Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	c176
authors	Jain, R.
year	2001
title	Digital Experience
source	Communications of the ACM, 44(3), pp. 38-40
summary	We experience our physical environment through our natural senses of sight, sound, touch, taste, and smell. Combined with the models of the world each of us develops through learning, they allow us to experience and function in the physical and social worlds. The history of civilization follows the development of our understanding of experience" and how to share it with our fellow humans immediately, as well as with those who will follow in future generations (see the Symbolic Timeline). Experience is fundamental to human existence. The desire to share it will continue to be the motivating factor in the development of exciting multimedia technology in the foreseeable future. Data is observed facts or measurements; information is derived from data in a specific context. Experience is the direct observation or participation in an event. A look at history reveals how human society has evolved into an information society and is on its way to being an experience society. "
series	journal paper
last changed	2003/04/23 15:50

_id	8dfc
authors	Jakimowicz, Adam and Kadysz, Andrzej
year	1995
title	Architecture of Many Media (Architecture is Many Media)
doi	https://doi.org/10.52842/conf.ecaade.1995.395
source	Multimedia and Architectural Disciplines [Proceedings of the 13th European Conference on Education in Computer Aided Architectural Design in Europe / ISBN 0-9523687-1-4] Palermo (Italy) 16-18 November 1995, pp. 395-400
summary	Basis issues concerning media need redefining, because new media should not be perceived and approached according to traditional conventions. Present understanding of a medium as a mean of linear transmission, with the primary role of sender is no more sufficient, is too simple. The possibility of mutual and multidirectional communication in the real time makes the distinction between sender and receiver not so clear. The roles are effacing, but actions, processes are not. When receiver becomes sender, the process of receiving is always distinct from sending. The importance of the process, the attention must move towards a temporal process of transmitting of the receiving. When the process changes, the message (even when ´only´ its form) changes, receiving changes because it is an active action. This paper is the collection of ideas for discussion.
series	eCAADe
email
more	http://dpce.ing.unipa.it/Webshare/Wwwroot/ecaade95/Pag_47.htm
last changed	2022/06/07 07:52

_id	8822
authors	Jakimowicz, Adam
year	1994
title	Abstract Modelling - Forming and Exploring
doi	https://doi.org/10.52842/conf.ecaade.1994.x.o5l
source	The Virtual Studio [Proceedings of the 12th European Conference on Education in Computer Aided Architectural Design / ISBN 0-9523687-0-6] Glasgow (Scotland) 7-10 September 1994, p. 214
summary	Architectural design is always concerned with form to things. It is the sphere or action where meanings are to be expressed and further on - received (by a receiver), felt, understood. "Meanings" mean not only rational information. The matter is to reach the essence and to master ways appropriate to expose and interprete it. Quality of the form decides whether architectural or any work is worth attention or not and to what degree. Form is an attribute of a thing. It is form that "speaks". This linguistic metaphore shows one of natural, inborn features of things and states. However, questions appear: 1. Does everything have form? 2. Is the form an objective term? 3. What limitations of the definition of the form to accept- if any? The friendly environment for creating form consists of conscious intentions plus open mind. Rules are certain, but liquid. Every formal communication system may be widened individually. The only limitation is to be received according to intentions. So, incredibly, the infinite number of combinations, even within one system, may be possible.
series	eCAADe
email
last changed	2022/06/07 07:50

_id	4fc4
authors	Jakimowicz, Adam
year	1996
title	Towards Affective Architectural Computing: An Additional Element in CAAD
source	CAD Creativeness [Conference Proceedings / ISBN 83-905377-0-2] Bialystock (Poland), 25-27 April 1996 pp. 121-135
summary	The sphere of computing, in general, is the sphere of confusion. First, computers', thanks to (or because o) the indirect way of communicating "with" them, have not become yet the obvious and natural extension of human abilities - as TV set, radio or cars already have. It is probably because of the feeling, that they are, more or less, for specialists and that they require special knowledge or skills. In a way it is true, but surely it will change within a few years, when they become everyday tools of education at schools or just toys for children. Second, there is also the feeling or wish, that every computer is able to do everything we want - from, lets say, writing a letter, washing the dishes to very complex things as, for example, designing architecture. This is the dream of universal artificial intelligence, which should be a perfect servant, which not only listens to, but also predicts our wishes.
series	plCAD
email
last changed	2003/05/17 10:01

