Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	521e
authors	Klein, M., Sayama, H., Faratin, P. and Bar-Yam, Y.
year	2001
title	What Complex Systems Research Can Teach Us About Collaborative Design
source	Proceedings of International Workshop on CSCW in Design, London, Ontario, Canada, pp. 5-12
summary	Collaborative design is challenging because strong interdependencies between design issues make it difficult to converge on a single design that satisfies these dependencies and is acceptable to all participants. Complex systems research has much to offer to the understanding of these dynamics. This paper describes some insights from the complex systems perspective.
series	other
last changed	2003/04/23 15:14

_id	61d6
authors	Klein, M., Sayma, H., Faratin, P. and Bar-Yam, Y.
year	2002
title	A Complex Systems Perspective on How Agents Can Support Collaborative Design
source	Gero JS and Brazier FMT (eds) (2002) Agents in Design 2002. Key Centre of Design Computing and Cognition, University of Sydney, pp. 95-111
summary	Almost all complex artifacts nowadays, including physical artifacts such as airplanes, as well as informational artifacts such as software, organizational designs, plans and schedules, are created via the interaction of many, sometimes thousands of participants, working on different elements of the design. This collaborative design process is typically expensive and time-consuming because strong interdependencies between design decisions make it difficult to converge on a single design that satisfies these dependencies and is acceptable to all participants. Complex systems research concerning the generic dynamics of distributed networks has much to offer to the understanding of this process. This paper describes some insights derived from this novel perspective.
series	other
email
last changed	2003/05/10 10:16

_id	817b
authors	Bong, C.W. and Wang, Y.C.
year	2002
title	A Shape Compactness Measurement Indexing with Fuzzy Multicriteria Decision Making Approach
doi	https://doi.org/10.52842/conf.caadria.2002.093
source	CAADRIA 2002 [Proceedings of the 7th International Conference on Computer Aided Architectural Design Research in Asia / ISBN 983-2473-42-X] Cyberjaya (Malaysia) 18–20 April 2002, pp. 093-100
summary	Compactness of a district or zone is determined by considering its appearance and the area of dispersal of the district (Altman, 1998) and it is used as a characteristic to describe shape (Shiode, 1998; Knight, 1997). However, existing compactness measurement used to assess district plans in redistricting applications are vague and imprecision although there are more than thirty over Euclidean or non-Euclidean measurement methods. Therefore, this paper presents an integrated shape compactness measurement indexing with a fuzzy multicriteria decision making approach (FMCDM) to enhance the measurement of shape compactness. An experiment is conducted in order to verify the practically of the proposed model to improve existing compactness measurement method.
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	6496
authors	Chen, Y.Z. and Maver, T.W.
year	1997
title	Integrating Design Tools within a Human Collaborative Working
source	The Int. Journal of Construction IT 5(2), pp. 47-73
summary	This paper stresses the importance of establishing a collaborative working context as the basis for design integration. Within a virtual studio environment framework, a hybrid architecture for design tool integration is presented. Each design tool is wrapped as an autonomous service provider with its own data store; thus the project design data is physically distributed with the design tools. A global product model, which is augmented with meta-data description, is employed to provide a common vocabulary for communications and to assist the management of the distributed resources and activities. Collaboration-aware information is modelled and structured through the meta-data model and a tool model. Based on this, mechanisms for tool service coodination in varying modes are developed. It is then illustrated, through an implemented prototype system, how the integrated design tools might be used in human design work.
series	journal paper
last changed	2003/05/15 21:45

