Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	ecaade2018_344
id	ecaade2018_344
authors	El-Gewely, Noor, Wong, Christopher, Tayefi, Lili, Markopoulou, Areti, Chronis, Angelos and Dubor, Alexandre
year	2018
title	Programming Material Intelligence Using Food Waste Deposition to Trigger Automatic Three-Dimensional Formation Response in Bioplastics
source	Kepczynska-Walczak, A, Bialkowski, S (eds.), Computing for a better tomorrow - Proceedings of the 36th eCAADe Conference - Volume 2, Lodz University of Technology, Lodz, Poland, 19-21 September 2018, pp. 271-278
doi	https://doi.org/10.52842/conf.ecaade.2018.2.271
summary	Bioplastics are by their very nature parametric materials, programmable through the selection of constituent components and the ratios in which they appear, and as such present significant potential as architectural building materials for reasons beyond sustainability and biodegradability. This paper presents a system through which rigid three-dimensional doubly curved hyperbolic paraboloid shapes are automatically formed from two-dimensional sheet casts by harnessing the inherent flexibility and expressiveness of bioplastics. The system uses a gelatin-based bioplastic supplemented with granular organic matter from food waste in conjunction with a split-frame casting system that enables the self-formation of three-dimensional geometries by directing the force of the bioplastic's uniform contraction as it dries. By adjusting the food waste added to the bioplastic, its properties can be tuned according to formal and performative needs; here, dehydrated granulated orange peel and dehydrated spent espresso-ground coffee are used both to impart their inherent characteristics and also to influence the degree of curvature of the resulting bioplastic surfaces. Multi-material casts incorporating both orange peel bioplastic and coffee grounds bioplastic are shown to exert a greater influence over the degree of curvature than either bioplastic alone, and skeletonized panels are shown to exhibit the same behavior as their solid counterparts. Potential developments of the technology so as to gain greater control of the curvature performance, particularly in the direction of computer-controlled additive manufacturing, are considered, as is the potential of application in architectural scale.
keywords	Bioplastics; Composites; Fabrication; Materials
series	eCAADe
email
last changed	2022/06/07 07:55

_id	caadria2021_382
id	caadria2021_382
authors	Heidari, Farahbod, Saleh Tabari, Mohammad Hassan, Mahdavinejad, Mohammadjavad, Werner, Liss C. and Roohabadi, Maryam
year	2021
title	Bio-Energy Management from Micro-Algae Bio-Computational Based Reactor
source	A. Globa, J. van Ameijde, A. Fingrut, N. Kim, T.T.S. Lo (eds.), PROJECTIONS - Proceedings of the 26th CAADRIA Conference - Volume 1, The Chinese University of Hong Kong and Online, Hong Kong, 29 March - 1 April 2021, pp. 401-410
doi	https://doi.org/10.52842/conf.caadria.2021.1.401
summary	Microalgae are a sustainable source of unique properties with potential for various applications. Biofuel production has led to the use of them as bioreactors on an architectural scale. Most of these efforts cannot manage the output due to the lack of intelligent control and monitoring over environmental micro-scale growth. This research presents the possibility of control and monitoring over the bio-energy retrieved through micro-organisms in bio-reactors, specifically the growth environments computation. To achieve monitoring, three dimensions of the medium culture captured by cameras, and with the advantage of image processing, the picture frames pixel values measured. In this process, we use the Python OpenCV Library as an image processing reference. Finally, a specifically developed algorithm analyses the calculated 3d-matrix. By changing the environmental parameters, control happens by directly recognizing changes in density and outputs. This researchs computational process has proposed a novel approach for controlling particle-based environments to reach the desired functions of microorganisms, This approach can use in a wide range of cases as a method.
keywords	Bio-Computation; Monitoring; Image Processing; Pattern Recognition; Multi-Functional Bio-Materials
series	CAADRIA
email
last changed	2022/06/07 07:49

