CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id 89d9
authors Cajati, Claudio
year 1992
title The New Teaching of an Architect: The Rôle of Expert Systems in Technological Culture
doi https://doi.org/10.52842/conf.ecaade.1992.435
source CAAD Instruction: The New Teaching of an Architect? [eCAADe Conference Proceedings] Barcelona (Spain) 12-14 November 1992, pp. 435-442
summary We already have the EEC, that is the European Economic Community. We have to build the CCE, that is the Common Cultural Europe. Architects and building engineers of any european country will be allowed to freely practise in any other country of the EEC. Of course, it is not only matter of coming down of the frontiers, of a greater labour mobility. Not even it will be enough that the university degree courses of the different countries agree to and put into effect the EEC common directives. They need rules and guidelines entering into the merits of practice: rules and guidelines which, rather than a legal and bureaucratic matter, must be the result of a common cultural and technical work, about clear and delimited questions of shared subjects, in which all the community countries be deeply concerned. Analogously, in the very field of research, the project "Human Capital and Mobility" has in view a greater european scientific and technological competitiveness, through an integration of human and material resources of different research centres, such as in shared-cost research projects and in concerted research actions. Such an integration is neither easy nor rapid. The political, social, cultural, technological peculiarities of the countries of the European Community certainly constitute an obstacle for the creation of a supernational cultural and technological pool. of common opportunities. These peculiarities, however, aren't only a restraint for the european community effort of unification and construction of shared goals, constraints, rules, methods, techniques, tools. They mean also a richness, an unrepeatable resourse: they are the result of a historical millenary stratification, which gave rise to urban and architectural contexts, to cultural and technological traditions it would be a serious mistake to waste.
series eCAADe
email
last changed 2022/06/07 07:54

_id 0ad8
authors Candy, E., Maver, T.W. and Petric, J.
year 1992
title A Multi-Media Celebration of Robert Adam's Glasgow Architecture
doi https://doi.org/10.52842/conf.ecaade.1992.043
source CAAD Instruction: The New Teaching of an Architect? [eCAADe Conference Proceedings] Barcelona (Spain) 12-14 November 1992, pp. 43-54
summary This paper is a summary of work done in preparation for an exhibition titled "A European Vision: Robert Adam's Glasgow" which marks the bi-centenary of Robert Adam's death. The main contributors to this project, orchestrated over academic sessions 91/92, were the undergraduate and post-graduate students from the Department of Architecture, University of Strathclyde, Glasgow.
series eCAADe
email
last changed 2022/06/07 07:54

_id e1f9
authors Carini, A., Apollonio, F. And Tolomellia, A.
year 1992
title RESEARCH ACTIVITY 1990-92 AT THE L.T.N.-OIKOS BOLOGNA: EUROPAN AND BARRIER-FREE BATHROOMS
source Proceedings of the 4rd European Full-Scale Modelling Conference / Lausanne (Switzerland) 9-12 September 1992, Part A, pp. 31-42
summary During the three year period 1990-1992, the research activity carried out in the Typological Laboratory has been focused on two specific themes: flexibility and typological innovation in dwelling-areas and features of the bathroom for disabled users. These themes reflect two among the chief subjects calling the attention of the Residential Building Committee of the Ministry of Public Works to which - as everybody knows - the Laboratory is subordinated. Both themes have been approached through specific application pro rams which took as reference points, respectively, the Programm of EUROPAN Competitions and the proposals for bringing up to date.
keywords Full-scale Modeling, Model Simulation, Real Environments
series other
type normal paper
more http://info.tuwien.ac.at/efa
last changed 2004/05/04 15:29

_id 6964
authors Daniel, T.
year 1992
title Data visualization for decision support in environmental management
source Landscape and Urban Planning 21, pp. 261-263
summary Contributed by Susan Pietsch (spietsch@arch.adelaide.edu.au)
keywords 3D City Modeling, Development Control, Design Control
series other
last changed 2001/06/04 20:27