_id	77bc
authors	Cohen, S., Elber, G. and Bar-Yehuda, R.
year	1997
title	Matching of freeform curves
source	Computer-Aided Design, Vol. 29 (5) (1997) pp. 369-378
summary	Freeform parametric curves are extensively employed in various fields such as computer graphics, computer vision, robotics, and geometric modeling. While manyapplications exploit and combine univariate freeform entities into more complex forms such as sculptured surfaces, the problem of a fair or even optimal relativeparameterization of freeforms, under some norm, has been rarely considered. In this work, we present a scheme that closely approximates the optimal relativematching between two or even n given freeform curves, under a user's prescribed norm that is based on differential properties of the curves. This matching iscomputed as a reparameterization of n - 1 of the curves that can be applied explicitly using composition. The proposed matching algorithm is completely automaticand has been successfully employed in different applications with several demonstrated herein: metamorphosis of freeform curves with feature preservations, keyframe interpolation for animation, self-intersection free ruled surface construction, and automatic matching of rail curves of blending surfaces.
keywords	Dynamic Programming, Tangent/Gauss Map, Feature Recognition, Fairness
series	journal paper
last changed	2003/05/15 21:33

_id	751d
authors	Cubero, R., Caldera, N., Indriago, J.A., Camacaro, L., Nixon, M. and Cestary, J.
year	2001
title	Georeferenciando revicios y recursos turisticos para la plaificacion territorial: El Sigtur-Zulia [Georeferential Services and Touristic Resources for Territorial Planning: The Sigtur-Zulia]
source	2da Conferencia Venezolana sobre Aplicación de Computadores en Arquitectura, Maracaibo (Venezuela) december 2001, pp. 146-155
summary	In 1997, the Research Institute of Faculty of Architecture and Design, University of Zulia, started the R&D project of a decision making support system for tourism planning. For this, GIS technologies have been used for geocodification and spatial analysis of all the tourism facilities and resources existing in Zulia State, studying this kind of socioeconomic development according to critical poverty problems that are typical of their population. This paper describes this geographic information system, with the application of accessibility analysis, areas of influence, and threedimensional studies through network analysisó three-dimensional analysis with ArcView GIS clients, ArcExplorer clients, and MapObjects clients, on an MS Windows NT client/server environment.
keywords	GIS; Tourism Planning; Internet; Desktop Mapping
series	other
email
last changed	2003/02/14 08:29

_id	b3b1
authors	Ebrahim, Mostafa Abdel-Bary
year	1997
title	Application and evaluation of digital image techniques in close range photogrammetry
source	University of Innsbruck
summary	Most of the orthomapping techniques that are used in the present are restricted to surfaces that arise from a function of 'ground co- ordinates' z = f (x, y) , so-called 2.5D objects. Some techniques are also restricted to surfaces with kind of smooth shape or even to regular surfaces, but all of them are established to rectify images (although increasingly digitally). A new approach has been established for digital restitution and orthomapping of close range objects of almost any shape and size and with almost no restriction to images or objects. The idea of this approach is an inversion of the photographic technique and is (on the contrary to the 'rectification approach') strictly object oriented. All of the objects are regarded to be describable in their geometrical shape by a number of particular faces that can be regular or irregular but can anyway be created in a CAD environment. The data needed to get this surface can come from any photogrammetric, tachometric or other source with any particular one wants to have for the results. All the details that lie on that surface don't have to be restituted by analog or analytical point measurement but can after that be projected onto this surface from any photo, from any side and with any camera they have been taken. A 'Digital Projector' does the projection of the photos from the same positions and with the same inner orientation as of photographic camera. Using this approach any measurements of any details on the facades can be done easily. No details of the object can be neglected, none can be forgotten, no prior filtering of details has preceded this using. The full information of the original photos is available in the results. The results of the restitution can be presented in many ways. One of them is create orthoimages in any scale. Other results are any perspective or parallel view of the object. Other use of the strict 3D map-covered object for visualization (e.g. in architecture and archaeology application) is possible
keywords	Digital Image; Digital Projector; Close Range Photogrammetry; Architectural Photogrammetry; 2.5d Objects; Visualization
series	thesis:PhD
email
more	http://www.arcs.ac.at/dissdb/rn027356
last changed	2003/02/12 22:37

