Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2016_507
id	sigradi2016_507
authors	Goldemberg, Eric
year	2016
title	Arquitectura Sónica de Pulsación digital: Dise?o interdisciplinar paramétrico y fabricación digital aplicada a instrumentos musicales e instalaciones sonoras []
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.58-64
summary	This paper proposes to demonstrate the capacity of parametric design and digital fabrication as catalysts for new sensorial experiences, in the context of an approach to the field of experimental design of body architectures. Projects thate architecture and music by means of technological innovations offer new possibilities for artistic productions therefore a new model of inter-disciplinar integration is proposed through this investigation. Through the analysis of this kind of work, new fields of design can be teased out and proposed as manifestations of the expanded field of architecture.
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	sigradi2018_1778
id	sigradi2018_1778
authors	Goldemberg, Eric
year	2018
title	SONIFICA – The New Bionic
source	SIGraDi 2018 [Proceedings of the 22nd Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Brazil, São Carlos 7 - 9 November 2018, pp. 1173-1178
summary	SONIFICA explores the notion of the Enhanced Body, turning the human body into an instrument by way of technology. It represents a new type of sonic spectacle where the architecture of the body is enhanced with 3D-printed devices that augment the performer’s capacity.
keywords	Trans-disciplinarity; Enhance; Sonic; Instruments; Prosthetic
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	f5f8
id	f5f8
authors	Goldman, Glen
year	1997
title	ARCHITECTURAL GRAPHICS: TRADITIONAL AND DIGITAL COMMUNICATION
source	Prentice Hall (ISBN: 0-13-341967)
summary	The media used to create architectural drawings are now more varied than ever before. Basic principles of drawing types, from two-dimensional orthographic projections (plans, elevations, etc.) to perspective to axonometrics are media independent. While "what the images are" may be constant, the way in which they are created and modified is, at time, media dependent and therefore variable. Because we can only modify what we create, the way an image or model is created (and therefore the media employed) affects its future uses and possibilities. Architectural Graphics is written from the point of view of today's architects - one who must be comfortable working in a variety of media. A variety of diagrams, photos, and simple drawings combine with well-executed finished samples to illustrate the basic principles of graphic communication, as well as the specific characteristics of both traditional and digital media.
series	other
type	normal paper
last changed	2004/09/18 19:06

_id	2098
authors	Goldman, Glenn and Hoon, Michael
year	1994
title	Digital Design In Architecture: First Light, Then Motion, and Now Sound
doi	https://doi.org/10.52842/conf.acadia.1994.027
source	Reconnecting [ACADIA Conference Proceedings / ISBN 1-880250-03-9] Washington University (Saint Louis / USA) 1994, pp. 27-38
summary	If we restricted our idea of architecture to only the traditional and static description of visual space and form, we might not be considering significant characteristics of the places we are designing. If, however, we accepted even a limited definition, as stated by Le Corbusier, that "architecture is the masterly, correct, and magnificent play of masses brought together in light", we would at least be forced to consider the dimension of time as the ever-changing daylight modifies the way our creations are perceived. However, neither the built nor the natural environments are silent. Sound affects the way we feel about certain events and places, and in turn, places we create can modify or influence the way we hear sounds. As computers become more audio capable, we can expect changes in the ways that architects plan, design, and present their projects. Issues of both objective and nonobjective sound can become significant factors throughout the building delivery process. As the visual sophistication and acoustic expectations of society rise because of the ubiquitous power of electronic multimedia - as well as "cross-media" applications (film, video, television, and scientific visualization) it is inevitable that the architectural design and presentation processes reflect these changes.
series	ACADIA
email
last changed	2022/06/07 07:51

_id	c085
authors	Goldman, Glenn and Zdepski, M. Stephen
year	1988
title	Abstraction and Representation: Computer Graphics and Architectural Design
doi	https://doi.org/10.52842/conf.acadia.1988.205
source	Computing in Design Education [ACADIA Conference Proceedings] Ann Arbor (Michigan / USA) 28-30 October 1988, pp. 205-215
summary	While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nat
series	ACADIA
email
last changed	2022/06/07 07:51

