Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	8bf3
authors	McCullough, M., Mitchell, W.J. and Purcell, P. (Eds.)
year	1990
title	The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [Conference Proceedings]
source	International Conference on Computer-Aided Architectural Design 1989/ ISBN 0-262-13254-0] (Massachusetts / USA), 1989, 505 p.
summary	Design is the computation of shape information that is needed to guide fabrication or construction of artifacts. But it is not so straightforward as, say, the computation of numerical information required to balance a checkbook. This is partly because algebras of shapes are not as well understood and precisely formalized as algebras of numbers, partly because the rules for carrying out shape computations tend to be fluid and ill defined and partly because the predicates that must be satisfied to achieve successful termination are often complex and difficult to specify. For centuries architects have carried out shape computations by hand, using informal procedures and the simplest of tools. Over the last two decades though, they have made increasing use of more formal procedures executed by computers. It is still too early to be sure of the gains and losses that follow from this development, but there is no doubt that it raises some challenging questions of architectural theory and some perplexing issues for those concerned with the future of architectural education. This book frames those issues and provides a diversity of perspectives on them. Its contents were initially presented at the CAAD Futures 89 Conference-an international gathering of researchers and teachers in the field of computer-aided architectural design which was jointly sponsored by the Harvard Graduate School of Design and the MIT Department of Architecture and held in Cambridge, Massachusetts, in July 1989. There are four major sections: Theoretical Foundations, Knowledge-Based Design Tools, Information Delivery Systems, and Case Studies: Electronic Media in the Design Studio. In a representative collection of current views, over thirty extensively illustrated papers discuss the experiences of universities in the USA, Europe, Japan, Israel, Canada, and Australia, articulate present theoretical and practical concerns, provide criticism of media and methods, and suggest directions for the future. Architectural educators and architects concerned with the effect of computer technology on the design process will find here an indispensable reference and a rich source of ideas. This book was itself prepared in an electronic design studio. Composition and typography, most image collection and placement, and such editing as was practical within this publishing format, were all performed digitally using Macintosh computers at the Harvard Graduate School of Design during a period of a few weeks in 1989.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	7c88
authors	McCullough, Malcolm and Hoinkes, Rodney
year	1995
title	Dynamic Data Sets as Collaboration in Urban Design
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 709-718
summary	Computer applications to urban design involve a distinctively rich hybrid of geometric, geographic, and annotative information. This condition raises opportunities for collaboration, needs for data integration, and examples of the increasing importance of rich datasets as a basis for design work. This paper describes these general issues, provides substantive examples from recent studio work, and demonstrates a specific implementation of software integration. The latter includes a prototypical data interface, translation tables for multimedia linkage, and capacity to work together with a web browser.
keywords	Datasets, Software Integration, Urban Design, Collaborative Work
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	ac36
authors	McCullough, Malcolm
year	1990
title	Low-Threshold Modeling
source	The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 413-426
summary	This is a case study of teaching at the University of Texas at Austin. It is about using an electronic design studio to provide architecture students with their first exposure to computing. It suggests that, despite the limitations of present technology, there is reason to lower the thresholds to computer-aided design. The study presents a studio which attempted such by allowing students to find their own level of commitment to use of electronic media for geometric modeling. More generally, the paper aims to document issues presently facing the many professional schools not having substantial traditions in computer-aided design education.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	66e3
authors	McCullough, Malcolm
year	1993
title	Interactive Urban Models
source	Education and Practice: The Critical Interface [ACADIA Conference Proceedings / ISBN 1-880250-02-0] Texas (Texas / USA) 1993, pp. 57-68
doi	https://doi.org/10.52842/conf.acadia.1993.057
summary	Visual computing to support urban design will involve a synthesis of geometric modeling, geographic information systems (GIS), and interactive multimedia. Increasingly, CAD is a suitable point of departure for such work. Using such media, this study explores newly practical steps toward a body of media arts expressly for the design, analysis, and communication of urban form.
series	ACADIA
email
last changed	2022/06/07 07:58

_id	ab13
authors	Mcfadzean, J., Cross, N. and Johnson, J.H.
year	1999
title	An Analysis of Architectural Visual Reasoning in Conceptual Sketching via Computational Sketch Analysis CSA
source	Proc. International Conference on Information Visualisation, IVí99. IEEE Computer Society, London
summary	Visual reasoning in design is facilitated by sketching. This research investigates how designers sketch, specifically analysing the physical details of mark making. It relates the graphical representations to the abstract cognitive processes of architectural design. A new form of protocol analysis has been developed using video and computer records of designers' sketching activity. The analysis of the resulting data compares the designer's retrospective commentary and interpretations of the sketching activity with the computer's record of that activity. The analysis will lead to a greater understanding of the relationships between 'Design Events' and 'Graphical Events' and thus how the notational activity of sketching supports the cognitive activity of conceptual design.
series	other
last changed	2003/04/23 15:14

