Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	lasg_whitepapers_2016_050
id	lasg_whitepapers_2016_050
authors	Lucinda Presley, Becky Carrol, Rob Gorbet
year	2016
title	Promoting Creative and Innovative Thinking in the Classroom: The Role of Living Architecture Systems
source	Living Architecture Systems Group White Papers 2016 [ISBN 978-1-988366-10-4 (EPUB)] Riverside Architectural Press 2016: Toronto, Canada pp. 050 - 061
summary	Living Architecture Systems Group "White Papers 2016" is a dossier produced for the occasion of the Living Architecture Systems Group launch event and symposium hosted on November 4 and 5 at the Sterling Road Studio in Toronto and the University of Waterloo School of Architecture at Cambridge. The "White Papers 2016" presents research contributions from the LASG partners, forming an overview of the partnership and highlighting oppportunities for future collaborations.
keywords	design, dissipative methods, design methods, synthetic cognition, neuroscience, metabolism, STEAM, organicism, field work, responsive systems, space, visualizations, sensors, actuators, signal flows, art and technology, new media art, digital art, emerging technologies, citizen building, bioinspiration, performance, paradigms, artificial nature, virtual design, regenerative design, 4DSOUND, spatial sound, biomanufacturing, eskin, delueze, bees, robotics
email
last changed	2019/07/29 14:00

_id	eee5
authors	Luczak, H., Beitz, W., Springer, J. and Langner, T.
year	1991
title	Frictions and Frustrations in Creative-Informatory Work with Computer Aided Design -- CAD-Systems -- Congress I: Work with Terminals: HEALTH ASPECTS: WORKLOAD, STRESS AND STRAIN AND IRREGULAR WORKING HOURS; Causes and Measures of Stress
source	Proceedings of the Fourth International Conference on Human-Computer Interaction 1991 v.1 pp. 175-179
summary	The effects of computer aided design work on the design process are analysed by field experiments. The study focuses on the influence of 3 different design tasks (standard tasks) and 11 CAD-systems (2D and 3D), taking into account the performance and strain measurements of 43 subjects (15 design engineers, 8 technicians, 17 draughtsmen, 3 trainees). The 3 standard tasks differ in performance measurements, especially in time spent on task, quantity of generated elements, not in the quality of the solution. The kind of CAD-system influences the time spent on task as well as the design performance, with significant differences of up to 100%. The same tendency can be diagnosed in a comparison of 2D and 3D systems. During the use of different functions of the CAD-system, strain effects are identified by cross-correlation with continuously measured physiological parameters, even with CAD-functions which should reduce stresses of routine work. Deficits and complications in the handling of CAD-systems increase with the complexity of the system and thus cause an antinome effect on performance and strain of its operators: creativity is reduced by frictions and frustrations in system handling even if operators are highly trained.
keywords	Stressor Analysis; Performance Measurement; Field-Experiment; Design Process
series	other
last changed	2002/07/07 16:01

_id	sigradi2004_036
id	sigradi2004_036
authors	Lucía Gómez; Lola Vico
year	2004
title	Infografia aplicada al patrimonio cultural: El caso del ninfeo de campetti (Veio) [Infographics Applied to Cultural Heritage: The Case of "Ninfeo de Campetti (Veio)"]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This paper presents the results of an in-depth study and virtual reconstruction of the Nymphaeum of Veio, in the archaeological zone of Villa Campetti, Rome. The study consisted in analysing the vestiges and enlightening the findings with a thorough literature review about the Nymphaeum itself as well as about contemporary and similar constructions. A digital model was then elaborated, as an attempt to recreate the Nymphaeum of Veio as it may have stood during the Roman period. The Nymphaeum had been decorated with roman frescoes of the III style, now highly deteriorated. The virtual reconstruction intends to reproduce the harmony of volumes, structure and paintings of the chamber. It also helps to better understand its configuration. This kind of reconstruction, based on historical and architectural research, offers great possibilities in the world or architectonic and archaeological heritage, allows the recovery and analysis of spaces otherwise lost forever.
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	af46
authors	Lue, Q.
year	1993
title	Computer aided descriptive geometry
source	Vienna University of Technology
summary	The main aim of this thesis is the creation of a software package for descriptive geometry. Why there is a need for such a descriptive geometry software? In descriptive geometry the ability of space perception is trained by solving spatial problems graphically with the use of a few constructions: Hence the solution of each problem consists of two parts: 1) 3D-part: After analyzing the spatial problem it is cleared how to proceed step by step in space. 2) 2D-part: Due to the basic rules of descriptive geometry for each step of the solving strategy the corresponding 2D-construction has to be carried out graphically. By use of CAD-DG the 2nd part can be replaced again by a 3D-part: Each step is solved using the basic routines offered in the menu. That means that each step is solved analytically but instead of any output of numbers the solution is immediately displayed in the main views on the screen. Therefore the user neither needs to apply formulas of analytic geometry nor has to take care of any coordinates. He still works directly with geometric objects in a graphic representation
keywords	Descriptive Geometry; Computer Graphics; Education; Interactive Graphic Software Package; Programming Technique; Educational Software
series	thesis:PhD
more	http://www.arcs.ac.at/dissdb/rn020701
last changed	2003/02/12 22:37

