Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaade2023_86
id	ecaade2023_86
authors	Nix, Tamar and Sprecher, Aaron
year	2023
title	Crochet Digital Assemblage - Notes on additive manufacturing of textile in architecture
doi	https://doi.org/10.52842/conf.ecaade.2023.1.273
source	Dokonal, W, Hirschberg, U and Wurzer, G (eds.), Digital Design Reconsidered - Proceedings of the 41st Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2023) - Volume 1, Graz, 20-22 September 2023, pp. 273–282
summary	The past decade has seen a growing interest in the use of textiles in architecture, driven by advancements in digital knitting technology. However, while digital knitting machines have enabled the creation of 3D-shaped textiles, they still face limitations in terms of handling complex topologies, output scale, and material thickness. This study proposes crochet as an alternative to knitting in large-scale applications due to its ability to create seamless 3D shells. Although there have been significant advances in the computation of crochet instructions, placing it within the context of additive manufacturing, a digital fabrication method for volumetric crochet is still lacking. This paper offers a comprehensive overview of the recent history of computational tools utilized in fabricating continuous yarned 3D textiles together with an in-depth comparison to reveal the significant differences between knitting and crochet. It then proceeds to identify the relevant design attributes for a novel technology by analyzing hand gestures and toolpaths. Finally, the paper presents a novel digital fabrication device designed for large-scale crochet frameworks, which highlights the considerable advantages of crochet over other related fabrication methods. The proposed robotic device employs patented technology, which enables unprecedented fabrication capabilities in the field and opens new prospects for incorporating large-scale textiles in architecture.
keywords	Digital Crochet, Textile Additive Manufacturing, Computational Textile Architecture, Textile Construction, Textile Digital Fabrication
series	eCAADe
email
last changed	2023/12/10 10:49

_id	790a
authors	Noble, D., Kensek, K. and Keating, G.
year	2000
title	Stereoscopic Imaging in Architectural Design: A Communications Experiment
source	SIGraDi’2000 - Construindo (n)o espacio digital (constructing the digital Space) [4th SIGRADI Conference Proceedings / ISBN 85-88027-02-X] Rio de Janeiro (Brazil) 25-28 september 2000, pp. 216-216
summary	Stereoscopic imagery is finding new uses with the growth of computer applications in design and entertainment endeavors. This can be demonstrated in part by the substantial interest in immersive virtual reality systems. Since visual communication is an important tool for describing projects and stereoscopic imagery is receiving considerable attention in software development , an experiment was conducted to examine some of the characteristics of architectural communication using stereoscopic methods.
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	338a
authors	Noble, Douglas and Hsu, Jason
year	1999
title	Computer Aided Animation in Architecture: Analysis of Use and the Views of the Profession
source	III Congreso Iberoamericano de Grafico Digital [SIGRADI Conference Proceedings] Montevideo (Uruguay) September 29th - October 1st 1999, pp. 109-114
summary	A traditional way to present three-dimensional representations of architectural design has been through the use of manually drawn perspective drawings. The perspective representation assists in the comprehension of the forms and spaces, but is difficult to manually generate. The computer revolution made perspectives much easier to generate and led to a dramatically increased use of three-dimensional representation as a presentation technique. We are just now seeing substantial uses of animation as a communication and presentation tool in architecture. This paper documents the results of two surveys of the architectural profession that sought to discover the current and near future intentions for the use of computer animation. Our belief is that current levels of computer animation use are low, but that many firms intend to start using animation both as a design and presentation tool. In early 1998 we conducted a survey of the uses of computer animation by architectural firms. We posited a set of 14 related hypotheses. This paper represents the tabulated results from 82 completed surveys out of 620 requests. While some level of confidence can be obtained from this sample size, we are publishing in the hope of encouraging continued response to the survey.
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	d03a
authors	Noble, Douglas and Kensek, Karen M.
year	2002
title	CAD/CAM Methods in Support of Historic Preservation: A Case Study of the Freeman House by Frank Lloyd Wright
source	SIGraDi 2002 - [Proceedings of the 6th Iberoamerican Congress of Digital Graphics] Caracas (Venezuela) 27-29 november 2002, pp. 52-54
summary	Preservationists have an impressive array of digital tools to aid them in documentation and analysis of historic structures. The tools range from near photo-realistic renderings to demonstrate what a “restored” building might have looked like at one specifi c time in history to complex chemical analysis of paint chips and pigments to geographic information systems used as management tools for historic prop er ties. Computer-aided design / computer-aided manufacturing (CAD/CAM) is set of important digital aids in historic preservation efforts. This paper presents a case study of the use of CAD/CAM in support of an effort to restore a textile block house designed by Frank Lloyd Wright. CAD/CAM methods are being employed to help produce a new mold so that new textile blocks can be manufactured that match the existing blocks. An existing textile block mold was digitally scanned, digitally mirrored and edited, and will be fabricated from an aluminum billet to replace a mold that no longer exists. Although seemingly a simple process and well within current technological abilities, the work proved substantially more challenging that initially imagined.
keywords	CAD/CAM, historic preservation, textile block, Frank Lloyd Wright
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	ca71
authors	Noble, Douglas and Rittel, Horst W.J.
year	1988
title	Issue-Based Information Systems for Design
doi	https://doi.org/10.52842/conf.acadia.1988.275
source	Computing in Design Education [ACADIA Conference Proceedings] Ann Arbor (Michigan / USA) 28-30 October 1988, pp. 275-286
summary	The understanding of planning and design as a process of argumentation (of the designer with himself or with others) has led to the concept of IBIS (Issue-Based Information Systems). The elements of IBIS are Issues, each of which are associated with alternative positions. These in turn are associated with arguments which support or object to a given position (or another argument). In the course of the treatment of issues, new issues come up which are treated likewise. Issue-Based Information Systems are used as a means of widening the coverage of a problem. By encouraging a greater degree of participation, particularly in the earlier phases of the process, the designer is increasing the opportunity that difficulties of his proposed solution, unseen by him, will be discovered by others. Since the problem observed by a designer can always be treated as merely a symptom of another higher-level problem, the argumentative approach also increases the likelyhood that someone will attempt to attack the problem from this point of view. Another desirable characteristic of the Issue-Based Information System is that it helps to make the design process 'transparent'. Transparency here refers tO the ability of observers as well as participants to trace back the process of decision-making. This paper offers a description of a computer-supported IBIS (written in 'C' using the 'XWindows' user interface), including a discussion of the usefulness of IBIS in design, as well as comments on the role of the computer in IBIS implementation, and related developments in computing.
series	ACADIA
email
last changed	2022/06/07 07:58

