Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	96ef
authors	Jegó Araya, Ninón and Vital, Gonzalo Alarcón
year	2001
title	DISEÑO GRAFICO DIGITAL: UNA PROPUESTA DE DISEÑO EDITORIAL ELECTRONICO (Digital Graphic Design: A Proposal of Electronic Editorial Design)
source	SIGraDi biobio2001 - [Proceedings of the 5th Iberoamerican Congress of Digital Graphics / ISBN 956-7813-12-4] Concepcion (Chile) 21-23 november 2001, pp. 265-267
summary	Editorial design has changed its traditional support and it has to use the new digital means. This support provides its own characteristics and limitations in its double function: producer, reproducer. A new way of addressing the visual text, a receptive model reader and a frequent image user, made the authors think of the way of controlling variables related to the digital support capacity to access through different channels to the user’s perceptual field and in this way to catch and keep his interest. Likewise the authors tried to prove the efficiency in controlling independent variables variables in design of informative, persuasive and educational texts.
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	caadria2014_164
id	caadria2014_164
authors	Jemtrud, Michael and Keith G. Ragsdale
year	2014
title	Three Little Shacks
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 883–892
doi	https://doi.org/10.52842/conf.caadria.2014.883
summary	The paper is premised upon the notion that tools and techniques have the potential to resist the premature prefiguring of problems and solutions in projectbased activity, with particular relevance in collaborative design practices. The architect’s métier and mode of knowledge production is marked by the capacity to make artefacts. Because our age is characterized by the imperative to innovate and evolve technically, architectural ideation must now engage an array of computationally-based tools for imaging, information management, simulation and fabrication. This paper, framed within the theoretical and productive context of a research-creation project, investigates the ontological status of process-work, speed, and the notion of failing fast through the prototyping of three small buildings, or shacks. It does this through a strategic choreography of factual and counterfactual investigations that give rise to fabricative knowledge incapable of being prescribed conceptually from the outset. It will be claimed that, in the case of architecture, the potential of technics to reflectively and playfully re-work things and ideas is also a participatory mode of ethical engagement.
keywords	Tools; tool-making; technics; prototyping; architecture
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	2004_435
id	2004_435
authors	Jemtrud, Michael
year	2004
title	Between Mediation and Making CIMSp: A Technoètic Modus Operandi
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 435-442
doi	https://doi.org/10.52842/conf.ecaade.2004.435
summary	The following paper describes an ongoing research project whose goal is to define a scalable, hybrid production and deployment protocol (CIMSp) for the creation of virtual environments (VE). Ultimately, the aim is to establish a creative workflow and infrastructure that embodies architectural and urban design activity as practiced by the research unit. The objective of the present paper is to schematically outline the current state of the research and its practical and theoretical context for further development. A theoretical position will be stated which assumes that the content, tool, epistemological, and speculative realms are consubstantial (technoèsis). The practical endeavour is to create the informational and embodied temporal--spatial condition of possibility for the imaginative production of cultural artifacts. It must accommodate varying individual and collaborative forms and styles of making and no presumption of a self-enclosed and referential system is made. A critical position is particularly compelling when this production is immersed in technological modalities of making where information and embodiment are inextricably intertwined. CIMSp is based on the workflow from acquisition and creation to output and storage. The work environment is comprised of a select set of software applications and visualization technologies. Secondly, an XML-based content and information management system is under construction to ensure project quality control, rigorous documentation practices, and bi-directional knowledge feedback procedures to enable an effective and resource-full workflow. Lastly, scalability of output modalities for use in the design process and for final presentation from WWW deployment to a high-resolution collaborative work environment (CWE) is being developed. The protocol is a multiuser mode of creation and production that aims to transform the technologies and their interrelation, thus dramatically impacting the creative process and intended content. It is a digital production workflow that embodies intensive visualization criteria demanded by the end users. The theoretical and practical intention of CIMSp is to provisionally structure the collaborative creative process and enable a choreographed movement between the realms of the technologically mediated and made in the pursuit of significant digital content creation.
series	eCAADe
last changed	2022/06/07 07:52

