó, Marcela and Rena, Natacha
year	2023
title	Belo Horizonte, Zurich and Wuhan: a comparative analysis of transportation systems as a strategy for innovation and intelligence
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 807–818
summary	Technological innovations such as 5G connectivity, the Internet of Things (IoT), Artificial Intelligence (AI) and 'Big Data' have fostered the development of Intelligent Transportation System (ITS) projects. It should be noted, however, that intelligence does not lie in the use of technological innovations, but in innovative urban planning practices that are developed in an environment of political intelligence. This finding is the result of a comparative study of urban transportation policies in the face of technological innovations between Belo Horizonte (Brazil), Zurich (Switzerland) and Wuhan (China). It uses 28 indicators divided into 6 Intelligence Areas based on smart cities rankings, empirical studies and related to Sustainable Development Goals (SDGs). The purpose of the analysis is to contribute to the improvement of urban transport services by guiding innovation and intelligence in urban transport policy.
keywords	Virtual environments, Intelligent Transportation System, Digitalization of mobility, Smart cities, Political intelligence.
series	SIGraDi
email
last changed	2024/03/08 14:07

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