_id	43a9
authors	Goldman, Glenn and Zdepski, Stephen
year	1987
title	Form, Color & Movement
doi	https://doi.org/10.52842/conf.acadia.1987.039
source	Integrating Computers into the Architectural Curriculum [ACADIA Conference Proceedings] Raleigh (North Carolina / USA) 1987, pp. 39-50
summary	Computer generated three dimensional architectural modeling is a fundamental transformation of the traditional architectural design process. Viewing a three dimensional computer model from many vantage points and through animation sequences, presents buildings and their surrounding environments as a sequence of spaces and events, rather than as static objects or graphic abstractions. Three dimensional modeling at the earliest stages of design tends to increase the spatial and formal properties of early building design studies, and diminishes the dominance of plan as the form giver. The following paper is based upon the work of second, third and fifth year architectural students who have engaged in architectural design through the use of microcomputer graphics. In each case they entered the architectural studio with virtually no computer experience. Although the assigned architectural projects were identical to those of other "conventional" architectural studios, their design work was accomplished, almost solely, using four different types of graphic software: Computer-Aided Drafting, 3-Dimensional Modeling, Painting and Animation programs. Information presented is based upon student surveys, semester logs, interviews, impressions of external design critics, and the comparison of computer based and conventional studio final presentations.
series	ACADIA
email
last changed	2022/06/07 07:51

_id	acadia06_032
id	acadia06_032
authors	Goldman, Glenn
year	2006
title	The Search
doi	https://doi.org/10.52842/conf.acadia.2006.032
source	Synthetic Landscapes [Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture] pp. 32-36
summary	White Paper - Reflecting on 25 years of ACADIA
series	ACADIA
email
last changed	2022/06/07 07:51

_id	acadia17_260
id	acadia17_260
authors	Goldman, Melissa; Myers, Carolina
year	2017
title	Freezing the Field: Robotic Extrusion Techniques Using Magnetic Fields
doi	https://doi.org/10.52842/conf.acadia.2017.260
source	ACADIA 2017: DISCIPLINES & DISRUPTION [Proceedings of the 37th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-692-96506-1] Cambridge, MA 2-4 November, 2017), pp. 260-265
summary	The introduction of robotics into the field of 3D printing allows designers and fabricators to truly print in three dimensions, focusing more on the volumetric properties of the extrusion rather than two-dimensional slicing and, furthermore, introducing forces that can defy gravity. This paper introduces a new method of robotic extrusion using magnetic fields to construct ferrostructures. Using a custom tool and ferromagnetic material, the research develops a construction process utilizing the off-plane toolpaths of a 6-axis industrial robotic arm to pull, attract, and repel material into a hardened structure. The ferromagnetic liquid forms spikes and connections around the invisible magnetic fields, and upon hardening, freezes the field into a new physical artifact. This extrusion process allows a fabrication that defies gravity. The robotic fabrication process allows microextrusions to build off of one another, scaling the result to approach an architectural scale and bringing a new freedom to the designer and the fabricator.
keywords	material and construction; fabrication; construction/robotics
series	ACADIA
email
last changed	2022/06/07 07:51

_id	f7b9
authors	Goldschmidt, G.
year	1994
title	On visual design thinking: the via kids of architecture
source	Design Studies 15 (2), pp. 158-174
summary	Designers invariably use imagery to generate new form combinations which they represent through sketching. But they also do the reverse: they sketch to generate images of forms in their minds. Common belief regards such activity as non-rational. In contrast, we assert that interactive imagery through sketching is a rational mode of reasoning, characterized by systematic exchanges between conceptual and figural arguments. Cognitive science, strongly dominated by a linguistic paradigm, has yet to recognize the paramount role of visual reasoning in many instances of problem solving; and in design tool-making, computational and otherwise, we must learn to optimize rather than bypass intuitive visuality.
series	journal paper
last changed	2003/04/23 15:14