_id	e6fb
authors	McFadzean, Jeanette
year	1999
title	Computational Sketch Analyser (CSA): Extending the Boundaries of Knowledge in CAAD
source	Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 503-510
doi	https://doi.org/10.52842/conf.ecaade.1999.503
summary	This paper focuses on the cognitive problem-solving strategies of professional architectural designers and their use of external representations for the production of creative ideas. Using a new form of protocol analysis (Computational Sketch Analysis), the research has analysed five architects' verbal descriptions of their cognitive reasoning strategies during conceptual designing. It compares these descriptions to a computational analysis of the architects' sketches and sketching behaviour. The paper describes how the current research is establishing a comprehensive understanding of the mapping between conceptualisation, cognition, drawing, and complex problem solving. The paper proposes a new direction for Computer Aided Architectural Design tools (CAAD). It suggests that in order to extend the boundaries of knowledge in CAAD an understanding of the complex nature of architectural conceptual problem-solving needs to be incorporated into and supported by future conceptual design tools.
keywords	Computational Sketch Analysis, Conceptual Design
series	eCAADe
email
last changed	2022/06/07 07:58

_id	acadia12_287
id	acadia12_287
authors	McGee, Wes ; Newell, Catie ; Willette, Aaron
year	2012
title	Glass Cast: A Reconfigurable Tooling System for Free-Form Glass Manufacturing
source	ACADIA 12: Synthetic Digital Ecologies [Proceedings of the 32nd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-62407-267-3] San Francisco 18-21 October, 2012), pp. 287-294
doi	https://doi.org/10.52842/conf.acadia.2012.287
summary	Despite glass’s ubiquity in the modern built environment it is rarely applied in applications requiring complex curvature. The high temperatures and complexity of techniques utilized in forming curved glass panels are typically very expensive to employ, requiring dedicated hard-tooling which ultimately limits the formal variation that can be achieved. This combination of economic and manufacturing barriers limits both the formal possibilities and potentially the overall envelope-performance characteristics of the glazing system. This research investigates a methodology for utilizing reconfigurable tooling to form glass into doubly curved geometries, offering the potential for improved structural and environmental performance in a material that has remained largely unchanged since the advent of its industrial manufacturing. A custom built forming kiln has been developed and tested, integrated through a parametric modeling workflow to provide manufacturing constraint feedback directly into the design process. The research also investigates the post-form trimming of glass utilizing robotic abrasive waterjet cutting, allowing for the output of machine control data directly from the digital model. The potentials of the methodologies developed in this process are shown through the fabrication of a full-scale installation. By integrating material, fabrication, and design constraints into a streamlined computational methodology, the process also serves as a model for a more intuitive production workflow, expanding the understanding of glass as a material with wide-ranging possibilities for a more performative architecture.
keywords	Digital Fabrication , Robotic Fabrication , Computational Design , Material Computation
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:58

_id	caadria2012_110
id	caadria2012_110
authors	McGee, Wes; David Pigram and Maciej P. Kaczynski
year	2012
title	Robotic reticulations: A method for the integration of multi-axis fabrication processes with algorithmic form-finding techniques
source	Proceedings of the 17th International Conference on Computer Aided Architectural Design Research in Asia / Chennai 25-28 April 2012, pp. 295–304
doi	https://doi.org/10.52842/conf.caadria.2012.295
summary	This paper addresses the design and fabrication of non-uniform structural shell systems. Structural shells, particularly gridshells, have a long history but due to their complexity and the accompanying high cost of construction, their application has been limited. The research proposes a method for integrating the design and fabrication processes such that complex double curved reticulated frames can be constructed efficiently, from prefabricated components, requiring significantly less formwork than is typical. A significant aspect of the method has been the development of software tools that allow for both algorithmic form-finding and the direct control of robotic fabrication equipment from within the same modelling package. A recent case-study is examined where the methodology has been applied to construct a reticulated shell structure in the form of a partial vault. Components were prefabricated using 6-axis robotic fabrication equipment. Individual parts are designed such that the assembly of components guides the form of the vault, requiring no centring to create the desired shape. Algorithmically generated machine instructions controlled a sequence of three tool changes for each part, using a single modular fixture, greatly increasing accuracy. The complete integration of computational design techniques and fabrication methodologies now enables the economical deployment of non-uniform structurally optimised reticulated frames.
keywords	Reticulated frame; robotic fabrication; dynamic relaxation; form-finding; computational design
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	2004_119
id	2004_119
authors	McGill, Miranda and Knight, Terry
year	2004
title	Designing Design-Mediating Software - The Development Of Shaper2D
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 119-127
doi	https://doi.org/10.52842/conf.ecaade.2004.119
summary	This work examines the means by which design software is created, from a designer’s - rather than a programmer’s - viewpoint, through the specific example of Shaper2D. Shaper2D employs an intuitive, visual interface that encourages a „learning by designing“ approach to shape grammar education.
keywords	Computational Design; CAD; Design Education; Shape Grammars; User Interface Design
series	eCAADe
last changed	2022/06/07 07:58