_id	aa08
authors	Jakimowicz, Adam
year	1996
title	Education of the Architect - Two Approaches Towards Possible Places of CAD
doi	https://doi.org/10.52842/conf.ecaade.1996.211
source	Education for Practice [14th eCAADe Conference Proceedings / ISBN 0-9523687-2-2] Lund (Sweden) 12-14 September 1996, pp. 211-220
summary	This paper discusses the limitations of the most of educational systems of the present, which seem to be no longer sufficient to face the problems of the modern world. This concerns as well architectural education. Computer Aided Design is considered here as a specific case in a wider context of general goals of education. The linear, memory based, cause - effect model of education, where remembering of final effects of the processes is the criterion of teaching efficiency, does not respond to the growing complexity of problems. The task for today is to develop the individual ability to synthesise and creatively explore spheres between separate fields and reconsider the issue of values. This paper therefore emphasises the importance of the person in education, seeing the problem of its full development as a new base and final aim for education as a whole.
series	eCAADe
email
last changed	2022/06/07 07:52

_id	sigradi2004_298
id	sigradi2004_298
authors	Jane J. Espina B.
year	2004
title	Lo intangible y real del espacio urbano plaza baralt [Intangible and Real Aspects of the Urban Space "Plaza Baralt"]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This work shows the use of digital technologies in the morphological, spatial and functional understanding of the Baralt Square, through the partial reconstruction of this urban space with three-dimensional models, from its creation to present times, to generate its past and current scenarios, its economic, social and urban life, inhabitants and lifestyle. The purpose of this research is to find the formalization levels for the Baralt Square space, its variations and .intangible urban. identity, derived from the various uses given to it as well as from the development of activities it has undergone, which have generated a collective and dynamic space, rather than from the result of planning. To achieve this, a work methodology will be applied to obtain answers regarding the creation of this public space, through virtual urbanism. The use of digital technologies in the historical, architectonic and urban reconstruction of the square will allow for finding its origins, the collective memory and the intangible.
keywords	Baralt Square, urban space, three-dimension, real, intangible
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	caadria2013_203
id	caadria2013_203
authors	Janssen, Patrick and Vignesh Kaushik
year	2013
title	Skeletal Modelling – A Developmental Template for Evolutionary Design
doi	https://doi.org/10.52842/conf.caadria.2013.705
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 705-714
summary	Evolutionary designis an approach that evolves populations of design variants through the iterative application of a set of computational procedures. For architecture and urban design, the developmental procedure typically needs to be capable of generating bounded variability, whereby design variants are both highly variable and highly constrained. This paper proposes a template for creating such developmental procedures. The template uses decision chain encoding techniques in order to generate a sparse skeleton model, and then uses standard parametric modelling techniques in order to generate a detailed form model. A demonstration is presented where the template is used to create a developmental procedure for generating design variants for a large residential project.
wos	WOS:000351496100069
keywords	volutionary, Developmental, Generative, Design optimisation
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	ijac20053402
id	ijac20053402
authors	Janssen, Patrick H.T.; Frazer, John H.; Tang, Ming-Xi
year	2005
title	A Framework For Generating And Evolving Building Designs
source	International Journal of Architectural Computing vol. 3 - no. 4, 449-470
summary	This paper describes a comprehensive framework for generative evolutionary design. The key problem that is identified is generating alternative designs with an appropriate level of variability. Within the proposed framework, the design process is split into two phases: in the first phase, the design team develops and encodes the essential and identifiable character of the designs to be generated and evolved; in the second phase, the design team uses an evolutionary system to generate and evolve designs that embody this character. This approach allows design variability to be carefully controlled. In order to verify the feasibility of the proposed framework, a generative process capable of generating controlled variability is implemented and demonstrated.
series	journal
more	http://www.ingentaconnect.com/content/mscp/ijac/2006/00000004/00000001/art00002
last changed	2007/03/04 07:08