_id	5607
authors	Goldschmidt, Gabriela
year	2001
title	Is a Figure-Concept Binary Argumentation Pattern Inherent in Visual Design Reasoning?
source	J. S. Gero, B. Tversky and T. Purcell (eds), 2001, Visual and Spatial Reasoning in Design, II - Key Centre of Design Computing and Cognition, University of Sydney, Australia
summary	This paper is based on the assumption that because designingis aimed at specifying configurations of entities, designers mustmanipulate forms and shapes and they must resort to visual reasoning todo so. Visual reasoning in designing is seen as the interplay betweenfigural and conceptual reasoning, such that the one supports andcontinues the other in order to arrive at a configuration that is valid interms of all the requirements it is to satisfy. We use protocol analysis toexplore the bond between conceptual and figural reasoning at two levelsof cognitive operation – that of the design move and that of theargument that is its building block. We conclude that the two modes ofreasoning are equi-present in designing; they describe a binary systemcharacterized by high frequency shifts between figure and concept.
series	other
email
more	http://www.arch.usyd.edu.au/kcdc/conferences/vr01/
last changed	2003/05/02 11:16

_id	eda3
authors	Goldschmidt, Gabriela
year	1992
title	Criteria for Design Evaluation : A Process-Oriented Paradigm
source	New York: John Wiley & Sons, 1992. pp. 67-79. includes bibliography
summary	Architectural research of the last two or three decades has been largely devoted to design methodology. Systematic evaluations of design products and prescription of their desired qualities led to specifications for better designs and possible routines to achieve them. Computers have facilitated this task. The human designer, however, has largely resisted the use of innovative methods. In this paper the author claims that the reason for that lies in insufficient regard for innate cognitive aptitudes which are activated in the process of designing. A view of these aptitudes, based on patterns of links among design moves, is presented. It is proposed that process research is mandatory for further advancements in design research utility
keywords	cognition, design process, research, protocol analysis, architecture
series	CADline
last changed	1999/02/12 15:08

_id	6e0f
authors	Goldstein, Laurence
year	1996
title	Teaching Creativity with Computers
doi	https://doi.org/10.52842/conf.caadria.1996.307
source	CAADRIA ‘96 [Proceedings of The First Conference on Computer Aided Architectural Design Research in Asia / ISBN 9627-75-703-9] Hong Kong (Hong Kong) 25-27 April 1996, pp. 307-316
summary	Using computers as an aid to architectural design promotes efficiency – of that there is no doubt – but its real merit must surely lie in provoking inventiveness. The medium makes possible the speedy creation and manipulation of images, a holistic, integrational approach to design, the exploration of virtual environments, the real time collaboration in design by individuals at remote sites and so on – these all fall under my heading of ‘efficiency’, since more or less the same ends can be achieved, albeit much more slowly and tediously, by traditional methods. But inventiveness, that’s something different. For comparison, think of the advent of reinforced concrete. In the early years, the new medium was used, roughly speaking, as a substitute for timber beams; but the genius of Le Corbusier was required to appreciate that concrete had fluid qualities which afforded completely different kinds of design opportunities. Can computers likewise revolutionise design? Will new kinds of building get constructed as a result of the advent of computers into the design arena?
series	CAADRIA
last changed	2022/06/07 07:51

