CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Hits 1 to 20 of 17693

_id thesis_ducla
id thesis_ducla
authors Ducla-Soares, G.
year 2004
title Audio-Visual Frameworks for Design Process Representation
source SMArchS Thesis, Department of Architecture, MIT
series thesis:MSc
email
last changed 2005/09/09 12:58

_id 6126
authors De Grassi, M., Giretti A. and Pinese, P.
year 1999
title Knowledge Structures of Episodic Memory in Architectural Design: An Example of Protocol Analysis
doi https://doi.org/10.52842/conf.ecaade.1999.576
source Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 576-583
summary The Protocol Analysis of the design process is a very recent and very promising research field. It is believed that good application-oriented developments are possible mainly in the tutorial field (ITS). The research conducted up to now has primarily dealt with the study of the design process. On the contrary, we propose an investigation experiment on the knowledge structures relative to the use of the episodic memory in the architectural design. The proposed experiment concerns the monitoring of the cognitive processes utilised by tutors and students in a brief, but yet complete design session. The results have lead to a synthetic model (computational model) of the adopted knowledge structures, and to a complete index system oriented and organised according to semantic fields. The application of the synthetic model to the design process analysis of students and tutors enabled the definition of the different utilisation strategies of episodic memory to be defined. The results obtained will make up the structure of a tutorial program for the architectural design.
keywords Intelligent Tutoring Systems (ITSs), Architectural Design Education, Case Based Reasoning, Protocol Analisys, Design Cognition
series eCAADe
email
last changed 2022/06/07 07:55

_id 74ac
authors De Vries, Bauke
year 2000
title Sketching in 3D
doi https://doi.org/10.52842/conf.ecaade.2000.277
source Promise and Reality: State of the Art versus State of Practice in Computing for the Design and Planning Process [18th eCAADe Conference Proceedings / ISBN 0-9523687-6-5] Weimar (Germany) 22-24 June 2000, pp. 277-280
summary Sketching in 3D is a design activity that requires a new approach to user interaction and geometric modeling in an architectural context. DDDoolz is an example of such a system used for mass study and spatial design. This paper describes the basic principles and the students’ experiences in a CAAD course.
series eCAADe
email
more http://www.uni-weimar.de/ecaade/
last changed 2022/06/07 07:55

_id ga0002
id ga0002
authors Dehlinger, Hans
year 2000
title Experimental Search for Order in the Code of Generated Drawings
source International Conference on Generative Art
summary In a generative system a set of rules is used to create line-oriented drawings. The intentions of the artist are supported and constrained by the rules. If the entire system is designed and programmed by the artist, its generated results can come very close to the intetions persued. The drawing itself comes into existence in a single run of the system. The purity of such an approach has an inherent aesthetic to it, and the results produced seem to reflect this. After production there is (a) the drawing, and (b) the code which generated it. Feeding the code of one such drawing into a postprocessing cycle opens up a range of further possibilities. The paper experimentally explores such possibilities with a focus on finding and constructing order in disorderly arrangements.
series other
more http://www.generativeart.com/
last changed 2003/08/07 17:25