_id	acadia06_496
id	acadia06_496
authors	Jemtrud, Michael
year	2006
title	Eucalyptus: User Controlled Lightpath Enabled Participatory Design Studio
source	Synthetic Landscapes [Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture] pp. 496-509
doi	https://doi.org/10.52842/conf.acadia.2006.496
summary	A new notion of participation is at stake with advances in technologically mediated work environments. The digitally mediated e-design studio has been around since the mid-1990’s and has been employed in various forms in disciplines including architecture/engineering/construction (AEC), industrial design, and the automotive industry. Insufficient bandwidth and insufficiently powerful, crudely coordinated tools resulted in distributed task-based modes of collaboration that did not allow full participation by members of the distributed design team. At the very least, the present “second generation” network severely limits the applications, tools, and modes of communication that can be used in data and visualization intense design scenarios. The emergence of Service Oriented Architectures and User-Controlled LightPaths (“intelligent infrastructure”) herald the beginning of a new age where fully participatory multi-site design may become possible. The networks, visualization & communication tools, Service Oriented Architecture & Web Services, work protocols, and physical site designs of the Participatory Design Studio (PDS) being developed by the authors will constitute one of the first working examples of this future. This paper will briefly outline the “mise en scène” or staging of the technical configuration of the Eucalyptus project; observations and results from the creative activity of the PDS in the context of two case studies; and speculate on the implications for design activity, pedagogy, and a more robust mode of participation.
series	ACADIA
email
last changed	2022/06/07 07:52

_id	jemtrud02_paper_eaea07
id	jemtrud02_paper_eaea07
authors	Jemtrud, Michael
year	2008
title	Emerging Technologies in a Participatory Design Studio_between Carleton University and Pennsylvania State University
source	Proceedings of the 8th European Architectural Endoscopy Association Conference
summary	As a preliminary report on a proof-of-concept design studio conducted during the spring semester of 2007 between the Carleton Immersive Media Studio (CIMS) at Carleton University in Ottawa and the Immersive Environment Laboratory (IEL) at Pennsylvania State University, the paper first describes the implementation of this network-centric collaborative design platform. The report articulates the “staging” of the conditions of possibility for a dynamic interplay between technological mediation and the reality of making, then compares the use of high bandwidth technology with customized symmetrical toolsets in the tele-collaborative educational environment, versus commercial toolsets deployed over moderate bandwidth connections. In each setting, the collaborative environment is assessed according to issues encountered by students and design outcomes. The effectiveness of the digitally mediated collaborative studio is also gauged in terms of student reaction to the learning process via feedback surveys and questionnaires.
keywords	design, collaboration, tele-presence, visualization, broadband
series	EAEA
email
more	http://info.tuwien.ac.at/eaea
last changed	2008/04/29 20:46

_id	sigradi2005_362
id	sigradi2005_362
authors	Jemtrud, Michael; Konstantin Privalov
year	2005
title	“User Controlled LightPath” Enabled Participatory Design Studio: first steps
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 1, pp. 362-368
summary	The technical scheme and creative scenario of a new media-based “User Controlled Lightpath Provisioning” (UCLP) enabled “Participatory Design Studio” will be elaborated. This practical collaborative work environment model represents a technologically robust and sophisticated means of communication and sharing of resources that stands to radically transform design processes. UCLP technology is a fibre based software solution designed to enable end-users to create their own discipline or application-specific IP network whose topology and architecture is optimized for their particular applications needs and requirements. A distinction between “task-based collaboration” found in conventional “Virtual Design Studios” and the heterogeneous nature of the “participatory” work environment will be made. UCLP technology provides a secure, large bandwidth, low latency network that can accommodate up to 10Gbps. This capability creates an environment which is not dependent upon traditional low bandwidth requirements for communication, visualization, and production therefore allowing a greater range of desired tools for creative activity.
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	2006_486
id	2006_486
authors	Jemtrud, Michael; Martin Brooks; Bobby Ho; Sandy Lui; Philam Nguyen; John Spence and Bruce Spencer
year	2006
title	Intelligent Infrastructure Enabled Participatory Design Studio - Eucalyptus: Collaborating at the speed of light
source	Communicating Space(s) [24th eCAADe Conference Proceedings / ISBN 0-9541183-5-9] Volos (Greece) 6-9 September 2006, pp. 486-493
doi	https://doi.org/10.52842/conf.ecaade.2006.486
summary	A new notion of participation is at stake with advances in technologically mediated work environments. Insufficient bandwidth and insufficiently powerful, crudely coordinated tools resulted in distributed task-based modes of collaboration that did not allow full participation by members of the distributed design team. The emergence of Service Oriented Architectures and User-Controlled LightPaths (“intelligent infrastructure”) herald the beginning of a new age where fully participatory multi-site design may become possible. This paper will briefly outline the “mise en scène” or staging of the technical configuration of the Eucalyptus project; observations and results from the creative activity of the PDS in the context of two case studies; and speculate on the implications for design activity, pedagogy, and a more robust mode of participation.
keywords	participatory design studio; e-design; SOA; architectural design education; design methods; dashboard
series	eCAADe
email
last changed	2022/06/07 07:52