_id	sigradi2018_1813
id	sigradi2018_1813
authors	Gomes Vieira de Jesus, Elaine; Leão de Amorim, Arivaldo; Groetelaars, Natalie Johanna; de Oliveira Fernandes, Vivian
year	2018
title	Urban modeling for 3D GIS purposes from laser scanning: an implementation for university campus
source	SIGraDi 2018 [Proceedings of the 22nd Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Brazil, São Carlos 7 - 9 November 2018, pp. 617-624
summary	3D Geographic Information Systems (3D GIS) are systems capable of performing spatial analyzes that consider a three-dimensional representation of objects, through their planialtimetric coordinates. City Geography Markup Language (CityGML) is used for city and urban applications. The main challenges for this system implementation refer to the techniques used to obtain data, and their formats, in addition to the various software used in geometric modeling. In this way, this article aims to discuss geometric modeling for a university campus using airborne laser scanning data, aiming at the creation of database for applications development.
keywords	3D GIS; SIG 3D; CityGML; Geometric modeling
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	sigradi2015_11.136
id	sigradi2015_11.136
authors	Gomes, Ana Catarina Costa; Paio, Alexandra
year	2015
title	Generative Solutions: Adaptation and Flexibilization in Housing as a Qualified Social Response
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 2 - ISBN: 978-85-8039-133-6] Florianópolis, SC, Brasil 23-27 November 2015, pp. 642-648.
summary	Housing for all is back on the international agenda. The economic crisis forces researchers and architects to rethink the concept of living and adopt more flexible housing design strategies as an alternative to typologies that impose rules of coexistence and do not reflect the social dynamics of a community. The introduction of rules-based housing design strategies allows the implementation of more dynamic processes. This ongoing research is a reflection on the potential of digital tools to develop spatial and formal parameters based on analysis of flexible housing models. This paper presents the initial phase of the research.
keywords	Adaptive and Evolutionary Housing, Social Dynamics, Digital Tools
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	sigradi2009_965
id	sigradi2009_965
authors	Gomes, Cristina Caramelo; Maria João Felgueiras Teixeira Machado Correia
year	2009
title	The impact of digital architecture design in the conception and management of dwelling environments
source	SIGraDi 2009 - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009
summary	When technology moves forward, architecture changes with it: it changes the architecture methodology and it changes the architectural result. This paper discusses the variables involved, pointing the major constraints to the intensive use of ICT in the architectural process. It highlights the need to rethink the user’s involvement in the conception of the built environment, increasing it, and suggests new approaches to meet this need by using ICT and VR.
keywords	Smart Houses; Virtual Reality; BIM; Dwelling Environment
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	sigradi2012_247
id	sigradi2012_247
authors	Gomes, Lucas Ariel; Barbosa, Wilson; Araújo, André Luís; Celani, Gabriela
year	2012
title	Exercício Projetual de uma Estrutura de Cobertura com a Utilização do Diagrama de Voronoi no plug-in Grasshopper [Design experiment with the use of Voronoi Diagrams in Grasshopper plug-in: a roof structure]
source	SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 636-640
summary	This paper describes a design experiment with the use of Voronoi Diagrams, a systematic division of the metric space based on a set of points. Automated procedures were used in the process: a script that generated sets of random points and a plug in that automatically generated polygons based on these points. Computer models, scale models and full scale prototypes were produced in order to develop construction details and preview results. It was possible to conclude that the use of a generative method along with automated procedures is far from restricting creativity, allowing the quick exploration of multiple design alternatives.
keywords	Roof structure; Voronoi Diagram; Grasshopper
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	sigradi2016_621
id	sigradi2016_621
authors	Gomes, Maria Cecília Rocha Couto; Santos, Ana Paula Baltazar dos; Arruda, Guilherme Ferreira de; Cabral Filho , José dos Santos; Silva, Luís Henrique Marques de Oliveira; Diniz, Luiza Encarnaç?o; Lima, Mariana Julia Souza Barbosa; Stralen, Mateus de Sousa van
year	2016
title	Parametrizaç?o para além do processo de projeto: experimentando aberturas para interaç?o [Parametrization beyond the design process: trying out openness for interaction]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.790-794
summary	This paper discusses the use of parametrization and digital fabrication in architecture proposing a shift from increasing the architect’s control over the final product (determinist paradigm), towards increasing users' interaction. It presents the design process of an experimental interactive object intended to meet the former discussion and test the limits and difficulties that might arise during the process. Such an object was developed by Lagear (UFMG), as a response to the exhibition Homo Faber: Digital Fabrication in Latin America, CAAD FUTURES 2015.
keywords	Interactive object; Parametrization; Digital Fabrication; Representation; Interaction
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	sigradi2017_057
id	sigradi2017_057
authors	Gomes, Micke Rogério; Sérgio de Lima Saraiva Junior, Sérgio de Lima Saraiva Junior
year	2017
title	Da Prototipagem ao DIY: Criação de mobiliário de baixo custo a partir de modelagem e fabricação digitais [From Prototyping to DIY: Creating low-cost furniture from digital modeling and manufacturing]
source	SIGraDi 2017 [Proceedings of the 21th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-227-439-5] Chile, Concepción 22 - 24 November 2017, pp.393-397
summary	This paper discusses the potential of digital fabrication for assisting people in building low cost furniture. It is analyzed what motivates people to join the “Do-it-Yourself” culture, and proposes the construction of a desk from reused materials, combined with joints and components that are digitally designed and become available online. Finally, the paper discusses the possibilities of digital fabrication to adapt to a context that is not inserted in the industrial environment and highlights the research potentials to increase the user autonomy.
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	sigradi2010_69
id	sigradi2010_69
authors	Gomes, Sfeir Isabelle Cunha; Borda Adriane; de Freitas Pires Janice; Castro Gonsales Célia Helena
year	2010
title	Atribuição de metadados como exercício de metacognição para a ação projetual de arquitetura [Metadata attribution as a metacognitive exercise for project action in architecture]
source	SIGraDi 2010_Proceedings of the 14th Congress of the Iberoamerican Society of Digital Graphics, pp. Bogotá, Colombia, November 17-19, 2010, pp. 69-72
summary	The activity of metadata assignment for the cataloging of an architectural design demands, more than time, a process of reflection about the production of architecture. Thus, in this activity seeks a didactic strategy for teaching/learning architectural design, which is interpreted as a mechanism of meta - cognition. Exercises are promoted in which the students of architecture reflect about their own production of designs, assigning key words to characterize them, initially without structured references for this characterization but later establishing a taxonomy of available architectural domain. The results point to the validation of the strategy, demonstrating the potential of the exercise.
keywords	design cataloging; metadata; meta - cognition.
series	SIGRADI
email
last changed	2016/03/10 09:52

