Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ijac201816101
id	ijac201816101
authors	Nisztu, Maciejk and Pawe³ B. Myszkowsk
year	2018
title	Usability of contemporary tools for the computational design of architectural objects: Review, features evaluation and reflection
source	International Journal of Architectural Computing vol. 16 - no. 1, 58-84
summary	This article is an overview focused on functionality and usability of selected contemporary approaches for the computational floor plan generation of architectural objects. This article describes current solutions for generative architectural design and focuses on their usability from the point of view of architectural design practice. Recent research papers and prototypes, as well as the most important tools (selected computer-aided design and BIM software) for generative design from the architectural perspective, are described. The functionalities and level of usability of present-day software and prototypes are described. In addition, the descriptive review of the research prototypes architectural design outcomes is present. Furthermore, the survey among active architects regarding the usage of computational tools in the professional practice and possible guidelines for the development of such tools are present. This article summarises with the conclusion about the current state of generative floor plan design tools, the lack of fully functional and developed commercial tools of this type on the market and future directions for the development of generative floor plans tools.
keywords	Architectural design, case studies, computer-aided architectural design, optimisation in computer-aided architectural design, computer-aided architectural design applications
series	journal
email
last changed	2019/08/07 14:03

_id	ijac201917302
id	ijac201917302
authors	Nisztuk, Maciej and Pawel B. Myszkowski
year	2019
title	Hybrid Evolutionary Algorithm applied to Automated Floor Plan Generation 260
source	International Journal of Architectural Computing vol. 17 - no. 3, 260-283
summary	The article presents the application of Hybrid Evolutionary and Greedy-based algorithms to the problem of Automated Floor Plan Generation. The described optimization issue is part of a wider domain of Computer-Aided Architectural Design. The article covers the extensive description of the representation domain model (architectural canonical guidelines, user design requirements and constraints) and the explanation of proposed approach: problem representation, genetic algorithm operators, and fitness function definition. The research experimental procedures are based on real-world data: the architectural design guidelines being the design constraints and five real-world functional programs introduced and proposed as benchmarks. The article summarizes the implementation of the proposed approach, compares the Hybrid Evolutionary Algorithm experimental results with the Greedy-based algorithm, and suggests possible extensions and future research directions.
keywords	Computer-Aided Architectural Design, optimization in CAAD, Automated Floor Plan Generation, Hybrid Evolutionary Algorithm, optimization, benchmark
series	journal
email
last changed	2020/11/02 13:34

_id	790a
authors	Noble, D., Kensek, K. and Keating, G.
year	2000
title	Stereoscopic Imaging in Architectural Design: A Communications Experiment
source	SIGraDi’2000 - Construindo (n)o espacio digital (constructing the digital Space) [4th SIGRADI Conference Proceedings / ISBN 85-88027-02-X] Rio de Janeiro (Brazil) 25-28 september 2000, pp. 216-216
summary	Stereoscopic imagery is finding new uses with the growth of computer applications in design and entertainment endeavors. This can be demonstrated in part by the substantial interest in immersive virtual reality systems. Since visual communication is an important tool for describing projects and stereoscopic imagery is receiving considerable attention in software development , an experiment was conducted to examine some of the characteristics of architectural communication using stereoscopic methods.
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	d03a
authors	Noble, Douglas and Kensek, Karen M.
year	2002
title	CAD/CAM Methods in Support of Historic Preservation: A Case Study of the Freeman House by Frank Lloyd Wright
source	SIGraDi 2002 - [Proceedings of the 6th Iberoamerican Congress of Digital Graphics] Caracas (Venezuela) 27-29 november 2002, pp. 52-54
summary	Preservationists have an impressive array of digital tools to aid them in documentation and analysis of historic structures. The tools range from near photo-realistic renderings to demonstrate what a “restored” building might have looked like at one specifi c time in history to complex chemical analysis of paint chips and pigments to geographic information systems used as management tools for historic prop er ties. Computer-aided design / computer-aided manufacturing (CAD/CAM) is set of important digital aids in historic preservation efforts. This paper presents a case study of the use of CAD/CAM in support of an effort to restore a textile block house designed by Frank Lloyd Wright. CAD/CAM methods are being employed to help produce a new mold so that new textile blocks can be manufactured that match the existing blocks. An existing textile block mold was digitally scanned, digitally mirrored and edited, and will be fabricated from an aluminum billet to replace a mold that no longer exists. Although seemingly a simple process and well within current technological abilities, the work proved substantially more challenging that initially imagined.
keywords	CAD/CAM, historic preservation, textile block, Frank Lloyd Wright
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	cf2019_065
id	cf2019_065
authors	Noel, Vernelle
year	2019
title	Design Computation and Restoring Craftsmanship: The Bailey-Derek Grammar in Wire-Bending
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, pp. 506-525
summary	Craft knowledge, practices, and communities are vanishing due to globalization, automation, and techno-centric developments. This paper evaluates a computational design tool - the Bailey-Derek Grammar - for restoration of craftsmanship in the practice of wire-bending. By conducting workshops, interviews and surveys, document and artifact analyses, I examine the role of the Grammar in repairing the craft. The results shed light on how a computational description of tacit knowledge in the form of a shape grammar aids in restoring technical knowledge and skill in a craft. Results also indicate that the computational design tool promotes democratization of the craft by creating new forms of practice, and new roles for participation and engagement.
keywords	Craft, Repair, Restoration, Shape grammar, Wire-bending
series	CAAD Futures
email
last changed	2019/07/29 14:18

