Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id	acadia11_132
id	acadia11_132
authors	MacDowell, Parke; Tomova, Diana
year	2011
title	Robotic Rod-bending: Digital Drawing in Physical Space
doi	https://doi.org/10.52842/conf.acadia.2011.132
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 132-137
summary	This paper details preliminary project-based design research that emphasizes the development of tools and processes in tandem with the development of ideas and forms. Amid increasingly mechanized fabrication processes, this project injects the human as code-writer and tool-builder, asserting authorship within the modes of production themselves. The initial output from this foray, wavePavilion is an architectural installation generated by computer algorithms and built using custom digital fabrication technology. Completed in June 2010, the project is located on the grounds of the University of Michigan Taubman College of Architecture and Urban Planning. wavePavilion has a footprint of 20x30 feet and stands 14 feet tall, containing over a kilometer of 1/4-inch diameter steel rod.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:59

_id	sigradi2011_328
id	sigradi2011_328
authors	Arenas, Felipe; Banda, Pablo
year	2011
title	Morfología de Datos y Desterritorialización: Integrando sentido al diseño paramétrico [Data Morphology and Deterritorialization: Integrating meaning into Parametric Design]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 381-385
summary	This paper reflects about the potential of integrating meaning into parametrics that can be produced by the linkage between information visualization interfaces and custom parametric modeling systems. The inclusion of unstable semantics from web-based geo-referenced information is proposed, as driver for producing extreme differentiation and systemic complexity in contemporary design practices.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	caadria2017_182
id	caadria2017_182
authors	Austin, Matthew
year	2017
title	The Other Digital - What is the Glitch in Architecture?
doi	https://doi.org/10.52842/conf.caadria.2017.551
source	P. Janssen, P. Loh, A. Raonic, M. A. Schnabel (eds.), Protocols, Flows, and Glitches - Proceedings of the 22nd CAADRIA Conference, Xi'an Jiaotong-Liverpool University, Suzhou, China, 5-8 April 2017, pp. 551-559
summary	This paper will discuss and investigate the issues with the concept of 'glitch' in architecture. There are currently two definitions that sit in a symbiotic relationship with each other; Moradi's (2004) and Menkman's (2011). This paper will explore the implications of these two approaches, while investigating the possibility of a third, unique definition (the encoded transform), and what effect they have on the possibility for a 'glitch architecture'. The paper will then focus on the glitches' capacity to be disruptive within the design process. In the context of architecture, it has been previously argued that the inclusion of glitches within a design process can easily create a process that does not 'converge' to a desired design outcome, but instead shifts haphazardly within a set of family resemblances (Austin & Perin 2015). Further to this, it will be revealed that this 'divergent' quality of glitches is due to the encoded nature of architectural production.
keywords	Glitch aesthetics; Theory; Algorithmic Design; Process.
series	CAADRIA
email
last changed	2022/06/07 07:54

_id	sigradi2011_099
id	sigradi2011_099
authors	Balmaceda, Maria; Díaz Reinoso, Verónica; Pringles, Alicia; Azeglio, Carlos
year	2011
title	Cultura digital, cultura aumentada "conocimiento aumentado" [Digital Culture, Augmented Culture. Augmented knowledge?]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 415-418
summary	This study investigates the potential of multimedia learning materials to improve the possibilities of knowledge construction processes about computer graphics technology. The primary hypothesis was that information in multimedia format, could contribute to overcome epistemological obstacles students encounter, more effectively than printed literature, and improve the quality of their learning. We designed multimedia learning materials, using appropriate pedagogy and instructional strategies. We gave them to the students and used them for teaching. The results suggest that the hypothesis could be corroborated, thus indicators of knowledge level and quality of the students, showed a significant upswing.
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ecaade2011_053
id	ecaade2011_053
authors	Barros, Mário; Duarte, José P.; Chaparro, Bruno
year	2011
title	Digital Thonet: An automated system for the generation and analysis of custom-made chairs
doi	https://doi.org/10.52842/conf.ecaade.2011.521
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.521-529
summary	A system is presented to support the designer in creating custom versions of chairs within a predefined design language using Thonet chairs as a case study. The system consists of parametric models based on shape grammars linked to structural analysis to provide an integrated generative process for mass customization in the furniture industry.
wos	WOS:000335665500060
keywords	Thonet; furniture design; finite element method; parametric design; mass customization
series	eCAADe
email
last changed	2022/05/01 23:21

