Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	sigradi2013_391
id	sigradi2013_391
authors	Miotto, Juliano; Regiane Trevisan Pupo
year	2013
title	Fabricação Digital na Arquitetura Efêmera: Aplicação em Feiras Comerciais [Digital Fabrication in Ephemeral Architecture: Application in Business Fairs]
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 464 - 467
summary	This paper presents a discussion about the ephemeral architecture, the insertion of the Digital Fabrication in the design process and its contribution to the transformation of these spaces. The paper presents an experience of the use of this technology in the production of some Businesses Fairs. In the case reported, the Digital Fabrication allowed greater freedom in the generation of form, facilitating the visualization of the project as a whole and consequently aiding in the compatibility, anticipating possible failures before fabrication and assembly.
keywords	Ephemeral architecture; Digital fabrication; Business fairs
series	SIGRADI
email
last changed	2016/03/10 09:55

_id	02a1
authors	Mirabelli, P., Fortuzzi, A., Petric, J. and Maver, Th.
year	1994
title	Archive of European Architecture : A Proposal for Collaborative Action
doi	https://doi.org/10.52842/conf.ecaade.1994.029
source	The Virtual Studio [Proceedings of the 12th European Conference on Education in Computer Aided Architectural Design / ISBN 0-9523687-0-6] Glasgow (Scotland) 7-10 September 1994, pp. 29-35
summary	Advances in information technology - particularly in multi media - offer a major challenge to the European Schools of Architecture. This paper proposes a collaborative venture in the compilation of an Interactive Multi-Media Archive of great european Architecture (IMAGE:A). It envisages an agreed specification and common mediums for access to and development of the archive. Discussion of this important initiative will, hopefully, feature throughout the Conference.
series	eCAADe
email
last changed	2022/06/07 07:58

_id	1a92
authors	Mirabelli, Paolo
year	2001
title	Public Cyberspace Planning and Design. Architect’s role in the construction of the virtual city
doi	https://doi.org/10.52842/conf.ecaade.2001.042
source	Architectural Information Management [19th eCAADe Conference Proceedings / ISBN 0-9523687-8-1] Helsinki (Finland) 29-31 August 2001, pp. 42-46
summary	Architects need to consider ICT not as a tool for design but as a space to be designed. The relation between this space and the physical city must be driven from an impact to a positive and needed expansion of the urban space; an occasion to support and foster social integration and development. To achieve this, it is needed to put an effort in evolving both planning and design techniques as well as public policies for this mixed (physical/ digital) urban space. The references for doing it may be found more in the history of technology developments then in the technology itself, but a wide contribution from diverse disciplines is needed. How to do this, it’s mostly to be found out through projects, in which architects can play the fundamental role of planners that coordinate the activities of actors involved, while taking care of the public interest. Many cities are progressively losing the space devoted to foster solid social structures, so a relevant focus for projects may be aimed at the design of public cyberspace to recover the building of local social networks. A starting point could be found in the Community Networking movement, which architects could build upon, using their design skills in order to evolve this kind of spaces beyond the spontaneous and random phase. A wide range of issues are to be addressed: from needed public policies to accessibility that must be provided to anybody in order to avoid sharpening social alienation due to cultural, economical or physical reasons. An experiment is going to be carried out within a local development project promoted in Rome.
keywords	Cyberspace Design, Urban Planning, E-Society, Community Networking, Selfsustainable Local Development
series	eCAADe
last changed	2022/06/07 07:58

_id	ga0122
id	ga0122
authors	Miranda Carranza, Pablo
year	2001
title	Self-design and Ontogenetic evolution
source	International Conference on Generative Art
summary	The context and long term goal of the project is to develop design environments in which the computer becomes an active and creative partner in the design process. To try to set-up a system that would enhance the design process by suggesting possibilities, has been preferredto an approach that emphasises optimisation and problem-solving.The work develops around the general concept of morphogenesis, the process of development of a system's form or structure. Besides the obvious example of embryological growth, biological evolution, learning, and societal development can also be considered as morphogenetic processes.The aim is to set a foundation from where latter work can develop in the study of how form unravels, and the implications and possibilities of the utilisation of such processes in design. Some basic principles are established, regarding the idea of Ontogenesis, the study of thedevelopment of organisms, and Epigenesis, the mode Ontogenesis operates.Drawing on D’Arcy Thompson’s ideas and inspired on the models and approaches developed in the recent field of Artificial Life, this work explores the possibilities of using a model based in bone accretion to develop structural systems. The mechanisms by which bone is able toadapt are relatively known and simple, and at the same time they address a sensible problem, such as it is the case of the static performance of a structure. This may seem contradictory with what was mentioned above regarding problem solving. The problem is anyway approached not with the intention of finding optimal solutions, but challenging and creativeones. It is not answers the computer should provide, but questions about the problematic of the design. It is in this context of “problem-worrying” (as opposed to problem solving) that the work has been carried.
series	other
email
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