_id	9824
authors	Etzion, Y., Pearlmutter, D., Erell, E. and Meir, I.A.
year	1997
title	Adaptive architecture: integrating low-energy technologies for climate control in the desert
source	Automation in Construction 6 (5-6) (1997) pp. 417-425
summary	The article describes a `climatically adaptive' approach to intelligent building in which a variety of technologies are integrated in the architectural design to provide thermal comfort with a minimal expenditure of energy. This concept is illustrated by the design of the Blaustein International Center for Desert Studies, a multi-use complex completed recently at the Sede-Boker Campus of Ben-Gurion University of the Negev. In response to the local climate of this desert region, a number of strategies were developed by the authors to exploit natural energy for heating and cooling: earth berming of major parts of the building, 'selective glazing' for seasonal shading and energy collection, a down-draft 'cool-tower' for evaporative cooling and a hybrid mechanism for hot-air supply are several of the unique systems whose performance and feasibility are analyzed within the context of the overall building design.
series	journal paper
more	http://www.elsevier.com/locate/autcon
last changed	2003/05/15 21:22

_id	1fbd
authors	Kelly, J.G., Aouad, G., Rezgui, Y.and Crofts, J.
year	1997
title	Information systems developments in the UK construction industry
source	Automation in Construction 6 (1) (1997) pp. 17-22
summary	The paper is based on a synopsis of work completed in 1995 as part of the 'Building IT 2005' project in the UK (J.G. Kelly, Procurement information systems, Building IT 2005, Construction IT Forum, Cambridge, 1995). Selected current UK research is reported and a revised view of the future is offered on the basis of this new work.
series	journal paper
more	http://www.elsevier.com/locate/autcon
last changed	2003/05/15 21:22

_id	2de7
authors	Lachmi, K., Beatrice, B., Timerman, A. and Kalay, Y.E.
year	1997
title	Semantically Rich Building Representation
doi	https://doi.org/10.52842/conf.acadia.1997.207
source	Design and Representation [ACADIA ‘97 Conference Proceedings / ISBN 1-880250-06-3] Cincinatti, Ohio (USA) 3-5 October 1997, pp. 207-227
summary	At the core of any computational system that can support design development, analysis, and evaluation is a building representation which should be able to represent all the different components that make up a building, along with the manner in which they come together. In other words, the representation must be informationally complete and semantically rich. The paper discusses these two criteria in detail, and briefly reviews other research efforts aimed at developing building representations for CAAD that attempt to meet them. Our solution to this problem is then presented. It is aimed primarily at the schematic design phase, the rationale for which is also stated. Taking the view that buildings are unique assemblies of discrete, mostly standardized components, our representation is clearly divided into two components: the Object Database (ODB) which stores detailed information about various building elements, and the Project Database (PDB) which holds information about how these elements are assembled to make up a particular building. An ODB may be shared by many building projects, while the PDB must necessarily be unique to each. The data schemas of both the PDB and the ODB are described in detail and their computational implementation, to the extent that it has been completed, is illustrated.
series	ACADIA
email
last changed	2022/06/07 07:52

_id	7e69
authors	Lea, R., Honda, Y, and Matsuda, K.
year	1997
title	Virtual Society: Collaboration in 3D Spaces on the Internet
source	Computer Supported Cooperative Work (CSCW) 6(2): 227-250; Jan 1997
summary	The Virtual Society (VS) project is a long term research initiative that is investigating the evolution of the future electronicsociety. Our vision for this electronic society is a shared 3D virtual world where users, from homes and offices, canexplore, interact and work. Our first implementation of an infrastructure to support our investigation is known asCommunityPlace and has been developed to support large-scale shared 3D spaces on the Internet using the Virtual RealityModeling Language (VRML). Obviously, such an ambitious project cuts across many different domains. In this paper weoutline the goals of the Virtual Society project, discuss the architecture and implementation of CommunityPlace withparticular emphasis on Internet related technologies such as VRML and present our views on the role of VRML and theInternet to support large-scale shared 3D spaces.
keywords	Distributed Virtual Environment; Internet; Collaboration; Consistency; VRML
series	other
email
last changed	2002/07/07 16:01