_id	caadria2021_445
id	caadria2021_445
authors	Noel, Vernelle A. A., Nikookar, Niloofar, Pye, Jamieson, Tran, Phuong 'Karen' and Laudeman, Sara
year	2021
title	The Infinite Line Active Bending Pavilion: Culture,Craft and Computation
doi	https://doi.org/10.52842/conf.caadria.2021.1.351
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 1, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 351-360
summary	Active bending projects today employ highly specialized, complex computer software and machines for design, simulation, and materialization. At times, these projects lack a sensitivity to cultures limited in high-tech infrastructures but rich in low-tech knowledges. Situated Computations is an approach to computational design that grounds it in the social world by acknowledging historical, cultural, and material contexts of design and making, as well as the social and political structures that drive them. In this article, we ask, how can a Situated Computations approach to contemporary active bending broaden the design space and uplift low-tech cultural practices? To answer this question, we design and build "The Infinite Line"- an active bending pavilion that draws on the history, material practices, and knowledges in design in the Trinidad Carnival - for the 2019 International Association for Shell and Spatial Structures (IASS) exhibition in Barcelona, Spain. We conclude that Situated Computations provide an opportunity to integrate local knowledges, histories, design practices, and material behaviors as drivers in active bending approaches, so that structure, material practices, and cultural settings are considered concurrently.
keywords	Situated Computations; craft; wire-bending; active bending structures; Trinidad Carnival; dancing sculptures
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	ecaade2016_075
id	ecaade2016_075
authors	Noel, Vernelle A. A.
year	2016
title	Crafting as Inquiry into Computation - Exploring wire-bending in traditional practice and design education
doi	https://doi.org/10.52842/conf.ecaade.2016.1.311
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 311-320
summary	In an effort to sustain and revitalize the dying craft of wire-bending, I present the development of three novel approaches: Digital Crafting, Computational Crafting, and Crafting Fabrication. Computation and digital technology were integrated with traditional wire-bending principles to design and fabricate artifacts. In this work, I present three artifacts resulting from these novel approaches, and analyze how these methods may be used in design education and practice. Our findings benefit the practice because it offers opportunities for teaching computational and traditional skills to older and younger generations through wire-bending.
wos	WOS:000402063700035
keywords	wire-bending; Bailey-Derek Grammar; craft; computational design; fabrication
series	eCAADe
email
last changed	2022/06/07 07:58

_id	ijac202119402
id	ijac202119402
authors	Noel, Vernelle AA; Boeva, Yana; Dortdivanlioglu, Hayri
year	2021
title	The question of access: Toward an equitable future of computational design
source	International Journal of Architectural Computing 2021, Vol. 19 - no. 4, 496–511
summary	Digital fabrication and its cultivated spaces promise to break disciplinary boundaries and enable access to its technologies and computation for the broader public. This paper examines the trope of “access” in digital fabrication, design, and craft, and illustrates how it unfolds in these spaces and practices. An equitable future is one that builds on and creates space for multiple bodies, knowledges, and skills; allows perceptual interaction and corporeal engagement with people, materials, and tools; and employs technologies accessible to broad groups of society. By conducting comparative and transnational ethnographic studies at digital fabrication and crafting sites, and performing craft-centered computational design studies, we offer a critical description of what access looks like in an equitable future that includes digital fabrication. The study highlights the need to examine universal conceptions and study how they are operationalized in broader narratives and design pedagogy traditions.
keywords	Access, knowledges, craft, digital fabrication, computation, equity, pedagogy
series	journal
email
last changed	2024/04/17 14:29