_id	ecaade2018_422
id	ecaade2018_422
authors	Ku, Kihong and Gurjar, Satpal
year	2018
title	Prototyping Method for Complex-Shaped Textile Composite Panels - Developing a digitally controlled reconfigurable mold
source	Kepczynska-Walczak, A, Bialkowski, S (eds.), Computing for a better tomorrow - Proceedings of the 36th eCAADe Conference - Volume 2, Lodz University of Technology, Lodz, Poland, 19-21 September 2018, pp. 47-52
doi	https://doi.org/10.52842/conf.ecaade.2018.2.047
summary	While textile composites offer a wide range of formal flexibilities, a primary concern is the cost and time of creating custom mold surfaces which are typically produced through subtractive digital fabrication techniques. Alternative methods such as adjustable molds are used in high-end sail-making, and architectural researchers have examined reconfigurable molds, fiber sandwich fabrication methods, and mold-free fiber reinforced polymer (FRP) fabrication processes. In this paper, we discuss the development of a digitally controlled mold system for complex-shaped textile composite panels, aiming to reduce the need for custom milled molds. Experimental research started with producing composite samples from computer-numerically-controlled (CNC) milled foam molds. Subsequently, a digitally controlled deformable mold prototype was developed which incorporates a digital interface through which the architect's surface geometry is entered, analyzed, and transferred. The digital geometry directly controls the position of vertical actuators which adjusts the mold surface. Results of this ongoing project outline a digital process for fabricating textile composite panels, and help to define key parameters of the adjustable mold system including material properties, mechanical controls of the mold surface, paneling considerations, and digital interface.
keywords	textile composites; reconfigurable mold; deformable mold; fiber reinforced polymer; digital fabrication; Arduino
series	eCAADe
email
last changed	2022/06/07 07:51

_id	ecaade2020_106
id	ecaade2020_106
authors	Mesa, Olga, Mhatre, Saurabh and Bechthold, Martin
year	2020
title	Woven Compliant Composites
source	Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 1, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 79-88
doi	https://doi.org/10.52842/conf.ecaade.2020.1.079
summary	Compliant composites are a new approach to composite systems that leverage the semi-rigid properties of composite woven fabrics to create kinetic compliant mechanisms. Simple fabrication and economic actuation principles are proposed to transform planar fabrics into three-dimensional configurations without using expensive molds, instead, relying on the millimeter-scale mechanical interactions of woven composite fabrics. The relation between fabric type, weave, matrix, laminations, and localized reinforcement was studied to achieve repeatable, durable, and functional components that displayed instant transformations. Woven compliant mechanisms were patterned to create adjustable surfaces actuated uniaxially and biaxially producing different degrees of porosity. The kinetic response is generated without the use of complicated mechanisms by relying on material properties and smart geometries. Our system expands work on kinetic surfaces with the advantage of the ease of actuation and fabrication. These surfaces can be used in architectural applications such as facades, shading mechanisms, and interior partitions where performative qualities are desirable.
keywords	Compliant composites; Responsive systems; Material Intelligence; Smart geometries
series	eCAADe
email
last changed	2022/06/07 07:58

_id	caadria2019_379
id	caadria2019_379
authors	Vazquez, Elena, Gursoy, Benay and Duarte, Jose
year	2019
title	Designing for Shape Change - A Case study on 3D Printing Composite Materials for Responsive Architectures
source	M. Haeusler, M. A. Schnabel, T. Fukuda (eds.), Intelligent & Informed - Proceedings of the 24th CAADRIA Conference - Volume 2, Victoria University of Wellington, Wellington, New Zealand, 15-18 April 2019, pp. 391-400
doi	https://doi.org/10.52842/conf.caadria.2019.2.391
summary	This paper presents the initial stages of a research that aims to develop hydroactive architectural skin systems that respond to environmental humidity. As part of this study, we have developed wood-based bio-composite materials that are 3D printed with wood filament. Shape-changing behavior is not predictable in advance. We developed customized 3D printing protocols to systematically study shape-changing behavior. The paper presents this systematic material study and the prototypes that we have developed.
keywords	smart materials; responsive architecture; 3D printing; material computation
series	CAADRIA
email
last changed	2022/06/07 07:58