_id	5225
authors	Gomez de Silva Garza, Andres and Maher, Mary Lou
year	2001
title	Using Evolutionary Methods for Design Case Adaptation
doi	https://doi.org/10.52842/conf.acadia.2001.180
source	Reinventing the Discourse - How Digital Tools Help Bridge and Transform Research, Education and Practice in Architecture [Proceedings of the Twenty First Annual Conference of the Association for Computer-Aided Design in Architecture / ISBN 1-880250-10-1] Buffalo (New York) 11-14 October 2001, pp. 180-191
summary	Case-based reasoning (CBR) provides a methodology for directly using previous designs in the development of a new design. An aspect of CBR that is not well developed for designing is the combination and adaptation of previous designs. The difficulty with this aspect of case-based design is partly due to the extensive amounts of specialised knowledge needed to select the appropriate features of a previous design to include in the new design and the adaptation of these features to fit the context of a new design problem. In this paper we present a design process model that combines ideas from CBR and genetic algorithms (GA’s). The CBR paradigm provides a method for the overall process of case selection and adaptation. The GA paradigm provides a method for adapting design cases by combining and mutating their features until a set of new design requirements and constraints are satisfied. We have implemented the process model and illustrate the model for residential floor plan layout. We use a set of Frank Lloyd Wright prairie house layouts as the case base. The constraints used to determine whether new designs proposed by the process model are acceptable are taken from feng shui, the Chinese art of placement. This illustration not only clarifies how our process model for design through the evolutionary adaptation of cases works, but it also shows how knowledge sources with distinct origins can be used within the same design framework.
keywords	Evolutionary Design, Case-Based Reasoning, Floor Plan Layout
series	ACADIA
email
last changed	2022/06/07 07:51

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