CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id ecaade2014_195
id ecaade2014_195
authors Mikael Johansson, Mattias Roupé and Mikael Viklund Tallgren
year 2014
title From BIM to VR - Integrating immersive visualizations in the current design process
doi https://doi.org/10.52842/conf.ecaade.2014.2.261
source Thompson, Emine Mine (ed.), Fusion - Proceedings of the 32nd eCAADe Conference - Volume 2, Department of Architecture and Built Environment, Faculty of Engineering and Environment, Newcastle upon Tyne, England, UK, 10-12 September 2014, pp. 261-269
summary This paper presents a system that allows immersive visualizations to become a natural and integrated part of the current building design process. It is realized through three main components: (1) the Oculus Rift - a new type of Head Mounted Display (HMD) directed at the consumer market, (2) a real-time rendering engine supporting large Building Information Models (BIM) that is, (3) implemented as a plug-in in a BIM authoring software. In addition to provide details regarding the implementation and integration of the different components in our system, we present an evaluation of it from three different perspectives; rendering performance, navigation interface and the ability to support fast design iterations.
wos WOS:000361385100028
keywords Building information modeling; bim; virtual reality; real-time rendering; hmd
series eCAADe
email
last changed 2022/06/07 07:58

_id a4f8
authors Monedero, Javier
year 1993
title Renderings. Some Technical and Non Technical Questions Raised by the Use of Computers in the Visual Analysis of Architecture
doi https://doi.org/10.52842/conf.ecaade.1993.x.a5t
source [eCAADe Conference Proceedings] Eindhoven (The Netherlands) 11-13 November 1993
summary It should be expected, in a Congress, that participants bring with them, not only ideas, but also results or, at least, stimulating images. In the Laboratory of Architectural Graphic Techniques at the ETS of Barcelona, we have spent some time generating images directly related with architecture, based on the work of both students and professors. These images have been produced with academic purposes, but also in relation with some works carried out with City Institutions interested in the study of the evaluation of environment visual impact and the role that computers may play in this area. In our previous Congress, in Barcelona, we showed some of these images, obtained by direct digital processing of bitmaps. In another Congress, later, we showed some other images, obtained by rendering, with simple local models (Phong models) and some tricks that helped to make them more realistic. Although I do agree with the old chinese saying that a good image is worth a thousand words, in this case, I have thought more convenient to present a paper that may be read quietly by those interested in these subjects, that might be useful just as it gathers references known by many but grouped in a particular order, and that pretends, respectfully, to criticize the actual situation. This can explain why we consider that the results we have obtained should be improved by new and better techniques and why we think that this dissatisfaction should be shared by others who do not seem to feel the same as we do. The aim of this contribution is, therefore, to reflect on the actual situation and the ways there seem to be open for us to follow.

series eCAADe
email
last changed 2022/06/07 07:50

_id sigradi2013_91
id sigradi2013_91
authors Moural, Ana; Sara Eloy; Miguel Sales Dias; Tiago Pedro
year 2013
title How Space Experimentation Can Inform Design: Immersive Virtual Reality as a Design Tool
source SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 182 - 186
summary Immersive virtual reality allows us to experience the space even before it’s constructed. In this way, the use of such an environment plays a decisive role in the design process in architecture. The spaces that architects design may now be evaluated in a real scale mode which enable the understanding of problems and/or opportunities that space bring to the buildings. The goal of this paper is to define the methodological framework for using an immersive virtual environment, namely CaveH, in an Architectural design process by exploring the use of real-time rendering. We intend that the developed software and infrastructure will be used in a very easy way as a valid design tool to any professional. Two 3d models were experiment along this research each one of them regarding to a different type of design problem.
keywords Immersive virtual reality; Design; 3D modelling; Cave; Experience
series SIGRADI
email
last changed 2016/03/10 09:55

