Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	2e3b
authors	Kvan, Thomas and Kvan, Erik
year	1997
title	Is Design Really Social
source	Creative Collaboration in Virtual Communities 1997, ed. A. Cicognani. VC'97. Sydney: Key Centre of Design Computing, Department of Architectural and Design Science, University of Sydney, 8 p.
summary	There are many who will readily agree with Mitchell’s assertion that “the most interesting new directions (for computer-aided design) are suggested by the growing convergence of computation and telecommunication. This allows us to treat designing not just as a technical process... but also as a social process.” [Mitchell 1995]. The assumption is that design was a social process until users of computer-aided design systems were distracted into treating it as a merely technical process. Most readers will assume that this convergence must and will lead to increased communication between design participants; that better social interaction leads to be better design. The unspoken assumption appears to be that putting the participants into an environment with maximal communication channels will result in design collaboration. The tools provided; therefore; must permit the best communication and the best social interaction. We think it essential to examine the foundations and assumptions on which software and environments are designed to support collaborative design communication. Of particular interest to us in this paper is the assumption about the “social” nature of design. Early research in computer-assisted design collaborations has jumped immediately into conclusions about communicative models which lead to high-bandwidth video connections as the preferred channel of collaboration. The unstated assumption is that computer-supported design environments are not adequate until they replicate in full the sensation of being physically present in the same space as the other participants (you are not there until you are really there). It is assumed that the real social process of design must include all the signals used to establish and facilitate face-to-face communication; including gestures; body language and all outputs of drawing (e.g. Tang [1991]). In our specification of systems for virtual design communities; are we about to fall into the same traps as drafting systems did?
keywords	CSCW; Virtual Community; Architectural Design; Computer-Aided Design
series	other
email
last changed	2002/11/15 18:29

_id	ab9c
authors	Kvan, Thomas and Kvan, Erik
year	1999
title	Is Design Really Social
source	International Journal of Virtual Reality, 4:1
summary	There are many who will readily agree with Mitchell's assertion that "the most interesting new directions (for computer-aided design) are suggested by the growing convergence of computation and telecommunication. This allows us to treat designing not just as a technical process... but also as a social process." [Mitchell 1995]. The assumption is that design was a social process until users of computer-aided design systems were distracted into treating it as a merely technical process. Most readers will assume that this convergence must and will lead to increased communication between design participants, that better social interaction leads to be better design. The unspoken assumption appears to be that putting the participants into an environment with maximal communication channels will result in design collaboration. The tools provided, therefore, must permit the best communication and the best social interaction. We see a danger here, a pattern being repeated which may lead us into less than useful activities. As with several (popular) architectural design or modelling systems already available, however, computer system implementations all too often are poor imitations manual systems. For example, few in the field will argue with the statement that the storage of data in layers in a computer-aided drafting system is an dispensable approach. Layers derive from manual overlay drafting technology [Stitt 1984] which was regarded as an advanced (manual) production concept at the time many software engineers were specifying CAD software designs. Early implementations of CAD systems (such as RUCAPS, GDS, Computervision) avoided such data organisation, the software engineers recognising that object-based structures are more flexible, permitting greater control of data editing and display. Layer-based systems, however, are easier to implement in software, more familiar to the user and hence easier to explain, initially easier to use but more limiting for an experienced and thoughtful user, leading in the end to a lesser quality in resultant drawings and significant problems in output control (see Richens [1990], pp. 31-40 for a detailed analysis of such features and constraints). Here then we see the design for architectural software faithfully but inappropriately following manual methods. So too is there a danger of assuming that the best social interaction is that done face-to-face, therefore all collaborative design communications environments must mimic face-to-face.
series	journal paper
email
last changed	2003/05/15 10:29