_id	acadia06_040
id	acadia06_040
authors	Noble, Douglas
year	2006
title	ACADIA at 25
doi	https://doi.org/10.52842/conf.acadia.2006.040
source	Synthetic Landscapes [Proceedings of the 25th Annual Conference of the Association for Computer-Aided Design in Architecture] pp. 40-41
summary	White Paper - Reflecting on 25 years of ACADIA
series	ACADIA
email
last changed	2022/06/07 07:58

_id	caadria2021_132
id	caadria2021_132
authors	Nodado, Cheska Daclag, Yogiaman, Christine and Tracy, Kenneth
year	2021
title	Towards Wind-Induced Architectural Systematization - Demonstrating the Collective Behaviour of Urban Blocks as a Design Asset
doi	https://doi.org/10.52842/conf.caadria.2021.2.447
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 2, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 447-456
summary	This paper presents the premise of collective behaviour of singular units as a design asset in an urban environment. The collaborative effect of building shapes, surface texture and the order of buildings on wind patterns in the urban were explored and analysed. The results revealed that these three factors are imperative to effectively design airflow and air velocity to create cooling effects in warm urban environments. This study intends to solve the problem of compact building blocks which create stagnant air in outdoor urban spaces that worsens outdoor urban thermal comfort. As the study involves a large scale urban area which requires tremendous simulation time, this paper would also demonstrate an attempt for an alternative workflow in studying computational fluid dynamic (CFD) through utilizing Houdini, which is an animation software to predict wind flow patterns in an urban context in a faster way which is highly beneficial for conceptual design stage. The paper explains the setup of Houdini working interface which enables the researcher to compare simulation results of varying models with ease via the switch button, and further improve simulation speed by disabling the need of remeshing the original model.
keywords	collaborative behaviour; urban blocks; wind pattern; computational fluid dynamics (CFD)
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	cf2019_065
id	cf2019_065
authors	Noel, Vernelle
year	2019
title	Design Computation and Restoring Craftsmanship: The Bailey-Derek Grammar in Wire-Bending
source	Ji-Hyun Lee (Eds.) "Hello, Culture!" [18th International Conference, CAAD Futures 2019, Proceedings / ISBN 978-89-89453-05-5] Daejeon, Korea, pp. 506-525
summary	Craft knowledge, practices, and communities are vanishing due to globalization, automation, and techno-centric developments. This paper evaluates a computational design tool - the Bailey-Derek Grammar - for restoration of craftsmanship in the practice of wire-bending. By conducting workshops, interviews and surveys, document and artifact analyses, I examine the role of the Grammar in repairing the craft. The results shed light on how a computational description of tacit knowledge in the form of a shape grammar aids in restoring technical knowledge and skill in a craft. Results also indicate that the computational design tool promotes democratization of the craft by creating new forms of practice, and new roles for participation and engagement.
keywords	Craft, Repair, Restoration, Shape grammar, Wire-bending
series	CAAD Futures
email
last changed	2019/07/29 14:18