_id 2d62
authors Nardelli, Eduardo Sampaio
year 2002
title Uma estratégia pedagógica para cursos de modelagem digital e renderização em escolas de Arquitetura: o caso da Universidade Presbiteriana Mackenzie [A pedagogical strategy for courses of digital modeling and rendering in schools of Architecture: the case study of the Universidade Presbiteriana Mackenzie]
source SIGraDi 2002 - [Proceedings of the 6th Iberoamerican Congress of Digital Graphics] Caracas (Venezuela) 27-29 november 2002, pp. 228-231
summary This work aims to relate the methodology that have been applied on the third module of the course “Computação Aplicada à Arquitetura” at Faculdade de Arquitetura e Urbanismo of the Universidade Presbiteriana Mackenzie as a contribution to the debate about pedagogical strategies of the informatics courses in schools of architecture focused in digital models and rendering techniques as a support to the development of the themes proposed in parallel in the Design Studio classes.
series SIGRADI
email
last changed 2016/03/10 09:55

_id sigradi2011_136
id sigradi2011_136
authors Navarro, Isidro; Fonseca, David; Puig Janina;
year 2011
title Aplicación docente de Realidad Aumentada en cursos universitarios de representación de proyectos de Arquitectura [Case study of application of augmented reality in university courses for representation of projects of architecture]
source SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 74-77
summary The purpose of the work is to define and evaluate a method for the application of 3D rendering techniques with augmented reality in architectural courses and graphic representation. This will allow students to integrate volumetric architecture projects, facilitating the understanding of their proposals.
keywords Architecture; education; augmented reality
series SIGRADI
email
last changed 2016/03/10 09:56

_id ff51
authors Neiman, Bennett R. and Do, Ellen Yi-Luen
year 1999
title Digital Media and the Language of Vision
doi https://doi.org/10.52842/conf.acadia.1999.070
source Media and Design Process [ACADIA ‘99 / ISBN 1-880250-08-X] Salt Lake City 29-31 October 1999, pp. 70-80
summary Digital media are transforming the practice and teaching of design. Information technologies offer not only better production and rendering tools but also the ability to model, manipulate, and to understand designing in new ways. This paper outlines a thirteen-step methodology used in a seminar that teaches design students how to see, think, and form space using both digital and physical media.

The paper describes a systematic approach that follows the tradition of the Bauhaus principles of craftsmanship and visual perception. Precedents are drawn from the use of light, color and texture in the visual arts such as the glass collage assemblages of Albers and Moholy-Nagy’s camera-less photogram. References are also drawn from Kandinsky’s diagrammatic analysis of still life drawings and Kepes’s idea of the language of vision.

The focus of the paper is how digital media and physical material can be used interchangeably as instruments in a design environment. The investigation centers on developing teaching methods for seeing, thinking and making of spatial design. A sequence of experimental exercises stimulates students’ intuition and powers of analytical observation. This systematic approach helps students explore how space can be perceived and informed by using types of media that are significantly different in their nature. The methodology explores the concerns and techniques of making and exploring space through the use of light, shadow, motion, color and transparency.

series ACADIA
email
last changed 2022/06/07 07:58

_id ecaade2008_137
id ecaade2008_137
authors Palmquist, Erik; Shaw, Jonathan
year 2008
title Collaborative City Modeling
doi https://doi.org/10.52842/conf.ecaade.2008.249
source Architecture in Computro [26th eCAADe Conference Proceedings / ISBN 978-0-9541183-7-2] Antwerpen (Belgium) 17-20 September 2008, pp. 249-256
summary This paper presents an approach to creating an online real time rendering environment, upon which a large-scale, urban 3D model can be produced as a collaborative effort between initial content creators and outside parties with an interest in simulation and visualization. In 2007, the City of Atlanta, Georgia organized a taskforce to provide recommendations on the future development and mobility along the city’s signature street, Peachtree Street. To aid in the visualization of this area, datasets were converted into low polygon textured 3D models for the entire study area. This content will serve as the foundation of a collaborative effort to complete a high quality real time environment. The process for this project will be described and the means to extend the boundaries, maintain, and collaborate with this content will be proposed.
keywords 3D model, collaborative design, real time, visualization, training
series eCAADe
email
last changed 2022/06/07 07:58

_id 096e
authors Papamichael, K., Porta, J.L., Chauvet, H., Collins, D., Trzcinski, T. , Thorpe, J. and Selkowitz, S.
year 1996
title The Building Design Advisor
doi https://doi.org/10.52842/conf.acadia.1996.085
source Design Computation: Collaboration, Reasoning, Pedagogy [ACADIA Conference Proceedings / ISBN 1-880250-05-5] Tucson (Arizona / USA) October 31 - November 2, 1996, pp. 85-97
summary The Building Design Advisor (BDA) is a software environment that supports the integrated use of multiple analysis and visualization tools throughout the building design process, from the initial, schematic design phases to the detailed specification of building components and systems. Based on a comprehensive design theory, the BDA uses an object-oriented representation of the building and its context, and acts as a data manager and process controller to allow building designers to benefit from the capabilities of multiple tools.