_id	19b3
authors	Kvan, Thomas
year	1995
title	Fruitful Exchanges: Professional Implications for Computer-mediated Design
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 771-776
summary	The paper reviews experiences in using computer tools for collaborative design projects in the light of the lessons learned from implementing CAD systems in practice.
keywords	Computer-Aided Design, Professional Practice, Computer-Mediated Design
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	2103
authors	Kvan, Thomas
year	1995
title	Multimedia Tools to Support Multilingual Learning: A Multilingual Architectural Lexicon
doi	https://doi.org/10.52842/conf.ecaade.1995.307
source	Multimedia and Architectural Disciplines [Proceedings of the 13th European Conference on Education in Computer Aided Architectural Design in Europe / ISBN 0-9523687-1-4] Palermo (Italy) 16-18 November 1995, pp. 307-314
summary	We have been exploiting the capabilities of multimedia tools to combine visual and audio images to create a multilingual reference tool for architecture students. 0ur students work in both Cantonese and English, learning incomplete architectural vocabularies in both languages. We set out to create a tool which can be used by student’s as a reference tool as well as a teaching tool. In response to this need, we have created a multimedia lexicon using three-dimensional models of buildings with which the user can interact, identify elements and hear and see the correct term for the elements identified in the language of their choice. The system can handle any number of language combinations or building models. This paper describes a system currently under development which has gone through two iterations to explore the issues involved.
series	eCAADe
email
more	http://dpce.ing.unipa.it/Webshare/Wwwroot/ecaade95/Pag_37.htm
last changed	2022/06/07 07:52

_id	0c8e
authors	Ager, Mark Thomas and Sinclair, Brian R.
year	1995
title	StereoCAD: Three Dimensional Representation
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 343-355
summary	Concepts of stereoscopic vision have been around for more than two thousand years. Despite this long history, its application to the field to architecture and design seems relatively unexplored. Synthesis of two technologies, the stereoscope and the computer, was the focus of the present study. The goal of the research was to determine if computer-generated stereoscopic pairs hold value for architectural design. Using readily available computer technology (Apple Macintosh) the research team modelled and rendered an existing project to verify the degree of correlation between the physical construct, the computer 3D model and resultant correlation between the physical construct, the computer 3D model and resultant rendered stereo-paired representation. The experiments performed in this study have shown that producing stereo-paired images that highly correlate to reality is possible using technology that is readily available in the marketplace. Both the technology required to produce (i.e., personal computer and modelling/rendering software) and view (i.e., modified stereoscope) the images is unimposing. Both devices can easily fit in a studio or a boardroom and together can be utilized effectively to permit designers, clients and end-users to experience proposed spaces and projects. Furthermore, these technologies are familiar (clients and end-users have already experienced them in other applications and settings) and assume a fraction of the cost of more dynamic, immersive virtual reality systems. Working from this base, limitations of the process as well as future applications of computer-generated stereoscopic images are identified.
keywords	Stereovision, Representation, Computers, Architects, Design
series	CAAD Futures
last changed	2003/11/21 15:15

_id	a79b
authors	Junge, Richard and Liebich, Thomas
year	1995
title	New Generation CAD in an Integrated Design Environment: A Path towards Multi-Agent Collaboration
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 277-290
summary	Product Modeling is considered to be an established concept not only for semantically based data exchange, but also for the specification of models, dealing with specific application requirements. The product model approach is regarded to be one step towards a new generation of Computer Aided Architectural Design, and to provide underlying means for enabling communication between different applications on a semantic level. After on overview about the background and the basis principles of product modeling, the authors discuss how product models can be used in commercial developments and in applied research projects.
keywords	Product Modeling, STEP, Computer-Aided Design, Data Integration
series	CAAD Futures
last changed	1999/08/03 17:16