_id	f542
authors	Mcgill, Miranda C.
year	2002
title	Shaper2D - Visual Software for Learning Shape Grammars
source	Connecting the Real and the Virtual - design e-ducation [20th eCAADe Conference Proceedings / ISBN 0-9541183-0-8] Warsaw (Poland) 18-20 September 2002, pp. 148-151
doi	https://doi.org/10.52842/conf.ecaade.2002.148
summary	Shaper 2D is a Java applet and application for assisting in the learning of shape grammars. This software is examined as a facilitator for designing with shape grammars through analysis of computation in a workshop setting.
series	eCAADe
email
last changed	2022/06/07 07:58

_id	d742
authors	McGill, Miranda
year	2001
title	A Visual Approach for Exploring Computational Design
source	MIT, Department of Architecture
summary	This thesis concerns the use of computers for learning about computational design and shape grammars. It discusses how software can be developed to create “microworlds” for designing, and how to take into account the needs of designers whilst retaining a transparency of process in computational design. The broader context pertains to the learning and practice of design. Through analysis of computation in a workshop setting, consideration is given to the role of the computer as a facilitator for designing with shape grammars. Prototype software for facilitating the learning of shape grammars, called Shaper2D, was created as a focus for this study. It is written in the Java programming language for cross-platform compatibility, and is available both as an applet and stand-alone application.
keywords	Computational Design; CAD; Design Education; Shape Grammars; Exploratory Learning
series	thesis:MSc
email
last changed	2003/05/13 06:09

_id	07c4
authors	McGilton, Henry and Morgan, Rachel
year	1983
title	Introducing the UNIX system
source	556 p. New York: McGraw-Hill, 1983. includes bibliography: p. 541-544 and index. --- ( McGraw-Hill software series for computer professionals)
summary	A reference guide for version 7 of the UNIX system including: Key concepts behind the system, from how to log on, the directory structure and a file system to the ideas of standard files and processes. Popular UNIX packages, software development tools, management and maintenance and more
keywords	UNIX, software, tools, education
series	CADline
last changed	2003/06/02 13:58