_id	ascaad2006_paper3
id	ascaad2006_paper3
authors	Luesche, Andreas and Salim Elwazani
year	2006
title	Adapting Digital Technologies to Architectural Education Need
source	Computing in Architecture / Re-Thinking the Discourse: The Second International Conference of the Arab Society for Computer Aided Architectural Design (ASCAAD 2006), 25-27 April 2006, Sharjah, United Arab Emirates
summary	Adapting digital technologies to architecture school settings is a topic of universal interest. Properly construed, adapting digital technologies to architectural education emanates from philosophical underpinnings. For architectural programs, the scientific-artistic attribute notion can be a powerful reference for mapping program mission, goals, and curriculum. A program plan developed with scientific-artistic attributes of performance in mind can tap on the use of digital media from the perspective that the media has scientific-artistic characteristics itself. Implementation of digital technologies adaptation can be challenged, among other things, by scarcity in resources. This paper focuses on the role of digital equipment resources in adaptation. A case in point is the use of digital technologies at the Architecture and Environmental Design Studies (Arch/EDS) Program of Bowling Green State University. The study considered the utilization by the third and fourth year design studio students of the digital resources at the Center for Applied Technology, a College based, but University wide serving unit. The objective of the study was to build up a theoretical understanding of the adaptation problem and come up with strategy guidelines for adapting digital media resources to architectural education. A survey of students and interviews with the Center’s personnel were methods used to collect data. The study has placed the adaptation problem in a philosophical context, turned out a set of theoretical generalizations about digital utilization, and suggested strategy adaptive guidelines. Beyond facilitating adaptation specific to the Arch/EDS Program, the results of the study are bound to affect digital adaptation in a general sense.
series	ASCAAD
email
last changed	2007/04/08 19:47

_id	acadia03_034
id	acadia03_034
authors	Luhan, G.A., Bhavsar, S. and Walcott, B.L.
year	2003
title	Deep-Time ProbeInvestigations in Light Architecture
doi	https://doi.org/10.52842/conf.acadia.2003.258
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 258-266
summary	This paper presentation presents an interdisciplinary research project conducted by a design team comprised of faculty from the Colleges of Architecture, Engineering, and Astrophysics. The title of the project, Deep-Time Probe, Investigations in Light-Architecture, explores the use of an optically active-SETI experiment that centers on the thematic of time, vision, and movement through space. The realm of architecture was the digital glue that united the varied disciplines. The core of the project is broken down into three intrinsically linked components—data representation—collection, storage, and modulation; the Project Mission Wall; and the resultant Light Architecture or Deep-Time Probe. A small team of architecture students under the direction of one architecture faculty member designed the Mission Wall while the Robotics Department provided CNC machinery to digitally mill and fabricate its components. This same team assembled the 40’x60’x15’ structure in one day. The site of the launch created an adequate interface for the public art structure at the scale of an urban park. The scale of the Mission Wall addressed a variety of places, paces, and scales that mediated between the laser, the context of the surrounding plaza, and pedestrian and vehicular circulation, all while concealing the laser from direct view. The Mission Wall served three functions. It provided a housing for the Deep-Time Probe laser. It created windows and scaffolding for lighting. Moreover, it established a series of “View Corridors” that provided the onlooker with multiple vantage points and thus multiple-readings of information as architecture. Nearly fifty “Time Probe Reporters” gathered information through oral interviews. In addition to messages linked to the interviews, the Deep-Time Probe contained verbal and graphic information, images depicting the design and fabrication processes. At the time of the launch, the design team digitized, specially formatted, converted, and modulated the data into a special high-powered laser that was “launched” into space. An advanced civilization in the universe could theoretically receive and decode this information. The Deep-Time Probe project visualized the strengths of each profession, fostered the creative aspects of each team member, and resulted in a unique and dynamic experience. The deep time probe is right now passing through the Oort Cloud, the debris left over from the formation of our Sun and planets, present as a halo surrounding our solar system . . . a distance of nearly 1.5 trillion miles.
keywords	Interdisciplinary Design Research, Information Visualization, and Fabrication
series	ACADIA
email
last changed	2022/06/07 07:59