_id	2006_710
id	2006_710
authors	Jemtrud, Michael; Philam Nguyen; James Hayes; Grant Oikawa and Ryan McLennan
year	2006
title	A Theory of Artistry for 3D Data Fusion - The element of craft in digital reconstruction
source	Communicating Space(s) [24th eCAADe Conference Proceedings / ISBN 0-9541183-5-9] Volos (Greece) 6-9 September 2006, pp. 710-713
doi	https://doi.org/10.52842/conf.ecaade.2006.710
summary	The following paper will articulate through an urban renewal proposal project for an area in Montréal, Canada that uses a “3D imaging and modeling protocol” and that accounts for the interaction between mediation and making in digitizing and constructing existing conditions digital artifacts. The protocol incorporates multi-sensor technologies with modeling and rendering techniques through a process of interpolation between a heterogeneous set of existing photographic, physical, and 2D documentation. The mode of operation implemented is a multi-layered and hybrid approach that recognizes the interplay between human scale and perception, visualization and abstraction of data and geometric accuracy, space and time.
keywords	3D modeling; digital reconstruction; craft; urban re-development
series	eCAADe
email
last changed	2022/06/07 07:52

_id	ascaad2009_abdullah_jenaidab
id	ascaad2009_abdullah_jenaidab
authors	Jenaidab, Abdullah and Mahmoud Ahmed Eissa
year	2009
title	Digital Modeling in Traditional Architecture Learning: the method and benefits
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 153-162
summary	This paper looks at learning from The traditional architecture with the aid of digital 3D modelling aimed to support the process of architectural design in a studio environment where designs can be tested without the practicalities of the real world. The process of architectural design in itself is an unknown phenomenon for new students of architecture, so they look to digital 3D modelling to help them in understanding the vernacular or traditional architecture vocabulary. The question therefore, is how can digital 3D modelling underpin a student’s own design philosophy and experience? Also is there any place for the older students, in making this process more productive? The digital 3D modelling of a sample traditional house in historical Jeddah has allowed for a study and learning from of traditional architecture. Observing students over one semester, it was apparent that a more open critical ability developed in understanding the vernacular or traditional architecture vocabulary. Based on feedback from students, we have developed guidelines and recommendations for teaching traditional architecture with the help of 3D digital modelling technologies. We believe we have improved the quality of the Department's small-group teaching and encouraged students to treat communication and 3D modelling skills as valuable. Our results show techniques of creating 3D digital modelling can be very helpful in teaching the vocabulary of our traditional architecture. Digital 3D modelling in this way seems an ideal tool in traditional architectural education which is presently neglected.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	137d
authors	Jencks, Charles and Kropf, Karl
year	1997
title	Theories And Manifestoes of Contemporary Architecture
source	Academy Editions, Chichester, UK
summary	This book presents over 120 of the key arguments of today's major architectural philosophers and gurus. These show that the Modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological Post-Modernism; a High-Tech and sculptural Late Modernism, and deconstructive, subversive New Modernism. Here are the seminal texts of James Stirling, Robert Venturi, Colin Rowe, Christopher Alexander, Frank Gehry, Reyner Banham, Bernard Tschumi, Rem Koolhaas and many others who have changed the discourse of architecture. Here also are the anti-Modern texts of the traditionalists - Leon Krier, Demetri Porphyrios, Quinlan Terry, Prince Charles and others. Many of these texts are concise, edited versions of influential books. Highly informative and richly illustrated with over forty drawings and photographs.
series	other
last changed	2003/04/23 15:14