_id	caadria2015_164
id	caadria2015_164
authors	Mcginley, Tim and Darren Fong
year	2015
title	Designghosts
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 365-374
doi	https://doi.org/10.52842/conf.caadria.2015.365
summary	For architects, a database of typological specific occupant behaviour patterns could help in the design of buildings, through a typological specific insight into the previous use of buildings. In addition, appropriately represented occupant behaviour data in commercial buildings represent an important factor for facilities management (FM) and business information (BI) teams in the assessment the operational performance of the enterprise. Building Information Models (BIM) could provide an appropriate reference for this user data. However the mapping of user behaviour data to the BIM models is unclear. This paper presents a ‘designGhost’ information system to support the mapping of occupant behaviour to BIM models, so that the user data can be represented to the different stakeholders. To test the information system a prototype tool is presented to enable the mapping of the building use (designGhost) data to the building’s spaces in order to support architects in the design stage and to support navigation from an operational (FM/BI) perspective. This paper addressees the challenges of developing such a system and proposes directions for future work.
keywords	Post occupancy evaluation; BIM; visibility graph analysis; designGhost; occupant behaviour; design science; building design and operation.
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	caadria2017_185
id	caadria2017_185
authors	McGinley, Tim, Abroe, Brett, Kroll, David, Murphy, Matt, Sare, Tessa and Gu, Ning
year	2017
title	Agile X UniSA Pavilion: Agile Principles and the Parametric Paradox
source	P. Janssen, P. Loh, A. Raonic, M. A. Schnabel (eds.), Protocols, Flows, and Glitches - Proceedings of the 22nd CAADRIA Conference, Xi'an Jiaotong-Liverpool University, Suzhou, China, 5-8 April 2017, pp. 169-178
doi	https://doi.org/10.52842/conf.caadria.2017.169
summary	The world is experiencing an ever increasing pace of change and yet our design processes typically follow a waterfall model that make can make change and adaptation difficult. Digital design approaches provide an opportunity to develop agile solutions that are more open to change in the design process. This paper proposes the development of immaterial architectures wherein the material expression is left to later in the design process when there is greater certainty. We describe a series of 3 workshops that employ aspects of agile software development methodologies into architecture. The workshops proposed 3 immaterial pavilions for Delft, Adelaide and Tianjin. This first cycle of three workshops resulted in the design, fabrication and installation of the Agile X UniSA Pavilion in Adelaide. This paper discusses the applicability of agile development methodologies to this process and details a series of adaptations to provide a set of appropriate agile development principles for architecture.
keywords	Agile; Architecture pavilion; Immaterial architecture; Parametric paradox; Collaboration
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	ga0014
id	ga0014
authors	McGuire, Kevin
year	2000
title	Controlling Chaos: a Simple Deterministic System for Creating Complex Organic Shapes
source	International Conference on Generative Art
summary	It is difficult and frustrating to create complex organic shapes using the current set of computer graphic programs. One reason is because the geometry of nature is different from that of our tools. Its self-similarity and fine detail are derived from growth processes that are very different from the working process imposed by drawing programs. This mismatch makesit difficult to create natural looking artifacts. Drawing programs provide a palette of shapes that may be manipulated in a variety ways, but the palette is limited and based on a cold Euclidean geometry. Clouds, rivers, and rocks are not lines or circles. Paint programs provide interesting filters and effects, but require great skill and effort. Always, the details must be arduously managed by the artist. This limits the artist's expressive power. Fractals have stunning visual richness, but the artist's techniques are limited to those of choosing colours and searching the fractal space. Genetic algorithms provide a powerful means for exploring a space of variations, but the artist's skill is limited by the very difficult ability to arrive at the correct fitness function. It is hard to get the picture you wanted. Ideally, the artist should have macroscopic control over the creation while leaving the computer to manage the microscopic details. For the result to feel organic, the details should be rich, consistent and varied, cohesive but not repetitious. For the results to be reproducible, the system should be deterministic. For it to be expressive there should be a cause-effect relationship between the actions in the program and change in the resulting picture. Finally, it would be interesting if the way we drew was more closely related to the way things grew. We present a simple drawing program which provides this mixture of macroscopic control with free microscopic detail. Through use of an accretion growth model, the artist controls large scale structure while varied details emerge naturally from senstive dependence in the system. Its algorithms are simple and deterministic, so its results are predictable and reproducible. The overall resulting structure can be anticipated, but it can also surprise. Despite its simplicity, it has been used to generate a surprisingly rich assortment of complex organic looking pictures.
series	other
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

_id	ijac202018305
id	ijac202018305
authors	McIntosh, Jacqueline; Bruno Marques and Robyn Harkness
year	2020
title	Simulating impairment through virtual reality
source	International Journal of Architectural Computing vol. 18 - no. 3, 284-295
summary	Research on architectural technology for health care has rapidly increased in recent years; however, little research has been conducted on the use of virtual reality for simulating impairment. This exploratory research maps the experiences of people with impairments in the often-overlooked corridors and waiting rooms of an emergency department. It questions whether the experience of an impairment can be usefully simulated for empathetic design. While using participatory processes to develop a virtual reality simulation of waiting areas, this research applies three representative impairments and then surveys 30 architectural designers to find the emotional responses of the unimpaired to the design intervention. While this research is preliminary, it is particularly valuable for the comprehension of proposed designs during the early planning and design phases, without costly and time-consuming use of full participatory processes. It finds there is significant potential for the use of virtual reality as a technology to simulate the experiences of these spaces by individuals with impairment, enabling empathetic design, and offers direction for future research.
keywords	Emergency department, virtual reality, architecture, participatory design, health care
series	journal
email
last changed	2020/11/02 13:34

