Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	a426
authors	Barsky, Brian A. and Greenberg, Donald P.
year	1982
title	Interactive Surface Representation System Using a B-spline Formulation with Interpolation Capability
source	computer Aided Design. July, 1982. vol. 14: pp. 187-194 : col.ill. includes bibliography
summary	An interactive surface representation system is described which uses a parametric uniform bicubic B-spline formulation which can describe a surface initially defined to interpolate a specified network of points
keywords	CAD, curved surfaces, computational geometry, interpolation, B-splines
series	CADline
last changed	2003/06/02 13:58

_id	a1f8
authors	Bijl, Aart
year	1987
title	Making Drawings Talk : Pictures in Minds and Machines
source	Eurographics '87. August, 1987. 16 p. : ill. includes bibliography
summary	Interactions between human minds and machine systems is discussed, drawing on experience of CAD and focusing on modes of expression. Free forms of text and drawings pose deep questions when interpretations have to be 'meaningful' to different knowledge representations - especially in loosely defined application fields
keywords	What should we expect from technology? CAD, knowledge, representation, architecture, natural languages, semantic networks, user interface
series	CADline
last changed	1999/02/12 15:07

_id	a537
authors	Bijl, Aart
year	1987
title	Strategies for CAD
source	Eurographics '87. 1987. (16) p. : ill. includes bibliography
summary	Assumptions for CAD are discussed, pointing to a distinction between human knowledge and machine representations of knowledge. Implications for future useful CAD systems are considered. A strategy for 'mechanistic' symbol processors is presented, employing 'mechanisms' of formal logic to manipulate written and drawn expressions of designers' knowledge
keywords	CAD, representation, knowledge, engineering, data structures, intelligence, logic, semantic networks, symbols, drawings, design
series	CADline
last changed	1999/02/12 15:07

_id	df56
authors	Brath, Richard
year	1991
title	Information Architecture
doi	https://doi.org/10.52842/conf.acadia.1991.063
source	Reality and Virtual Reality [ACADIA Conference Proceedings / ISBN 1-880250-00-4] Los Angeles (California - USA) October 1991, pp. 63-69
summary	There now exists an identical realm situated in an entirely new context: computer simulation. Information architecture is a meaningful spatial environment. It is created by transforming existing social, cultural and technological computer data through theoretical and technical skills.
series	ACADIA
last changed	2022/06/07 07:54

_id	ecaade03_067_10_chiu
id	ecaade03_067_10_chiu
authors	Chiu, Mao-Lin and Lan, Ju-Hung
year	2003
title	Information and IN-formation -Information mining for supporting collaborative design
doi	https://doi.org/10.52842/conf.ecaade.2003.067
source	Digital Design [21th eCAADe Conference Proceedings / ISBN 0-9541183-1-6] Graz (Austria) 17-20 September 2003, pp. 67-74
summary	Collaborative design has become a research paradigm in design studies. To make effective collaborative design, an information service mechanism for helping collaborators to access related information of specific design situation is getting important. This paper presents an approach of applying data mining techniques to reveal information patterns for managing collaborative design information. A visual interface of linking design information based on revealed patterns are presented and issues are discussed.
keywords	Information, data mining, collaborative design, web-based system
series	eCAADe
email
more	http://www.arch.ncku.edu.tw/
last changed	2022/06/07 07:56

_id	35bc
authors	Woodward, C. and Howes, J.
year	1997
title	Computing in Architectural Practice
source	E & FN Spon, London
summary	This practical book provides a concise introduction for small and medium sized architectural practices considering introducing computers or using them more widely, and it will be invaluable for students who wish to learn how computers are used in practice. Jargon is avoided so far as possible, necessary technical terms are explained, and key ideas illustrated with figures and diagrams.
series	other
last changed	2003/04/23 15:14

_id	ecaade2010_188
id	ecaade2010_188
authors	Colakoglu, Birgül; Keskin, Gökhan
year	2010
title	Form Generator: A CAD tool for conceptual design development
doi	https://doi.org/10.52842/conf.ecaade.2010.411
source	FUTURE CITIES [28th eCAADe Conference Proceedings / ISBN 978-0-9541183-9-6] ETH Zurich (Switzerland) 15-18 September 2010, pp.411-417
summary	This paper presents a new computer-aided design tool named Form Gnerator (FG). It is developed within a visualization software as a scripted utility. It aims to assist designers and students in creating and exploring absract form compositions.
wos	WOS:000340629400044
keywords	Generative design; Shape grammars; Rule based design
series	eCAADe
email
last changed	2022/06/07 07:56