_id	e8aa
authors	Liu, Y., Tsou, J. and Hou, J. (Eds.)
year	1997
title	CAADRIA ‘97 [Conference Proceedings]
doi	https://doi.org/10.52842/conf.caadria.1997.x.o3m
source	Proceedings of the Second Conference on Computer Aided Architectural Design Research in Asia / ISBN 957-575-057-8 / Taiwan 17-19 April 1997, 498 p.
series	CAADRIA
email
more	http://www.iaa.nctu.edu.tw/~caadria97/
last changed	2022/06/07 07:49

_id	1767
authors	Loveday, D.L., Virk, G.S., Cheung, J.Y.M. and Azzi, D.
year	1997
title	Intelligence in buildings: the potential of advanced modelling
source	Automation in Construction 6 (5-6) (1997) pp. 447-461
summary	Intelligence in buildings usually implies facilities management via building automation systems (BAS). However, present-day commercial BAS adopt a rudimentary approach to data handling, control and fault detection, and there is much scope for improvement. This paper describes a model-based technique for raising the level of sophistication at which BAS currently operate. Using stochastic multivariable identification, models are derived which describe the behaviour of air temperature and relative humidity in a full-scale office zone equipped with a dedicated heating, ventilating and air-conditioning (HVAC) plant. The models are of good quality, giving prediction accuracies of ± 0.25°C in 19.2°C and of ± 0.6% rh in 53% rh when forecasting up to 15 minutes ahead. For forecasts up to 3 days ahead, accuracies are ± 0.65°C and ± 1.25% rh, respectively.The utility of the models for facilities management is investigated. The "temperature model" was employed within a predictive on/off control strategy for the office zone, and was shown to substantially improve temperature regulation and to reduce energy consumption in comparison with conventional on/off control. Comparison of prediction accuracies for two different situations, that is, the office with and without furniture plus carpet, showed that some level of furnishing is essential during the commissioning phase if model-based control of relative humidity is contemplated. The prospects are assessed for wide-scale replication of the model-based technique, and it is shown that deterministic simulation has potential to be used as a means of initialising a model structure and hence of selecting the sensors for a BAS for any building at the design stage. It is concluded that advanced model-based methods offer significant promise for improving BAS performance, and that proving trials in full-scale everyday situations are now needed prior to commercial development and installation.
series	journal paper
more	http://www.elsevier.com/locate/autcon
last changed	2003/05/15 21:22

_id	2064
authors	Murakami, Y., Morozumi, M., Iino, K., Homma, R. and Iki, K.
year	1997
title	On the Development and the Use of Group Work CAD for Windows-PCS
doi	https://doi.org/10.52842/conf.caadria.1997.179
source	CAADRIA ‘97 [Proceedings of the Second Conference on Computer Aided Architectural Design Research in Asia / ISBN 957-575-057-8] Taiwan 17-19 April 1997, pp. 179-186
summary	With the development of high-band width communication technology, designers’ interests seem to shift gradually from a single-user, single-domain system to a network based group-work design system. So long as one regards that the design activity develops only in a concurrent, but asynchronous fashions, it is possible to say that file transfers through computer networks have already opened up the possibility of a hands-on collaborative design process in which all participants do not have to gather in the same place. However few CAD systems support group design work that develops in a concurrent synchronous fashion. This paper discusses a basic model of group work CAD systems that the authors have developed for windows PCs linked with LAN. Reviewing procedure of system operation, the authors conclude that the system could stimulate and accelerate a process of group wok design.
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	6010
authors	Oxman, R., Sarid, A., Bar-Eli, S. and Rotenshtreich, R.
year	1997
title	A Conceptual Network for Web Representation of Design Knowledge
source	CAAD Futures 1997 [Conference Proceedings / ISBN 0-7923-4726-9] München (Germany), 4-6 August 1997, pp. 453-473
summary	The nature of the Internet as a medium for the representation, storage and accessing of design knowledge is explored and various research issues were introduced. The appropriateness of certain characteristics of the medium as a potential environment for a new interactive way of doing design by exploring design ideas are investigated. Considerations of the Web as a collaboratively constructed and maintained design resource are explored. Cognitive models are proposed in order to support cognitive behaviors in search , browsing and concept expansion. Our particular approach utilizes the ICF (issue-concept-form) as a conceptual network for design knowledge bases. Finally, a report is given on a pilot program demonstrating how the exploitation of the ICF model structured around design chunks can support the construction and maintenance of shared design resources.
series	CAAD Futures
email
last changed	2003/05/16 20:58