_id	sigradi2011_172
id	sigradi2011_172
authors	Castañé, Dora; Tessier, Carlos
year	2011
title	Estrategias Implementales en la Investigación Patrimonial. 3 casos de modelos urbanos digitales [Implementales strategies in the heritage research. 3 Cases of digital urban models]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 86-89
summary	This paper shows 3 digital models implemented in two research product of a team of researchers of CONICET, CEDODAL projects who have been developing various annual proposals. The objective of this work is to show the implementales strategies used in each case. With the digital technological tools of three-dimensional modelling and its interfaces from spatial databases with different levels of complexity representational 2d-3d-4 d-5 d, applied to the recognition and research of this cultural and urban architectural heritage. Who allowed to store and retrieve information in multiple formats with a diversity of views to the review and analysis.
series	SIGRADI
email
last changed	2016/03/10 09:48

_id	ecaade2011_108
id	ecaade2011_108
authors	Celani, Gabriela; Beirão, José N.; Duarte, José P.: Vaz, Carlos
year	2011
title	Optimizing the “characteristic structure”: Combining shape grammars and genetic algorithms to generate urban patterns
doi	https://doi.org/10.52842/conf.ecaade.2011.491
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.491-500
summary	The present paper is part of an undergoing research that aims at developing software that can generate urban plans, based on contemporary urban design concepts, in an optimized way. As a design method, the project proposes the use of the trilogy formulation/ generation/evaluation, which starts with an outline of the design requirements, proceeds with the definition of generative procedures that can result in these requirements, and follows with the evaluation of the generated designs. The paper describes the development of a computer program that implements some of Marshall’s evaluation methods, and further elaborates them to define generative criteria and to optimize the resulting designs with GA techniques. The program aims at generating what Marshall calls a “characteristic structure”, a type of urban fabric that is usually found in vernacular urban fabrics.
wos	WOS:000335665500057
keywords	Generative design; urban design; genetic algorithms; shape grammars
series	eCAADe
email
last changed	2022/05/01 23:21

_id	caadria2011_061
id	caadria2011_061
authors	Celani, Gabriela; José P. Duarte and Carlos V. Vaz
year	2011
title	The gardens revisited: The link between technology, meaning and logic?
doi	https://doi.org/10.52842/conf.caadria.2011.643
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 643-652
summary	The objective of this paper is to compare the computational concepts present in three books published by Mitchell between 1987 and 1990: The art of computer-graphics programming (1987), which has Robin Liggett and Thomas Kvan as co-authors, The logic of architecture (1990), probably his most influential work, and The poetics of gardens (1988), which has Charles Moore and William Turnbull as coauthors. By looking at the concepts that are presented in the three books and establishing a comparison between them, we expect to show that The poetics of Gardens should not be seen as a detour from Mitchell´s line of research, but rather as a key piece for understanding the relationship between technology, meaning and logic in his very coherent body of work.
keywords	Computational design concepts; technology; meaning; logic
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	sigradi2011_000
id	sigradi2011_000
authors	Chiarella, Mauro; Tosello, Maria Elena (eds.)
year	2011
title	Sigradi 2011: Augmented Culture
source	Proceedings of the 15th Iberoamerican Congress of Digital Graphics Graphics / ISBN 13: 978-987-657-679-6] Argentina - Santa Fe 16-18 November 2011, 579 p.
summary	“Augmented Culture” talks about a combination of interdependent social and technological meanings in a complex, multiple, interactive and interconnected context. It acknowledges that a new social and cultural paradigm is being developed as the old barriers of time, space and language are ruptured and transcended. In our knowledge-based civilization, we inhabit interconnected societies where new relational forms are configured. Additionally, cultural expressions have been qualitatively augmented starting from their integration with information and communication technologies, which have dramatically enhanced not only their creative and reflective processes, but also the realization and construction of cultural objects. In this sense, an “Augmented Culture” compels us to investigate the wide and complex spectrum of the variables that express the interdisciplinary, collective and participative constructions of our present age, so strongly related to visual culture, information culture and interface culture. Thus, we consider it necessary to concentrate, to expand, to spread and to share exploratory, descriptive or explanatory experiences and productions of such phenomena. The attempt is to define a multidimensional theoretical framework that while recognizing today’s state-of-the-art and tendencies, it provides us with a critical viewpoint.
series	other
type	normal paper
email
last changed	2011/12/30 18:05