_id d11a
authors Den Hartog, J. P. and Koutamanis, A.
year 2000
title Teaching design simulation
doi https://doi.org/10.52842/conf.ecaade.2000.197
source Promise and Reality: State of the Art versus State of Practice in Computing for the Design and Planning Process [18th eCAADe Conference Proceedings / ISBN 0-9523687-6-5] Weimar (Germany) 22-24 June 2000, pp. 197-200
summary The democratization of information and communication technologies (ICT) has promoted integration of computing in the design studio and of design activities in the CAAD courses. In addition it has also shifted the focus of CAAD courses from technical skills and general theoretical issues to current, specific design issues, such as the relationship between geometric modeling and construction, design communication and design analysis. CAAD courses (especially advanced ones) increasingly attempt to introduce these issues and corresponding advanced ICT in a design context that outlines the possibilities of these technologies and the underlying computational design methodology and bring research closer to teaching. One such issue is design analysis, especially in the early design stages when many fundamental decisions are taken on the basis of incomplete and insecure information. Simulation provides the computational means for projecting building behaviour and performance. The paper describes the application of a specific simulation technique, computational fluid dynamics (CFD), for the analysis of airflow in and around buildings in the context of an advanced CAAD course. In this course students are required to design a multifunctional exposition building. Even though students are unfamiliar with the particular CFD system, as well as with part of the simulation subject matter, they are able to produce descriptions of their designs with effectiveness and efficiency.
keywords Design Analysis, Simulation, CFD, Airflow
series eCAADe
email
more http://www.uni-weimar.de/ecaade/
last changed 2022/06/07 07:55

_id 0446
authors Fasse, Isabelle
year 1998
title La modélisation de projets architecturaux comme support d'analyse d'oeuvres architecturale
doi https://doi.org/10.52842/conf.ecaade.1998.072
source Computerised Craftsmanship [eCAADe Conference Proceedings] Paris (France) 24-26 September 1998, pp. 72-77
summary A l'heure où l'ordinateur n'est pas seulement utilisé comme instrument de dessin mais de plus en plus mis à contribution comme outil d'aide à la conception, l'approche de l'informatique en Ecole d'Architecture demande une pédagogie adaptée aux disciplines enseignées qui va au delà de l'apprentissage de l'utilisation du matériel et des logiciels. Le travail demandé en 4ème année aux étudiants de l'école d'architecture de Marseille Luminy repose sur l'analyse d'un projet architectural pris dans l'oeuvre d'un architecte de leur choix. Cette analyse doit amener les étudiants à proposer une méthode de travail basée sur les outils informatiques mis à leur disposition qui les aide par la saisie et la représentation informatique du projet, à formuler et évaluer les hypothèses de conception qui ont menées à la réalisation du projet étudié. Cette approche basée sur l'analyse du projet ouvre la perspective de l'utilisation de l'outil informatique dans les étapes de l'analyse, de la conception et de la communication d'un projet.
series eCAADe
more http://www.paris-valdemarne.archi.fr/archive/ecaade98/html/12fasse/index.htm
last changed 2022/06/07 07:55

_id 125a
authors Dikbas, Attila
year 1999
title An Evaluating Model for the Usage of Web-based Information Technology in Computer Aided Architectural Design and Engineering Education
doi https://doi.org/10.52842/conf.ecaade.1999.349
source Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 349-352
summary New technologies often reshape expectations, needs and Opportunities so as to develop strategic Plans for the implementation of Information Techniques in education and research. The widespread acceptance of the internet and more specifically the World Wide Web (WWW) has raised the awareness of educators to the potential for online education, virtual classrooms and even virtual universities. With the advent of computer mediated communication, especially the widespread adoption of the web as a publishing medium, educators see the advantages and potential of delivering educational material over the Internet. The Web offers an excellent medium for content delivery with full text, colour graphics support and hyperlinks. The Purpose of this paper is to present a model for the usage of web-based information technology in computer aided architectural design and engineering education. It involves the key features of a full educational system that is capable of offering the teacher and the student flexibility with which to approach their teaching and learning tasks in ways most appropriate to the architectural design and engineering education. Web-based educational system aims at creating quality in on-line educational materials taking collaboration, support, new skills, and, most of all, time. The paper concludes with a discussion of the benefits of such an education system suggesting directions for further work needed to improve the quality of architectural design and engineering education.
keywords Web-based Information Technology, Online Education, Virtual Campus, Computer Aided Architectural Design, Engineering Education
series eCAADe
last changed 2022/06/07 07:55