_id	8f16
authors	Pizarro, D.V., Price, D.L. and Beliveau, Y.J.
year	1997
title	Auditory collision warning signals for crane operation
source	Automation in Construction 5 (6) (1997) pp. 445-457
summary	This study examined the effect that an auditory collision warning signal's pulse rate, pulse pattern, and onset distance had on subject braking responses in a simulated crane/overhead power line collision scenario. The experimental warning signal alerted subjects of their proximity to overhead power lines. The experimental taks required subjects to monitor a simulated auditory collision warning signal while simultaneously operating a single-axis driving simulation task. The driving task simulated an actual crane operator's mental workload required to navigate a crane and manipulate various loads. Subjects were required to initiate braking responses based on the information conveyed solely through the auditory collision warning system. No visual information was provided to the subjects to isolate the effects of the warning signal. Subjective ratings of the auditory warning signals were obtained to compare subjects' actual performance using the warning signal versus their subjective preferences. Results indicate that subjects were able to initiate appropriate braking responses while using an auditory collision warning signal with moderate onset distances and low pulse rates. The auditory pulse pattern did not have a large impact on subjects' braking responses except at extremely short onset distances. Overall, it was concluded that a pulsing auditory warning signal comprised of a moderate onset distance and low pulse rate could work effectively as a proximity warning device for mobile cranes.
series	journal paper
more	http://www.elsevier.com/locate/autcon
last changed	2003/05/15 21:23

