Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	dcb9
authors	Kolarevic, Branko
year	2000
title	Digital Architectures
doi	https://doi.org/10.52842/conf.acadia.2000.251
source	Eternity, Infinity and Virtuality in Architecture [Proceedings of the 22nd Annual Conference of the Association for Computer-Aided Design in Architecture / 1-880250-09-8] Washington D.C. 19-22 October 2000, pp. 251-256
summary	This paper surveys different approaches in contemporary architectural design in which digital media is used not as a representational tool for visualization but as a generative tool for the derivation of form and its transformation. Such approaches are referred to as digital architectures – the computationally based processes of form origination and transformations. The paper examines the digital generative processes based on concepts such as topological space, motion dynamics, parametric design and genetic algorithms. It emphasizes the possibilities for the “finding of form,” which the emergence of various digitally based generative techniques seem to bring about.
series	ACADIA
email
last changed	2022/06/07 07:51

_id	81b8
authors	Kolarevic, Branko
year	2001
title	Digital Fabrication: Manufacturing Architecture in the Information Age
doi	https://doi.org/10.52842/conf.acadia.2001.268
source	Reinventing the Discourse - How Digital Tools Help Bridge and Transform Research, Education and Practice in Architecture [Proceedings of the Twenty First Annual Conference of the Association for Computer-Aided Design in Architecture / ISBN 1-880250-10-1] Buffalo (New York) 11-14 October 2001, pp. 268-278
summary	This paper addresses the recent digital technological advances in design and fabrication and the unprecedented opportunities they created for architectural design and production practices. It investigates the implications of new digital design and fabrication processes enabled by the use of rapid prototyping (RP) and computer-aided manufacturing (CAM) technologies, which offer the production of small-scale models and full-scale building components directly from 3D digital models. It also addresses the development of repetitive non-standardized building systems through digitally controlled variation and serial differentiation, i.e. mass-customization, in contrast to the industrial-age paradigms of prefabrication and mass production. The paper also examines the implications of the recent developments in the architectural application of the latest digital design and fabrication technologies, which offer alternatives to the established understandings of architectural design and production processes and their material and economic constraints. Such critical examination should lead to a revised understanding of the historic relationship between architecture and its means of production.
keywords	Digital Fabrication, Computer-Aided Manufacturing, Digital Construction
series	ACADIA
email
last changed	2022/06/07 07:51

_id	ecaade03_457_104_kolarevic
id	ecaade03_457_104_kolarevic
authors	Kolarevic, Branko
year	2003
title	Computing the Performative in Architecture
doi	https://doi.org/10.52842/conf.ecaade.2003.457
source	Digital Design [21th eCAADe Conference Proceedings / ISBN 0-9541183-1-6] Graz (Austria) 17-20 September 2003, pp. 457-464
summary	The paper addresses performative architecture as an emerging design paradigm in which building performance, broadly understood, becomes a guiding design principle. It discusses the inadequacy of existing software for building performance simulation as usable tools in conceptual design, and proposes the development of software that can provide dynamic processes of formation based on specific performance objectives.
keywords	Performance-based design, performance simulation, generative design
series	eCAADe
email
more	http://www.gsfa.upenn.edu/ddrl
last changed	2022/06/07 07:51

_id	acadia09_58
id	acadia09_58
authors	Kolarevic, Branko
year	2009
title	Exploring Architecture of Change
doi	https://doi.org/10.52842/conf.acadia.2009.058
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 58-61
summary	This paper discusses what may seem to be rather obvious: responsive, adaptive, flexible, etc., architectures are all about change, which in turn, is all about time. It surveys significant past and current projects that deal with interactive, responsive environments. The principal argument is that change in architecture is far from being adequately addressed or explored theoretically, experimentally, or phenomenologically.
keywords	Adaptive design, performance, time, history
series	ACADIA
type	Normal paper
email
last changed	2022/06/07 07:51

_id	23df
authors	Kolarevic, Branko and Ng, Edward Y.Y.
year	1999
title	Net-enabled Collective Design Authorship
doi	https://doi.org/10.52842/conf.acadia.1999.302
source	Media and Design Process [ACADIA ‘99 / ISBN 1-880250-08-X] Salt Lake City 29-31 October 1999, pp. 302-315
summary	The paper describes an experiment in collective design authorship conducted within a semester-long virtual design studio. Students at two geographically distant institutions were asked to design a "Place2Meet on the Water," a small floating pavilion to be assembled from hollow-section steel components. The first part of the studio was devoted to a study of precedents, done in teams of five students from both institutions, who worked both synchronously and asynchronously over the Internet. The students' work was continuously reviewed through virtual crits conducted using web pages and video conferencing. The second part of the virtual design studio, devoted to the actual design of the pavilion, was divided into five closely related phases. After each phase students had to place their designs into a common database. They then had to browse through submitted designs and choose one to develop further; they were not allowed to continue with their own designs. That way, students implicitly formed teams and engaged in collective design authorship that was enabled by the network and supported by the design database. The design-centered research project presented in this paper also examines the issues of teaching methods and whether the quality of design could be improved in a networked design environment based on collective authorship and how such an environment can affect the nature of the produced designs.
series	ACADIA
email
last changed	2022/06/07 07:51