_id	ecaade2013_235
id	ecaade2013_235
authors	Akküçük, Zeynep and Özkar, Mine
year	2013
title	Ruling Im/Material Uncertainties
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 305-314
doi	https://doi.org/10.52842/conf.ecaade.2013.2.305
wos	WOS:000340643600031
summary	Visual rules are powerful in loosely capturing the impact of material behavior on form in designer’s hands-on experimentation. They present a first step to translate the causal relations between material and form to computation without sacrificing the uncertainties in the designer’s interaction with the materials. This study investigates how to model the relation between material and form with visual rules so that the model embodies some of the phenomenological aspects of reality, rather than merely reproducing it.
keywords	Digital materiality; physics-based modeling; abstractions; visual schemas; shape studies.
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ga9926
id	ga9926
authors	Antonini, Riccardo
year	1999
title	Let's Improvise Together
source	International Conference on Generative Art
summary	The creators of ‘Let's-Improvise-Together’ adhere to the idea that while there is a multitude of online games now available in cyberspace, it appears that relatively few are focused on providing a positive, friendly and productive experience for the user. Producing this kind of experience is one the goals of our Amusement Project.To this end, the creation of ‘Let's Improvise Together’ has been guided by dedication to the importance of three themes:* the importance of cooperation,* the importance of creativity, and* the importance of emotion.Description of the GameThe avatar arrives in a certain area where there are many sound-blocks/objects. Or he may add sound "property" to existing ones. He can add new objects at will. Each object may represents a different sound, they do not have to though. The avatar walks around and chooses which objects he likes. Makes copies of these and add sounds or change the sounds on existing ones, then with all of the sound-blocks combined make his personalized "instrument". Now any player can make sounds on the instrument by approaching or bumping into a sound-block. The way that the avatar makes sounds on the instrument can vary. At the end of the improvising session, the ‘composition’ will be saved on the instrument site, along with the personalized instrument. In this way, each user of the Amusement Center will leave behind him a unique instrumental creation, that others who visit the Center later will be able to play on and listen to. The fully creative experience of making a new instrument can be obtained connecting to Active Worlds world ‘Amuse’ and ‘Amuse2’.Animated colorful sounding objects can be assembled by the user in the Virtual Environment as a sort of sounding instrument. We refrain here deliberately from using the word musical instrument, because the level of control we have on the sound in terms of rythm and melody, among other parameters, is very limited. It resembles instead, very closely, to the primitive instruments used by humans in some civilizations or to the experience made by children making sound out of ordinary objects. The dimension of cooperation is of paramount importance in the process of building and using the virtual sounding instrument. The instrument can be built on ones own effort but preferably by a team of cooperating users. The cooperation has as an important corolary: the sharing of the experience. The shared experience finds its permanence in the collective memory of the sounding instruments built. The sounding instrument can be seen also as a virtual sculpture, indeed this sculpture is a multimedial one. The objects have properties that ranges from video animation to sound to virtual physical properties like solidity. The role of the user representation in the Virtual World, called avatar, is important because it conveys, among other things, the user’s emotions. It is worth pointing out that the Avatar has no emotions on its own but it simply expresses the emotions of the user behind it. In a way it could be considered a sort of actor performing the script that the user gives it in real-time while playing.The other important element of the integration is related to the memory of the experience left by the user into the Virtual World. The new layout is explored and experienced. The layout is a permanent editable memory. The generative aspects of Let's improvise together are the following.The multi-media virtual sculpture left behind any participating avatar is not the creation of a single author/artist. The outcome of the sinergic interaction of various authors is not deterministic, nor predictable. The authors can indeed use generative algorythm in order to create the texture to be used on the objects. Usually, in our experience, the visitors of the Amuse worlds use shareware programs in order to generate their texture. In most cases the shareware programs are simple fractals generators. In principle, it is possible to generate also the shape of the object in a generative way. Taking into account the usual audience of our world, we expected visitors to use very simple algorythm that could generate shapes as .rwx files. Indeed, noone has attempted to do so insofar. As far as the music is concerned, the availability of shareware programs that allow simple generation of sounds sequences has made possible, for some users, to generate sounds sequences to be put in our world. In conclusion, the Let's improvise section of the Amuse worlds could be open for experimentation on generative art as a very simple entry point platform. We will be very happy to help anybody that for educational purposes would try to use our platform in order to create and exhibit generative forms of art.
series	other
email
more	http://www.generativeart.com/
last changed	2003/08/07 17:25

_id	592b
authors	Apollonio, F., Carini, A., Farina, R., Nuti, F. and Tolomelli, F.
year	1994
title	THE ITALIAN FULL-SCALE MODEL LABORATORY: CONSIDERATIONS ABOUT SOME TOOLS FOR ARCHITECTURAL EXPERIMENTATION
source	Beyond Tools for Architecture [Proceedings of the 5th European Full-scale Modeling Association Conference / ISBN 90-6754-375-6] Wageningen (The Netherlands) 6-9 September 1994, pp. 71-82
summary	The Italian simulation laboratory carries out most of its activity within the experimental programmes promoted by the Ministry of Works. Within this context, we conducted studies based on the topics of EUROPAN competitions for young architects, built models based on EUROREX programme's projects and analyzed experimental projects directly financed by the Ministry (mainly restoration projects).
keywords	Model Simulation, Real Environments
series	other
type	normal paper
more	http://info.tuwien.ac.at/efa
last changed	2004/05/04 11:01