_id	caadria2021_445
id	caadria2021_445
authors	Noel, Vernelle A. A., Nikookar, Niloofar, Pye, Jamieson, Tran, Phuong 'Karen' and Laudeman, Sara
year	2021
title	The Infinite Line Active Bending Pavilion: Culture,Craft and Computation
doi	https://doi.org/10.52842/conf.caadria.2021.1.351
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 1, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 351-360
summary	Active bending projects today employ highly specialized, complex computer software and machines for design, simulation, and materialization. At times, these projects lack a sensitivity to cultures limited in high-tech infrastructures but rich in low-tech knowledges. Situated Computations is an approach to computational design that grounds it in the social world by acknowledging historical, cultural, and material contexts of design and making, as well as the social and political structures that drive them. In this article, we ask, how can a Situated Computations approach to contemporary active bending broaden the design space and uplift low-tech cultural practices? To answer this question, we design and build "The Infinite Line"- an active bending pavilion that draws on the history, material practices, and knowledges in design in the Trinidad Carnival - for the 2019 International Association for Shell and Spatial Structures (IASS) exhibition in Barcelona, Spain. We conclude that Situated Computations provide an opportunity to integrate local knowledges, histories, design practices, and material behaviors as drivers in active bending approaches, so that structure, material practices, and cultural settings are considered concurrently.
keywords	Situated Computations; craft; wire-bending; active bending structures; Trinidad Carnival; dancing sculptures
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	ecaade2016_075
id	ecaade2016_075
authors	Noel, Vernelle A. A.
year	2016
title	Crafting as Inquiry into Computation - Exploring wire-bending in traditional practice and design education
doi	https://doi.org/10.52842/conf.ecaade.2016.1.311
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 311-320
summary	In an effort to sustain and revitalize the dying craft of wire-bending, I present the development of three novel approaches: Digital Crafting, Computational Crafting, and Crafting Fabrication. Computation and digital technology were integrated with traditional wire-bending principles to design and fabricate artifacts. In this work, I present three artifacts resulting from these novel approaches, and analyze how these methods may be used in design education and practice. Our findings benefit the practice because it offers opportunities for teaching computational and traditional skills to older and younger generations through wire-bending.
wos	WOS:000402063700035
keywords	wire-bending; Bailey-Derek Grammar; craft; computational design; fabrication
series	eCAADe
email
last changed	2022/06/07 07:58