_id	acadia03_060
id	acadia03_060
authors	Luhan, Greg A. (et al.)
year	2003
title	Virtual Raves in Synthetic LandscapesHybrid Rave Space
doi	https://doi.org/10.52842/conf.acadia.2003.x.f5t
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, p. 432
summary	Project Description: The typology of public event spaces has transformed substantially over centuries. Ranges of spatial configurations have been developed with numerous instances and adaptations; many have occurred in our own century as the information needs of the modern society evolved. Bernard Tschumi denotes these phenomena as architectural urbanism where city-generators, functions, and programs combine and intersect in spaces of endless cross programming. Today, derelict industrial spaces [terrain vagues] have become social places that accommodate public activities. New technologies, particularly those associated with electronic media have radically influenced the program and typology of these event-spaces. Yet, in spite of social, technological, and material changes, the essence of the event-structure has not changed, it remains a place of interaction.
series	ACADIA
email
last changed	2022/06/07 07:49

_id	acadia03_016
id	acadia03_016
authors	Luhan, Gregory A.
year	2003
title	Digital Curricula: Effective Integration of Digital Courses. Stitched-spaces and Digital Permutations
doi	https://doi.org/10.52842/conf.acadia.2003.128
source	Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 128-129
summary	If, “the purpose of art is to awaken reality” as Paul Klee writes, what then, is the generative purpose of the digital as it relates to architecture? By uniting the traditional ways of knowing with the more contemporary and technologically advanced ways of knowing, the architect then would be able to develop the capacity to visualize and to understand unseen spatial relationships and exploit their latent characteristics. The computer consequently allows a direct synthesis to occur between the original idea and its formal application, in a sense providing new questions to old answers.
series	ACADIA
email
last changed	2022/06/07 07:59

_id	acadia06_000
id	acadia06_000
authors	Luhan, Gregory A., Anzalone, P., Cabrinha, M., Clarke, C. (eds.)
year	2006
title	Synthetic Landscapes
doi	https://doi.org/10.52842/conf.acadia.2006
source	Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture, Louisville, KY USA, 12-15 October 2006/ ISBN 0-9789463-0-8, Library of Congress Control Number 2006934211
series	ACADIA
email
last changed	2022/06/07 07:49