_id	a0e2
authors	Kim, Inhan and Liebich, Thomas
year	1995
title	Representations and Control of Design Information in an Integrated CAAD Environment
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 125-138
summary	This paper investigates the mechanisms by which effective data communication between the various design stages and design actors may be facilitated in an Integrated Design Environment. The design team would then be able to cooperate efficiently and easily predict the performance of buildings, thus improving the quality of the design. Within the proposed prototype design environment, a core data model and a data management system have been implemented to connect all applications seamlessly. The core data model supports semantically meaningful descriptions of buildings. The data management system supports consistent and straightforward mechanisms for controlling the data representation through interconnected modules. An existing building is used to test the integration capability of the implemented system.###Product Modelling,.Object-Oriented Database System
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	02f7
authors	Liebich, Thomas and Kim, Inhan
year	1995
title	ID'EST: An Integrated Modelling Framework for Management of Architectural Data
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 377-387
summary	An Integrated Design Environment, IDE, facilitates cooperation between different disciplines. The paper investigates the data modelling framework, distinguishes between homogeneous and heterogeneous model worlds, discusses the formal mapping mechanisms available to establish a heterogeneous model world, and introduces a way to incorporate CAD systems into IDE A prototype IDE has been developed to prove these methods. The ID'EST prototype comprises its own core data model, different schemas to cope with several design views, and interfaces to incorporate external CAD systems. A prototype architectural data model has been defined, that includes core data models and aspect models for enclosure system and spatial system. Conventional CAD systems can be integrated into ID'EST, if they are able to map data from the aspect models into their own data structure, and vice versa, on a high semantic level. The inherent methods of classifying data in CAD, layers, macros and attached attributes, have been used to retrieve product data from CAD data files. The usability of conventional CAD systems as data instantiation tools for IDE has been proved and a path has been shown, by which existing tools can be integrated into new technology solutions.
keywords	Product Modelling, Formal Mapping Specification, Computer-Aided Design
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	a900
authors	Maver, Thomas W. and Petric, Jelena
year	1995
title	Information Technology in the Service of Sustainable Architecture and Urban Design
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 181-185
summary	The quality of the built environment depends critically on the concept of sustainability and, in particular, on designs which are energy efficient and environmentally friendly. This paper gives an account of the successful application of computer-based simulations of the physical environment made available to architects through an Energy Design Advisory Service and used parametrically within a research project carried out jointly with a design and build company. It goes on to indicate how emerging multi-media technology can be used to provide an explanation, particularly to those who are technically unsophisticated, of the complexity of the way in which design decisions impact upon the energy efficiency and environmental friendliness of buildings.
keywords	Energy Efficiency, Computer Simulation, Multi-Media, Design Decisions
series	CAAD Futures
email
last changed	2003/04/16 11:51

_id	35ac
id	35ac
authors	Maver, Thomas W.
year	1995
title	CAAD's Seven Deadly Sins
source	Sixth International Conference on Computer-Aided Architectural Design Futures [ISBN 9971-62-423-0] Singapore, 24-26 September 1995, pp. 21-22
summary	This short paper takes a critical view of the direction of research and development in Computer Aided Architectural Design over the last five years of its twenty five year history. The criticisms are set out as seven deadly sins which, in summary, are: macro-myopic, devu, xenophilia, unsustainability, failure to validate, failure to evaluate
keywords	Computer-Aided Architectural Design, Research and Development
series	CAAD Futures
email
last changed	2003/08/27 10:24

_id	maver_103
id	maver_103
authors	Maver, Thomas W.
year	1995
title	Information Technologies in the Service of Architecture
source	Proceedings of Green and Glocal; A Vision of Architecture for the 2000's, Seoul (Korea), 1995
summary	In the majority of developed o developing countries throughout the world, building is one of the largest single industrial sectors, accounting for up to 8% of the Gross Domestic Product and employing, directly or indirectly, 8% of the working population.
series	other
type	normal paper
email
last changed	2015/02/20 11:28

_id	84e6
authors	Seebohm, Thomas
year	1995
title	A Response to William J. Mitchell's review of Possible Palladian Villas, by George Hersey and Richard Freedman, MIT Press, 1992
source	AA Files ( Journal of the Architectural Association School of Architecture), No. 30, Autumn, 1995, pp. 109 - 111
summary	A review by William J. Mitchell, entitled 'Franchising Architectural Styles", appeared in AA Files no. 26 (Autumn 1993). It reflects on a collision between two fundamentally opposing points of view, one held by the reviewer, the other by the reviewed. These determine our expectations of the role of computers in architectural design.
series	journal paper
email
last changed	2003/05/15 21:45