The BDA provides a graphical user interface that consists of two main elements: the Building Browser and the Decision Desktop. The Browser allows building designers to quickly navigate through the multitude of descriptive and performance parameters addressed by the analysis and visualization tools linked to the BDA. Through the Browser the user can edit the values of input parameters and select any number of input and/or output parameters for display in the Decision Desktop. The Desktop allows building designers to compare multiple design alternatives with respect to any number of parameters addressed by the tools linked to the BDA.

The BDA is implemented as a Windows-based application for personal computers. Its initial version is linked to a Schematic Graphic Editor (SGE), which allows designers to quickly and easily specify the geometric characteristics of building components and systems. For every object created in the SGE, the BDA supplies “smart” default values from a Prototypical Values Database (PVD) for all non-geometric parameters required as input to the analysis and visualization tools linked to the BDA. In addition to the SGE and the PVD, the initial version of the BDA is linked to a daylight analysis tool, an energy analysis tool, and a multimedia Case Studies Database (CSD). The next version of the BDA will be linked to additional tools, such as a photo-accurate rendering program and a cost analysis program. Future versions will address the whole building life-cycle and will be linked to construction, commissioning and building monitoring tools.

series ACADIA
email
last changed 2022/06/07 08:00

_id ecaade2007_219
id ecaade2007_219
authors Paraizo, Rodrigo
year 2007
title Precise Uncertainty: Notes on Historical Modeling
doi https://doi.org/10.52842/conf.ecaade.2007.367
source Predicting the Future [25th eCAADe Conference Proceedings / ISBN 978-0-9541183-6-5] Frankfurt am Main (Germany) 26-29 September 2007, pp. 367-374
summary The objective of this work is to examine the current practice in historic buildings and sites modeling, in order to suggest some possible guidelines for future implementations in the field. These implementations are meant to improve the use of digital modeling as a scientific tool for historical research and heritage presentation, focusing first on information management and then discussing representation techniques for rendering levels of accuracy, departing from the experience in LAURD/PROURB to some future research possibilities.
keywords 3D modeling, urban heritage, hyperdocuments
series eCAADe
email
last changed 2022/06/07 08:00

_id sigradi2003_038
id sigradi2003_038
authors Pizzi, M., Donoso, M., Caviares, A., Alessandri, J. and Villalón, T.
year 2003
title Incorporación de Tecnologías de Modelado Espacial en un Curso Inicial de Formación de Arquitectos (Introduction of Space Modeling Technologies in an Initial Course of the Education of Architects)
source SIGraDi 2003 - [Proceedings of the 7th Iberoamerican Congress of Digital Graphics] Rosario Argentina 5-7 november 2003
summary The incorporation of virtual technologies to the learning process in architectural design is still incipient, using graphic software mainly as a rendering tool late in the curriculum. This paper presents an experience carried out with first year studio students, at the School of Architecture of the University of Chile, in which the intention is to incorporate virtual learning as part of the process spatial modification thinking. Through the use of Form Z, friendly software to learn for beginners, applied for simple extrusions, geometric transformations as translation, rotation or scaling, and the transformation of geometries and proportions through the handling of topological levels of polygonal objects. Through increasingly complex exercises we developed an effective complement of a traditional design methodology.
series SIGRADI
email
last changed 2016/03/10 09:57