_id	07aa
authors	McIntosh, John and Pihlak, Madis
year	1990
title	The Thousand-Acre Sketch Problem
source	The Electronic Design Studio: Architectural Knowledge and Media in the Computer Era [CAAD Futures ‘89 Conference Proceedings / ISBN 0-262-13254-0] Cambridge (Massachusetts / USA), 1989, pp. 427-440
summary	An unusually large sketch problem in urban design was given to an undergraduate studio class to introduce visualization techniques and to explore fundamental urban design principles. This thousand-acre sketch problem was distributed to students on a floppy disk as a three- dimensional computer model. The availability of a large number of Macintosh IIs and access to a pre-release version of the three-dimensional modeling program ModelShop allowed us to conduct this prototype electronic studio. This paper looks at the productivity gains experienced by our students during this project and discusses the increased level of understanding witnessed in student performance. More importantly, this sketch problem is examined as a philosophical parable for several pedagogical issues of design education in the microcomputer age.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	0453
authors	McIntosh, Patricia G.
year	1998
title	The Internet as Communication Medium and Online Laboratory For Architecture Research
source	Computerised Craftsmanship [eCAADe Conference Proceedings] Paris (France) 24-26 September 1998, pp. 151-157
doi	https://doi.org/10.52842/conf.ecaade.1998.151
summary	This case study documents the experiences of two courses recently conducted on the Internet. The courses are a sequence of core methods courses offered to post-professional degree architecture students studying in a Computer Aided Design concentration in a Master of Science program. In these courses the students use the Internet as a communication medium and as a research tool using the Virtual Reality Modeling Language (VRML). The VRML interface in the Web browser serves as an online laboratory and presents new opportunities for communication and for studying distributed computing in a multimedia and multidimensional environment.
series	eCAADe
email
more	http://www.paris-valdemarne.archi.fr/archive/ecaade98/html/09mcintosh/index.htm
last changed	2022/06/07 07:58

_id	446f
authors	Mcintyre, B. and Feiner, S.
year	1998
title	A Distributed 3D Graphics Library
source	SIGGRAPH 98 Conference Proceedings, Computer Graphics Proceedings, Annual Conference Series, 1998, ACM SIGGRAPH
summary	We present Repo-3D, a general-purpose, object-oriented library for developing distributed, interactive 3D graphics applications across a range of heterogeneous workstations. Repo-3D is designed to make it easy for programmers to rapidly build prototypes using a familiar multi-threaded, object-oriented programming paradigm. All data sharing of both graphical and non-graphical data is done via general-purpose remote and replicated objects, presenting the illusion of a single distributed shared memory. Graphical objects are directly distributed, circumventing the "duplicate database" problem and allowing programmers to focus on the application details. Repo-3D is embedded in Repo, an interpreted, lexically-scoped, distributed programming language, allowing entire applications to be rapidly prototyped. We discuss Repo-3D's design, and introduce the notion of local variations to the graphical objects, which allow local changes to be applied to shared graphical structures. Local variations are needed to support transient local changes, such as highlighting, and responsive local editing operations. Finally, we discuss how our approach could be applied using other programming languages, such as Java.
series	other
last changed	2003/04/23 15:50

_id	acadia15_243
id	acadia15_243
authors	McKay, Mike
year	2015
title	Relative Positioning
source	ACADIA 2105: Computational Ecologies: Design in the Anthropocene [Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-53726-8] Cincinnati 19-25 October, 2015), pp. 243-250
doi	https://doi.org/10.52842/conf.acadia.2015.243
summary	How we understand the world is directly affected by our position in it. Constellations are simply the result of cognitive alignments related to our location in the universe, the horizon simply based on proximity and time. Relative Positioning explores the power of position in architecture: specifically, how Anamorphic projection and perspectival techniques can generate space and challenge our understanding of its form. Architectural illusion and perspectival deceptions have been investigated since antiquity in order to alter the perception of a given space, primarily used in an illusionary or optical manner. However, Anamorphic projection offers the potential to create dynamic spatial experiences that go well beyond simple projections or images/shapes simply painted onto a surface. Within Relative Positioning, architectural form exists in 3-dimensions (real, physical) but is perceived via procession and emergent perceptions based on choreographed alignments and foci—making it possible for a duality of visual perception to occur. Much like the diagonal movement through Villa Savoye or the space created by Matta-Clark’s cut, views and alignments add value, create perceptual shifts. One no longer views the architectural form as a whole, but as a collection of cinematic moments, fragments, serial form: a tension of object-qualities that elicits spatial ambiguity that puts pressure on the ‘real’ and opens up a world of wonder and excitement. This is a new form of collage.
keywords	Anamorphosis, perspective, perception
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

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