_id	acadia05_212
id	acadia05_212
authors	Luhan, Gregory A.
year	2005
title	Modern Translations, Contemporary Methods: DL-1_Resonance House®
doi	https://doi.org/10.52842/conf.acadia.2005.212
source	Smart Architecture: Integration of Digital and Building Technologies [Proceedings of the 2005 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 0-9772832-0-8] Savannah (Georgia) 13-16 October 2005, pp. 212-225
summary	As the first design-build-fabricate-assemble experiment at our school, the intent of the studio was to design a framework from which to examine a “lived space” through digital-to-digital processes. Moving from digital models and physical stereo lithographic models to hand-fabrication and digital assembly allowed the students to move from creation to completion. As part of our holistic design process, the studio fabricated almost all components for the project. These elements include the wood flooring, the copper and wood skins, the building’s structural panels, and the two-story light vortex. This single-family, in-fill house is located within an historic downtown neighborhood and is subject to historic district zoning regulations, design guidelines, and Board of Architecture Review approvals. The project is analogous to design challenges presenting themselves in historic districts throughout the United States including the Savannah, Georgia site for the 2005 ACADIA Conference. The scale of the project relates well to the horizontal nature of this context and after a formal, televised review process with the local Board of Architecture Review, the project represents a dynamic, yet sympathetic architectural dialogue with the surrounding buildings. The project develops simultaneously from the exterior and interior resulting in two courtyards that mediate the urban “front door” and the private “terrace.” The students designed these areas through a series of two-dimensional axonometric drawings, three-dimensional physical and digital models, and four-dimensional time-based animations. The building massing separates into two core elements: gabled copper volume and wood screen volume. These elements maintain their conceptual purity by using the same types of modulations on their skins. The copper form with its deep-cut reveals and proportionally placed light scoring patterns reflects the horizontal datum lines of the floor, sill, threshold, and ceiling. In contrast, the wood volume reflects these same lines as applied “shadow screens” which create depths that seamlessly tie together the side, rear, and front facades.The hinge point of the house is the light vortex. Designed in Rhino, translated in Catia, fabricated out of aluminum, and clad in stainless steel, this two-story sculptural element will literally wrap light around its surfaces. Like a sunflower, the light vortex, with its angel hair stainless steel finish, responds to the incremental differentiation of light throughout the day. Photosensitive floor-mounted lights designed to augment the volume of natural light will provide a continuous light rendition on the sculpture. The project, scheduled for completion at the end of the 2005 summer session, is at the time of this submission about 60% complete.
series	ACADIA
email
last changed	2022/06/07 07:59

_id	sigradi2005_097
id	sigradi2005_097
authors	Luhan, Gregory A.
year	2005
title	At Full-Scale \| From Installation to Inhabitation
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 1, pp. 97-102
summary	In 1999, the University of Kentucky (then the College of Architecture, now the College of Design-School of Architecture) established a Digital Design Studio to combine the strong tradition of handcrafting in the existing design program with those technologically sophisticated tools shaping the profession for the 21st century. Over a six-year period, this all-digital design studio has developed from a pedagogical model for developing new different ways of seeing and making architecture to a proof-of-concept real-world experience to coalesce state-of-the-art visualization techniques with current expectations of practice. Creating dynamic links between students, industry, and the profession has enabled the School of Architecture to provide leadership for practicing architects, to create an effective dialogue between industrial and design professionals, and to incorporate successfully leading-edge design pedagogy with the more technological applications that will shape the future of architecture practice. The materials presented here reflect a sequence of comprehensive digital projects produced under my direction from 1999 through 2005.
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2005_133
id	sigradi2005_133
authors	Luhan, Gregory A.
year	2005
title	From art to part \| DL-1_Resonance house®
source	SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 1, pp. 133-138
summary	Moving from digital models and physical stereo lithographic models to hand-fabrication and digital assembly allowed the students to move from creation to completion. As part of our holistic design process, the studio fabricated almost all components for the project. These elements include the wood flooring and cantilevered staircase, the copper and wood skins, the building’s structural panels, and the two-story light vortex. This project—a single-family, in-fill house located within an historic downtown neighborhood—is subject to historic district zoning regulations, design guidelines, and Board of Architecture Review approvals. The students designed these areas through a series of two-dimensional plans and axonometric drawings, three-dimensional physical and digital models, and four-dimensional time-based animations. The building massing separates into two core elements: a gabled copper volume and a wood screen volume. The hinge point of the house is the light vortex. Photosensitive floor-mounted lights designed to augment the volume of natural light will provide a continuous light rendition on the sculpture. The project is scheduled for completion in October 2005.
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	acadia06_064
id	acadia06_064
authors	Luhan, Gregory A.
year	2006
title	Synthetic Making
doi	https://doi.org/10.52842/conf.acadia.2006.064
source	Synthetic Landscapes [Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture] pp. 64-67
summary	Various approaches of virtual and physical modeling have led to a synthetic form of making that is plastic and scalable in nature. This shift from traditional forms of representing and generating architecture now offers a better possibility of full-scale construction and fabrication processes and links transparently to industry. Architects are beginning to dynamically inform the visioning processes of assemblies and design through a range of precise subassemblies. Further to this end, the synthetic techniques and materials are opening up avenues for designers to investigate a range of fibers and fabrics that radically transform light and color renditions, and texture. Investigations in the realm of traditional materials such as stone, wood, and concrete continue to evolve, as do their associated methods of making. As a result of synthetic technologies, architects today have the possibility to work along side industry engineers and professionals to design castings, moldings, patterns, and tools that challenge not only the architectural work of art, but industrial and product design as well. This cultural shift from physical space to virtual space back to physical space and the combination of hand-, digital-, and robotic-making offers a unique juxtaposition of the built artifact to its manufacturing that challenges both spatial conventions and also the levels of precision and tolerance by which buildings are assembled. Traditional forms of documentation for example result typically in discrepancies between the drawn and the actualized which are now challenged by the level of precision and tolerance at the virtual level. It is within this context that leading-edge architects and designers operate today. Yet, how the profession and the academy respond to these opportunities remains an open line of inquiry and addressing these concerns opens up the rich potential enabled through synthetic making.
series	ACADIA
email
last changed	2022/06/07 07:59