_id e184
authors Popov, V., Popova, L. and De Paoli, G.
year 1998
title Towards an Object-Oriented Language for the Declarative Design of Scenes
doi https://doi.org/10.52842/conf.acadia.1998.316
source Digital Design Studios: Do Computers Make a Difference? [ACADIA Conference Proceedings / ISBN 1-880250-07-1] Québec City (Canada) October 22-25, 1998, pp. 316-353
summary We propose a prototype “kernel” of an object-oriented language, SOML (Scene Objects Modeling Language), intended to assist in the declarative design of scenes in image synthesis. This language is an attempt to provide the designer with a tool to facilitate the rapid prototyping of 3D scenes. It can also serve as a tool for knowledge acquisition and representation , and for communication and exchange of data with other tools in a design environment. Advantages offered by the implementation of SOML are: (a) from user’s viewpoint: the possibility of declarative description of the initial concept associated with the target scene in terms of properties and constraint vocabulary, the possibility of quantitative and qualitative reasoning on these properties, the modification of the intermediate solutions to different levels of detail, the utilisation of previous solutions; and (b) from the implementation viewpoint: the structuring of the properties and methods in the form of domain knowledge, the optimal solution generation according to heuristic causal-probabilistic criteria, the transformation of the semantic concept description of the scene in generic entry code for a geometrical CSG modeler or for rendering and visualization software, the integration of functionality for parameter generation and modification, the compilation of a scene from components of other final scenes and operations of geometrical transformations acting on groups of scenes. We present the architecture of the object-based implantation of the language and its interpreter, in the unified notation formalism UML. The utilization of the SOML language is illustrated by some examples.
series ACADIA
email
last changed 2022/06/07 08:00

_id ascaad2021_127
id ascaad2021_127
authors Poustinchi, Ebrahim
year 2021
title A Grasshopper Plug-In for Designing Virtual Camera Path in Rhino 3D using Cellphone Motion: Chameleon
source Abdelmohsen, S, El-Khouly, T, Mallasi, Z and Bennadji, A (eds.), Architecture in the Age of Disruptive Technologies: Transformations and Challenges [9th ASCAAD Conference Proceedings ISBN 978-1-907349-20-1] Cairo (Egypt) [Virtual Conference] 2-4 March 2021, pp. 636-644
summary Chameleon is a workflow plug-in for Grasshopper 3D that enables designers/users to design camera paths and orientation for animation and still rendering, using cellphone position and orientation. Working as a bridge between the physical world and the digital design environment of Rhino 3D, users using Chameleons, can develop animated and still frames from the first-person point of view with realistic walk-through motions/angles. Although this feature is available in animation software platforms, Chameleon aims to unlock this possibility in Rhino 3D environment and the most used design software for three-dimensional modeling. This new workflow also provokes new means and methods for creative interaction with design software, beyond the existing hardware interfaces such as keyboard and mouse.
series ASCAAD
email
last changed 2021/08/09 13:13

_id 1ad0
id 1ad0
authors Qu, Yingge; Schnabel, Marc Aurel
year 2009
title Drawing Architecture using Manga Techniques
source Managing IT in Construction / Managing Construction for Tomorrow, CIB W78, Attila Dikbas, Esin Ergen & Heyecan Giritli (eds.), CRC Press/Balkema, Istanbul, Turkey, pp.567-576
summary Manga is a type of stylised bitonal drawings pleasing in terms of screen variety and tidy lines. In this paper, we present a method to draw architecture, spatial compositions and their details, including colours, textures, and tones, using manga drawing techniques. Given a colour image, such as photography, or drawing, our method finds the optimal solution for screening during the bi-tonal transformation, as well as a set of ideally abstracted line drawings. This offers a novel rendering appearance for the communication of architectural design. In our results we demonstrate successfully that our method generates manga-like drawings from an architectural image that preserve architectural key-elements, such as surface or material properties.
keywords representation, visual communication, non-photorealistic rendering, multidimensional scaling, Manga
series other
type normal paper
email
last changed 2010/02/02 08:54