_id	sigradi2021_102
id	sigradi2021_102
authors	Miranda de Oliveira, Antônio Roberto and Amaral, Lucas
year	2021
title	Design and Digital Manufacturing: Changes and Challenges in Product Development in the Context of Remote Learning
source	Gomez, P and Braida, F (eds.), Designing Possibilities - Proceedings of the XXV International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2021), Online, 8 - 12 November 2021, pp. 1345–1357
summary	Context: This paper presents the results of the Digital Fabrication discipline in the Bachelor of Design course at CESAR School/Recife through remote education due to the need for social distance due to the pandemic by COVID-19. Purpose: Thus, this study provides a case report of the results achieved through the use of technological tools for product development, demonstrating how these technologies can contribute to the involvement of students in the processes of creation, production and innovation. Approach: This article seeks to bring to light the approach of Design methodologies, the importance of digital manufacturing techniques and rapid prototyping through additive manufacturing, as well as the aspects of product development aimed at human well-being and social innovation. Results: The results were positive, providing insights into the students' perception, goals achieved and practical activities accomplished in the context of remote education in the Design graduation course.
keywords	Design inclusivo, Bioinspirado, Fabricaçao digital, Ensino remoto
series	SIGraDi
email
last changed	2022/05/23 12:11

_id	c55e
authors	Miranda, Pablo
year	2001
title	Self-design and Ontogenetic evolution
source	4th International Conference on Generative Art, Politecnico di Milano University, Milan, Italy
summary	The work develops around the general concept of morphogenesis, the process of development of a system's form or structure. Besides the obvious example of embryological growth, biological evolution, learning, and societal development can also be considered as morphogenetic processes. The aim is to set a foundation from where latter work can develop in the study of how form unravels, and the implications and possibilities of the utilisation of such processes in design. Some basic principles are established, regarding the idea of Ontogenesis, the study of the development of organisms, and Epigenesis, the mode Ontogenesis operates. Drawing on D'Arcy Thompson's ideas and inspired on the models and approaches developed in the recent field of Artificial Life, this work explores the possibilities of using a model based in bone accretion to develop structural systems. The mechanisms by which bone is able to adapt are relatively known and simple, and at the same time they address a sensible problem, such as it is the case of the static performance of a structure. The problem is anyway approached not with the intention of finding optimal solutions, but challenging and creative ones. It is not answers the computer should provide, but questions about the problematics of the design. It is in this context of 'problem-worrying' (as opposed to problem solving) that the work has been carried.
keywords	Ontogenesis; Bone Accretion; Self-designed Structures; Problem-worrying
series	other
email
last changed	2003/03/24 16:47

_id	ijac201715404
id	ijac201715404
authors	Miranda, Pablo
year	2017
title	Computer utterances: Sequence and event in digital architecture
source	International Journal of Architectural Computing vol. 15 - no. 4, 268-284
summary	Barely a month before the end of World War II, a technical report begun circulating among allied scientists: the ‘First Draft of a Report on the EDVAC’, attributed to John von Neumann, described for the first time the design and implementation of the earliest stored-program computer. The ‘First Draft’ became the template followed by subsequent British and American computers, establishing the standard characteristics of most computing machines to date. This article looks at how the material and design choices described in this report influenced architecture, as it set up the technological matrix onto which a discipline relying on a tradition of drawn geometry would be eventually completely remediated. It consists of two parts: first, a theoretical section, analysing the repercussions for architecture of the type of computer laid out in the ‘First Draft’. Second, a description of a design experiment, a sort of information furniture, that tests and exemplifies some of the observations from the first section. This experiment examines the possibilities of an architecture that, moving beyond geometric representations, uses instead the programming of events as its rationale. The structure of this article reflects a methodology in which theoretical formulation and design experiments proceed in parallel. The theoretical investigation proposes concepts that can be tested and refined through design and conversely design work determines and encourages technical, critical and historical research. This relation is dialogical: theoretical investigation is not simply a rationalisation and explanation of earlier design work; inversely, the role of design is not just to illustrate previously formulated concepts. Both design and theorisation are interdependent but autonomous in their parallel development.
keywords	Stored-program, Turing machine, Electronic Discrete Variable Automatic Computer, inscription/incorporation, geometry, sequence, event, information furniture, tangible interface, calm technoloy
series	journal
email
last changed	2019/08/07 14:03