_id	cf2017_022
id	cf2017_022
authors	Noel, Vernelle A. A.
year	2017
title	From Costuming and Dancing Sculptures to Architecture: The Corporeal and Computational in Design and Fabrication of Lightweight Mobile Structures
source	Gülen Çagdas, Mine Özkar, Leman F. Gül and Ethem Gürer (Eds.) Future Trajectories of Computation in Design [17th International Conference, CAAD Futures 2017, Proceedings / ISBN 978-975-561-482-3] Istanbul, Turkey, July 12-14, 2017, pp. 22-41.
summary	This paper describes a new approach to designing and fabricating costuming and dancing sculptures and the potential application of this system at the architectural scale. I present a novel design system based on the movement, form, and spatial relation of characters and dancing sculptures in the Trinidad Carnival. I also present a system that produces lightweight mobile structures from 3D printed connections, lightweight rods, and textile. Through a detailed case study, a new dancing sculpture is designed, and a full-scale lightweight mobile structure at the architectural scale is fabricated. Fabrication of the lightweight structure is achieved using Digital Crafting and Crafting Fabrication approaches to wire-bending, which includes the early development of a digital fabrication program for rod elements. This work has potential implications for costuming and dancing sculptures; architecture; computational design; and craft practices.
keywords	Lightweight Architectural Structures, Trinidad Carnival, Corporeal, Dancing Sculptures, Fabrication
series	CAAD Futures
email
last changed	2017/12/01 14:37

_id	acadia23_v1_242
id	acadia23_v1_242
authors	Noel, Vernelle A.
year	2023
title	Carnival + AI: Heritage, Immersive virtual spaces, and Machine Learning
source	ACADIA 2023: Habits of the Anthropocene: Scarcity and Abundance in a Post-Material Economy [Volume 1: Projects Catalog of the 43rd Annual Conference of the Association of Computer Aided Design in Architecture (ACADIA) ISBN 979-8-9860805-8-1]. Denver. 26-28 October 2023. edited by A. Crawford, N. Diniz, R. Beckett, J. Vanucchi, M. Swackhamer 242-245.
summary	Built on a Situated Computations framework, this project explores preservation, reconfiguration, and presentation of heritage through immersive virtual experiences, and machine learning for new understandings and possibilities (Noel 2020; 2017; Leach and Campo 2022; Leach 2021). Using the Trinidad and Tobago Carnival - hereinafter referred to as Carnival - as a case study, Carnival + AI is a series of immersive experiences in design, culture, and artificial intelligence (AI). These virtual spaces create new digital modes of engaging with cultural heritage and reimagined designs of traditional sculptures in the Carnival (Noel 2021). The project includes three virtual events that draw on real events in the Carnival: (1) the Virtual Gallery, which builds on dancing sculptures in the Carnival and showcases AI-generated designs; (2) Virtual J’ouvert built on J’ouvert in Carnival with AI-generated J’ouvert characters specific; and (3) Virtual Mas which builds on the masquerade.
series	ACADIA
type	project
email
last changed	2024/04/17 13:58

_id	ijac202220207
id	ijac202220207
authors	Noel, Vernelle AA
year	2022
title	Computational regionalism: De-familiarization of tectonics in the wire-bending craft
source	International Journal of Architectural Computing 2022, Vol. 20 - no. 2, pp. 277–296
summary	Computer-based design and fabrication systems in architecture contain modes of operation and preferencesthat often constrain tectonic possibilities in design and construction. These predispositions neglect architecture’s cultural and material dimensions, resulting in universalizing tectonics that erase nuances of place,culture, and expression in design. How may we celebrate local tectonic languages while also revisiting themthrough computer-based systems in architecture? The project examined here highlights novel possibilities forcultural expression and craftsmanship through computational design methods, retaining the expressivepotential of a local craft while de-familiarizing its cultural context. I analyze how shape grammars and digitalfabrication methods deployed in design, de-familiarizes the craft of wire-bending in costuming in the TrinidadCarnival. I present and apply new rules for the craft’s computational description based on material tests andan architectural application to expand discourses on critical regionalism. I adopt Tabbarah’s term “computational regionalism” to describe this process and elaborate it as a five-step sequence. Computationalregionalism employs computational methods to translate local craft knowledge and tectonic languages intonew interpretations and poetics of construction. Its process of creative de-familiarization raises criticalquestions about the local and the universal
keywords	Computational regionalism, craft, wire-bending, Bailey-Derek grammar, de-familiarization, Trinidad Carnival, tectonics
series	journal
last changed	2024/04/17 14:29