_id	ecaade2013_202
id	ecaade2013_202
authors	Janssen, Patrick
year	2013
title	Evo-Devo in the Sky
doi	https://doi.org/10.52842/conf.ecaade.2013.2.205
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 205-214
summary	Designers interested in applying evo-devo-design methods for performance based multi-objective design exploration have typically faced two main hurdles: it’s too hard and too slow. An evo-devo-design method is proposed that effectively overcomes the hurdles of skill and speed by leveraging two key technologies: computational workflows and cloud computing. In order to tackle the skills hurdle, Workflow Systems are used that allow users to define computational workflows using visual programming techniques. In order to tackle the speed hurdle, cloud computing infrastructures are used in order to allow the evolutionary process to be parallelized. We refer to the proposed method as Evo-Devo In The Sky (EDITS). This paper gives an overview of both the EDITS method and the implementation of a software environment supporting the EDITS method. Finally, a case-study is presented of the application of the EDITS method.
wos	WOS:000340643600020
keywords	Evolutionary algorithms; multi-objective optimisation; workflow system; cloud computing; parametric modelling.
series	eCAADe
email
last changed	2022/06/07 07:52

_id	caadria2015_157
id	caadria2015_157
authors	Janssen, Patrick
year	2015
title	Parametric BIM Workflows
doi	https://doi.org/10.52842/conf.caadria.2015.437
source	Emerging Experience in Past, Present and Future of Digital Architecture, Proceedings of the 20th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA 2015) / Daegu 20-22 May 2015, pp. 437-446
summary	Building Information Modelling systems enable the creation of associative parametric models that include sets of interlinked parametric objects. Graph-based modelling systems on the other hand enable the creation of parametric models with more complex iterative behaviours. Parametric BIM workflows aim to link graph-based systems to BIM systems. A key requirement of such workflows is the ability to generate associative BIM models. However, current approaches to creating such workflows are complicated by the fact that the process of cooking is only able to generate explicit geometry. An alternative approach is proposed in which the cooking process is able to generate associative models, thereby enabling more user friendly and streamlined BIM workflows to be created.
keywords	Building Information Modelling, Parametric modelling, BIM workflows
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	caadria2017_105
id	caadria2017_105
authors	Janssen, Patrick
year	2017
title	Evolutionary Urbanism - Exploring Form-based Codes Using Neuroevolution Algorithms
doi	https://doi.org/10.52842/conf.caadria.2017.303
source	P. Janssen, P. Loh, A. Raonic, M. A. Schnabel (eds.), Protocols, Flows, and Glitches - Proceedings of the 22nd CAADRIA Conference, Xi'an Jiaotong-Liverpool University, Suzhou, China, 5-8 April 2017, pp. 303-312
summary	Form-Based Codes are legal regulations adopted by local government that allow specific urban forms to be achieved. Such codes have a significant impact on the performative potential of the urban environment. This paper explores the possibility of using a neuroevolution algorithm to elucidate the complex relationship between Form-based Codes and their performative potential. More specifically, Compositional Pattern Producing Networks (CPPN) are used to generate parameter fields, which then drive the generation of varied urban models. For evolving the CPPN networks, a neuroevolution algorithm is used, called Neuroevolution of Augmenting Topologies (NEAT). In order to test the feasibility of the proposed approach, an abstract experiment is described in which a population of urban models are evolved, optimising a set of performance criteria related to the vista and location of the residential units.
keywords	Form-based codes; evolutionary design; neural networks; neuroevolution; urban planning
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	6d0e
authors	Janssens, J.
year	1997
title	Computer aided environmental simulation and evaluation
source	Architectural and Urban Simulation Techniques in Research and Education [Proceedings of the 3rd European Architectural Endoscopy Association Conference / ISBN 90-407-1669-2]
summary	In this study, the perceptions of on a computer screen displayed street photographs, were compared with the experiences of their real-life counterparts. Using a semantic descriptive method, SMB, experimental subjects assessed eight urban environments, presented both in field and on computer screen. Assessments were made in different light and seasonal conditions. It was shown that the perception of street pictures, presented on computer screen, did correspond well with the experience of the outdoor originals in most of the used semantic descriptive dimensions. Discrepancies between the two presentations were generally small and comparable with the minor perceptual differences between the various light conditions. Deviations could also be ascribed to certain non-perceptual factors, like the subjects' backgrounds or the environments' cognitive peculiarities. The findings indicated also possible improvement of the computer presentation technique by widening the pictures' informational content.
keywords	Architectural Endoscopy, Endoscopy, Simulation, Visualisation, Visualization, Real Environments
series	EAEA
email
more	http://www.bk.tudelft.nl/media/eaea/eaea97.html
last changed	2005/09/09 10:43