_id	f485
authors	Kolarevic, Branko Radomir
year	1993
title	Geometric Relations as a Framework For Design Conceptualization
source	Harvard University, Graduate School of Design
summary	This study introduces geometric relations as a framework for design conceptualiza-tion-its key premise is that nothing is more fundamental in design than formation and discovery of relationships. The study attempts to establish a formal model for the development of a dynamic computer based graphic environment for design conceptualization that can recognize, record and maintain geometric design relations, merge "depictive" and "propositional", explicit and implicit in design, and provide a qualitatively different way to explore shape, dimension, and geometric organization. The study presents an approach to this task of formalization, and explores some of the fundamental issues pertinent to the subject, such as computability and applicability to the task of designing.Specifically, the study explores a relational description of shapes based on the concept of regulating or construction lines as an explicit formulation of a strategy to form generation and creative discovery, and proposes a lexicon of geometric relations to serve as a basis for composition. It hypothesizes that the construction lines can become much more useful and interesting when they are used not just as a rigid skeleton, but to regulate the behavior of a drawing and to maintain its essential structure as its parts are manipulated. As a consequence, designers could structure the behavior of the object being designed under future transformations; drawings could become seman-tically charged and could be manipulated in a semantically sophisticated fashion.The first chapter places the issue in the broader context by arguing that designers form implicit relational models of their designs. This contention is supported by introducing some of the relevant literature on mental imagery. Second chapter introduces design relations and in particular geometric relations, as a focal point of this study. A dynamic computer -based graphic context for design conceptualization is presented and evalu-ated in the next two chapters and conclusions are drawn. In the third chapter, the model's computability is demonstrated and evaluated through ReDRAW, a limited implementation of a relations based graphic system. In the fourth chapter, the model's applicability in design conceptualization is discussed and supported by examples.
series	thesis:PhD
email
more	http://www.gsd.harvard.edu/academic/asp/ddes/thesis_titles.html
last changed	2003/02/12 22:37

_id	cec8
authors	Kolarevic, Branko
year	1994
title	Lines, Relations, Drawing and Design
doi	https://doi.org/10.52842/conf.acadia.1994.051
source	Reconnecting [ACADIA Conference Proceedings / ISBN 1-880250-03-9] Washington University (Saint Louis / USA) 1994, pp. 51-61
summary	This paper introduces a computer-based graphic environment for design conceptualization, or more specifically, for shape delineation and dynamic drawing manipulation, based on construction (regulating) lines and their geometric based on construction (regulating) lines and their geometric relations. It also presents ReDRAW-a limited prototype of a relationsbased graphic system.
series	ACADIA
email
last changed	2022/06/07 07:51

_id	4560
authors	Kolarevic, Branko
year	1997
title	Regulating Lines, Geometric Relations, and Shape Delineation in Design
doi	https://doi.org/10.52842/conf.ecaade.1997.x.n2n
source	Challenges of the Future [15th eCAADe Conference Proceedings / ISBN 0-9523687-3-0] Vienna (Austria) 17-20 September 1997
summary	The paper presents a computer-based graphic environment for shape delineation that can provide a qualitatively different way to explore shape, dimension, and geometric organization in design. Relational description of shapes based on the concept of regulating lines is introduced as an explicit formulation of a strategy to form generation and creative discovery. The paper also presents ReDRAW, a limited prototype of the relations-based graphic system, and discusses some implications of its use in conceptual architectural design.
keywords	Elations-Based Design Systems, Shape Delineation, Regulating Lines, Geometric Relations
series	eCAADe
email
more	http://info.tuwien.ac.at/ecaade/proc/kolarev/kolarev.htm
last changed	2022/06/07 07:50

_id	ef7e
authors	Kolarevic, Branko
year	1997
title	Regulating Lines and Geometric Relations as a Framework for Exploring Shape, Dimension and Geometric Organization in Design
source	CAAD Futures 1997 [Conference Proceedings / ISBN 0-7923-4726-9] München (Germany), 4-6 August 1997, pp. 163-170
summary	The paper introduces regulating lines and geometric relations as a framework for shape delineation and dynamic drawing manipulation. It describes a relations-based graphic environment that can provide a qualitatively different way to explore shape, dimension, and geometric organization in design. It also presents ReDRAW, a limited prototype of the relations-based graphic system, and discusses some implications of its use in conceptual architectural design.
series	CAAD Futures
email
last changed	2002/12/20 12:39