_id 1ead
authors Dinand, Munevver Ozgur and Ozersay, Fevzi
year 1999
title CAAD Education under the Lens of Critical Communication Theories and Critical Pedagogy: Towards a Critical Computer Aided Architectural Design Education (CCAADE)
doi https://doi.org/10.52842/conf.ecaade.1999.086
source Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 86-93
summary Understanding the dominant ethos of our age is imperative but not easy. However it is quite evident that new technologies have altered our times. Every discipline is now forced to be critical in developing new concepts according to the realities of our times. Implementing a critical worldview and consciousness is now more essential than ever. Latest changes in information technology are creating pressure on change both in societal and cultural terms. With its direct relation to these technologies, computer aided architectural design education, is obviously an outstanding / prominent case within contemporary debate. This paper aims to name some critical points related to computer aided architectural design education (CAADE) from the perspective of critical communication studies and critical education theories. It tries to relate these three areas, by introducing their common concepts to each other. In this way, it hopes to open a path for a language of critique. A critique that supports and promotes experimentation, negotiation, creativity, social consciousness and active participation in architectural education in general, and CAADE in specific. It suggests that CAADE might become critical and produce meta-discourses [1 ] in two ways. Firstly, by being critical about the context it exists in, that is to say, its relationships to the existing institutional and social structures and secondly by being critical about the content it handles; in other words by questioning its ideological dimensions. This study considers that analysing the role of CAADE in this scheme can provide architectural education with the opportunity to make healthy projections for the future.
keywords Critical Theories, Critical Pedagogy, Critical CAADE
series eCAADe
email
last changed 2022/06/07 07:55

_id 389b
authors Do, Ellen Yi-Luen
year 2000
title Sketch that Scene for Me: Creating Virtual Worlds by Freehand Drawing
doi https://doi.org/10.52842/conf.ecaade.2000.265
source Promise and Reality: State of the Art versus State of Practice in Computing for the Design and Planning Process [18th eCAADe Conference Proceedings / ISBN 0-9523687-6-5] Weimar (Germany) 22-24 June 2000, pp. 265-268
summary With the Web people can now view virtual threedimensional worlds and explore virtual space. Increasingly, novice users are interested in creating 3D Web sites. Virtual Reality Modeling Language gained ISO status in 1997, although it is being supplanted by the compatible Java3D API and alternative 3D Web technologies compete. Viewing VRML scenes is relatively straightforward on most hardware platforms and browsers, but currently there are only two ways to create 3D virtual scenes: One is to code the scene directly using VRML. The other is to use existing CAD and modeling software, and save the world in VRML format or convert to VRML from some other format. Both methods are time consuming, cumbersome, and have steep learning curves. Pen-based user interfaces, on the other hand, are for many an easy and intuitive method for graphics input. Not only are people familiar with the look and feel of paper and pencil, novice users also find it less intimidating to draw what they want, where they want it instead of using a complicated tool palette and pull-down menus. Architects and designers use sketches as a primary tool to generate design ideas and to explore alternatives, and numerous computer-based interfaces have played on the concept of "sketch". However, we restrict the notion of sketch to freehand drawing, which we believe helps people to think, to envision, and to recognize properties of the objects with which they are working. SKETCH employs a pen interface to create three-dimensional models, but it uses a simple language of gestures to control a three-dimensional modeler; it does not attempt to interpret freehand drawings. In contrast, our support of 3D world creation using freehand drawing depend on users’ traditional understanding of a floor plan representation. Igarashi et al. used a pen interface to drive browsing in a 3D world, by projecting the user’s marks on the ground plane in the virtual world. Our Sketch-3D project extends this approach, investigating an interface that allows direct interpretation of the drawing marks (what you draw is what you get) and serves as a rapid prototyping tool for creating 3D virtual scenes.
keywords Freehand Sketching, Pen-Based User Interface, Interaction, VRML, Navigation
series eCAADe
email
more http://www.uni-weimar.de/ecaade/
last changed 2022/06/07 07:55