_id	916b
id	916b
authors	Janusz Rebielak
year	2004
title	SHAPING OF STRUCTURAL SYSTEMS OF HIGH-RISE BUILDINGS
source	Proceedings of the Fourth International Conference of Mathematics & Design, Special Edition of the Journal of Mathematics & Design, Volume 4, No.1, pp. 341-350.
summary	Design of an efficient and suitably rigid support structure of a tall building is constantly a challenge for architects and engineers. Recently this challenge is enormously increased by the safety requirements conditioned by numerous emergency reasons. Among others one should mention here about effects of fire or a terrorist attack. The complex forms of structural systems have to be examined in many ways. Comprehensive analyses of these systems are carried out by application of suitable numerical models of these systems. The paper contains examples of shapes of structural systems proposed by the author together with definitions of their numerical models prepared in the programming language Formian.
series	other
type	normal paper
email
last changed	2005/04/07 15:47

_id	eaea2015_t2_paper07
id	eaea2015_t2_paper07
authors	Januszkiewicz, Krystyna; Paszkowska, Natalia E.
year	2015
title	Towards the new Baroque Within the Historic Context of a City
source	ENVISIONING ARCHITECTURE: IMAGE, PERCEPTION AND COMMUNICATION OF HERITAGE [ISBN 978-83-7283-681-6],Lodz University of Technology, 23-26 September 2015, pp.186-198
summary	A new approach to design - Curvilinear forms designed in synthetic digital space - indicates the direction of a new turn in architecture, interest in its structural and environmental aspect. The presented case studies show how curvilinear forms of such architecture coexist with the historic context and how they inscribe in to the existing urban fabric with a complex historical substance. Following the Zeitgeist, the new architecture reconfigures the expression, reception and materiality, as well as uses the context to validate its existence. The features of this new architecture may be referred to the achievements of the Baroque and considered in a wider context of historical changes in the urban fabric.
keywords	heritage perception; curvilinear architecture; digital Baroque
series	EAEA
email
last changed	2016/04/22 11:52

_id	acadia08_174
id	acadia08_174
authors	Jaskiewicz, Tomasz
year	2008
title	‘iPortals’ as a Case Study Pre-Prototype of an Evolving Network of Interactive Spatial Components
doi	https://doi.org/10.52842/conf.acadia.2008.174
source	Silicon + Skin: Biological Processes and Computation, [Proceedings of the 28th Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) / ISBN 978-0-9789463-4-0] Minneapolis 16-19 October 2008, 174-181
summary	The art and craft of design and creation of buildings is undergoing a radical paradigm shift. This shift is being driven by diverse novel cross-disciplinary technical possibilities, as well as by ongoing cultural transformations. They all, directly or indirectly, originate from omnipresent advancements in information technologies. Instant and ubiquitous availability of information and immediate access to computing power pervasively penetrating our lives is profoundly transforming our culture. This phenomenon has enormous implications for architecture in a multitude of ways1. ¶ Firstly, the speed of changes that occur in modern-day culture and society makes it inconvenient or even entirely impossible to design buildings with fixed and permanent functionalities. As lifestyle patterns, production methods and environmental conditions, to name a few factors only, may now dramatically change from one day to another, architecture has to become flexible. It has to allow dynamic, active, or even pro-active adaptation and customization of spaces on many levels of its functionality2. ¶ Secondly, these profound cultural changes are not only of technical relevance. In its process-driven character, information technology strongly mandates the already widely recognized ontology of becoming, proclaimed by the prominent minds of contemporary philosophy and science. This process-oriented worldview, supported by latest technological possibilities3, has caused a radical change in the common sense of the manner in which architecture has to be understood and dealt with4. As an effect, it requires an in-depth reconsideration of the nature of processes of both creation and participation in spatial environments.
keywords	Environment; Interactive; Open Systems; Prototype; Skin
series	ACADIA
last changed	2022/06/07 07:52