_id	ijac202119402
id	ijac202119402
authors	Noel, Vernelle AA; Boeva, Yana; Dortdivanlioglu, Hayri
year	2021
title	The question of access: Toward an equitable future of computational design
source	International Journal of Architectural Computing 2021, Vol. 19 - no. 4, 496–511
summary	Digital fabrication and its cultivated spaces promise to break disciplinary boundaries and enable access to its technologies and computation for the broader public. This paper examines the trope of “access” in digital fabrication, design, and craft, and illustrates how it unfolds in these spaces and practices. An equitable future is one that builds on and creates space for multiple bodies, knowledges, and skills; allows perceptual interaction and corporeal engagement with people, materials, and tools; and employs technologies accessible to broad groups of society. By conducting comparative and transnational ethnographic studies at digital fabrication and crafting sites, and performing craft-centered computational design studies, we offer a critical description of what access looks like in an equitable future that includes digital fabrication. The study highlights the need to examine universal conceptions and study how they are operationalized in broader narratives and design pedagogy traditions.
keywords	Access, knowledges, craft, digital fabrication, computation, equity, pedagogy
series	journal
email
last changed	2024/04/17 14:29

_id	sigradi2008_097
id	sigradi2008_097
authors	Nogueira de Carvalho, Ana Paula; Marcelo Tramontano, Marlon Rubio Longo
year	2008
title	D.O.S. Designers on Spot: Communication processes and Learning actions [Processos de Comunicação e Ações de Aprendizagem]
source	SIGraDi 2008 - [Proceedings of the 12th Iberoamerican Congress of Digital Graphics] La Habana - Cuba 1-5 December 2008
summary	D.O.S. Designers on Spot: Communication processes and Learning actions This paper introduces some concepts that have been studied at D.O.S. project as part of the learning and communication actions. These concepts are relevant to the project as they brought to the team some improvements about design experiences based on network communication, as well as some reflections done by designers and researchers in different parts of the world. The project proposed by our research group is part of growing demands for experiments able to explore the Advanced Internet for fast transferring large packages of content. The activities are divided in two different instances: one is called exploratory research and aims to identify enrichments that a collaborative practice would add to the design process and to the production of interactive prototypes as well. The other one is related to remote learning strategies. It aims at investigating new methods of collective design and prototyping of objects with integrated media, and the diffusion of these techniques and methods in classroom environments, as a teaching strategy. Following are three different aspects about design experiences. The first one, called communication processes, presents a panoramic view about different ways the participants of a remote design session can share information. It targets to point and to systematize design actions by exploring transversal characteristics among designers, teams and the resulting objects. In order to achieve it, we have to understand some relations between remote communication and design processes, which explore issues in the project phases of conception, production and interaction. This exploration is part of the search for a conceptual scope for the D.O.S. project development, with an emphasis on the communication specificities between remote designers and the design process. The second one, learning action processes, introduces some issues about academic teaching and learning of design through remote and collaborative media. The third one, Virtual Design Studio (VDS), is related to the previous and aims to present a specific kind of remote design sessions targeting to create strategies to use new communication and information technologies (ICT) on remote project instances. The teaching of Architecture and Design is, above all, multidisciplinary – this means that it is not limited to the knowledge of one field of activity but, by a wide range of subjects from different areas - including Computing. The introduction of ICT (Information and Communication Technologies) in the project process is commonly associated to the final stages, and not to the creation. The contribution of the digital environment is provided for the use of various software, which are not restricted to those responsible for graphical representation: programs responsible for the organization of data in tables, for example, enable monitoring developments with clarity. The multidisciplinary consideration supports new variables in the process of design, working quickly and accurately on the possibilities, which modifies the agency of decisions and management tasks.
keywords	Advanced internet, collaborative design, virtual design studio
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	ecaade2020_306
id	ecaade2020_306
authors	Nogueira, Alex and Romao, Luís
year	2020
title	Shape Grammars as a Method to Introduce Computational Thinking in Design - The case of tiles
doi	https://doi.org/10.52842/conf.ecaade.2020.1.693
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 1, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 693-702
summary	For architects and other artists, shape grammars, that are part of the computational thinking concept, have been an effective initial tool of transition between the realm of design and the classic computer. The dissemination of computer science and its mindset is only possible when it is supported by adequate pedagogical processes. The presented paper demonstrates an adequate transposition of art solutions (part of tile panels by Athos Bulcao and Maria Keil) into a computational structure where innovative notations are defined in some aspects. To that end, it allows their implementation in the computer through a suitable programming language and uses those same notations to generate other solutions within the same universe of interest and research. Furthermore, an intellectual process is exposed allowing to structure the information, particularly regarding to form, to different frameworks, placing itself as an opportune methodological structure that can guide other similar experiences.
keywords	Art and Design; CAAD Education and Teaching; Design Concepts and Strategies; Hybrid Shape Grammar
series	eCAADe
email
last changed	2022/06/07 07:58