_id	caadria2011_004
id	caadria2011_004
authors	Coorey, Benjamin P. and Julie R. Jupp
year	2011
title	Parametric modelling and design processes: Exploringsynthesis and evaluation using a Function-Behaviour-Structure perspective
doi	https://doi.org/10.52842/conf.caadria.2011.039
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 39-48
summary	In an attempt to extend our understanding of the design process in the context of computational parametric design tools, this paper explores the relationship between and interaction of synthesis and evaluation. In establishing the importance of their coupling in parametric design the paper then explores its consequence on the design process relative to existing models of designing. A tension between designing as planning, search and exploration in parametric design is highlighted together with a conceptual framework, which draws from a situated Function-Behaviour-Structure model of design. The purpose of the framework is to facilitate these different modes of designing and is targeted at the use of parametric tools.
keywords	Design processes; parametric design; evaluation; synthesis, design models
series	CAADRIA
email
last changed	2022/06/07 07:56

_id	cf2011_p051
id	cf2011_p051
authors	Cote, Pierre; Mohamed-Ahmed Ashraf, Tremblay Sebastien
year	2011
title	A Quantitative Method to Compare the Impact of Design Mediums on the Architectural Ideation Process.
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 539-556.
summary	If we compare the architectural design process to a black box system, we can assume that we now know quite well both inputs and outputs of the system. Indeed, everything about the early project either feasibility studies, programming, context integration, site analysis (urban, rural or natural), as well as the integration of participants in a collaborative process can all be considered to initiate and sustain the architectural design and ideation process. Similarly, outputs from that process are also, and to some extent, well known and identifiable. We are referring here, among others, to the project representations or even to the concrete building construction and its post-evaluation. But what about the black box itself that produces the ideation. This is the question that attempts to answer the research. Currently, very few research works linger to identify how the human brain accomplishes those tasks; how to identify the cognitive functions that are playing this role; to what extent they operate and complement each other, and among other things, whether there possibly a chain of causality between these functions. Therefore, this study proposes to define a model that reflects the activity of the black box based on the cognitive activity of the human brain. From an extensive literature review, two cognitive functions have been identified and are investigated to account for some of the complex cognitive activity that occurs during a design process, namely the mental workload and mental imagery. These two variables are measured quantitatively in the context of real design task. Essentially, the mental load is measured using a Bakan's test and the mental imagery with eyes tracking. The statistical software G-Power was used to identify the necessary subject number to obtain for significant variance and correlation result analysis. Thus, in the context of an exploratory research, to ensure effective sample of 0.25 and a statistical power of 0.80, 32 participants are needed. All these participants are students from 3rd, 4th or 5th grade in architecture. They are also very familiar with the architectural design process and the design mediums used, i.e., analog model, freehand drawing and CAD software, SketchUp. In three experimental sessions, participants were asked to design three different projects, namely, a bus shelter, a recycling station and a public toilet. These projects were selected and defined for their complexity similarity, taking into account the available time of 22 minutes, using all three mediums of design, and this in a randomly manner to avoid the order effect. To analyze the two cognitive functions (mental load and mental imagery), two instruments are used. Mental imagery is measured using eye movement tracking with monitoring and quantitative analysis of scan paths and the resulting number and duration of participant eye fixations (Johansson et al, 2005). The mental workload is measured using the performance of a modality hearing secondary task inspired by Bakan'sworks (Bakan et al.; 1963). Each of these three experimental sessions, lasting 90 minutes, was composed of two phases: 1. After calibrating the glasses for eye movement, the subject had to exercise freely for 3 minutes while wearing the glasses and headphones (Bakan task) to get use to the wearing hardware. Then, after reading the guidelines and criteria for the design project (¬± 5 minutes), he had 22 minutes to execute the design task on a drawing table allowing an upright posture. Once the task is completed, the subject had to take the NASA TLX Test, on the assessment of mental load (¬± 5 minutes) and a written post-experimental questionnaire on his impressions of the experiment (¬± 10 minutes). 2. After a break of 5-10 minutes, the participant answered a psychometric test, which is different for each session. These tests (¬± 20 minutes) are administered in the same order to each participant. Thus, in the first experimental session, the subject had to take the psychometric test from Ekstrom et al. (1978), on spatial performance (Factor-Referenced Cognitive Tests Kit). During the second session, the cognitive style is evaluated using Oltman's test (1971). Finally, in the third and final session, participant creativity is evaluated using Delis-Kaplan test (D-KEFS), Delis et al. (2001). Thus, this study will present the first results of quantitative measures to establish and validate the proposed model. Furthermore, the paper will also discuss the relevance of the proposed approach, considering that currently teaching of ideation in ours schools of architecture in North America is essentially done in a holistic manner through the architectural project.
keywords	design, ideation process, mental workload, mental imagery, quantitative mesure
series	CAAD Futures
email
last changed	2012/02/11 19:21