_id ddss9209
id ddss9209
authors De Gelder, J.T. and Lucardie, G.L.
year 1993
title Knowledge and data modelling in cad/cam applications
source Timmermans, Harry (Ed.), Design and Decision Support Systems in Architecture (Proceedings of a conference held in Mierlo, the Netherlands in July 1992), ISBN 0-7923-2444-7
summary Modelling knowledge and data in CAD/CAM applications is complex because different goals and contexts have to be taken into account. This complexity makes particular demands upon representation formalisms. Today many modelling tools are based on record structures. By analyzing the requirements for a product model of a portal structure in steel, this paper shows that in many situations record structures are not well suited as a representation formalism for storing knowledge and data in CAD/CAM applications. This is illustrated by performing a knowledge-level analysis of the knowledge and data generated in the design and manufacturing process of a portal structure in steel.
series DDSS
last changed 2003/08/07 16:36

_id ecaade03_473_175_flanagan_neu
id ecaade03_473_175_flanagan_neu
authors Flanagan, Robert H.
year 2003
title Generative Logic in Digital Design
doi https://doi.org/10.52842/conf.ecaade.2003.473
source Digital Design [21th eCAADe Conference Proceedings / ISBN 0-9541183-1-6] Graz (Austria) 17-20 September 2003, pp. 473-484
summary This exploration of early-stage, architectural design pedagogy is in essence, a record of an ongoing transformation underway in architecture, from its practice in the art of geometry of space to its practice in the art of geometry of space-time. A selected series of student experiments, from 1992 to the present, illustrate a progression in architectural theory, from Pythagorean concepts of mathematics and geometry, to the symbolic representation of space and non-linear time in film. The dimensional expansion of space, from xyz to xyz+t (time), represents a tactical and strategic opportunity to incorporate multisensory design variables in architectural practice, as well as in its pedagogy.
keywords Generative; process; derivative; logic; systemic
series eCAADe
email
last changed 2022/06/07 07:51

_id cd14
authors Hall, T.
year 1992
title Letting the public in on design control
source Town & Country Planning 61(March), pp. 83-85
summary Contributed by Susan Pietsch (spietsch@arch.adelaide.edu.au)
keywords 3D City Modeling, Development Control, Design Control
series other
last changed 2001/06/04 20:27

_id e824
authors Hall, T.
year 1992
title Visualisation and Policy Statements for Negotiated Outcomes in Design Control
source Proceedings of the International Symposium on Design Review, University of Cincinnati, October 8-11, pp. 154-162
summary Contributed by Susan Pietsch (spietsch@arch.adelaide.edu.au)
keywords 3D City Modeling, Development Control, Design Control
series other
last changed 2001/06/04 20:27

_id 56de
authors Handa, M., Hasegawa, Y., Matsuda, H., Tamaki, K., Kojima, S., Matsueda, K., Takakuwa, T. and Onoda, T.
year 1996
title Development of interior finishing unit assembly system with robot: WASCOR IV research project report
source Automation in Construction 5 (1) (1996) pp. 31-38
summary The WASCOR (WASeda Construction Robot) research project was organized in 1982 by Waseda University, Tokyo, Japan, aiming at automatizing building construction with a robot. This project is collaborated by nine general contractors and a construction machinery manufacturer. The WASCOR research project has been divided into four phases with the development of the study and called WASCOR I, II, III, and IV respectively. WASCOR I, II, and III finished during the time from 1982 to 1992 in a row with having 3-4 years for each phase, and WASCOR IV has been continued since 1993. WASCOR IV has been working on a automatized building interior finishing system. This system consists of following three parts. (1) Development of building system and construction method for automated interior finishing system. (2) Design of hardware system applied to automated interior finishing system. (3) Design of information management system in automated construction. As the research project has been developing, this paper describes the interim report of (1) Development of building system and construction method for automated interior finishing system, and (2) Design of hardware system applied to automated interior finishing system.
series journal paper
more http://www.elsevier.com/locate/autcon
last changed 2003/05/15 21:22