_id	2e0a
authors	Besant, C.B.
year	1983
title	Computer-Aided Design and Manufacture. -- 2nd. ed
source	232 p. : ill. Chicester [West Sussex], New York: Halsted Press, 1983. includes bibliography and index -- (Ellis Horwood Series in Engineering Science)
summary	An introduction to computing as an aid to design and manufacture. Provides description of hardware and software of CAD systems, discusses their use in engineering drafting
keywords	drafting, hardware, software, CAD, CAM, practice
series	CADline
last changed	2003/06/02 13:58

_id	sigradi2013_326
id	sigradi2013_326
authors	Nome, Carlos A.; Natália Queiroz
year	2013
title	Performance do Edifício: Produtos e Processo para Integração no Projeto Arquitetônico [Building Performance: Products and a Process for Architectural Design Integration]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 357 - 361
summary	The paper presents a case study on BIM supported design processes and its intersections with discussions about sustainability and energy efficiency simulations. The objective of the study is to identify different levels of detail for BIM models that are compatible with sustainability and energy efficiency simulations. As a result an integrated design, model and simulation process is proposed and validated.
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	sigradi2020_734
id	sigradi2020_734
authors	Nope Bernal, Alberto; Ramírez, Anna Gabriela; García Alvarado, Rodrigo; Forcael Durán, Eric
year	2020
title	DESIGN OF A NEARLY ZERO-ENERGY HOME WITH EXTREME COLLABORATION IN BIM
source	SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 734-741
summary	The global request of energy politics and actions against climate change, reiterate the importance of promoting the nearly zero-energy buildings (nZEB), taking into account environmental habitability and comfort; therefore, this type of buildings has to include a process, design, and construction, intelligent. Accordingly, the present research shows a methodology for the design of almost zero-energy housing, by using BIM under an environment of extreme collaboration; evaluating energy consumption and active solar generation. Thus, the proposed methodology allows optimizing the processes related to design time, level of geometric development, and the application and evaluation of sustainability strategies, to achieve nearly zero-energy housing within the city Concepcion Chile.
keywords	Nearly Zero-energy Buildings, Building Information Modeling, Extreme Collaboration, Sustainability
series	SIGraDi
email
last changed	2021/07/16 11:52

_id	f7e2
authors	Noriega, Farid Mokhtar
year	2000
title	Activities Oriented Environments. A Conceptual Model for Building Advanced CAAD Systems
doi	https://doi.org/10.52842/conf.ecaade.2000.131
source	Promise and Reality: State of the Art versus State of Practice in Computing for the Design and Planning Process [18th eCAADe Conference Proceedings / ISBN 0-9523687-6-5] Weimar (Germany) 22-24 June 2000, pp. 131-134
summary	The Activities Oriented Design Environments, is a collection of proposals that will introduce important changes in the interaction procedures and integration mechanisms, in the design of CAAD software and the operating environments that support them. We will discuss how this environment uses the architectural activities as a reference for his organizational scheme, and the structural rules that control it’s operations.
keywords	CAAD, CAAD Design Pradigms, CAAD User Interfaces, Architectural Design Management
series	eCAADe
email
more	http://www.uni-weimar.de/ecaade/
last changed	2022/06/07 07:58