_id	cf2005_1_67_72
id	cf2005_1_67_72
authors	JENG Taysheng
year	2005
title	Advanced Ubiquitous Media for Interactive Space
source	Computer Aided Architectural Design Futures 2005 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Futures / ISBN 1-4020-3460-1] Vienna (Austria) 20–22 June 2005, pp. 341-350
summary	Developing ubiquitous media for interactive space requires interdisciplinary collaboration in studying ubiquitous computing. This work generalizes the criteria in the many disciplines of ubiquitous computing into a conceptual framework, including interaction interfaces, sensing technologies, application control, and human adaptation. This work presents a novel system architecture based on such a framework, and a research prototype recently developed called IP++. Additionally, the design principles and the potential of IP++ are discussed.
keywords	ubiquitous media, interactive space, human-computer interaction
series	CAAD Futures
email
last changed	2006/11/07 07:27

_id	1e73
authors	Jeng, T. and Eastman, C.M.
year	1998
title	A database architecture for design collaboration
source	Automation in Construction 7 (6) (1998) pp. 475-483
summary	The objective of this paper is to outline new facilities within an integrated environment supporting design collaboration. The details of the architecture and issues regarding explicit support for collaboration mechanisms are presented.
series	journal paper
more	http://www.elsevier.com/locate/autcon
last changed	2003/05/15 21:22

_id	f7ec
authors	Jeng, T., Chen, S.-C., Lee, C.-H., Chiang, J.-Y. and Huang, .-Y.
year	2001
title	Developing asynchronous collaborative design environments: An experimental study
source	CAADRIA 2001 [Proceedings of the Sixth Conference on Computer Aided Architectural Design Research in Asia / ISBN 1-86487-096-6] Sydney 19-21 April 2001, pp. 291-294
doi	https://doi.org/10.52842/conf.caadria.2001.291
summary	Our interest is in the development of design environments that incorporate means for representing ill-structured design knowledge and processes for use in design education. This paper describes the experiment in developing the foundations for generating a new paradigm for digital design studios, allowing significant movement toward coordination and process design.
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	5a4e
authors	Jeng, Taysheng
year	1999
title	Design coordination modeling: A distributed computer environment for managing design activities
source	College of Architecture, Georgia Institute of Technology
summary	The objective of this thesis is to develop an effective multi-user computer environment supporting design collaboration. This research takes a knowledge-based approach to capture meaningful process semantics specified by designers to effectively realize work. It concentrates on establishing a process infrastructure and tools for managing activities for a building design team, with emphasis on remote collaboration and distributed coordination. The results of this research include a design coordination model (DCM) and the prototype of a future generation of distributed coordination environments. DCM provides a digital representation of design processes and support visibility of coordination logic within a CAD environment. Some extended features of distributed coordination are explored in DCM, equipped with a model server that is developed using a web-based three-tier computing system architecture approach.
keywords	Data Processing
series	thesis:PhD
email
last changed	2003/02/12 22:37

_id	1a59
authors	Jeng, Taysheng
year	2000
title	Towards a Process-Centric, Asynchronous Collaborative Design Environment
source	CAADRIA 2000 [Proceedings of the Fifth Conference on Computer Aided Architectural Design Research in Asia / ISBN 981-04-2491-4] Singapore 18-19 May 2000, pp. 15-24
doi	https://doi.org/10.52842/conf.caadria.2000.015
summary	The objective of this paper is to develop an effective multi-user computer environment supporting design collaboration. As design teams are distributed in different positions in time-space, coordination becomes a challenging problem for any collaborative projects. This paper addresses the coordination problem by modeling the dependencies between activities. The prototype of a future generation of collaborative design systems is presented. It concentrates on establishing a software infrastructure towards a process-centric, asynchronous collaborative environment.
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	cf2003_m_036
id	cf2003_m_036
authors	JENG, Taysheng and LEE, Chia-Hsun
year	2003
title	iCube: Ubiquitous Media Spaces for Embodied Interaction
source	Digital Design - Research and Practice [Proceedings of the 10th International Conference on Computer Aided Architectural Design Futures / ISBN 1-4020-1210-1] Tainan (Taiwan) 13–15 October 2003, pp. 225-234
summary	This paper outlines new facilities within ubiquitous media spaces supporting embodied interaction between humans and computation. We believe that the current approach to developing electronic based design environments is fundamentally defective with regard to support for multi-person multimodal design interactions. In this paper, we present an alternative ubiquitous computing environment based on an integrated design of real and virtual worlds. We implement a research prototype environment called iCube. The functional capabilities implemented in iCube include spatially-aware 3D navigation, laser pointer interaction, and tangible media. Some of its details, benefits, user experiences, and issues regarding design support are discussed.
keywords	interaction, ubiquitous media, virtual environment
series	CAAD Futures
last changed	2003/09/22 12:21