_id	ecaade2011_083
id	ecaade2011_083
authors	Coutinho, Filipe; Costa, Eduardo Castro e; Duarte, José P.; Kruger, Mário
year	2011
title	A computational interpretation of ”De re aedificatoria”: Translating Alberti’s column system into a shape grammar
doi	https://doi.org/10.52842/conf.ecaade.2011.788
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.788-798
summary	Alberti’s ”De re aedificatoria” is considered one of the most influential treatises of architecture. Historic approaches aimed at tracing such an influence on European architecture have relied mainly on documental sources. The extent of such an influence, however, remains elusive. The research described in this paper is part of a larger project aimed at using the computational framework provided by shape grammars to determine the extension of such an influence on the architecture of the Portuguese empire in the counter-reform period. The idea is to translate the treatise into a shape grammar and then determine the transformations required for the grammar to account for the generation of the buildings designed and built in this geographic region. The paper presents a grammar for the Albertian column system, focusing on the Doric order. Subsequent work will be concerned with identifying the transformations of this grammar in the Portuguese context.
wos	WOS:000335665500091
keywords	Alberti; generative design; shape grammars; transformations in design, design automation
series	eCAADe
email
last changed	2022/05/01 23:21

_id	ecaade2011_066
id	ecaade2011_066
authors	de Boissieu, Aurélie; Lecourtois, Caroline; Guéna, François
year	2011
title	“Operation of parametric modelling” and/or “operation of architectural conception”?: Expressing relationships in parametric modelling
doi	https://doi.org/10.52842/conf.ecaade.2011.530
source	RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.530-538
summary	This research paper presents a specific understanding of the relations between parametric modelling activities and architectural conception activities. Our main question is: Can we make a distinction between cognitive operations of parametric modelling and cognitive operations of architectural conception? To shed light on this question, this paper is leaning on analyses of some uses of the parametric modeler Digital Project. The cases studies are students’ projects from two Architecture Studios: the Cross Over Studio of the Universität die Angewandte in Vienna; and the Studio P9 Digital Knowledge of the Ecole Nationale Supérieure d’Architecture de Paris Malaquais in Paris. Our main result is the observation of a distinction between cognitive operations of parametric modelling and cognitive operations of architectural conception. The distinction of these two kinds of operations leads at questioning the relation between them. We have questioned these relations in terms of induction from one to another. But some interesting merging of these two kinds of operations appeared also.
wos	WOS:000335665500061
keywords	Architectural design; parametric modelling; expressing relationship; Teaching; Digital Project
series	eCAADe
email
last changed	2022/05/01 23:21

_id	sigradi2014_272
id	sigradi2014_272
authors	Dias de Souza, Mayara; Marcelo Tramontano
year	2014
title	Projeto Territórios Híbridos: analisando procedimentos metodológicos [Project Territories Hybrids: analyzing methodological procedures]
source	siGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 262-264
summary	O objetivo deste artigo é refletir sobre alguns procedimentos metodológicos utilizados no Projeto de Políticas Públicas “Territórios Híbridos: meios digitais, comunidades e ações culturais” que foram desenvolvidos pelo Núcleo de Estudos de Habitares Interativos (Nomads.usp), entre os anos de 2011 e 2013, à luz de estudos sobre o método da pesquisa-ação realizados pelos autores Michel Thiollent e David Tripp. Tais procedimentos referem-se, especialmente, aos procedimentos de aproximações para coleta de informações junto às populações estudadas.
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	acadia11_216
id	acadia11_216
authors	Dorta, Tomás; Kalay, Yehuda; Lesage, Annemarie; Pérez, Edgar
year	2011
title	Comparing Immersion in Collaborative Ideation through Design Conversations, Workload and Experience
doi	https://doi.org/10.52842/conf.acadia.2011.216
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 216-225
summary	This paper presents a case study comparing the HIS (Hybrid Ideation Space), a system allowing designers to be physically immersed in their sketches and physical models, and Vyew™, a whiteboard software, in local and remote design collaboration; aiming to see if immersion benefits collaborative ideation. Three methodological tools were used: Design Conversations (Collaborative Ideation Loop “CI-Loop”, Collaborative Conversations “CC” and Collaborative Moving “CM”), Workload using NASA TLX and Design Flow for the designers’ experience. Local collaboration results appear to have benefited from immersion while remote results were mitigated by participant issues. However, looking deeper into users’ experience explains the impact of immersion.
series	ACADIA
type	normal paper
email
last changed	2022/06/07 07:55