_id	8a40
authors	Kolarevic, Branko
year	1998
title	A Pedagogical Model for an Introductory CAAD Course
doi	https://doi.org/10.52842/conf.caadria.1998.039
source	CAADRIA ‘98 [Proceedings of The Third Conference on Computer Aided Architectural Design Research in Asia / ISBN 4-907662-009] Osaka (Japan) 22-24 April 1998, pp. 39-46
summary	This paper presents a pedagogical model developed for an introductory CAAD course in the first year of architecture studies. The model is based on a set of exercises that emphasize the use of electronic media for the collection of information, its distribution, presentation, transformation, interpretation, and abstraction. The primary goal was to enable students to creatively apply digital media in their design work by simultaneously introducing them to a wide range of applications, and by enabling them to engage in abstract exploration of shapes, forms, and images.
keywords	Electronic Design Media, Pedagogy, CAAD Education
series	CAADRIA
email
more	http://www.caadria.org
last changed	2022/06/07 07:51

_id	4077
authors	Kolarevic, Branko
year	2000
title	Digital Morphogenesis and Computational Architectures
source	SIGraDi’2000 - Construindo (n)o espacio digital (constructing the digital Space) [4th SIGRADI Conference Proceedings / ISBN 85-88027-02-X] Rio de Janeiro (Brazil) 25-28 september 2000, pp. 98-103
summary	This paper examines methods in which digital media is employed not as a representational tool for visualization but as a generative tool for the derivation of form and its transformation - the digital morphogenesis. It explores the possibilities for the “finding of form”, which the emergence of various digitally based generative techniques seem to bring about. It surveys the digital generative processes - the computational architectures - based on concepts such as topological space, isomorphic surfaces, kinematics and dynamics, keyshape animation, parametric design, and genetic algorithms.
series	SIGRADI
email
last changed	2016/03/10 09:54

_id	3826
authors	Kolarevic, Branko
year	2001
title	Designing and Manufacturing Architecture in the Digital Age
doi	https://doi.org/10.52842/conf.ecaade.2001.117
source	Architectural Information Management [19th eCAADe Conference Proceedings / ISBN 0-9523687-8-1] Helsinki (Finland) 29-31 August 2001, pp. 117-123
summary	The paper describes and examines the implications of the recent developments in the architectural application of the latest digital design and fabrication technologies, which offer alternatives to the established understandings of architectural design and production processes and their material and economic constraints. It offers a possibility of a revised understanding of the historic relationship between architecture and its means of production.
keywords	Digital Design, Digital Fabrication, CAD/CAM
series	eCAADe
email
last changed	2022/06/07 07:51

_id	ijac20032105
id	ijac20032105
authors	Kolarevic, Branko
year	2004
title	Back to the Future: Performative Architecture
source	International Journal of Architectural Computing vol. 2 - no. 1
summary	The paper addresses performative architecture as an emerging design paradigm in which building performance, broadly understood, becomes a guiding design principle. It traces the origins of this approach to design to Tom Maver's visionary work in early seventies, discusses the inadequacy of existing building performance simulation tools in conceptual design, and proposes the development of software that can provide dynamic processes of formation based on specific performance objectives.
series	journal
email
more	http://www.multi-science.co.uk/ijac.htm
last changed	2007/03/04 07:08

_id	acadia06_095
id	acadia06_095
authors	Kolarevic, Branko
year	2006
title	Manufacturing Surface Effects
doi	https://doi.org/10.52842/conf.acadia.2006.095
source	Synthetic Landscapes [Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture] pp. 95-103
summary	The paper examines the newfound capacity to digitally design and manufacture highly crafted material and surface effects. It traces an emerging trajectory in contemporary architecture aimed at the decorative effects of digitally crafted surface patterns and textures, as a potential return to ornamentation in architecture. It surveys practices whose approach to form and pattern varies from the “ornamented minimalism” of Herzog and de Meuron to the “expressive exuberance” of Greg Lynn. The paper also describes the different digital modes of material production aimed at particular surface effects, as in series of panels with repetitive, yet unique decorative relief or cutout patterns, striated surface configurations, etc.
series	ACADIA
email
last changed	2022/06/07 07:51