_id	4fd3
authors	Thomas, Wolfgang
year	1995
title	Implementation of Endoscopic Model Simulation in Teaching - Downtown-Essen
source	The Future of Endoscopy [Proceedings of the 2nd European Architectural Endoscopy Association Conference / ISBN 3-85437-114-4
summary	Essen with its present population of 630.000 is amongst the six largest cities of the Federal Republic of Germany. Its international significance as former industrial capital of Central Europe stems from its strategically unique location in the center of the largest economic conurbation within Continental Europe. Comparable to the transition during the industrialization period the Ruhr-metropolis, once having been a production site, has become a service-industry site. At present Essen is to be regarded as one of the major trade emporiums in the center of Europe: fair city, headquarters of major international industry- and trade corporations, principal energy center, shopping- and university city. In line with these favorable prerequisites the main traffic corridors, - on the rail, road, water and in the air - of Conti-nental Europe also meet in and around Essen. And the location of the Essen Central Train Station at the geographic center of the Ruhr-agglomeration proves also ideal Its potential regarding urban functionality, however, shows a drastic incongruity as far as aesthetic-atmospheric reality is concerned. Instead of representing a meeting point and the focus for the integration of city quarters in terms of visitors communication it has become cut off from is surroundings in the south and north by large traffic routes. Down-town Essen has become unattractive for the public and thus is avoided rather than visited. An improvement of the Essen down-town area will only be effective if this incongruity is done away with. Therefore, the five-storey system train station is to be connected to the down-town and southern part of Essen on the three major levels level with the vicinity in such a manner that the requirements of its service-function as to representing a point of attraction, animating center and efficient connector are met. Our conception is aimed at turning the Central Train Station into an interesting welcoming- and farewell-place enticing dwelling and appealing business activities: the gateway of Essen and into the world.
keywords	Architectural Endoscopy, Real Environments
series	EAEA
more	http://info.tuwien.ac.at/eaea/
last changed	2005/09/09 10:43

_id	caadria2005_a_2b_a
id	caadria2005_a_2b_a
authors	Affleck, Janice; Kvan Thomas
year	2005
title	REINTERPRETING VIRTUAL HERITAGE
doi	https://doi.org/10.52842/conf.caadria.2005.169
source	CAADRIA 2005 [Proceedings of the 10th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 89-7141-648-3] New Delhi (India) 28-30 April 2005, vol. 1, pp. 169-178
summary	This paper describes the context and proposal for an alternative approach to the common pattern of application of digital tools in the area of cultural heritage, also know as Virtual Heritage (VH). It investigates and addresses arising issues in a digital case study developed to implement a theoretical framework and investigate how and if existing technology can support it.
series	CAADRIA
type	normal paper
email
last changed	2022/06/07 07:54

_id	sigradi2013_234
id	sigradi2013_234
authors	Alencar, Viviane; Gabriela Celani
year	2013
title	The Art of Computer Graphics Programming: Translating Pioneer Programs
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 500 - 504
summary	Considering the importance of the use of programming languages for teaching computational design to architects, this paper proposes the translation of computer programs from a pioneer work in this field into a more contemporary programming language. The book The Art of Computer Graphics Programming: A Structured Introduction for Architects and Designers was published in 1987 by William J. Mitchell, Robin Ligget and Thomas Kvan, and remains an important reference for architects. The original Pascal codes in the book were translated into Processing, and made available through an Internet website, along with images and comments, in order to give late Prof. Mitchell’s work the consideration it deserves.
keywords	Processing; Pascal; Computer graphics
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	0e89
authors	Bradford, J.W., Cheng, N. and Kvan, Thomas
year	1994
title	Virtual Design Studios
doi	https://doi.org/10.52842/conf.ecaade.1994.163
source	The Virtual Studio [Proceedings of the 12th European Conference on Education in Computer Aided Architectural Design / ISBN 0-9523687-0-6] Glasgow (Scotland) 7-10 September 1994, pp. 163-167
summary	Beginning in 1993, small groups of students of architectural design at different institutions around the world participated in collaborative design projects using a variety of tools, including CAD, Internet and teleconferencing. This programme, known as the "Virtual Design Studio" (VDS), allows students to work collectively with colleagues from different cultures and climates who are thousands of kilometres and in different time zones. Most recently, in February 1994, four institutions in N. America, one in Europe, and one in S E Asia participated in VDS’94. This paper explains the operation of the VDS and explores the future of the VDS as a potential tool for architectural design education. In particular, we review what we have learned in employing computer tools to extend the teaching in design studios into a "virtual" experience.
series	eCAADe
type	normal paper
email
last changed	2022/06/07 07:54