_id	acadia09_242
id	acadia09_242
authors	Miranda, Pablo; Derix,Christian; Gamlesaeter, Asmund; Helme, Lucy
year	2009
title	Aedas R&D: Global Practices of Computational Design
doi	https://doi.org/10.52842/conf.acadia.2009.242
source	ACADIA 09: reForm( ) - Building a Better Tomorrow [Proceedings of the 29th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-0-9842705-0-7] Chicago (Illinois) 22-25 October, 2009), pp. 242-244
summary	This paper gives an overview of the approach of working methods at the Aedas R&D computational Design and Research [CDR] Group. It first contextualizes research in architectural practice and tries to propose an explanation for the difficulties in implementing it; then explains the evolution of the groups’ computing approach from bespoke to heuristic sets of lightweight applications. It concludes with examples of the developed computational design approach.
series	ACADIA
type	Short paper
email
last changed	2022/06/07 07:58

_id	9bbc
authors	Miranda, V. and Park, T.
year	1998
title	Representation of architectural concepts in the study of precedents: a concept-learning system
source	Automation in Construction 8 (1) (1998) pp. 99-106
summary	Learning architectural concepts through the study of precedents is a common activity in design studio. Traditionally, an instructor presents a design concept by showing selected examples using slides, photographs, drawings, texts and verbal analyses. This method relies on a linear mode of conveying design knowledge and is time bound. It emphasizes information retention and recall of facts rather than an understanding of information. If information on architectural precedents are represented digitally in a system designed to promote understanding of the material rather than just presentation of facts, then some disadvantages of the traditional method may be overcome and additional advantages may be achieved. This paper describes a computer-assisted lesson system designed to represent architectural concepts related to spatial composition in design by using graphic images and text and reports on its development, implementation and testing. The system relies on many characteristics, such as accessibility, interactivity, flexibility, rapid feedback, etc., which are known to foster effective concept learning. The paper also evaluates the viability and effectiveness of this system from a technological and logistical viewpoint as well as from a concept learning viewpoint, and concludes with a discussion on other potential applications.
series	journal paper
more	http://www.elsevier.com/locate/autcon
last changed	2003/05/15 21:22

_id	e524
authors	Miranda, Valerian and Degelman, Larry 0.
year	1987
title	An Experimental Computer-Aided Design Studio
doi	https://doi.org/10.52842/conf.acadia.1987.019
source	Integrating Computers into the Architectural Curriculum [ACADIA Conference Proceedings] Raleigh (North Carolina / USA) 1987, pp. 19-28
summary	A pilot experiment was conducted in the use of microcomputers and Computer Aided Design (CAD) software for architectural design education. The CAD workstations were incorporated into two consecutive semesters of the third year design studio and consisted of TANDY 3000 HD (tm) microcomputers with 20 megabyte hard disks, digitizer tablets, digitizer mice, enhanced graphics capabilities, dot-matrix printers and multi-pen plotters. Software packages included the Personal Architect (tm), VersaCAD (tm), DataCAD (tm), word processing software etc. Student to machine ratio of 4 to 1 was maintained and the use of the equipment was made available to students for approximately 20 hours per day. Design assignments neither emphasized nor required the use of CAD techniques, as the experiment was designed to measure the students' acceptance of and adaptation to the use of CAD tools. The objective was to "teach" design in the traditional sense of a design studio, while making the computer an integral part of the setting in which the student learned designing and problem solving. Measurements were made of (1) time for the "fundamentals" learning curve, (2) time for a "basic competence" learning curve, (3) hours utilized by categories of type of use, (4) hours utilized by equipment and software type, and (5) progress in design ability as evaluated by the traditional jury review methods.
series	ACADIA
email
last changed	2022/06/07 07:58