_id	caadria2006_125
id	caadria2006_125
authors	NORIHIRO KAWASUMI, ARISA OOBA, YONG SUN
year	2006
title	DEVELOPING DESIGN ARCHIVE AND VISUAL NAVIGATION INTERFACE FOR DIGITAL ENVIRONMENT
doi	https://doi.org/10.52842/conf.caadria.2006.x.e2k
source	CAADRIA 2006 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Research in Asia] Kumamoto (Japan) March 30th - April 2nd 2006, 125-132
summary	The digital media is most convenient technologies to realize collaborative design environment on the world wide network. A lot of practical Virtual Design Studio projects have been already executed in the world and lots of researchers try to develop more efficient web-based design systems for Virtual Design Studio. On these systems, the digital bulletin board is generally used to support for group discussion and exchanging design proposals via the network. But it is only possible to store and refer design proposals on the web. Its interface and operation are not well-optimized for architectural design activities. Then we consider that it’s necessary to develop the design information archive and visual interface to support digital design activities. The APEX and VPB system is the integrated design environment and we report the results of our experimental design studio using with it.
series	CAADRIA
email
last changed	2022/06/07 07:49

_id	aec5
authors	Norman, Donald A. and Draper, Stephen W.
year	1986
title	User Centered System Design : New Perspectives on Human-Computer Interaction
source	xiii, 186 p. : col. ill. Hillsdale, New Jersey: Lawrence Erlbaum Assoc., 1986. includes bibliography and index
summary	A pluralistic approach, design computers from the user's point of view
keywords	systems, design, user interface, color, computer graphics
series	CADline
last changed	2003/06/02 13:58

_id	51d4
authors	Norman, Richard B.
year	2001
title	COLOR USE IN SOLID MODELING
source	SIGraDi biobio2001 - [Proceedings of the 5th Iberoamerican Congress of Digital Graphics / ISBN 956-7813-12-4] Concepcion (Chile) 21-23 november 2001, pp. 57-59
summary	In computer modeling color selection usually determines the success of a visual message; color contrast is at the heart of graphic composition. Johannes Itten has said that there are but seven ways in which colors contrast. A course at Clemson University explores color in combination with architectural solid modeling; this paper is based on experiences from this class.
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	4c92
authors	Norman, Richard B.
year	1985
title	Electronic Color in the Architectural Studio - An Alternative Strategy for Introducing the Computer as a Creative Tool in the Studio Environment
doi	https://doi.org/10.52842/conf.acadia.1985.035
source	ACADIA Workshop ‘85 [ACADIA Conference Proceedings] Tempe (Arizona / USA) 2-3 November 1985, pp. 35-42
summary	An alternative strategy is proposed for introducing the computer as a creative tool in the studio environment. It is suggested that computer graphic capabilities, focusing on color as an element of design, be incorporated into basic design studios. Techniques of color drawing on the computer are discussed, and computer modeling of color systems is recommended as a vehicle through which to introduce color theory. The effect of color on the perception of buildings is explored, illustrating how color selection can affect a building's line, form and spatial quality. These techniques enable students to develop an appreciation of the use of color in buildings, reinforcing their knowledge of basic design, and introducing them to graphic computing in a visually provocative manner. The proposal recognizes the importance of both color theory and graphic computers to an evolving architectural curriculum.
series	ACADIA
email
last changed	2022/06/07 07:58

_id	4e31
authors	Norman, Richard B.
year	1990
title	Electronic Color : The Art of Color Applied to Graphic Computing
source	xiv, 186 p. : ill. (some col.) New York: Van Nostrand Reinhold, 1990. includes bibliography
summary	This book offers artists an introduction to a new technology for the communication of visual ideas, and it offers scientists an introduction to principles of art that have existed forever, but made simpler to communicate because of the new technology. The 9 chapters of the book cover such topics as: The language of color (tools and teaching, the elements of design, how color speaks, electronic color as teacher); A theory of contrasts (the Bauhaus, the seven contrasts of Johannes Itten, design applications); Color models (the need for order, traditional concepts of color organization, computer color selection, inventing a color space); Electronics as a source of color (color images, the color monitor, additive and subtractive color, the automation of graphics, reproduction of the computer image); The dynamics of color (dynamics in painting, impressionism, the Albers color descriptions, color dynamics today, dynamic architectural images); Illusions of space and form (transparency, perception of space, definition of form); Color psychology (the meaning of color, the colors, color transposition, applied psychology); Color in the design process (the discovery of site, the design of buildings, the color of cities); The representation of form (automation of the construction process, intuition in drawing, intuition in design, form and color)
keywords	computer graphics, color, education
series	CADline
last changed	2003/06/02 13:58