_id	caadria2011_061
id	caadria2011_061
authors	Celani, Gabriela; José P. Duarte and Carlos V. Vaz
year	2011
title	The gardens revisited: The link between technology, meaning and logic?
doi	https://doi.org/10.52842/conf.caadria.2011.643
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 643-652
summary	The objective of this paper is to compare the computational concepts present in three books published by Mitchell between 1987 and 1990: The art of computer-graphics programming (1987), which has Robin Liggett and Thomas Kvan as co-authors, The logic of architecture (1990), probably his most influential work, and The poetics of gardens (1988), which has Charles Moore and William Turnbull as coauthors. By looking at the concepts that are presented in the three books and establishing a comparison between them, we expect to show that The poetics of Gardens should not be seen as a detour from Mitchell´s line of research, but rather as a key piece for understanding the relationship between technology, meaning and logic in his very coherent body of work.
keywords	Computational design concepts; technology; meaning; logic
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	976f
authors	Cheng, Nancy and Kvan, Thomas
year	2000
title	Design Collaboration Strategies
source	Proceedings of the Fifth International Conference on Design and Decision Support Systems in Architecture, pp. 62-73
summary	This paper explains the logistical and technical issues involved in design collaboration and how toaddress them strategically in projects for design, teaching and research. Five years of arrangingprojects, studying peer results and involving novices in exchanges point out the benefits and pitfallsof Internet partnering. Rather than a single universal technical solution, multiple solutions exist: Technical means must betailored to specifics concerning the task and participants. The following factors need to be consideredin finding the best fit between technology and group design: 1) Collaboratorsí profiles, 2) Mutualvalue of produced information, 3) Collaboration structure, and 4) Logistical opportunities. Thesuccess of a virtual studio depends upon clear task definition, aligned participant expectations andsuitable engagement methods. We question the efforts required in the installation of expensive technologies for communication andvisualization. Often technical systems support ancillary and non-beneficial activity.
series	other
email
last changed	2003/05/15 10:29

_id	ddssar0005
id	ddssar0005
authors	Cheng, Nancy Yen-wen and Kvan, Thomas
year	2000
title	Design collaboration strategies
source	Timmermans, Harry (Ed.), Fifth Design and Decision Support Systems in Architecture and Urban Planning - Part one: Architecture Proceedings (Nijkerk, the Netherlands)
summary	How can we best use computer technology to facilitate remote design teamwork? From looking at virtual studio collaborations, we propose that multiple solutions exist rather than a single one. In examining both published results and own student projects, we identify the following factors to be considered in finding the best fit between technology and group design: 1) Collaborators’ profiles; 2) Mutual value of produced information; 3) Collaboration structure and 4) Logistical opportunities
series	DDSS
last changed	2003/08/07 16:36

_id	a2de
id	a2de
authors	Gao, Song; Kvan, Thomas
year	2003
title	AN ANALYSIS OF PROBLEM FRAMING ACTIVITIES IN DIGITAL VERSUS PAPER MEDIA
source	Architectural Education, Southeast University, Nanjing, China, December 2003, pp. 183-189
summary	Architectural design is described in part as the solving of ill-defined or wicked problems. In these activities, designers are not only simply given well-stated problems but also need to find and formulate problems. This process is called as ‘problem framing’. Paper media have been for many years the design tools used by designers to help them engage, and hence frame, problems. Computer technologies have gained prominence in design processes but have typically been used in discrete problem solving processes or in presentation. It has been stated that problem exploration is more difficult using a computer tool. This attitude has influenced the teaching and use of computers in architectural education. The purpose of this study is to understand how digital and paper media are used respectively in ‘problem framing’ activities in support of students’ design learning. This paper reports a pilot laboratory study to test the validity of a proposed coding scheme comparing design activities using digital and paper media and report initial results of the research. Through this research we wish to gain insight of ways in which students engage in ‘problem framing’ activities using different media and suggest ways in which digital media might better support problem framing activities.
keywords	Problem framing; digital design; protocol analysis; studio teaching
series	other
type	normal paper
email
last changed	2004/09/24 14:34

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