_id	sigradi2016_430
id	sigradi2016_430
authors	Miret, Santiago
year	2016
title	Mil edificios, procesos maquínicos en estrategias proyectuales complejas [One thousand buildings, machinic processes in complex project strategies]
source	SIGraDi 2016 [Proceedings of the 20th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Argentina, Buenos Aires 9 - 11 November 2016, pp.26-33
summary	This Paper refers to an ongoing Postgraduate Master thesis that is in the search to criticize the habitat devices in the framework of the collective housing project. The habitat devices are frozen configurations that hinders the processes of design in the discipline and conspires with the idea of innovation. This paper proposes new ways and models for the generative processes in Architecture. In this sense, six "disruptions" are deployed in order to attack the primary problems in collective housing projects generative processes.
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	cdrf2022_244
id	cdrf2022_244
authors	Miric Ljubica
year	2022
title	Collective Intelligence and Effects of Anticipation
doi	https://doi.org/https://doi.org/10.1007/978-981-19-8637-6_21
source	Proceedings of the 2022 DigitalFUTURES The 4st International Conference on Computational Design and Robotic Fabrication (CDRF 2022)
summary	Based on the extrapolation of contemporary theories that mind is a prediction machine, this paper points out the repetitive nature of the prediction parameters of collective intelligence anticipation scenarios and questions the hybridity of fears and desires regarding the evolution of artificial intelligence. Through the analysis of mnemonic principles of remembrance it combines the ancient technique of the art of memory with the contemporary views on the dynamics of perceptions in order to establish a link between the spatial constructs and their rapid expansion through the presence of the digital medium while in parallel suggesting an approach to the integration of the necessity for a more sophisticated systems of artificial intelligence into the collective intelligence. The main question of this paper is whether the anticipation of the future results in the creation of such a future, can a prediction-based interaction between man and machine govern its outcome? In order to attempt to develop potential new methods of integrating an idea of a different, more neutral outcome, the focus will be on the characteristics of perception that surpass the influenced, emotional response, and the observation of the general, innate human mechanisms of alignment. Through the study of the principles of memory the aim of this paper is to ask whether the individual comprehension of space and time as disengaged in given examples can in fact produce a system of ideas compatible in its nature to that of the machine itself. What are the main aspects of both human and machine that would stem their hybridity, and how should the collective intelligence adapt to enable the interlink?
series	cdrf
email
last changed	2024/05/29 14:02

_id	cdrf2021_179
id	cdrf2021_179
authors	Mirjam Konrad, Dana Saez, and Martin Trautz
year	2021
title	Integration of Algorithm-Based Optimization into the Design Process of Industrial Buildings: A Case Study
doi	https://doi.org/https://doi.org/10.1007/978-981-16-5983-6_17
source	Proceedings of the 2021 DigitalFUTURES The 3rd International Conference on Computational Design and Robotic Fabrication (CDRF 2021)
summary	Algorithm-based optimization is widely applied in many fields like industrial production, resulting in state-of-the-art workflows in the production process optimization. This project takes the cultural lag of conventional industrial architecture design as a motivation to investigate the implementation of algorithmbased optimization into traditional design processes. We argue that an enhanced way of architectural decision-making is possible. Current approaches use a translation of the whole design problem into a single, overly complicated optimization system. Contrary to that, this paper presents a novel workflow that defines precise design steps and applies optimizations only if suitable. Furthermore, this method can generate relevant results for factory planning design problems with contradicting factors, making it a promising approach for the complex challenges of i.e. resource-efficient building.
series	cdrf
email
last changed	2022/09/29 07:53