_id 80f0
authors Dokonal, Wolfgang
year 1999
title Three Dimensional Computer Models in Development Planning
doi https://doi.org/10.52842/conf.ecaade.1999.685
source Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 685-693
summary The paper shows a way to use computer generated spatial models in planning to increase the quality of development planning inside a community and to enable a better vision of future developments in showing the spatial impact of possible solutions inside a bandwidth of surface utilisation and density. It describes the application of this technique to give the specialists and the members of a community a comparatively easy to use tool to show the impact of planning decisions and therefore increase the discussion about a desirable future.
keywords 3D City Modeling, Planning, Spatial Models, Development
series eCAADe
email
last changed 2022/06/07 07:55

_id 5477
authors Donath, D., Kruijff, E., Regenbrecht, H., Hirschberg, U., Johnson, B., Kolarevic, B. and Wojtowicz, J.
year 1999
title Virtual Design Studio 1998 - A Place2Wait
doi https://doi.org/10.52842/conf.ecaade.1999.453
source Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 453-458
summary This article reports on the recent, geographically and temporally distributed, intercollegiate Virtual Design Studio based on the 1998 implementation Phase(x) environment. Students participating in this workshop had to create a place to wait in the form of a folly. This design task was cut in five logical parts, called phases. Every phase had to be finished within a specific timeframe (one day), after which the results would be stored in a common data repository, an online MSQL database environment which holds besides the presentations, consisting of text, 3D models and rendered images, basic project information like the descriptions of the phases and design process visualization tools. This approach to collaborative work is better known as memetic engineering and has successfully been used in several educational programs and past Virtual Design Studios. During the workshop, students made use of a variety of tools, including modeling tools (specifically Sculptor), video-conferencing software and rendering programs. The project distinguishes itself from previous Virtual Design Studios in leaving the design task more open, thereby focusing on the design process itself. From this perspective, this paper represents both a continuation of existing reports about previous Virtual Design Studios and a specific extension by the offered focus. Specific attention will be given at how the different collaborating parties dealt with the data flow and modification, the crux within a successful effort to cooperate on a common design task.
keywords Collaborative design, Design Process, New Media Usage, Global Networks
series eCAADe
email
last changed 2022/06/07 07:55

_id lasg_hylozoicground_2010_40
id lasg_hylozoicground_2010_40
authors Geoff Manaugh
year 2010
title Synthetic Geology; Landscape Remediation in an Age of Benign Geotextiles
source Hylozoic Ground; Liminal Responsive Architecture [ISBN 978-1-926724-02-7] Riverside Architectural Press: Toronto, Canada 2010. pp. 40 - 48
summary Introductory summary of developing Hylozoic Series, a collection of life-like architectural structures
keywords Hylozoism, Hylozoic series, Synthetic geology, geotextile, remediation, artificial natures, microclimates, soil detoxification, hybrid turf, artificial terrain, earthwork, rogue sciences,
last changed 2019/07/29 14:00