_id	caadria2007_369
id	caadria2007_369
authors	Jeng, Taysheng; Hsuan-Cheng Lin, Yang-Ting Shen, Cheng-An Pan and Chun-I Chen
year	2007
title	Modular Prototyping of Smart Space through Integration of CAD/CAM and Physical Computing
source	CAADRIA 2007 [Proceedings of the 12th International Conference on Computer Aided Architectural Design Research in Asia] Nanjing (China) 19-21 April 2007
doi	https://doi.org/10.52842/conf.caadria.2007.x.o1g
summary	This paper outlines new techniques and methods for physical prototyping of interactive space. The proposed methods address three important issues: seamless integration, explicit representation, and physical prototyping. We report the experience and lessons learned from a research project called Smart Living Space. Our goal is not to propose a smart space in any detail, but rather to describe how the interactive techniques can be integrated into design practice. Finally, we illustrate how the methods can be deployed in a real-world example of interactive space.
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	ijac20031202
id	ijac20031202
authors	Jeng, Taysheng; Lee, Chia-Hsun
year	2003
title	Tangible Design Media: Toward An Interactive CAD Platform
source	International Journal of Architectural Computing vol. 1 - no. 2
summary	This paper presents an interactive CAD platform that uses a tangible user interface to visualize and modify 3D geometry through manipulation of physical artifacts.The tangible user interface attempts to move away from the commonly used non-intuitive desktop CAD environment to a 3D CAD environment that more accurately mimics traditional desktop drawing and pin-up situations. An important goal is to reduce the apparent complexity of CAD user interfaces and reduce the cognitive load on designers. Opportunities for extending tangible design media toward an interactive CAD platform are discussed.
series	journal
email
more	http://www.multi-science.co.uk/ijac.htm
last changed	2007/03/04 07:08

_id	8e13
authors	Jenkinson, L., Brown, A.G.P. and Horton, F.
year	1989
title	Architectural Design and Drawing
source	CAAD: Education - Research and Practice [eCAADe Conference Proceedings / ISBN 87-982875-2-4] Aarhus (Denmark) 21-23 September 1989, pp. 6.5.1-6.5.17
doi	https://doi.org/10.52842/conf.ecaade.1989.x.r9h
summary	This paper focuses on the function of drawing in architectural design. It does so by taking an in- depth look at the drawing material produced for the design of the chapel at Ronchamp. Within architectural design there is more than one type of drawing. The objective therefore is to determine what exactly these different types of drawing are and furthermore what their function is for the architect. For we believe that questioning, at this basic level, the function of drawing within the design process provides the basis from which it is possible to go on to question the function of computer-based drawing within the design process, and consequently it's function in CAAD.
keywords	Drawing, Design Process, Le Corbusier, Ronchamp, CAAD
series	eCAADe
email
last changed	2022/06/07 07:50

_id	ecaade2018_381
id	ecaade2018_381
authors	Jenney, Sarah Louise, Mühlhaus, Michael, Seifert, Nils, Petzold, Frank and Wiethoff, Alexander
year	2018
title	Escaping Flatlands - Interdisciplinary Collaborative Prototyping Solutions to Current Architectural Topics
source	Kepczynska-Walczak, A, Bialkowski, S (eds.), Computing for a better tomorrow - Proceedings of the 36th eCAADe Conference - Volume 1, Lodz University of Technology, Lodz, Poland, 19-21 September 2018, pp. 323-332
doi	https://doi.org/10.52842/conf.ecaade.2018.1.323
summary	The paper describes the interdisciplinary course, Escaping Flatlands, focusing on improving communication between students, who were either from the field of architecture or media informatics and human-computer interaction. There were two underlying themes. The first, the integration and augmentation of digital media and haptic models, escaping the flatland of classic architectural media such as paper or screens. The second theme, expert-laymen communication in public participation, was addressed in the contextual theme and content of the course task, the communication between students of different fields, and the presentation of robust working prototypes at an architectural exhibition. Students, in groups of four, developed three interactive architectural models enhanced with digital content. The course resulted in a number of benefits to students, the chairs, and implications for research. It also led to further collabourations between the two universities involved, including cross-over Bachelor and Master Thesis.
keywords	tangible interfaces; human-computer interaction; smart city; public participation; model making; augmented reality
series	eCAADe
email
last changed	2022/06/07 07:52

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