_id	cdrf2021_349
id	cdrf2021_349
authors	Mirko Daneluzzo and Michele Daneluzzo
year	2021
title	Reinventing Staircases for Thermoplastic Additive Manufacturing
doi	https://doi.org/https://doi.org/10.1007/978-981-16-5983-6_32
source	Proceedings of the 2021 DigitalFUTURES The 3rd International Conference on Computational Design and Robotic Fabrication (CDRF 2021)
summary	The paper presents an ongoing project focusing on the application of additive manufacturing technologies for the design of staircases. Additive digital fabrication allows architects to reinvestigate materials, processes, and creates new design opportunities to explore novel aesthetical and functional expression in architecture, enabling a reinterpretation of the typology of the staircase, using thermoplastic materials. This paper reviews the opportunities and challenges of using 3D printing for fabricating custom stairs with complex geometries in two studied configurations.
series	cdrf
email
last changed	2022/09/29 07:53

_id	architectural_intelligence2023_9
id	architectural_intelligence2023_9
authors	Mirko Daneluzzo, Andrea Macruz, Hind Tawakul & Mona Al Hashimi
year	2023
title	Multispecies design: 3D-printed biomimetic structures to enhance humidity levels
doi	https://doi.org/https://doi.org/10.1007/s44223-023-00027-y
source	Architectural Intelligence Journal
summary	The paper changes the focus of the design debate from a human-centered design methodology to a posthuman design that takes both human and nonhuman agents into account. It examines how designers might use a multispecies perspective to produce projects with distinguished intelligence and performance. To illustrate this, we describe a project of structures for plants that started on a course in an academic setting. The project methodology begins with “Thing Ethnography”, investigating the movement of a water bottle inside a house and its interaction with other objects. The correlation between water and plants was decided to be further expanded, considering how water might enhance the environmental humidity and create a cooler microclimate for indoor plants. According to their effectiveness, 3D-printed biomimetic structures were designed and manufactured as water droplet supports considering different materials, and positioned in various configurations around a plant. Humidity levels and temperature of the structures were measured. As a result, this created a novel method for mass customization and working with plants. The paper discusses the resultant evidence-based design and the environmental values related to it.
series	Architectural Intelligence
email
last changed	2025/01/09 15:00

_id	acadia14projects_219
id	acadia14projects_219
authors	Mirmotahari, AmirReza; Theodosiou, Joanna; Al-Hadeethi, Shahad Thamer
year	2014
title	CrystalCloud
doi	https://doi.org/10.52842/conf.acadia.2014.219.2
source	ACADIA 14: Design Agency [Projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 9789126724478]Los Angeles 23-25 October, 2014), pp. 219-222
summary	The aim of this project is to create a system that hybridizes two natural systems, clouds and crystals, and simultaneously explores the aspect of light. These rich domains with the introduction of small glass beads lead to an intricate fabric of architecture and moreover to a high-resolution fabric of light.
keywords	synthetic constructability, Multi Agent Systems in Design, Robotics and Autonomous Design Systems, Big Data, Simulation + Intuition, Design Decision Making, Generative Design, Multidisciplinary Design Optimization, Design Computing and Cognition
series	ACADIA
type	Student's Research Projects
email
last changed	2022/06/07 07:58

_id	0865
authors	Mishima, Yoshitaka and Szalapaj, Peter John
year	2001
title	Architectural Design Development through Multimedia Interaction
source	Proceedings of the Ninth International Conference on Computer Aided Architectural Design Futures [ISBN 0-7923-7023-6] Eindhoven, 8-11 July 2001, pp. 299-314
summary	This paper describes the development of a multimedia system aimed at architects and architectural students for the purpose of helping them to understand the basic concepts of architectural analysis. Analytical features in the system that we have developed include many design-theoretic concepts such as massing, balance and circulation. Other concepts are more directly related to the built environment and include elements such as lighting, structure and construction. The system illustrates architectural analysis carried out on a range of building types dynamically, and allows users to navigate architectural analyses interactively. Users can learn about the differences between buildings and their corresponding analyses in a supportive non-linear learning process, and can explore building types depending upon their own interests or needs. The prototype system contains analyses of three British building projects. They show different types of architecture in order to demonstrate important design theoretic and environmental differences. Conceptual models in the system show important aspects of a particular analysis simply, and each analysis is additionally described with text, animations, video clips and interviews with architects (talking heads). Most of the models were generated by the use of architectural CAD software. Animation techniques were used to describe the analyses of buildings clearly and dynamically. Users can visualise how whole buildings were designed from an analytical point of view, and the system illustrates design thinking by showing dynamic presentations of analyses. Users can structure their own design learning processes through a series of interactions. These interactions are supported with flexible cross-referencing mechanisms implemented in Macromedia Director 8.0 exploiting Frame Markers, Event Handling, Navigation, and Buttons in the context of the object-oriented Lingo programming language. The navigation component of this system has a logical matrix structure reflecting the fact that analytical information is interrelated across building types, giving rise to vertical and horizontal patterns of access. The features of Director 8.0 can control this navigation in a flexible yet structured way. Users not only learn about analysis, but also how to present their own designs to the public through the use of different kinds of presentation techniques, particularly through the use of conceptual models. We intend that users can show their projects from their own analytical viewpoints instead of simply showing realistic images of final designs. Presentations can also be recorded in the system, and these can in turn be used as reference material for other users. This system is currently being developed further by storing presentations and translating them into different languages (e.g. Japanese) so that foreign users in other institutions can interact with these presentations. This system has been evaluated in the context of an undergraduate CAD course at the School of Architecture, University of Sheffield, UK. We are currently examining the usefulness of the system based upon an evaluation process, in addition to including more building types for future study.
keywords	Analysis Of Form, Dynamic Interaction, Conceptual Models
series	CAAD Futures
email
last changed	2006/11/07 07:22