_id	ga0026
id	ga0026
authors	Ransen, Owen F.
year	2000
title	Possible Futures in Computer Art Generation
source	International Conference on Generative Art
summary	Years of trying to create an "Image Idea Generator" program have convinced me that the perfect solution would be to have an artificial artistic person, a design slave. This paper describes how I came to that conclusion, realistic alternatives, and briefly, how it could possibly happen. 1. The history of Repligator and Gliftic 1.1 Repligator In 1996 I had the idea of creating an “image idea generator”. I wanted something which would create images out of nothing, but guided by the user. The biggest conceptual problem I had was “out of nothing”. What does that mean? So I put aside that problem and forced the user to give the program a starting image. This program eventually turned into Repligator, commercially described as an “easy to use graphical effects program”, but actually, to my mind, an Image Idea Generator. The first release came out in October 1997. In December 1998 I described Repligator V4 [1] and how I thought it could be developed away from simply being an effects program. In July 1999 Repligator V4 won the Shareware Industry Awards Foundation prize for "Best Graphics Program of 1999". Prize winners are never told why they won, but I am sure that it was because of two things: 1) Easy of use 2) Ease of experimentation "Ease of experimentation" means that Repligator does in fact come up with new graphics ideas. Once you have input your original image you can generate new versions of that image simply by pushing a single key. Repligator is currently at version 6, but, apart from adding many new effects and a few new features, is basically the same program as version 4. Following on from the ideas in [1] I started to develop Gliftic, which is closer to my original thoughts of an image idea generator which "starts from nothing". The Gliftic model of images was that they are composed of three components: 1. Layout or form, for example the outline of a mandala is a form. 2. Color scheme, for example colors selected from autumn leaves from an oak tree. 3. Interpretation, for example Van Gogh would paint a mandala with oak tree colors in a different way to Andy Warhol. There is a Van Gogh interpretation and an Andy Warhol interpretation. Further I wanted to be able to genetically breed images, for example crossing two layouts to produce a child layout. And the same with interpretations and color schemes. If I could achieve this then the program would be very powerful. 1.2 Getting to Gliftic Programming has an amazing way of crystalising ideas. If you want to put an idea into practice via a computer program you really have to understand the idea not only globally, but just as importantly, in detail. You have to make hard design decisions, there can be no vagueness, and so implementing what I had decribed above turned out to be a considerable challenge. I soon found out that the hardest thing to do would be the breeding of forms. What are the "genes" of a form? What are the genes of a circle, say, and how do they compare to the genes of the outline of the UK? I wanted the genotype representation (inside the computer program's data) to be directly linked to the phenotype representation (on the computer screen). This seemed to be the best way of making sure that bred-forms would bare some visual relationship to their parents. I also wanted symmetry to be preserved. For example if two symmetrical objects were bred then their children should be symmetrical. I decided to represent shapes as simply closed polygonal shapes, and the "genes" of these shapes were simply the list of points defining the polygon. Thus a circle would have to be represented by a regular polygon of, say, 100 sides. The outline of the UK could easily be represented as a list of points every 10 Kilometers along the coast line. Now for the important question: what do you get when you cross a circle with the outline of the UK? I tried various ways of combining the "genes" (i.e. coordinates) of the shapes, but none of them really ended up producing interesting shapes. And of the methods I used, many of them, applied over several "generations" simply resulted in amorphous blobs, with no distinct family characteristics. Or rather maybe I should say that no single method of breeding shapes gave decent results for all types of images. Figure 1 shows an example of breeding a mandala with 6 regular polygons: Figure 1 Mandala bred with array of regular polygons I did not try out all my ideas, and maybe in the future I will return to the problem, but it was clear to me that it is a non-trivial problem. And if the breeding of shapes is a non-trivial problem, then what about the breeding of interpretations? I abandoned the genetic (breeding) model of generating designs but retained the idea of the three components (form, color scheme, interpretation). 1.3 Gliftic today Gliftic Version 1.0 was released in May 2000. It allows the user to change a form, a color scheme and an interpretation. The user can experiment with combining different components together and can thus home in on an personally pleasing image. Just as in Repligator, pushing the F7 key make the program choose all the options. Unlike Repligator however the user can also easily experiment with the form (only) by pushing F4, the color scheme (only) by pushing F5 and the interpretation (only) by pushing F6. Figures 2, 3 and 4 show some example images created by Gliftic. Figure 2 Mandala interpreted with arabesques Figure 3 Trellis interpreted with "graphic ivy" Figure 4 Regular dots interpreted as "sparks" 1.4 Forms in Gliftic V1 Forms are simply collections of graphics primitives (points, lines, ellipses and polygons). The program generates these collections according to the user's instructions. Currently the forms are: Mandala, Regular Polygon, Random Dots, Random Sticks, Random Shapes, Grid Of Polygons, Trellis, Flying Leap, Sticks And Waves, Spoked Wheel, Biological Growth, Chequer Squares, Regular Dots, Single Line, Paisley, Random Circles, Chevrons. 1.5 Color Schemes in Gliftic V1 When combining a form with an interpretation (described later) the program needs to know what colors it can use. The range of colors is called a color scheme. Gliftic has three color scheme types: 1. Random colors: Colors for the various parts of the image are chosen purely at random. 2. Hue Saturation Value (HSV) colors: The user can choose the main hue (e.g. red or yellow), the saturation (purity) of the color scheme and the value (brightness/darkness) . The user also has to choose how much variation is allowed in the color scheme. A wide variation allows the various colors of the final image to depart a long way from the HSV settings. A smaller variation results in the final image using almost a single color. 