_id 32eb
authors Henry, Daniel
year 1992
title Spatial Perception in Virtual Environments : Evaluating an Architectural Application
source University of Washington
summary Over the last several years, professionals from many different fields have come to the Human Interface Technology Laboratory (H.I.T.L) to discover and learn about virtual environments. In general, they are impressed by their experiences and express the tremendous potential the tool has in their respective fields. But the potentials are always projected far in the future, and the tool remains just a concept. This is justifiable because the quality of the visual experience is so much less than what people are used to seeing; high definition television, breathtaking special cinematographic effects and photorealistic computer renderings. Instead, the models in virtual environments are very simple looking; they are made of small spaces, filled with simple or abstract looking objects of little color distinctions as seen through displays of noticeably low resolution and at an update rate which leaves much to be desired. Clearly, for most applications, the requirements of precision have not been met yet with virtual interfaces as they exist today. However, there are a few domains where the relatively low level of the technology could be perfectly appropriate. In general, these are applications which require that the information be presented in symbolic or representational form. Having studied architecture, I knew that there are moments during the early part of the design process when conceptual decisions are made which require precisely the simple and representative nature available in existing virtual environments. This was a marvelous discovery for me because I had found a viable use for virtual environments which could be immediately beneficial to architecture, my shared area of interest. It would be further beneficial to architecture in that the virtual interface equipment I would be evaluating at the H.I.T.L. happens to be relatively less expensive and more practical than other configurations such as the "Walkthrough" at the University of North Carolina. The set-up at the H.I.T.L. could be easily introduced into architectural firms because it takes up very little physical room (150 square feet) and it does not require expensive and space taking hardware devices (such as the treadmill device for simulating walking). Now that the potential for using virtual environments in this architectural application is clear, it becomes important to verify that this tool succeeds in accurately representing space as intended. The purpose of this study is to verify that the perception of spaces is the same, in both simulated and real environment. It is hoped that the findings of this study will guide and accelerate the process by which the technology makes its way into the field of architecture.
keywords Space Perception; Space (Architecture); Computer Simulation
series thesis:MSc
last changed 2003/02/12 22:37

_id cf2009_poster_09
id cf2009_poster_09
authors Hsu, Yin-Cheng
year 2009
title Lego Free-Form? Towards a Modularized Free-Form Construction
source T. Tidafi and T. Dorta (eds) Joining Languages Cultures and Visions: CAADFutures 2009 CD-Rom
summary Design Media is the tool designers use for concept realization (Schon and Wiggins, 1992; Liu, 1996). Design thinking of designers is deeply effected by the media they tend to use (Zevi, 1981; Liu, 1996; Lim, 2003). Historically, architecture is influenced by the design media that were available within that era (Liu, 1996; Porter and Neale, 2000; Smith, 2004). From the 2D plans first used in ancient egypt, to the 3D physical models that came about during the Renaissance period, architecture reflects the media used for design. When breakthroughs in CAD/CAM technologies were brought to the world in the twentieth century, new possibilities opened up for architects.
keywords CAD/CAM free-form construction, modularization
series CAAD Futures
type poster
last changed 2009/07/08 22:12

_id 8970
authors Mortola, E., Petric, J. Sabater, T. and Baletic, B.
year 1992
title Multi-Media Exploration of The Historical and Visual Environment of Split
doi https://doi.org/10.52842/conf.ecaade.1992.511
source CAAD Instruction: The New Teaching of an Architect? [eCAADe Conference Proceedings] Barcelona (Spain) 12-14 November 1992, pp. 511-524
summary This short paper recounts an attempt - at a time when the beautiful country of Yugoslavia was in the process of disintegration - by academics from four different countries to integrate their experiences of the information technologies in the production of a prototype multi-media archive which captures the visual, historical and cultural environment of the region of Split.
series eCAADe
email
last changed 2022/06/07 07:58

_id 3105
authors Novak, T.P., Hoffman, D.L., and Yung, Y.-F.
year 1996
title Modeling the structure of the flow experience
source INFORMS Marketing Science and the Internet Mini-Conference, MIT
summary The flow construct (Csikszentmihalyi 1977) has recently been proposed by Hoffman and Novak (1996) as essential to understanding consumer navigation behavior in online environments such as the World Wide Web. Previous researchers (e.g. Csikszentmihalyi 1990; Ghani, Supnick and Rooney 1991; Trevino and Webster 1992; Webster, Trevino and Ryan 1993) have noted that flow is a useful construct for describing more general human-computer interactions. Hoffman and Novak define flow as the state occurring during network navigation which is: 1) characterized by a seamless sequence of responses facilitated by machine interactivity, 2) intrinsically enjoyable, 3) accompanied by a loss of self-consciousness, and 4) selfreinforcing." To experience flow while engaged in an activity, consumers must perceive a balance between their skills and the challenges of the activity, and both their skills and challenges must be above a critical threshold. Hoffman and Novak (1996) propose that flow has a number of positive consequences from a marketing perspective, including increased consumer learning, exploratory behavior, and positive affect."
series other
last changed 2003/04/23 15:50

_id 0aa3
authors Pereira, A.T.
year 1992
title A CAAD Expert Help System
source University of Sheffield, School of Architectural Studies
series thesis:PhD
last changed 2003/02/12 22:37