_id	ecaade2016_028
id	ecaade2016_028
authors	Asanowicz, Aleksander
year	2016
title	Digital Architectural Composition - 30 years of experience and experimentation
source	Herneoja, Aulikki; Toni Österlund and Piia Markkanen (eds.), Complexity & Simplicity - Proceedings of the 34th eCAADe Conference - Volume 1, University of Oulu, Oulu, Finland, 22-26 August 2016, pp. 195-203
doi	https://doi.org/10.52842/conf.ecaade.2016.1.195
wos	WOS:000402063700022
summary	In this paper the evolution of architectural composition teaching will be presented and discussed. The main point of these deliberations is to consider how digital methods and technologies have influenced the teaching methods and the understanding of compositional rules/principles by students. Another important factor which will be analysed, is the difficulties faced by teachers in the evaluation of students' work. The paper is divided into four parts, each of which concerns different approaches to architectural composition teaching. In the first part the historical background of architectural composition teaching is presented. In the second part traditional teaching methods is described, the third concerns teaching of digital architectural composition, and the fourth - digital architectural composition in virtual space. At the end of each section, the advantages and disadvantages of the discussed methods are presented. These disadvantages were a stimulus for changes in the teaching process, which was enabled thanks to the development of digital technologies (software and hardware) during the last 20 years. The last part of the paper will be devoted to the presentation of potential directions of development of architectural composition teaching methods.Please write your abstract here by clicking this paragraph.
keywords	Architectural Composition; digital modelling; Virtual Reality
series	eCAADe
email
last changed	2022/06/07 07:54

_id	sigradi2015_3.394
id	sigradi2015_3.394
authors	Bastiani, Jamile De; Pupo, Regiane T.
year	2015
title	Materialize to inform and educate
source	SIGRADI 2015 [Proceedings of the 19th Conference of the Iberoamerican Society of Digital Graphics - vol. 1 - ISBN: 978-85-8039-135-0] Florianópolis, SC, Brasil 23-27 November 2015, pp. 161-166.
summary	The protection and preservation of historical heritage are important tasks for all walks of life because rebuilding the exclusionary social memory, symbolically representing the nation’s identity. From this reflection, the problem arises of how to make the people appreciate the historic buildings. The Region of Medium High Uruguay, will serve as pilot study on a method of applying to the enhancement of national heritage by the population that is through the materialization of form. It is with the help of computer modeling combined with digital prototyping that seeks to find effective alternatives that use new technologies in the upgrading of historic buildings, a form of knowledge, integration and collaboration. In many areas of knowledge, consciousness makes the human being is connected to the world through all the senses. And touch, as experimentation and understanding of space it inhabits, may be the most overlooked sense in recent informatization times. In this research, the new realization techniques used to attempt to leverage awareness and understanding of a heritage, for a population hitherto alien to the cultural and historical values of a local architecture.
keywords	Materialize, Inform, Aware, Appreciation
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	sigradi2018_1348
id	sigradi2018_1348
authors	Bertuzzi, Juan Pablo; Chiarella, Mauro
year	2018
title	Gamification of Educational Environments through Virtual Reality Platforms
source	SIGraDi 2018 [Proceedings of the 22nd Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Brazil, São Carlos 7 - 9 November 2018, pp. 975-979
summary	This paper proposes the experimentation of new information and communication technologies through the development of an experimental and interactive virtual reality application, where educational content and game mechanics are incorporated, in order to generate interactivity within a digital 3D space and promote academic exchange in an innovative way. This project aims to the exploration of an open 3D digital environment, where the modeling is inspired by some sector of the physical space of the authors’ university, compatible for the incorporation of smart objects, avatars and a dialogue/activities system that deals with several educational topics.
keywords	Avatar; Gamification; Hybrid worlds; Techno-politics; Virtual reality
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	875c
authors	Bonta, Pedro
year	1999
title	CAO - Centro Asistido Por Ordenador
source	ACADIA Quarterly, vol. 18, no. 1, pp. 12-12
doi	https://doi.org/10.52842/conf.acadia.1999.012
summary	The formal education of future professionals requires training in four basic skills: abstraction, systemical thought, experimentation and collaboration. The capacity of abstraction allows to understand and manage realty in different ways in order to create opportunities to reinterpret and reorganize the information. The systemical thought promotes the distinction and the interpretation, teaching how they should be interpreted and how they can be refuted. They should learn how to analyze the reality from different points of view, under different conditions, which allows imagining new alternatives and possibilities. Through the experimentation we look for different possibilities and results and verify analogies and relevant differences, comparing with previous ideas. Another relevant aspect is the capacity of collaborating, sharing troubles and solutions, building new knowledge.
series	ACADIA
email
last changed	2022/06/07 07:54