_id	6b7d
authors	Mishima, Yoshitaka and Szalapaj, Peter
year	1999
title	ADMIRE: an Architectural Design Multimedia Interaction Resource for Education
doi	https://doi.org/10.52842/conf.ecaade.1999.201
source	Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 201-209
summary	This paper describes the development of a multimedia system called ADMIRE (an Architectural Design Multimedia Interaction Resource for Education), which enables undergraduate students to understand how to analyse existing buildings dynamically, as well as to develop their own initial architectural design theories. The system contains architectural information in the form of fully rendered models, conceptual illustrations created with a range of CAD software, and multimedia presentations showing various design theoretic analyses. Buildings are described with CAD generated images, and architects with profiles and theories. In addition to rendered designs, there are also conceptual models of each building in the system. Conceptual models are simplified forms of original designs in order to support an analytical understanding of buildings according to various analyses, such as structure, light, circulation, unit to whole, geometry, etc. Each conceptual model constitutes a different analysis of each building. The ADMIRE system links each piece of information to another, so that students can explore architecture and learn about it in a dynamic way. This system demonstrates a new way of learning about architectural analysis through dynamic multimedia computer interaction.
keywords	Dynamic Multimedia System, Analytical Models, Interactive Pedagogical Resource
series	eCAADe
email
last changed	2022/06/07 07:58

_id	cf2005_1_13_236
id	cf2005_1_13_236
authors	MITCHELL William J.
year	2005
title	Constructing Complexity
source	Computer Aided Architectural Design Futures 2005 [Proceedings of the 11th International Conference on Computer Aided Architectural Design Futures / ISBN 1-4020-3460-1] Vienna (Austria) 20–22 June 2005, pp. 41-50
summary	Buildings were once materialized drawings, but now, increasingly, they are materialized digital information - designed and documented on computer-aided design systems, fabricated with digitally controlled machinery, and assembled on site with the assistance of digital positioning and placement equipment. Within the framework of digitally mediated design and construction we can precisely quantify the design content and the construction content of a project, and go on to define complexity as the ratio of added design content to added construction content. This paper develops the definitions of design content, construction content, and complexity, and explores the formal, functional, and economic consequences of varying the levels of complexity of projects. It argues that the emerging architecture of the digital era is characterized by high levels of complexity, and that this enables more sensitive and inflected response to the exigencies of site, program, and expressive intention than was generally possible within the framework of industrial modernism.
keywords	assembly, complexity, construction, design, fabrication, uniformity, variety
series	CAAD Futures
last changed	2006/11/07 07:27

_id	a6f7
authors	Mitchell, J.R. and Radford, Antony D.
year	1986
title	Adding Knowledge to Computer-Aided Detailing
source	1986. pp. 31-35
summary	A knowledge based approach to computer-aided detailing is described with an example of a generative system for the design of eaves details for domestic architecture. The program uses Prolog as a knowledge base with an integrated color raster graphics display facility
keywords	knowledge base, systems, architecture, CAD, detailing
series	CADline
last changed	2003/06/02 13:58

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