_id	6f74
authors	Norman, Richard
year	1998
title	Teaching Computation for Design
doi	https://doi.org/10.52842/conf.ecaade.1998.115
source	Computers in Design Studio Teaching [EAAE/eCAADe International Workshop Proceedings / ISBN 09523687-7-3] Leuven (Belgium) 13-14 November 1998, pp. 115-122
summary	Modeling the formal idea has long been problematic in schools. Renaissance tools, however inspired by the invention of perspective, usually result in two-dimensional sketches. Cardboard and small pieces of wood occasionally become the three-dimensional media of first visualization in studios; modeling on the computer is a newer idea. This paper examines two experiments, one where design fundamentals and solid modeling are introduced in a common studio, the other where instruction is removed from the studio environment and made an adjunct elective. In the first case the course is an introduction to both design and computation, an electronic investigation of Paul Klee’s first principles: point, line, shape, form and space—adding, subtracting, rotating and multiplying objects using Beaux Arts principles to create the design. The result is architectural form-making that was not possible in the studio-past. The second case is a course which isolates computer instruction from the studio, making it a separate academic discipline. Fantasy projects then demonstrate computational principle, exploring pure form without burden of technical or social obligation that studio imposes; alternative methods are presented for introducing design computation to the architectural student.
series	eCAADe
email
more	http://www.eaae.be/
last changed	2022/06/07 07:58

_id	2005_723
id	2005_723
authors	Norman, Richard
year	2005
title	Digital Color as a Paradigm for 3D Modeling
doi	https://doi.org/10.52842/conf.ecaade.2005.723
source	Digital Design: The Quest for New Paradigms [23nd eCAADe Conference Proceedings / ISBN 0-9541183-3-2] Lisbon (Portugal) 21-24 September 2005, pp. 723-728
summary	Johannes Itten wrote in the 1920’s that seven distinct possibilities exist for the contrast of color: “Each (is) unique in character and artistic value, in visual, expressive and symbolic effect...together these constitute the fundamental resource of color design” Itten (1973). In either the digital world or in the world of painting, there has never been a more profound statement about color arrangement. Of Itten’s seven contrasts, the contrast of hue, value, and saturation, taken together have become a standard description of digital color today. As most projects reach the final stage of presentation, color selection becomes a possible paradigm for their development. It is customary to leave the selection of color to the end of a project — if time permits, then the colors are changed to make the project “appear better”, otherwise the selection of color is put in a pile of “good intentions” — overlooked. Proposed here is an alternative, a method of selecting color “up front”. Student projects are used to illustrate just how a building, or even a group of buildings may be better illustrated if one bases a presentation on a successful and understood work of art. The use of a painting as a source of color is proposed as a specific way of working. Most libraries contain an abundance of examples. The web, too, has many paintings; painters generally have more experience at putting colors together than architects and usually do not mind if their color ideas are borrowed, Done right, the result can be a happy merger of idea, emotion, and color, providing another paradigm for studying digital modeling.
keywords	Color ; Painting ; Itten ; Design
series	eCAADe
email
last changed	2022/06/07 07:59

_id	3105
authors	Novak, T.P., Hoffman, D.L., and Yung, Y.-F.
year	1996
title	Modeling the structure of the flow experience
source	INFORMS Marketing Science and the Internet Mini-Conference, MIT
summary	The flow construct (Csikszentmihalyi 1977) has recently been proposed by Hoffman and Novak (1996) as essential to understanding consumer navigation behavior in online environments such as the World Wide Web. Previous researchers (e.g. Csikszentmihalyi 1990; Ghani, Supnick and Rooney 1991; Trevino and Webster 1992; Webster, Trevino and Ryan 1993) have noted that flow is a useful construct for describing more general human-computer interactions. Hoffman and Novak define flow as the state occurring during network navigation which is: 1) characterized by a seamless sequence of responses facilitated by machine interactivity, 2) intrinsically enjoyable, 3) accompanied by a loss of self-consciousness, and 4) selfreinforcing." To experience flow while engaged in an activity, consumers must perceive a balance between their skills and the challenges of the activity, and both their skills and challenges must be above a critical threshold. Hoffman and Novak (1996) propose that flow has a number of positive consequences from a marketing perspective, including increased consumer learning, exploratory behavior, and positive affect."
series	other
last changed	2003/04/23 15:50

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