3. Colors chosen from an image: The user can choose an image (for example a JPG file of a famous painting, or a digital photograph he took while on holiday in Greece) and Gliftic will select colors from that image. Only colors from the selected image will appear in the output image. 1.6 Interpretations in Gliftic V1 Interpretation in Gliftic is best decribed with a few examples. A pure geometric line could be interpreted as: 1) the branch of a tree 2) a long thin arabesque 3) a sequence of disks 4) a chain, 5) a row of diamonds. An pure geometric ellipse could be interpreted as 1) a lake, 2) a planet, 3) an eye. Gliftic V1 has the following interpretations: Standard, Circles, Flying Leap, Graphic Ivy, Diamond Bar, Sparkz, Ess Disk, Ribbons, George Haite, Arabesque, ZigZag. 1.7 Applications of Gliftic Currently Gliftic is mostly used for creating WEB graphics, often backgrounds as it has an option to enable "tiling" of the generated images. There is also a possibility that it will be used in the custom textile business sometime within the next year or two. The real application of Gliftic is that of generating new graphics ideas, and I suspect that, like Repligator, many users will only understand this later. 2. The future of Gliftic, 3 possibilties Completing Gliftic V1 gave me the experience to understand what problems and opportunities there will be in future development of the program. Here I divide my many ideas into three oversimplified possibilities, and the real result may be a mix of two or all three of them. 2.1 Continue the current development "linearly" Gliftic could grow simply by the addition of more forms and interpretations. In fact I am sure that initially it will grow like this. However this limits the possibilities to what is inside the program itself. These limits can be mitigated by allowing the user to add forms (as vector files). The user can already add color schemes (as images). The biggest problem with leaving the program in its current state is that there is no easy way to add interpretations. 2.2 Allow the artist to program Gliftic It would be interesting to add a language to Gliftic which allows the user to program his own form generators and interpreters. In this way Gliftic becomes a "platform" for the development of dynamic graphics styles by the artist. The advantage of not having to deal with the complexities of Windows programming could attract the more adventurous artists and designers. The choice of programming language of course needs to take into account the fact that the "programmer" is probably not be an expert computer scientist. I have seen how LISP (an not exactly easy artificial intelligence language) has become very popular among non programming users of AutoCAD. If, to complete a job which you do manually and repeatedly, you can write a LISP macro of only 5 lines, then you may be tempted to learn enough LISP to write those 5 lines. Imagine also the ability to publish (and/or sell) "style generators". An artist could develop a particular interpretation function, it creates images of a given character which others find appealing. The interpretation (which runs inside Gliftic as a routine) could be offered to interior designers (for example) to unify carpets, wallpaper, furniture coverings for single projects. As Adrian Ward [3] says on his WEB site: "Programming is no less an artform than painting is a technical process." Learning a computer language to create a single image is overkill and impractical. Learning a computer language to create your own artistic style which generates an infinite series of images in that style may well be attractive. 2.3 Add an artificial conciousness to Gliftic This is a wild science fiction idea which comes into my head regularly. Gliftic manages to surprise the users with the images it makes, but, currently, is limited by what gets programmed into it or by pure chance. How about adding a real artifical conciousness to the program? Creating an intelligent artificial designer? According to Igor Aleksander [1] conciousness is required for programs (computers) to really become usefully intelligent. Aleksander thinks that "the line has been drawn under the philosophical discussion of conciousness, and the way is open to sound scientific investigation". Without going into the details, and with great over-simplification, there are roughly two sorts of artificial intelligence: 1) Programmed intelligence, where, to all intents and purposes, the programmer is the "intelligence". The program may perform well (but often, in practice, doesn't) and any learning which is done is simply statistical and pre-programmed. There is no way that this type of program could become concious. 2) Neural network intelligence, where the programs are based roughly on a simple model of the brain, and the network learns how to do specific tasks. It is this sort of program which, according to Aleksander, could, in the future, become concious, and thus usefully intelligent. What could the advantages of an artificial artist be? 1) There would be no need for programming. Presumbably the human artist would dialog with the artificial artist, directing its development. 2) The artificial artist could be used as an apprentice, doing the "drudge" work of art, which needs intelligence, but is, anyway, monotonous for the human artist. 3) The human artist imagines "concepts", the artificial artist makes them concrete. 4) An concious artificial artist may come up with ideas of its own. Is this science fiction? Arthur C. Clarke's 1st Law: "If a famous scientist says that something can be done, then he is in all probability correct. If a famous scientist says that something cannot be done, then he is in all probability wrong". Arthur C Clarke's 2nd Law: "Only by trying to go beyond the current limits can you find out what the real limits are." One of Bertrand Russell's 10 commandments: "Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric" 3. References 1. "From Ramon Llull to Image Idea Generation". Ransen, Owen. Proceedings of the 1998 Milan First International Conference on Generative Art. 2. "How To Build A Mind" Aleksander, Igor. Wiedenfeld and Nicolson, 1999 3. "How I Drew One of My Pictures: or, The Authorship of Generative Art" by Adrian Ward and Geof Cox. Proceedings of the 1999 Milan 2nd International Conference on Generative Art.
series	other
email
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