_id	sigradi2011_131
id	sigradi2011_131
authors	Dorta, Tomás; Kalay, Yehuda; Pérez, Edgar; Lesage, Annemarie; Calvo, Ignacio
year	2011
title	Conversaciones de diseño en el HIS interconectado [Design conversations in the interconnected HIS]
source	SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 495-499
summary	To ideate, to exteriorize a concept, designers talk and put qualitative and ambiguous mental images in external representations. Verbalization on its own or combined with these representations drives ideation. This paper presents in detail the different elements of the design conversation in a remote setting: Collaborative Ideation Loops, Collaborative Conversations and Collaborative Moving. They occurred while using the interconnected Hybrid Ideation Space (HIS) in the context of a multidisciplinary ad-hoc project between two universities. This case study shows the relevance in particular of these elements of design conversations, as methodological tools to better assess and understand the collaborative ideation process.
series	SIGRADI
email
last changed	2016/03/10 09:50

_id	caadria2011_026
id	caadria2011_026
authors	Dorta, Tomás; Yehuda Kalay, Annemarie Lesage and Edgar Pérez
year	2011
title	First steps of the augmented design studio: The interconnected Hybrid Ideation Space and the CI Loop
doi	https://doi.org/10.52842/conf.caadria.2011.271
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 271-280
summary	Professional or school design studios are essential environments for design supporting free exploration of materials and representations, analogue or digital. New technologies have moved into the studio with mixed results. Paradoxically, the use of portable computers, using Internet as collaboration channel, has actually individualized the design work and limited the support to co-creation, reinforcing individual work. The Augmented Design Studio argues for the implementation of hybrid technology, such as the Hybrid Ideation Space (HIS), in the design studio to compensate for the absence of collective local or remote efficient ideation space. This paper presents a case study showing the primary results of distant synchronous and asynchronous design collaboration supported by the interconnected HIS during an ad-hoc project and assessed by the improved Collaborative Ideation Loop (CI Loop) methodology. The HIS was installed in two universities located in different countries. We ran a research protocol in the format of a design charrette where two teams (team a: two architecture students, team b: two industrial design students) participated in the ideation of a bus shelter. This case study shows that teams were able to co-design while they were virtually “teleported” into each other’s representations.
keywords	Design studio; hybrid approach; Collaborative Ideation Loop; telepresence; Hybrid Ideation Space
series	CAADRIA
email
last changed	2022/06/07 07:55

_id	acadia11_316
id	acadia11_316
authors	d’Estree Sterk, Tristan
year	2011
title	Using Robotic Technologies to Integrate External Influences in Design
doi	https://doi.org/10.52842/conf.acadia.2011.316
source	ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 316-317
summary	Designers have always assembled materials to form purposeful connections between ideas and spaces, uniting the height of human thought with the great ability of people to shape the world with their hands and tools. People have understood this opportunity and used it to inform the material investments that they make in buildings.When reflecting upon the past ten or so years of practice it is clear that some methodologies have matured. Professionals, academics and students have found new ways to connect thinking and doing. These connections have a different flavor and tend to feel more analytical to those once used. Previously internalized decisions are being made increasingly explicit by a generation of designers that has found a more meaningful overlap between the theories and procedures of design. The methods they use are visual, analytical, as well as intuitive, and encompassed within a whole gamut of tools such as Grasshopper, Ecotect, Digital Project and Generative Components. All of these tools provide opportunities for designers to inquisitively explore alternative formal, spatial and environmental relationships. The opportunities that are brought by increasing externalization are important. Design is at once turning away from its focus on the end result, be it a building or an interior, and toward a renewed interest in the design process itself. Brought about by encapsulating design principles into self-made tools, this shift has enabled families of formal outcomes rather than singular instances of ‘pure’ architecture. These multiple, equally valid, formal outcomes disrupt more traditional measures of formal legitimacy and help move architects toward more relational understandings of space, time and environment.
series	ACADIA
type	moderator overview
email
last changed	2022/06/07 07:55