_id	ecaade2020_069
id	ecaade2020_069
authors	Javidannia, Ghazal, Bemanian, MohammadReza and Mahdavinejad, MohammadJavad
year	2020
title	Performance Oriented Design Framework for Early Tall Building form Development - Seismic architecture view
doi	https://doi.org/10.52842/conf.ecaade.2020.2.381
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 2, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 381-390
summary	Today, the wide variety of social requirements for commercial or aesthetic purposes and the power of Computer Aided Architectural Design (CAAD) tools result in designing tall buildings with complex forms. On the other hand, tall building architectural form has significant effects on its seismic performance. Seismic design provisions and guidelines divide forms to regular and irregular, recommend avoiding irregular ones, and proposed some seismic-efficient design strategies. However, they do not provide any evaluation factor for quantifying the range and effectiveness of the proposed design strategies. Furthermore, they do not propose any framework for the optimum architectural design of complex form with No-irregularities either. Addressing this lack of fit, this research proposes a design framework based on POD method to perform an initial seismic performance evaluation for regular complex forms in the conceptual stage of architectural design. The proposed framework used to optimize a taper-twisted tall building form regarding its seismic performance. The results show a significant correlation between the architectural decisions and building seismic performance, even in the forms considered as regular based on the definitions which should be considered in the very first steps of form developments
keywords	Performance-Based Design; Tall Building; Form Development; Seismic Architecture
series	eCAADe
email
last changed	2022/06/07 07:52

_id	cdrf2021_3
id	cdrf2021_3
authors	Jean Jaminet, Gabriel Esquivel, and Shane Bugni
year	2021
title	Serlio and Artificial Intelligence: Problematizing the Image-to-Object Workflow
doi	https://doi.org/https://doi.org/10.1007/978-981-16-5983-6_1
source	Proceedings of the 2021 DigitalFUTURES The 3rd International Conference on Computational Design and Robotic Fabrication (CDRF 2021)
summary	Virtual design production demands that information be increasingly encoded and decoded with image compression technologies. Since the Renaissance, the discourses of language and drawing and their actuation by the classical disciplinary treatise have been fundamental to the production of knowledge within the building arts. These early forms of data compression provoke reflection on theory and technology as critical counterparts to perception and imagination unique to the discipline of architecture. This research examines the illustrated expositions of Sebastiano Serlio through the lens of artificial intelligence (AI). The mimetic powers of technological data storage and retrieval and Serlio’s coded operations of orthographic projection drawing disclose other aesthetic and formal logics for architecture and its image that exist outside human perception. Examination of aesthetic communication theory provides a conceptual dimension of how architecture and artificial intelligent systems integrate both analog and digital modes of information processing. Tools and methods are reconsidered to propose alternative AI workflows that complicate normative and predictable linear design processes. The operative model presented demonstrates how augmenting and interpreting layered generative adversarial networks drive an integrated parametric process of three-dimensionalization. Concluding remarks contemplate the role of human design agency within these emerging modes of creative digital production.
series	cdrf
email
last changed	2022/09/29 07:53