_id 6f8a
authors Pittioni, Gernot
year 1992
title Concepts of CAAD-Instruction
doi https://doi.org/10.52842/conf.ecaade.1992.363
source CAAD Instruction: The New Teaching of an Architect? [eCAADe Conference Proceedings] Barcelona (Spain) 12-14 November 1992, pp. 363-376
summary Today we can look back on several years of data processing support in architecture. When computer aided architectural design - CAAD - entered the field there was a lot of utter confusion in the beginning, a lot more than usually in other more technical application-fields of CAD. The architect is a very special CAD-user, as he is a very special member of all those other very analytical and scientific faculties around. There is a lot of tradition involved, tradition that has got its roots far back in medieval and classic periods and is rich of art and creativity and intuition. Mostly lots more of this than scientific analysis, exact research, and similar stuff. We could spot a large number of architects who would have been horrified when they are confronted with the analytic research of the very basic problem as how architects are designing - the methods, the procedures and the ways of thinking. And there CAAD was entering the architects' studios. No question that this caused a lot of trouble. CAD in architecture is a very provoking subject as the new tool is going to gain ground against the tradition of centuries of handmade architectural designs and drawings. And there we don't even touch the future aspects of the computer's architectural design support - what about the imminent threat of computer support in the holy domain of architectural creativity and intuition. What about the uneasy idea of CAAD in connection with artificial intelligence? The problem of CAAD-education has been largely neglected through a number of years. If there existed a certain horror looking at the mere idea of CAD-support in architecture, horror became to outrage, when university education was discussed. In our days we can stay a good deal more relaxed, when we speak of CAAD education - we not only got used to it, we are convinced, that the whole subject is of high importance.

keywords Concepts of Education
series eCAADe
email
last changed 2022/06/07 08:00

_id 63aa
authors Pozo, José Manuel
year 1992
title The Use of Graphic Data Bases in the Teaching of Geometry
doi https://doi.org/10.52842/conf.ecaade.1992.133
source CAAD Instruction: The New Teaching of an Architect? [eCAADe Conference Proceedings] Barcelona (Spain) 12-14 November 1992, pp. 133-136
summary The paper doesn't intend to provide relevant innovations in the field of processing program designs or software technology. Although I respect other opinions, I feel that the uncontested aid which using computers to teach architecture means should preferably and primarily be oriented towards searching for ways to better transmit and explain what we have, up to now, been teaching through other means.

However, the novelty and advantages of reccuring to this new instrument should not make us fall into the mistake of letting it be used as a substitute of teachers' and students' work. The computer is simply another instrument; of great potential efficacy, but nevertheless just an instrument.

series eCAADe
last changed 2022/06/07 08:00

_id ddss9204
id ddss9204
authors Pullen, W.R., Wassenaar, C.L.G., van Heti'ema, I., Dekkers, J.T., Janszen, I., Boender, C.G.E., Tas, A. and Stegeman, H.
year 1993
title A decision support system for housing of (public) organizations
source Timmermans, Harry (Ed.), Design and Decision Support Systems in Architecture (Proceedings of a conference held in Mierlo, the Netherlands in July 1992), ISBN 0-7923-2444-7
summary In this paper we present a hierarchical decision support system for the allocation of organisations to available buildings, and for the allocation of employees of an organisation to the work units of a building. For both allocation problems a mathematical model and optimisation algorithm is developed, taking into account the relevant criteria, such as the extent to which the allocated floorspace is in accordance with the standards, and the extent to which departments are housed in connecting zones of a building. The decision support system is illustrated by two practical applications.
series DDSS
last changed 2003/08/07 16:36

_id 0c59
authors Redondo, Ernest and Monedero, Javier
year 1992
title Electronic Collage
doi https://doi.org/10.52842/conf.ecaade.1992.241
source CAAD Instruction: The New Teaching of an Architect? [eCAADe Conference Proceedings] Barcelona (Spain) 12-14 November 1992, pp. 241-250
summary A painting is always a potential form of collage. The discovery made by Braque and Picasso was already implied in the carefully-done executions of tapestries backgrounds and mural decorating of all the italian and flemish paintings which started to be produced since Giotto's, where the represented and the presented were mixed up. And also, in a more pedantic way, in a famous painting of Courbet "L'Atelier du Peintre, allegorie reelle" (1885). In this work, the artist is shown sitting in front of his work, grasping a brush with his right hand while holding a palette, which is at the centre of the composition, in his left hand. There are some figures surrounding the master, some nearer, others further away; in the corners of the atelier one can still see silhouettes which we don't really know whether they belong to real characters or to painted ones on the master's canvases. This ambiguity brings us back to the foreground, to this central palette where the colours, distributed in heaps are, simultaneously, concretion and representation, real matter and figurative matter.