_id	sigradi2013_41
id	sigradi2013_41
authors	Luhan, Gregory A.; Robert Gregory
year	2013
title	Across Disciplines: Triggering Frame Awareness in Design Education
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 619 - 623
summary	Tacit knowledge is paradoxical: something we know yet don't know we know, knowledge we sense but can't articulate. In Polanyi’s definition of tacit knowledge, “we know more than we can say" (1966/2009; Scott, 1985; Gelwick, 1977). It's important to see that tacit knowledge is part of a sequence; mental structures, in awareness when first learned, eventually become tacit, operating thenceforth as unquestioned assumptions. These tacit structures pose a problem for professional education in disciplines that encourage creativity. This paper examines the design and re-design of an interdisciplinary course intended to help make these tacit structures visible, to trigger frame awareness.
keywords	Tacit knowledge; Design thinking; Sustainability; Systems thinking; Frame reflection
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	f109
authors	Luis Fernando Borrero
year	2001
title	Deliver E room : a new physical space for the residential units to come
source	University of Washington, Design Machine Group
summary	The need to allocate vendors of the 13th century castles gave origin to a large hall where all could gather,work and sleep.The need of ice boxes to be constantly replenished in the early 20th century gave origin to the ice/service entrance in many houses.In the 1950 ’s the milkman model brought also the milk- box,a unit to be installed or built into customer’s homes. Once again,deliveries will influence the architecture of the households,fueled this time by the e-commerce economy. Soon, a new appliance that will enable the unattended delivery of physical goods is going to be part of future households,and architects will have to plan ahead in order to accommodate this necessity of the Internet world. The space for this appliance, the deliver Eroom,will have to be accessible from the interior and exterior of the house, allow enough capacity for the appliance that must accommodate most if not all deliveries,and access to it will most probably be controlled through the Net.
series	thesis:MSc
more	http://dmg.caup.washington.edu/xmlSiteEngine/browsers/stylin/publications.html
last changed	2004/06/02 19:12

_id	ecaade2021_284
id	ecaade2021_284
authors	Luis, Orozco, Krtschil, Anna, Wagner, Hans-Jakob, Simon, Bechert, Amtsberg, Felix, Skoury, Lior, Knippers, Jan and Menges, Achim
year	2021
title	Design Methods for Variable Density, Multi-Directional Composite Timber Slab Systems for Multi-Storey Construction
doi	https://doi.org/10.52842/conf.ecaade.2021.1.303
source	Stojakovic, V and Tepavcevic, B (eds.), Towards a new, configurable architecture - Proceedings of the 39th eCAADe Conference - Volume 1, University of Novi Sad, Novi Sad, Serbia, 8-10 September 2021, pp. 303-312
summary	This paper presents an agent-based method for the design of complex timber structures. This method features a multi-level agent simulation, that relies on a feedback loop between agent systems and structural simulations that update the agent environment. Such an approach can usefully be applied for the design of variable density timber slab systems, where material arrangements based on structural, fabrication, and architectural boundary conditions are necessary. Such arrangements can lead to multi-directional spanning slabs that can accept pointwise supports in unique layouts. We discuss the implementation of such a method on the basis of the structural design of a pavilion-scale multi-storey testing setup. The presented method enables a more versatile approach to the design of multi-storey timber buildings, which should increase their applicability to a diverse range of building typologies.
keywords	Agent-Based Modelling; Robotic Timber Construction; Computational Design; Multi-Storey Timber Buildings
series	eCAADe
email
last changed	2022/06/07 07:59