_id	cdrf2023_65
id	cdrf2023_65
authors	Jean-Philippe Jasienski, Denis Zastavni, Sylvain Rasneur
year	2023
title	On the Development of Timber Structures Based on 3D Interactive Vector-Based Graphic Statics (VGS)
doi	https://doi.org/https://doi.org/10.1007/978-981-99-8405-3_6
source	Proceedings of the 2023 DigitalFUTURES The 5st International Conference on Computational Design and Robotic Fabrication (CDRF 2023)
summary	The present contribution addresses the topic of how to design novel structures in timber with the aid of a computational tool based on vector-based graphic statics (VGS) in a research-by-design approach. The context, scope and theoretical framework allowing to design strut-and-tie models in timber is explained. An application (design task given to Eng. Arch. Students) is presented. The results concern the primary structure and joints, and are discussed regarding the initial objectives.
series	cdrf
email
last changed	2024/05/29 14:04

_id	caadria2014_164
id	caadria2014_164
authors	Jemtrud, Michael and Keith G. Ragsdale
year	2014
title	Three Little Shacks
doi	https://doi.org/10.52842/conf.caadria.2014.883
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 883–892
summary	The paper is premised upon the notion that tools and techniques have the potential to resist the premature prefiguring of problems and solutions in projectbased activity, with particular relevance in collaborative design practices. The architect’s métier and mode of knowledge production is marked by the capacity to make artefacts. Because our age is characterized by the imperative to innovate and evolve technically, architectural ideation must now engage an array of computationally-based tools for imaging, information management, simulation and fabrication. This paper, framed within the theoretical and productive context of a research-creation project, investigates the ontological status of process-work, speed, and the notion of failing fast through the prototyping of three small buildings, or shacks. It does this through a strategic choreography of factual and counterfactual investigations that give rise to fabricative knowledge incapable of being prescribed conceptually from the outset. It will be claimed that, in the case of architecture, the potential of technics to reflectively and playfully re-work things and ideas is also a participatory mode of ethical engagement.
keywords	Tools; tool-making; technics; prototyping; architecture
series	CAADRIA
email
last changed	2022/06/07 07:52

_id	2004_435
id	2004_435
authors	Jemtrud, Michael
year	2004
title	Between Mediation and Making CIMSp: A Technoètic Modus Operandi
doi	https://doi.org/10.52842/conf.ecaade.2004.435
source	Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 435-442
summary	The following paper describes an ongoing research project whose goal is to define a scalable, hybrid production and deployment protocol (CIMSp) for the creation of virtual environments (VE). Ultimately, the aim is to establish a creative workflow and infrastructure that embodies architectural and urban design activity as practiced by the research unit. The objective of the present paper is to schematically outline the current state of the research and its practical and theoretical context for further development. A theoretical position will be stated which assumes that the content, tool, epistemological, and speculative realms are consubstantial (technoèsis). The practical endeavour is to create the informational and embodied temporal--spatial condition of possibility for the imaginative production of cultural artifacts. It must accommodate varying individual and collaborative forms and styles of making and no presumption of a self-enclosed and referential system is made. A critical position is particularly compelling when this production is immersed in technological modalities of making where information and embodiment are inextricably intertwined. CIMSp is based on the workflow from acquisition and creation to output and storage. The work environment is comprised of a select set of software applications and visualization technologies. Secondly, an XML-based content and information management system is under construction to ensure project quality control, rigorous documentation practices, and bi-directional knowledge feedback procedures to enable an effective and resource-full workflow. Lastly, scalability of output modalities for use in the design process and for final presentation from WWW deployment to a high-resolution collaborative work environment (CWE) is being developed. The protocol is a multiuser mode of creation and production that aims to transform the technologies and their interrelation, thus dramatically impacting the creative process and intended content. It is a digital production workflow that embodies intensive visualization criteria demanded by the end users. The theoretical and practical intention of CIMSp is to provisionally structure the collaborative creative process and enable a choreographed movement between the realms of the technologically mediated and made in the pursuit of significant digital content creation.
series	eCAADe
last changed	2022/06/07 07:52

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