_id	caadria2011_068
id	caadria2011_068
authors	Garagnani, Simone
year	2011
title	Packing the “Chinese box”: A strategy to manage knowledge using architectural digital models
doi	https://doi.org/10.52842/conf.caadria.2011.717
source	Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 717-726
summary	The architectural design activity has been transformed due to technological advances in building knowledge management. The research proposed is based on a three years long Ph.D. work on 3D models intended as graphical informative systems, layered according to the “Chinese box” paradigm and destined to professionals and researchers in architecture. The applied case study is referred to San Vitale’s church in Ravenna, Italy: the monument was investigated through nested digital models produced by different computer programs. Passing through evolutionary steps identified as synthesis, reduction and projection, the resulting archive lowered its Complication Ratio, a numerical value inspired by fractal’s auto-similarity, indicating a recursive modification in morphologies and contents. Models so conceived are qualified as progressive knowledge-based catalogues easily interchangeable and useful to understand how new or existing architectures work. As a result of this approach, representations obtained with surveys, historical chronicles, light analysis and acoustic simulations were composed following gradual refinements: technical data were collected running parallel to bibliographic research, enriching interactive virtual models sprung from a recursive criterion destined to increase the information enclosed into an undivided, lossless, digital archive.
keywords	3D modelling; virtual architecture; BIM; CAAD; information database
series	CAADRIA
email
last changed	2022/06/07 07:50

_id	cf2011_p019
id	cf2011_p019
authors	Haeusler, Matthias Hank; Beilharz Kirsty
year	2011
title	Architecture = Computer‚ from Computational to Computing Environments
source	Computer Aided Architectural Design Futures 2011 [Proceedings of the 14th International Conference on Computer Aided Architectural Design Futures / ISBN 9782874561429] Liege (Belgium) 4-8 July 2011, pp. 217-232.
summary	Drawing on architecture, urban digital media, engineering, IT and interaction design, the research presented in this paper outlines a possible shift from architecture designed through computation (any type of process, algorithm or measurement done in a computational matter) towards architecture capable of computing (developing, using and improving computer technology, computer hardware and software as a space-defining element). The research is driven by recent developments in four fields, as follows: (a) Architecture in its recent development has shifted from a planar box, as was the ideal in the modernist movement, towards complex and non-standard forms. (b) The design concepts of non-standard surfaces have been adopted into media facades and media architecture by liberating the pixel from its planar position on a screen [1]. (c) Advancements in pervasive computing applications are now able both to receive information from the environment in which they are used and to detect other devices that enter this environment [2]. (d) Developments in advanced autonomous systems such as Human Computer Interaction (HCI) or Human Robot Interaction (HRI), have produced intelligent systems capable of observing human cues and using these cues as the basis for intelligent decision-making [3]. Media fa_ßade developments work in the direction of the above-mentioned four fields, but often come with limitations in architectural integration; they need additional components to interact with their environment and their interactions are both often limited to visual interactions and require the user to act first. The researched system, Polymedia Pixel [4] discussed in this paper, can overcome these limitations and fulfil the need for a space-defining material capable of computing, thus enabling a shift from architecture designed by computation towards architecture capable of active computing. The Polymedia Pixel architecture merges digital technology with ubiquitous computing. This allows the built environment and its relation with digital technology to develop from (a) architecture being represented by computer to (b) computation being used to develop architecture and then further to where (c) architecture and the space-defining objects have computing attributes. Hence the study presented aims to consider and answer this key question: ‚ÄòWhen building components with computing capacity can define space and function as a computer at the same time, what are the constraints for the building components and what are the possible advantages for the built environment?‚Äô The conceptual framework, design and methods used in this research combine three fields: (a) hardware (architecture and design, electronic engineering) (b) software (content design and IT) and (c) interaction design (HCI and HRI). Architecture and urban design determinates the field of application. Media architecture and computer science provide the technological foundation, while the field of interaction design defines the methodology to link space and computing [5]. The conceptual starting point is to rethink the application of computers in architecture and, if architecture is capable of computing, what kind of methodology and structure would find an answer to the above core research question, and what are the implications of the question itself? The case study discusses opportunities for applying the Polymedia Pixel as an architectural component by testing it on: (a) constraint testing ‚Äì applying computational design methodologies to design space (b) singular testing - discussing the advantages for an individual building, and (c) plural testing ‚Äì investigating the potential for an urban context. The research aims to contribute to the field of knowledge through presenting first steps of a System < - > System mode where buildings can possibly watch and monitor each other, additional to the four primary interactive modes of operation. This investigation, its proposed hypothesis, methodology, implications, significance and evaluation are presented in the paper.
keywords	media architecture, computational environments, ubiquitous computing, interaction design, computer science
series	CAAD Futures
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last changed	2012/02/11 19:21

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