_id	sigradi2004_336
id	sigradi2004_336
authors	Luisa Paraguai Donati; Gilbertto Prado
year	2004
title	Computador vestível: Mediando o corpo, reconfigurando a percepção do espaço [Wearable Computer: Mediating the Body, Reconfiguring the Perception of Space]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This paper is concerned with the comprehension of a specific interface: wearable computer, and its potential in reconfiguring the space and body wearer.s perception and experience. Such device is always on, always accessible and it performs its functions to aid and enhance users. experience. By wearing it, another sense of being has been proposed, when it is possible to act simultaneously in physical and digital spaces. The access to other perceptive dimensions as simultaneous operations in different codes, dimensions, spaces, worlds, can project the bodily experience, extend the limits of the space, change the conditions of behaviours, and the measure of things. After a brief explanation about wearable computer, some projects will be presented, emphasizing the device as a mediator of personal experiences and poetic procedures.
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	sigradi2004_078
id	sigradi2004_078
authors	Luisa Rodrigues Félix; Adriane Borda Almeida da Silva; Neusa Mariza Rodrigues Félix
year	2004
title	Entre béziers e nurbs: Ensino de formas livres no contexto arquitetônico [Between Béziers and Nurbs: Teaching Free Forms in an Architectural Context]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This work intends to contribute to the use of techniques to represent free forms in didactic activities. It enlarges a previous study using only one technique to represent parametric curves and surfaces. It includes the NURBS technique, without discharging the BEZIER technique used before. Some exercises were structured using both techniques to model a representative example of Architecture: the Ronchamp Chapel . architect Le Corbusier. The tasks were compared to highlight the knowledge elements existing in both activities and its necessity of enlargement to move from one to another. Its is observed that the use of different techniques, as NURBS and Bezier, emphasize the specific characteristics of the geometric entities, establishing the control of parameters for free forms in the context of architectural graphics.
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	ecaade2014_049
id	ecaade2014_049
authors	Lukáš Kurilla, Henri Achten and Miloš Florián
year	2014
title	Structurally Evaluated Shaping Process - Decision-making support in structural design
doi	https://doi.org/10.52842/conf.ecaade.2014.2.023
source	Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 23-28
summary	This paper deals with possibilities for evaluation and visualization of structural solutions created in the conceptual design phase. The goal is to support transparency of structural analysis results, and to support architects' decision-making by providing them with opportunity to compare different structural solutions. Research will be implemented into the developed software tool, with the aim to support architects in the shaping process and to teach them to better understand form and forces.
wos	WOS:000361385100001
keywords	Performance-based design; early stage of design; decision-making support; structural analysis; multi-criteria evaluation
series	eCAADe
email
last changed	2022/06/07 07:59

_id	sigradi2017_087
id	sigradi2017_087
authors	Luna de Melo Jorge, Leonardo; Rafael Mourão Fiuza, Daniel Cardoso
year	2017
title	Moderno Paramétrico: Para Além da Fenomenologia na Arquitetura [Parametric Modern: Beyond Phenomenology in Architecture]
source	SIGraDi 2017 [Proceedings of the 21th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-227-439-5] Chile, Concepción 22 - 24 November 2017, pp.605-610
summary	Analysis of Mies Van Der Rohe works seeking recurrences and the elements of his formal language aiming to develop a shape grammar. Elaboration of spreadsheet and explanatory images with the parameters and rules that govern these elements and initial sketch of the algorithm in Rhino + Grasshpper.
keywords	Mies Van Der Rohe; Shape Grammar;
series	SIGRADI
email
last changed	2021/03/28 19:58

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