_id	c085
authors	Goldman, Glenn and Zdepski, M. Stephen
year	1988
title	Abstraction and Representation: Computer Graphics and Architectural Design
doi	https://doi.org/10.52842/conf.acadia.1988.205
source	Computing in Design Education [ACADIA Conference Proceedings] Ann Arbor (Michigan / USA) 28-30 October 1988, pp. 205-215
summary	While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nature, there remains a long history of design exploration dependent on representation. Furthermore, methods of imager 3While there is evidence to support that many important aspects of architectural design are not graphically based, but analytical in nat
series	ACADIA
email
last changed	2022/06/07 07:51

_id	08af
authors	Gross, M.D. and Do, E.
year	1996
title	Ambiguous Intentions: a Paper-like Interface for Creative Design
source	Proceedings UIST ’96 Seattle Washington, pp. 183-192
summary	Interfaces for conceptual and creative design should recognize and interpret drawings. They should also capture users' intended ambiguity, vagueness, and imprecision and convey these qualities visually and through interactive behavior. Freehand drawing can provide this information and it is a natural input mode for design. We describe a pen-based interface that acquires information about ambiguity and precision from freehand input, represents it internally, and echoes it to users visually and through constraint based edit behavior.
series	other
email
last changed	2003/04/23 15:50

_id	ascaad2016_005
id	ascaad2016_005
authors	Khabazi, Zubin; Michael Budig
year	2016
title	Materiality in Its Minimum - Minimum Material Consumption through Design with Mathematics
source	Parametricism Vs. Materialism: Evolution of Digital Technologies for Development [8th ASCAAD Conference Proceedings ISBN 978-0-9955691-0-2] London (United Kingdom) 7-8 November 2016, pp. 29-38
summary	Contemporary practice of architecture has extensively utilized computation in its processes, which has brought lots of potentials like explicit integration of mathematics with design. This helped designers in different ways, ranging from modeling complex forms to simulating material behavior. Through presenting two experimental projects, this paper discusses how mathematical form-finding and math-driven form generation techniques could help to achieve not only complex designs, but also products which are optimized in their material use. This is a study to use mathematical functions in favor of mass reduction, as a sustainable design approach.
series	ASCAAD
email
last changed	2017/05/25 13:13

_id	lasg_whitepapers_2019_157
id	lasg_whitepapers_2019_157
authors	Kretzer, Manuel
year	2019
title	Tomorrowland
source	Living Architecture Systems Group White Papers 2019 [ISBN 978-1-988366-18-0] Riverside Architectural Press: Toronto, Canada 2019. pp.157 - 172
summary	This essay is a transcript of a series of lectures I presented entitled ‘Tomorrowland’ and is partially based on material which has been previously published in ‘Information Materials – Smart Materials for Adaptive Architecture, Manuel Kretzer. Bern: Springer International Publishing, 2017’ as well as an unpublished paper co-written with Adil Bokhari on our common design studio ‘Synthetic Ecologies.’
keywords	living architecture systems group, organicism, intelligent systems, design methods, engineering and art, new media art, interactive art, dissipative systems, technology, cognition, responsiveness, biomaterials, artificial natures, 4DSOUND, materials, virtual projections,
email
last changed	2019/07/29 14:02

_id	a7b7
authors	Lopuck, Lisa
year	1996
title	Designing Multimedia A Visual Guide to Multimedia and Online Graphic Design
source	Berkeley, California, Peachpit Press
summary	A lavishly illustrated volume is primarily devoted to full-color photos of multimedia screen shots and artwork, offering explanations of title structure, user interface, and software dynamics.
series	other
last changed	2003/04/23 15:14

_id	eae1
authors	Mitchell, William J.
year	1991
title	Functional Grammars: An Introduction
doi	https://doi.org/10.52842/conf.acadia.1991.167
source	Reality and Virtual Reality [ACADIA Conference Proceedings / ISBN 1-880250-00-4] Los Angeles (California - USA) October 1991, pp. 167-176
summary	A practical design must be realizable using available materials and fabrication processes, and it must meet specified functional requirements; these are necessary (though not always sufficient) conditions for solution of a design problem. It is possible to write shape grammars that produce designs which satisfy these two conditions.
series	ACADIA
email
last changed	2022/06/07 07:58