_id	sigradi2023_417
id	sigradi2023_417
authors	Nogueira, Alex and Romao, Luís
year	2023
title	room_ID: An architectonic image classifier tool correlating machine learning and the domestic space
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 1833–1843
summary	There are still considerable gaps in the relationship between artificial intelligence (AI) and architecture, both in the field of computer-aided architectural design and the everyday spatial experience. Therefore, we sought to build a bridge through correlating machine learning (ML), one of the significant branches of AI, and the domestic space, probably the most experienced architectonic space. Thus, our utmost goal is to develop an architectonic image classifier tool that allows the computer to identify the rooms that generally compound an ordinary dwelling. Our approach includes a brief theoretical background, the development of the room_ID app, and, afterward, discussions are presented. In the stage of the room_ID application development, a five-phase framework is proposed: a) Class definition; b) Database criteria; c) Image collection; d) Tool development; and e) Preliminary validation. Therefore, the room_ID tool provides us with a possible way to recognize the specificities of architectonic spaces rendered as computational data.
keywords	Artificial Intelligence, Machine Learning, Domesticity, Architectonic image classifier Tool, Room labels.
series	SIGraDi
email
last changed	2024/03/08 14:09

_id	caadria2014_167
id	caadria2014_167
authors	Nojimoto, Cynthia; Mayara D. De Souza, João Paulo Soares and Marcelo Tramontano
year	2014
title	Thinking About Systems
doi	https://doi.org/10.52842/conf.caadria.2014.451
source	Rethinking Comprehensive Design: Speculative Counterculture, Proceedings of the 19th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2014) / Kyoto 14-16 May 2014, pp. 451–460
summary	This paper presents the organization of a design process which allows the inclusion of communities in a collaborative way and integrates cultural and social aspects of local context, by considering available material resources and equipment, local practices in architecture and construction, environmental features, and other aspects into the possibilities provided by parametric design and digital fabrication. This paper recognizes that design process is developed from interrelated actions, which can be understood by the concept of complexity from the French philosopher Edgar Morin.
keywords	Complexity; Design process; Parametric design; Digital fabrication
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	sigradi2006_p003c
id	sigradi2006_p003c
authors	Nojimoto, Cynthia; Pereira Carneiro, Gabriela and Tramontano, Marcelo
year	2006
title	Processos de design: uso de animações na concepção de peças de mobiliário [Design processes: Using computing animations for interactive furniture conception]
source	SIGraDi 2006 - [Proceedings of the 10th Iberoamerican Congress of Digital Graphics] Santiago de Chile - Chile 21-23 November 2006, pp. 321-324
summary	This article explores the use of graphical animations in the process of furniture design. The proposals are part of the Kómuniká’tór Project (www.eesc.usp.br/nomads/ kom.htm) that investigates the insertion of media in dwelling furniture. The objective is to describe the process of creation and use of these animations pointing how this methodology has been relevant for visualizing potentials and limitations of the proposals explored in the project. Two consultations through focus groups had been carried through, the first one with potentially users and the second one with professionals of design, communication and architecture domains. The technique of animations appears as a valid method for a first contact between the proposed object with its possible user.
series	SIGRADI
email
last changed	2016/03/10 09:56

_id	sigradi2011_279
id	sigradi2011_279
authors	Nojimoto, Cynthia; Tramontano, Marcelo; Sobral Anelli, Renato Luiz
year	2011
title	Design Paramétrico: Experiência Didática [Parametric Design: Didactic Experience]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 456-460
summary	The paper presents uses of parametric software for design processes as Rhinoceros and Grasshopper within a design studio activity. Besides the use of parametric software, the activity also involved the development of physical models produced by settings of digital fabrication. The aim of this paper is to describe and to comment this didactic experience with architecture students and analyze how this software was introduced in their design process.
series	SIGRADI
email
last changed	2016/03/10 09:56

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