_id	246d
authors	Ribeiro, C.T.
year	1997
title	A Dynamic Display of the Work Breakdown in Civil Engineering Projects
doi	https://doi.org/10.52842/conf.ecaade.1997.x.u6b
source	Challenges of the Future [15th eCAADe Conference Proceedings / ISBN 0-9523687-3-0] Vienna (Austria) 17-20 September 1997
summary	Displaying the progress of projects has been achieved by the use of planning outputs. Planning software, namely the well known WinProject™ , Time Line™ or Primavera™, allow chart displays, generally in the form of bar charts, logic diagrams and schedule reports to show it. The aim of linking Planning and CAD systems is to display in real-time the progress of engineering projects, according its planning and control through their 2D or 3D architectural and engineering models. This paper describes and illustrates, the development of an innovative software, that, in this way, links data from any Planning software to the popular AutoCAD producing colored 2D or 3D models of the multiple activities of an engineering project according the foreseen or real stages - not yet done, being done, completely done. Same application examples to different engineering projects through some screen-shots of this software use, are illustrated.
series	eCAADe
more	http://info.tuwien.ac.at/ecaade/proc/ribeiro/ribeiro.htm
last changed	2022/06/07 07:50

_id	sigradi2006_c012b
id	sigradi2006_c012b
authors	Rodriguez Barros, Diana and Carmena, Sonia
year	2006
title	Estudio Descriptivo de Prácticas Padagógicas Mediadas por Tecnologías Digitales en Facultades de Arquitectura y Diseño asociadas a la buena Enseñanza [Descriptive study of pedagogical practices mediated by digital technologies in school of architecture and design, associated to the good education]
source	SIGraDi 2006 - [Proceedings of the 10th Iberoamerican Congress of Digital Graphics] Santiago de Chile - Chile 21-23 November 2006, pp. 191-194
summary	It is presented a descriptive type study link to the documentary investigation. It is considers to understand, interpretate and critically reconstruct the present practices of proyectual education in studio of school of architecture and design of the region in virtual surroundings, tie to good education. It was used the Burbules & Callister (2001) new emergent postecnocratic approach. It is boarded from the perspective of the authors, in its natural scenes, in its all complexity and its implicances. One worked with a quanti-qualitative methodology, where revision techniques, analysis, evaluation and interpretation of documental textual and visual materials from primary sources were integrated. One has been based on the selection of exposed works in Sigradi congresses, since its creation in 1997 to the present, with extended and updated versions of the authors. As conclusions are recognized professors that show expertise and disciplinar control, that develop investigation tasks tie to the education practices, that incorporate technologies valuating limitations and advantages, and that has recognized the multiple implicit effects in the technologically mediated practices.
series	SIGRADI
email
last changed	2016/03/10 09:59

_id	430b
authors	Sahnouni, Y., Bignon, J.C. and Leonard, D.
year	1997
title	Data Exchange in Design/Realisation Process in Building Trade - An Experimentation with Wood-Frame Panels
source	CAAD Futures 1997 [Conference Proceedings / ISBN 0-7923-4726-9] München (Germany), 4-6 August 1997, pp. 489-500
summary	Exchange of computerized data is today at the centre of interest for most of trade partners and authorities of standardization. The aim is to set up continuous and cooperative processes of exchange, without "re-modeling" or loosing information. The paper presents our research on building modeling at design stage and its application to data exchange during the design/construction process. An experimentation about data transfer between two software is presented. The first one realizes the design process according to the developed data model (arTec). The second one is a trade software for the design of wood-frame panels (Woodpecker).
series	CAAD Futures
email
last changed	1999/04/06 09:19

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