series eCAADe
email
last changed 2022/06/07 08:00

_id c93a
authors Saggio, Antonino
year 1992
title Object Based Modeling and Concept-Testing: A Framework for Studio Teaching
doi https://doi.org/10.52842/conf.acadia.1992.049
source Mission - Method - Madness [ACADIA Conference Proceedings / ISBN 1-880250-01-2] 1992, pp. 49-63
summary This chapter concludes with a proposal for a studio structure that incorporates computers as a creative stimulus in the design process. Three related experiences support this hypothesis: the role played in concrete designs by an Object Based Modeling environment, teaching with Computer Aided Architectural Design and OBM in the realm of documentation and analysis of architecture, previous applications of the Concept-Testing methodology in design studios. Examples from these three areas provide the framework for mutual support between OBM and a C-T approach for studio teaching. The central sections of the chapter focus on the analysis of these experiences, while the last section provides a 15 week, semester based, studio structure that incorporates OBM in the overall calendar and in key assignments.

series ACADIA
email
last changed 2022/06/07 07:56

_id 831d
authors Seebohm, Thomas
year 1992
title Discoursing on Urban History Through Structured Typologies
doi https://doi.org/10.52842/conf.acadia.1992.157
source Mission - Method - Madness [ACADIA Conference Proceedings / ISBN 1-880250-01-2] 1992, pp. 157-175
summary How can urban history be studied with the aid of three-dimensional computer modeling? One way is to model known cities at various times in history, using historical records as sources of data. While such studies greatly enhance the understanding of the form and structure of specific cities at specific points in time, it is questionable whether such studies actually provide a true understanding of history. It can be argued that they do not because such studies only show a record of one of many possible courses of action at various moments in time. To gain a true understanding of urban history one has to place oneself back in historical time to consider all of the possible courses of action which were open in the light of the then current situation of the city, to act upon a possible course of action and to view the consequences in the physical form of the city. Only such an understanding of urban history can transcend the memory of the actual and hence the behavior of the possible. Moreover, only such an understanding can overcome the limitations of historical relativism, which contends that historical fact is of value only in historical context, with the realization, due to Benedetto Croce and echoed by Rudolf Bultmann, that the horizon of "'deeper understanding" lies in "'the actuality of decision"' (Seebohm and van Pelt 1990).

One cannot conduct such studies on real cities except, perhaps, as a point of departure at some specific point in time to provide an initial layout for a city knowing that future forms derived by the studies will diverge from that recorded in history. An entirely imaginary city is therefore chosen. Although the components of this city at the level of individual buildings are taken from known cities in history, this choice does not preclude alternative forms of the city. To some degree, building types are invariants and, as argued in the Appendix, so are the urban typologies into which they may be grouped. In this imaginary city students of urban history play the role of citizens or groups of citizens. As they defend their interests and make concessions, while interacting with each other in their respective roles, they determine the nature of the city as it evolves through the major periods of Western urban history in the form of threedimensional computer models.

My colleague R.J. van Pelt and I presented this approach to the study of urban history previously at ACADIA (Seebohm and van Pelt 1990). Yet we did not pay sufficient attention to the manner in which such urban models should be structured and how the efforts of the participants should be coordinated. In the following sections I therefore review what the requirements are for three-dimensional modeling to support studies in urban history as outlined both from the viewpoint of file structure of the models and other viewpoints which have bearing on this structure. Three alternative software schemes of progressively increasing complexity are then discussed with regard to their ability to satisfy these requirements. This comparative study of software alternatives and their corresponding file structures justifies the present choice of structure in relation to the simpler and better known generic alternatives which do not have the necessary flexibility for structuring the urban model. Such flexibility means, of course, that in the first instance the modeling software is more timeconsuming to learn than a simple point and click package in accord with the now established axiom that ease of learning software tools is inversely related to the functional power of the tools. (Smith 1987).

series ACADIA
email
last changed 2022/06/07 07:56

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