_id	9b34
authors	Butterworth, J. (et al.)
year	1992
title	3DM: A three-dimensional modeler using a head-mounted display
source	Proceedings of the 1992 Symposium on Interactive 3D Graphics (Cambridge, Mass., March 29- April 1, 1992.), 135-138
summary	3dm is a three dimensional (3D) surface modeling program that draws techniques of model manipulation from both CAD and drawing programs and applies them to modeling in an intuitive way. 3dm uses a head-mounted display (HMD) to simplify the problem of 3D model manipulation and understanding. A HMD places the user in the modeling space, making three dimensional relationships more understandable. As a result, 3dm is easy to learn how to use and encourages experimentation with model shapes.
series	other
last changed	2003/04/23 15:50

_id	sigradi2006_c169c
id	sigradi2006_c169c
authors	Culagovski Rubio, Rodrigo and Guevara S., Sebastián
year	2006
title	Arquitectura, Datos y Forma: Una primera aproximacion instrumental. [Architecture, data and form: A first instrumental approach]
source	SIGraDi 2006 - [Proceedings of the 10th Iberoamerican Congress of Digital Graphics] Santiago de Chile - Chile 21-23 November 2006, pp. 268-272
summary	The production of forms via iterative computational processes allows designers to operate on datasets that would be to large to be managed via traditional analog methods. This fact opens the door to new aesthetic and formal experimentation as well as attempts to reference or influence large scale phenomena such as geographical or network based sitatuations. This document presents the results of a series of investigations into the creation of algorithmic and parametric methods or instruments that could inform architectural practice. The work was done by the authors within the Masters of Architecture Program of the Catholic University of Chile.
series	SIGRADI
email
last changed	2016/03/10 09:49

_id	ijac202119301
id	ijac202119301
authors	Doyle, Shelby Elizabeth; Senske, Nick S.
year	2021
title	SOM’s Computer Group: Narratives of women in early architectural computing
source	International Journal of Architectural Computing 2021, Vol. 19 - no. 3, 213–225
summary	Cultural narratives of digital technology in architecture rely heavily upon stories of unique, almost always male, genius and often deny the collective intellectual labor of technology’s construction. These narratives are perpetuated by a historical record which does not fully address the contributions of women to the history of digital technology. Because this history is not well-documented, there is an opportunity to represent these events in a manner which is more inclusive and equitable. Toward that end, this article focuses on narratives from the SOM Computing Group (1964–1990), as a means of correcting the historical record and addressing gender equity in the profession. The interviews collected here highlight several women who helped to integrate technologies into architecture through professional experimentation and cross-disciplinary collaboration. While it is not a comprehensive history, this work represents the beginning of an agenda to produce a history of technology in architecture which better reflects the contributions of women to the digital designs of today.
keywords	History of architectural computing, gender equality, SOM Computer Group, women in architecture
series	journal
email
last changed	2024/04/17 14:29

_id	sigradi2004_289
id	sigradi2004_289
authors	Fabiana Amélio Faleiros; José Neto de Faria
year	2004
title	Pix-me: hibridizações do humano com a máquina [Pix Me: Hybridization of Human Being with Machine]
source	SIGraDi 2004 - [Proceedings of the 8th Iberoamerican Congress of Digital Graphics] Porte Alegre - Brasil 10-12 november 2004
summary	This project intends to realize an experimentation and reflexion about the convergence and threshold between the public and private space in cyberspace, in a representative way, traspassing the game of visibility and contemporary surveillance to an interactive interface environmented on internet as a digital portifólio, besides to establish a hybrid condition between the human and computer through metaphors of interface and navegation. Moreover to realize a short analysis of this new paradigms establishes by digital media, Pix-me: hybrid of the human and machine, as an artistic pretension, get the signs of this new senses currented on cyberspace and bring it again to this place in a representive way of this context that we are living in. Playing with the game of visibility in a media, the portifolio, that was created, essencially, to make people visible.
keywords	Cyberspace, visibility, surveillance, relation human-computer
series	SIGRADI
email
last changed	2016/03/10 09:51