_id	cdc2008_149
id	cdc2008_149
authors	Kolarevic, Branko
year	2008
title	Post-Digital Architecture: Towards Integrative Design
source	First International Conference on Critical Digital: What Matters(s)? - 18-19 April 2008, Harvard University Graduate School of Design, Cambridge (USA), pp. 149-156
summary	In this paper, an alternative vision of integrated design is proposed that is more open, fluid, pliable, and opportunistic in its search of collaborative alliances and agendas. This alternative approach is referred to as integrative design, in which methods, processes, and techniques are discovered, appropriated, adapted, and altered from “elsewhere,” and often “digitally” pursued. The designers who engage design as a broadly integrative endeavor fluidly navigate across different disciplinary territories, and deploy algorithmic thinking, biomimicry, computation, digital fabrication, material exploration, and/or performance analyses to discover and create a process, technique, or a product that is qualitatively new.
last changed	2009/01/07 08:05

_id	ecaade2008_178
id	ecaade2008_178
authors	Kolarevic, Branko
year	2008
title	Architecture in the Post-Digital Age: Towards Integrative Design
doi	https://doi.org/10.52842/conf.ecaade.2008.653
source	Architecture in Computro [26th eCAADe Conference Proceedings / ISBN 978-0-9541183-7-2] Antwerpen (Belgium) 17-20 September 2008, pp. 653-658
summary	For many, integration within the building industry is an inevitable outcome as architecture, engineering, and construction enter a ‘post-digital’ age. This paper argues that the challenge is to avoid closed systems of integration and to keep integrative tendencies as open as possible, conceptually and operationally. An alternative vision of integrated design is proposed that is more open, fluid, pliable, and opportunistic in its search of collaborative alliances and agendas. This alternative approach is referred to as integrative design, in which methods, processes, and techniques are discovered, appropriated, adapted, and altered from ‘elsewhere’, and often ‘digitally’ pursued.
keywords	Integrated design, integrative design
series	eCAADe
email
last changed	2022/06/07 07:51

_id	ijac20097301
id	ijac20097301
authors	Kolarevic, Branko
year	2009
title	Towards Integrative Design
source	International Journal of Architectural Computing vol. 7 - no. 3, 335-344
summary	For many, integration within the building industry is seen as a likely outcome as architecture, engineering, and construction fully engage the digital technologies in the design, analysis, and production of buildings. Concepts such as integrated design, integrated practice and integrated project delivery (IPD) have gained prominence in architecture over the past several years as relatively new paradigms.What is usually meant by these terms is a multidisciplinary, collaborative approach to design in which various participants from the building industry – architects, engineers, contractors, fabricators, etc. – participate jointly from the earliest stages of design, fluidly crossing the conventional disciplinary and professional boundaries to deliver an innovative product at the end.
series	journal
last changed	2009/10/20 08:02

_id	acadia11_30
id	acadia11_30
authors	Kolarevic, Branko
year	2011
title	Towards Computationally Aided Integrative Design
doi	https://doi.org/10.52842/conf.acadia.2011.030
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 30-33
summary	Concepts such as integrated practice and integrated design are increasingly seen in architecture as promising paradigms for a much needed (and long overdue) change in the building industry. What is usually meant by these terms is a multidisciplinary, collaborative approach to design in which various participants from the building industry – architects, engineers, contractors, and fabricators – participate jointly from the earliest stages of design, fluidly crossing the conventional disciplinary and professional boundaries to deliver an innovative or simply better and less costly product at the end.
keywords	integrative design
series	ACADIA
type	introduction
email
last changed	2022/06/07 07:51

_id	ecaade2016_bko
id	ecaade2016_bko
authors	Kolarevic, Branko
year	2016
title	Simplexity (and Complicity) in Architecture
doi	https://doi.org/10.52842/conf.ecaade.2016.1.025
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 25-31
summary	The paper examines the interplay between simple and complex in contemporary architecture. It discusses how complex-looking designs could arise out of simple design and production strategies (i.e. through "simplexity") and likewise, how simple-looking designs can be based on rather complex conceptual and tectonic solutions (i.e. "complicity"). The paper focuses on simplexity as a conceptual framework for architects to embrace complexity in design.
wos	WOS:000402063700001
keywords	Simplexity; Complicity
series	eCAADe
email
last changed	2022/06/07 07:51

_id	ebcc
authors	Kolb, David A.
year	1984
title	Experiential Learning
source	Prentice Hall
summary	In his book Experiential Learning: Experience as the Source of Learning and Development (1984), David Kolb introduces his experiential learning theory and provides a model for its application in schools, organizations, and virtually anywhere people are gathered together. Kolb's comprehensive and practical theory builds on the rich foundations of experience-based learning provided by John Dewey, Kurt Lewin, and Jean Piaget. We first consider the roots of his theory following which we offer a summary of it in practice.
series	other
last changed	2003/04/23 15:14

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