_id 2006_566
id 2006_566
authors Rafi, Ahmad; Mohamad Izani Zainal Abidin; Avijit Paul and Aishah Abdul Razak
year 2006
title Simulation of architectural lighting in a virtual environment - A case study on real and fake High Dynamic Range Images (HDRI)
doi https://doi.org/10.52842/conf.ecaade.2006.566
source Communicating Space(s) [24th eCAADe Conference Proceedings / ISBN 0-9541183-5-9] Volos (Greece) 6-9 September 2006, pp. 566-572
summary The early findings of this research were presented in eCAADe 2005 International Conference, Lisbon primarily to highlight the concept of High Dynamic Range Images (HDRI) when representing architectural spaces in the form of still images. An experiment had been carried out to compare the results between HDRI rendering and ‘conventional’ lighting simulation algorithms namely ray tracing and radiosity. The results were based on static and using the same exposure factors, when capturing HDRI. This project, funded by Intensification Research Priority Area (IRPA) grant continues to present and report HDRI results in a simulation environment. In this paper, we first briefly explain on the concept of real and fake HDRI. Then a comparison experiment is conducted to compare these two methods and discuss the impact and effectiveness of the illumination computation in architectural simulation environment. In order to carry out the experiment, a few models of the architectural scenes were developed. These models were then textured with real photos and manipulated with ‘shaders’, and further rendered using fake and real HDRI techniques. As for the fake HDRI, two methods were developed. The first was using an image as the ambient map and different exposures were created by increasing the value of Hue, V of HSV and saturation. The second involved a series of digital photos with the selection of the brightest and darkest area using Adobe Photoshop to establish the scale of luminosity. A few camera movements were triggered and position for ‘real-time’ rendering simulation. The result of the experiment has shown a significant improvement on the rendering time and quality of the rendering. Finally this paper suggests the selection criteria for choosing real and fake HDRI, and how each technique can be best utilized for architectural representations in a simulation environment.
keywords HDRI; simulation; Real HDRI;Fake HDRI; illumination computation
series eCAADe
email
last changed 2022/06/07 07:59

_id cf2009_095
id cf2009_095
authors Rafi, Ahmad; Paul, Avijit; Noraishah, Siti and Nazri, Mohd
year 2009
title Techniques on heritage preservation using lighting computation virtual environment
source T. Tidafi and T. Dorta (eds) Joining Languages, Cultures and Visions: CAADFutures 2009, PUM, 2009, 95-104
summary This research presents the results of experiments of techniques on heritage preservation using lighting computation in virtual environment. In this research, three traditional houses built in the early 1900s were re-constructed based on the captured data that included texturing and lighting. A thorough study on the lighting solution and its impact to the design aspects of photorealism and issues discovered in processing the digital data will be emphasized. This includes complexity of the modeling, rendering and reality, and real-time lighting techniques. This research will suggest effective lighting techniques for re-construction of heritage preservation in virtual environment for architectural purposes.
keywords Global illumination, HDRI, simulation, virtual heritage
series CAAD Futures
email
last changed 2009/06/08 20:53

_id sigradi2004_265
id sigradi2004_265
authors Regina C. Ruschel; Alessandra A. S. de Oliveira
year 2004
title O potencial da animação digital como ferramenta de verificação de projeto [The Potential of Digital Animation as a Tool for Design Evaluation]
source SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary The digital animation provides the exploration of virtual expression making it possible to undertand complexities in architectural design. The purpose of this research was to verify user perception of the architectonic project through computerized animation. An experiment was developed to identify the user architectonic perception when watching the project animation compared to the reality of the accomplished kitchen project. Two kinds of digital animation were experimented: a simplified animation (using standard shading and render preview) and a realistic animation (using scanline resource for digital scenes rendering). It was verified that the simplified digital animation presents satisfactory cost-benefit relation in order to obtain design understanding for both, user and designer. Based on this experiment, directives were specified for the creation and aplication of a questionary together with design digital animation in order to verify architectonic program requeriments, for increased design compreehation.
keywords Animation, visualization, architectonic project process, kitchen
series SIGRADI
email
last changed 2016/03/10 09:58