_id	sigradi2017_004
id	sigradi2017_004
authors	Fresl, Luiz; Eduardo Silva
year	2017
title	Experimentação prática de encaixes em fabricação digital subtrativa. [Practical experimentation of joints in subtractive digital manufacturing.]
source	SIGraDi 2017 [Proceedings of the 21th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-227-439-5] Chile, Concepción 22 - 24 November 2017, pp.33-38
summary	Aiming the application of digital fabrication in the production of architectural structures, the experimentation described in this paper has focused on the production of joints of gantry components machined in a CNC Router. Our goals are, in the long terms, to reduce costs in the production of social housing through the application of technologies already consolidated in other areas of knowledge. Thus, the article will describe the production of a real-scale prototype of a part of the structure of a residential unit, adapting an Open Source construction system (Wikihouse).
keywords	Wikihouse, Digital fabrication, Wood joints, CNC router
series	SIGRADI
email
last changed	2021/03/28 19:58

_id	5cb1
authors	Jahn, Gonzalo Vélez
year	2002
title	Laboratorios gráficos virtuales - Nuevo rol de la experimentación en la formación del arquitecto [Virtual Graphic Laboratories - New Role of the Experimentation in the Education of an Architect ]
source	SIGraDi 2002 - [Proceedings of the 6th Iberoamerican Congress of Digital Graphics] Caracas (Venezuela) 27-29 november 2002, pp. 146-150
summary	New conceptions such as virtual environments for learning and virtual laboratories are beginning to configure an important body of knowledge and resources the benefits of which, once properly adapted and channeled to architectural formation should be incorporated to schools and faculties of architecture within an integrated optic seeking its most productive futureapplication. The purpose of the following work is to present an overview of advances, initiatives and resources currently under development in schools of architecture or related environments and, particularly, of those tools used as a basis for conducting virtual experiments in teaching and training regarding a future evaluation and orientation of such an activity within the different knowledge area The research actually underway is totally based upon resources and tools identified and available via the Internet-WWW
series	SIGRADI
email
last changed	2016/03/10 09:53

_id	ecaade2021_059
id	ecaade2021_059
authors	Lim, Ariel Cheng Sin and Thomsen, Mette Ramsgaard
year	2021
title	Multi-Material Fabrication for Biodegradable Structures - Enabling the printing of porous mycelium composite structures
source	Stojakovic, V and Tepavcevic, B (eds.), Towards a new, configurable architecture - Proceedings of the 39th eCAADe Conference - Volume 1, University of Novi Sad, Novi Sad, Serbia, 8-10 September 2021, pp. 85-94
doi	https://doi.org/10.52842/conf.ecaade.2021.1.085
summary	Our awareness of the earth's depleting resources has directed focus towards biomaterials, which can be extracted sustainably and biodegraded after use. Current fabrication of biomaterial structures is still restricted in strength and geometry, limiting its use in construction. This paper presents a novel two-phase multi-material fabrication process to create mycelium composite structures of higher porosity and complexity with speculated improvements in strength. First, cellulose pulp inoculated with mycelium is extruded. Then, each layer is filled by a secondary supporting material. This material, in the form of a gravel- and sand-slurry, acts as an inhospitable medium steering mycelial growth, additionally improving aeration to produce stronger structures. After an intermediate growth period, the secondary material, reusable in a closed-loop production model, is removed to reveal the fully-grown mycelium structure. The paper reports on each of the three aspects: the fabrication process, material experimentation of primary and secondary substrates, as well as geometry of varying porosity and performance.
keywords	biomaterials; mycelium; biodegradable structures; robotic fabrication; additive manufacturing
series	eCAADe
email
last changed	2022/06/07 07:59

_id	sigradi2023_159
id	sigradi2023_159
authors	Martins, Felipe
year	2023
title	Hybris: Sculptures, Cyborgs, and Virtual Space
source	García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 521–530
summary	This paper presents the development of the artistic installation Hybris, which proposes an immersive and participatory experience through the combination of ceramic masks, augmented reality, and projections. Hybris integrates those elements with people and space opening up new possibilities for socio-spatial interactions. By means of their interaction participants become aware of the virtualization of their bodies and also of the hybrid space, and engage in discussions regarding the world in constant acceleration and the new social, cultural, and spatial relationships that emerge from it. Drawing from the hybridisms proposed by the installation (the physical-digital, the real-fictional, and the organic-machinic) this paper discusses the possible relationships created between space, body, and reality, and their potential for experimentation and self-expression.
keywords	Architecture, Interactions, Socio-spatial transformation, Experience, Hybrid.
series	SIGraDi
email
last changed	2024/03/08 14:07

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