_id ga0027
id ga0027
authors E. Bilotta, P. Pantano and V. Talarico
year 2000
title Music Generation through Cellular Automata
source International Conference on Generative Art
summary Cellular automata (CA), like every other dynamical system, can be used to generate music. In fact, starting from any initial state and applying to them simple transition rules, such models are able to produce numerical sequences that can be successively associated to typically musical physical parameters. This approach is interesting because, maintaining fixed the set of rules and varying the initial data, many different, though correlated, numerical sequences can be originated (this recalls the genotype-phenotype dualism). Later on a musification (rendering) process can tie one or more physical parameters typical of music to various mathematical functions: as soon as the generative algorithm produces a numerical sequence this process modifies the physical parameter thus composing a sequence of sounds whose characteristic varies during the course of time. Many so obtained musical sequences can be selected by a genetic algorithm (CA) that promotes their evolution and refinement. The aim of this paper is to illustrate a series of musical pieces generated by CA. In the first part attention is focused on the effects coming from the application of various rendering processes to one dimensional multi state CA; typical behaviours of automata belonging to each of the four families discovered by Wolfram have been studied: CA evolving to a uniform state, CA evolving to a steady cycle, chaotic and complex CA. In order to make this part of the study Musical Dreams, a system for the simulation and musical rendering of one dimensional CA, has been used. In the second phase various CA obtained both by random generation and deriving from those studied in the first part are organised into families and, successively, made evolve through a genetic algorithm. This phase has been accomplished by using Harmony Seeker, a system for the generation of evolutionary music based on GA. The obtained results vary depending on the rendering systems used but, in general, automata belonging to the first family seem more indicated for the production of rhythmical patterns, while elements belonging to the second and fourth family seem to produce better harmonic patterns. Chaotic systems have been seen to produce good results only in presence of simple initial states. Experiments made in the second part have produced good harmonic results starting mainly from CA belonging to the second family.
series other
more http://www.generativeart.com/
last changed 2003/08/07 17:25

_id ga0021
id ga0021
authors Eacott, John
year 2000
title Generative music composition in practice - a critical evaluation
source International Conference on Generative Art
summary This critical evaluation will discuss 4 computer based musical works which, for reasons I shall explain, I describe as non-linear or generative. The works have been constructed by me and publicly performed or exhibited during a two year period from October 1998 to October 2000. ‘In the beginning…’ interactive music installation, strangeAttraction, Morley Gallery, London. July 1999 ‘jnrtv’ live generative dance music May 1999 to Dec 2000 ‘jazz’ interactive music installation, another strangeAttraction Morley Gallery, London. July 2000-09-26 ‘the street’ architectural interactive music installation, University of Westminster Oct 2000 Introduction I have always loved the practice of composing, particularly when it means scoring a work to be played by a live ensemble. There is something about taking a fresh sheet of manuscript , ruling the bar lines, adding clefs, key and time signatures and beginning the gradual process of adding notes, one at a time to the score until it is complete that is gratifying and compensates for the enormous effort involved. The process of scoring however is actually one distinct act within the more general task of creating music. Recently, the notion of ‘composing’ has met challenges through an increased interest in non-linear compositional methods. It is actually the presence of Chaotic or uncontrolable elements which add real beauty to music and many if not all of the things we value. If we think of a sunset, waves lapping on the shore, plants, trees a human face and the sound of the human voice, these things are not perfect and more importantly perhaps, they are transient, constantly changing and evolving. Last year and again this year, I have organised an exhibition of interactive , non-linear music installations called 'strangeAttraction'. The title refers to what Edward Lorenz called a ‘strange attractor’ the phenomenon that despite vast degrees of Chaos and uncertainty within a system, there is a degree of predictability, the tendency for chaotic behaviour to ‘attract’ towards a probable set of outcomes. Composition that deals with 'attractors' or probable outcomes rather than specific details which are set in stone is an increasingly intriguing notion.
series other
more http://www.generativeart.com/
last changed 2003/08/07 17:25

_id 34f7
authors Ehrhardt, Mark A. and Gross, Mark D.
year 2000
title Place Based Web Resources for Historic Buildings
doi https://doi.org/10.52842/conf.ecaade.2000.177
source Promise and Reality: State of the Art versus State of Practice in Computing for the Design and Planning Process [18th eCAADe Conference Proceedings / ISBN 0-9523687-6-5] Weimar (Germany) 22-24 June 2000, pp. 177-179
summary Web sites with animations, panoramic images, sound, and virtual reality can provide a strong sense of place, richer than text and photographs and more interactive than cinema. Constructing these sites demands a great deal of visual and textual information, which must be organized, integrated, and coded for delivery. Existing authoring packages are general-purpose, not specifically for architectural applications, and require technical sophistication. In our process for building Place Based Web Resources (PBWRs), after assembling photographic, drawing, text, and audio resources, the author follows a straightforward series of steps. The Hagia Sophia Web Resource resulted from this process; it includes panoramic pictures, photographs and interpretive text about the building and a VRML model.
keywords Historic Documentation, Web Authoring Tools, Representations of Place
series eCAADe
email
more http://www.uni-weimar.de/ecaade/
last changed 2022/06/07 07:55