_id caadria2018_197
id caadria2018_197
authors Rogers, Jessie, Schnabel, Marc Aurel and Lo, Tian Tian
year 2018
title Digital Culture - An Interconnective Design Methodology Ecosystem
doi https://doi.org/10.52842/conf.caadria.2018.1.493
source T. Fukuda, W. Huang, P. Janssen, K. Crolla, S. Alhadidi (eds.), Learning, Adapting and Prototyping - Proceedings of the 23rd CAADRIA Conference - Volume 1, Tsinghua University, Beijing, China, 17-19 May 2018, pp. 493-502
summary Transitioning away from traditional design methodology, for example, paper sketching, CAAD works, and 'flat screen' rendering, this paper proposes a new methodological ecosystem of which tests its validity within a studio-based case study. The focus will prove whether dynamic implementation and interconnectivity of evolving design tools can create richness and complexity of a design outcome through arbitrary phases of a generative design methodology ecosystem. Processes tested include combinations of agent simulations, artistic image processing analysis, site photogrammetry, 3D immersive sketching both abstract and to site-scale, parametric design generation, and virtual reality style presentations. Enhancing the process of design with evolving techniques in a generative way which dynamically interconnects will stimulate a digital culture of design generation that includes new aspects of interest and introduces innovative opportunities within all corners of the architectural realm. Methodology components within this ecosystem of interaction prove that the architecture cannot be as rich and complex without the utilisation of all strengths within each unique design tool.
keywords Methodology Ecosystem; Simulation; Immersive; Virtual Reality; Photogrammetry
series CAADRIA
email
last changed 2022/06/07 07:56

_id sigradi2005_444
id sigradi2005_444
authors Saito, Keiko Elena; Matias Röhmer Litzmann
year 2005
title To visualize through origami 3D and real time rendering engines
source SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 1, pp. 444-450
summary With the persistent stimulation of the immediate virtual environment our vision of reality, very often, is enriched by forms lucubrated in imaginary worlds, but we run into the difficulty of bringing them to the real world. If we channel this internal vision combining 3D origami techniques and digital visualization we could transform this difficulty into an opportunity of expression, materialization. With the main objective of structuring a new learning environment to approach an architectonic theme in virtual environments and with the correspondent theoretical support, sequences of immersive experiences are trialed delimiting techniques and methods. 3D origami techniques are applied to build-represent a new form and architectonic space and trough real time rendering engines, presentation, surfing the created model and its debate in net. The results obtained show a possible way to expand to the limit our threshold of vision and visualization that allows to emerge a new perception and to represent architectonic spaces. [Full paper in Spanish]
series SIGRADI
email
last changed 2016/03/10 09:59

_id ijac20097407
id ijac20097407
authors Sass, Lawrence
year 2009
title Parametric Constructionist Kits: Physical Design and Delivery System for Rapid Prototyping Devices
source International Journal of Architectural Computing vol. 7 - no. 4, 623-642
summary In this paper we illustrate a design methodology based on constructionist learning principles with CAD modeling and rapid prototyping. The belief is that a constructionist approach to design development extends design possibilities beyond the visual aspects of rendering and animation to building construction by way of component-based parametric modeling. This is demonstrated by way of construction kits as a proposed system of physical design production, individually and in groups. Results of the system are data sets for model manufacturing, hand assembly and design feedback. The impact of this work is to teach physical modeling as a system of production that will allow a designer hands-on learning of building structure, material mechanics and building component behavior. Also design success is newly defined as a relationship between the visual and physical evaluation; not just the visual. The paper ends with examples of complex design models generated from elements in the construction kit and a physical design grammar used to guide element assembly. Although the examples in this paper satisfy model making for building structures we believe this system can be useful for anyone who needs to construct physical artifacts beyond traditional scales found in rapid prototyping.
series journal
last changed 2010/09/06 08:02

_id ecaade2011_159
id ecaade2011_159
authors Sdegno, Alberto
year 2011
title The Masieri Memorial by Frank L. Wright in Venice: Reconstructing an Unbuilt project on the Canal Grande
doi https://doi.org/10.52842/conf.ecaade.2011.960
source RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.960-966
summary The research that is presented here was developed to understand the impact of a new building in a very delicate context, such as the venetian one. The case study was a very important project for the history of architecture, because it is the only design by Frank L. Wright for an Italian customer. The Masieri Memorial was projected by the author on Canal Grande and near the Rialto bridge. The very detailed drawings and notes helped us to reconstruct in digital form the architecture, to study the representation of it in Venice and to verify the effect with the other ancient venetian palaces, such as Palazzo Balbi. The simulation was taken to the photorealistic perception, applying all the textures and materials as found in the sketches and reserved notes of the architect. The final step was the realization of a video to simulate the perception from a boat and the materialization of a maquette using the Rapid Prototyping techniques, in nylon powder.
wos WOS:000335665500110
keywords Digital reconstruction; simulation; rendering; video animation; Rapid Prototyping
series eCAADe
email
last changed 2022/05/01 23:21

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