_id	0e79
authors	Oxman, Rivka
year	1999
title	Visual Emergence in Creative Collaboration
doi	https://doi.org/10.52842/conf.ecaade.1999.357
source	Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 357-363
summary	A conceptual framework to support creative collaboration in a Web-based design environment is proposed and discussed. We demonstrated this approach in our work on visual emergence. First, our model of visual emergence of design schema is presented. Following, a conceptual framework to support this model in CAAD environment is developed and introduced. Finally, a web-based computational environment is presented. One that may support visual emergence as part of a creative collaboration process.
keywords	Web Design, Collaborative Design, Visual Design, Design Thinking, Visual Emergence
series	eCAADe
email
last changed	2022/06/07 08:00

_id	4229
authors	Pfeilsticker, A.
year	1997
title	Further developments on light simulation.
source	Architectural and Urban Simulation Techniques in Research and Education [3rd EAEA-Conference Proceedings]
summary	Endoscopy or computer simulation? A light simulation was conducted by students on a building at night-time in Stuttgart using an endoscope as well as a computer. Findings are presented and true-to-life distribution of light in models is evaluated.
keywords	Architectural Endoscopy, Endoscopy, Simulation, Visualisation, Visualization, Real Environments
series	EAEA
email
more	http://www.bk.tudelft.nl/media/eaea/eaea97.html
last changed	2005/09/09 10:43

_id	ab06
authors	Pinet, Céline
year	2000
title	As a Matter of Fact…
doi	https://doi.org/10.52842/conf.acadia.2000.028
source	ACADIA Quarterly, vol. 19, no. 4, pp. 28-29
summary	Most of us (CAD loving architects) are thrill seekers. Though we ground ourselves in history, traditions and legacy, we also embrace novelties, high tech elixirs and liquid crystal. We love forward thinking juxtaposition and contrasts of ideas. As a matter of fact, we get bored when everything is understood and predictable. It is all about brain chemistry.
series	ACADIA
email
last changed	2022/06/07 08:00

_id	1f66
authors	Porter, T. and Duff, T.
year	1984
title	Compositing digital images
source	Computer Graphics (USA), vol. 18, pp. 253-259, July 1984
summary	This class is designed to provide digital imaging instruction covering normalization and other basics of digital image compositing.
series	journal paper
last changed	2003/04/23 15:50

_id	e9e7
authors	Schoen, D.
year	1988
title	Designing: Rules, types and worlds
source	Design Studies, Volume 9, Number 3, 1988, pp. 24-38
summary	Protocols of seven practised designers, all undertaking a common design exercise, have been analysed for patterns of reasoning and use of design rules. Patterns of reasoning were found to be shared among designers and not significantly different from reasoning in everyday life. Rules were largely implicit, overlapping, diverse, variously applied, contextually dependent, subject to exceptions and to critical modification. It is argued that rules are derived from underlying types - functional building types, references, spatial gestalts and experiential archetypes - that serve as `holding environments' for design knowledge.
series	journal paper
last changed	2003/04/23 15:14

_id	8beb
authors	Tomkinson, James H.
year	1983
title	UCAD : Building Design Automation with General Purpose Software Tools on UNIX
source	ACM IEEE Design Automation Conference proceedings (20th : 1983 : Miami Beach, Florida). pp. 774-787 : ill. includes bibliography: p. 778
summary	This paper describes a unique approach to a successful Design Automation System. It is an evolutionary approach, building on flexible, general purpose UNIX software tools. It is useful in such areas of design as circuit schematics, custom IC, backplanes, software code generation, building space management, music composition and many others. Examples from two year design automation effort known as UCAD are included
keywords	design, automation, software, UNIX, CAD, applications
series	CADline
last changed	2003/06/02 13:58

_id	cf2009_poster_19
id	cf2009_poster_19
authors	Wang, Wie; Xiangyu Wang and (Irene) Rui Chen
year	2009
title	Spatial Faithful Display Groupware For Remote Design Collaboration
source	T. Tidafi and T. Dorta (eds) Joining Languages Cultures and Visions: CAADFutures 2009 CD-Rom
summary	Traditional remote collaboration technologies and platforms are found restrained and cumbersome for supporting geographically dispersed design activities. Based on Single Display Groupware (SDG) (Stewart, Bederson, and Druin, 1999) and Mixed Presence Groupware (MPG) (Tang, Boyle, Greenberg, 2004), a Spatial Faithful Groupware is presented in this paper to address some issues in remote collaboration. This paper discusses some of these limitations and argues how these limitations could possibly impair efficient communication among designers.
keywords	Groupware, remote collaboration, spatial faithfulness
series	CAAD Futures
type	poster
last changed	2009/07/08 22:12

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