_id 2e77
authors Ekholm, A. and Fridqvist, S.
year 2000
title A concept of space for building classification, product modelling, and design
source Automation in Construction 9 (3) (2000) pp. 315-328
summary Information about a building's spaces is of interest in every stage of the construction and facility management processes. An organisation1 or enterprise is located in and uses the building's spaces, and many of the building's spatial properties are determined on the basis of the user organisation's requirements. The definition of the concept "space" as applied in information systems for building classification and building product modelling today is unclear. A fundamental problem is to reconcile a material and construction method viewpoint with a space-centred viewpoint. In order to enable communication among actors and computer systems in the construction process, the concepts used in model development and the corresponding terms have to be formally defined and standardised. In this article, we analyse the concept of space and suggest a comprehensive definition for the construction context. The identification of a space in a building is based on a spatial view. We introduce the concept of aspectual unit and show how this concept can be used to integrate different aspect views in a conceptual schema. Additionally, we define the user organisation as a thing, which is separate from the building and has spatial properties of its own, so-called "activity spaces". Finally, we show how space may be represented in a comprehensive conceptual schema.
series journal paper
more http://www.elsevier.com/locate/autcon
last changed 2003/05/15 21:22

_id a38c
authors Emdanat, S., Vakalo, E.G. and Birmingham, W.
year 1999
title Solving Form-Making Problems Using Shape Algebras and Constraint Satisfaction
doi https://doi.org/10.52842/conf.ecaade.1999.620
source Architectural Computing from Turing to 2000 [eCAADe Conference Proceedings / ISBN 0-9523687-5-7] Liverpool (UK) 15-17 September 1999, pp. 620-625
summary Shape grammars are well known approaches in design space exploration. This paper reviews the current work on shape grammars in design and suggests that considerable gains can be attained by integrating parametric shape grammar based design approaches with distributed constraint-based problem solving. Parametric grammars are represent design topologies while distributed constrain satisfaction can be used to maintain consistency and produce the space of feasible design solutions. Designers' decision making can be coordinated such that constraints cannot be violated and designs that exhibit the highest utility (value) are selected.
keywords Shape Grammar, Shape Algebra, Constraint Satisfaction
series eCAADe
email
last changed 2022/06/07 07:55

_id deb0
authors Hall, A.
year 1996
title Design Control: Towards a new approach
source Oxford, Butterworth Architecture
summary Contributed by Susan Pietsch (spietsch@arch.adelaide.edu.au)
keywords 3D City Modeling, Development Control, Design Control
series other
last changed 2001/06/04 20:27

_id 3e0f
authors Hall, A.
year 1998
title A Hypermedia Format for Development Plans
source 4th International Conference on Design and Support Systems in Architecture and Planning, Maastricht
summary Contributed by Susan Pietsch (spietsch@arch.adelaide.edu.au)
keywords 3D City Modeling, Development Control, Design Control
series other
last changed 2001/06/04 20:27

_id 81f0
id 81f0
authors Hall, Theodore W
year 2006
title Artificial Gravity Visualization, Empathy, and Design
source AIAA 2006-7321. 2nd International Space Architecture Symposium, AIAA Space 2006 Conference & Exposition, San Jose, California, USA, 19-21 September 2006. Reston, Virginia, USA: American Institute of Aeronautics and Astronautics.
keywords scientific visualization
series other
type normal paper
email
more http://www.spacearchitect.org/pubs/AIAA-2006-7321.pdf
last changed 2006/10/10 05:15

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