CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id 8c01
authors Sdegno, Alberto
year 2002
title The IDD System: Interactive Didactic Diagrams for Electronic Education - A Method for Teaching Digital Modeling for the Representation of Architecture
doi https://doi.org/10.52842/conf.ecaade.2002.160
source Connecting the Real and the Virtual - design e-ducation [20th eCAADe Conference Proceedings / ISBN 0-9541183-0-8] Warsaw (Poland) 18-20 September 2002, pp. 160-163
summary The Interactive Didactic Diagrams allows for the structuring of useful information in the didactics of Digital Representation of Architecture courses. It is based on the possiblity of analyzing a graphic process- the construction of an architectural element with 3D CAD software, as well as the execution of a particular geometric projection- while making use of interpolated frames. The interactive diagram permits a sequential control of necessary operations until a structure of a spacial-temporal sense is obtained. This is done in such a way as to permit the user to gradually make his/her way through the sequence of steps with the possibility of reviewing them until the process is fully understood.
series eCAADe
email
last changed 2022/06/07 07:56

_id 2004_342
id 2004_342
authors Sdegno, Alberto
year 2004
title 3D Reconstruction of a Canaletto Painting
doi https://doi.org/10.52842/conf.ecaade.2004.342
source Architecture in the Network Society [22nd eCAADe Conference Proceedings / ISBN 0-9541183-2-4] Copenhagen (Denmark) 15-18 September 2004, pp. 342-348
summary The objective of this research was the analysis of a Canaletto painting that depicts Palladio’s plan for the „Convento della Caritŕ“ in Venice, a plan that was only partially executed. Through the implementation of traditional techniques and digitally controlled instruments, the three dimensional model was reconstructed. It was compared with both Palladio’s original plan, and with the constructed version. A notable difference between the three projects emerged which allowed for a better comprehension- using photogrammetric restitution procedures- of Canaletto’s pictorial work and the corrections that the painter brought to the piece to improve the rendition of the painting. The study ends with an analysis of the natural light painted by Canaletto, and a simulation of sunlight with digital techniques.
keywords Geometric Modeling; Representation Theory; Pesrpective; 3D Reconstruction; Painting Techniques
series eCAADe
email
last changed 2022/06/07 08:00

_id ecaade2007_131
id ecaade2007_131
authors Sdegno, Alberto
year 2007
title RQS - Reverse Quadratura for Surveying
doi https://doi.org/10.52842/conf.ecaade.2007.615
source Predicting the Future [25th eCAADe Conference Proceedings / ISBN 978-0-9541183-6-5] Frankfurt am Main (Germany) 26-29 September 2007, pp. 615-620
summary This research is based on the development of a new method for surveying single and double curved surfaces using an application of an ancient perspective method for representing a picture on a complex surface. The procedure enables the user to have some detailed cross-points of a grid in order to simplify the survey operation. Another phase of the work is to take some double-pictures of the element, according of the method I shall describe in the paper. The photographs of the single element, with the projection of the regular grid, can be processed with every Image-Based Modeling Software in order to obtain – with the usual calibration methods – the digital “mapped with reticulum” model of the curved surface we are analyzing. The final step enables the user to improve the quality of the textured model, switching from the grid-textured photographs to the simple-textured one. This research is part of a more general theoretical and experimental Academic research that has the aim of studying the ancient drawing methods of in order to find some analogies with the digital technology applied to the study of architectural buildings.
keywords Geometric modeling, survey, image-based modeling, image processing, quadraturism
series eCAADe
email
last changed 2022/06/07 08:00

_id ecaade2008_138
id ecaade2008_138
authors Sdegno, Alberto
year 2008
title Palladio’s Bridges: Graphic Analysis and Digital Interpretations
doi https://doi.org/10.52842/conf.ecaade.2008.043
source Architecture in Computro [26th eCAADe Conference Proceedings / ISBN 978-0-9541183-7-2] Antwerpen (Belgium) 17-20 September 2008, pp. 43-50
summary The paper presents some results of a research on the digital reconstruction of some bridges designed by Andrea Palladio. The use of new technologies has enabled us to investigate the morphology of every single element and to be compared each other. Using the method of video animation, we have analyzed some of them in order to simulate the human perception and to understand their spatial configuration, but also to visualize the point of view of a man crossing a river or a canal. The last step was to prepare the models for producing some physical maquettes with the technique of rapid prototyping that have enabled us to verify the quality of the digital construction. Some different kinds of powder were used to identify the best one for the representation of architecture.
keywords Digital reconstruction, geometric analysis, unbuilt projects, video, rapid prototyping
series eCAADe
email
last changed 2022/06/07 07:59

_id ecaade2012_174
id ecaade2012_174
authors Sdegno, Alberto
year 2012
title Physical and Digital Models for Electronic Spaces: The 3D virtual re-building of the Philips Pavilion by Le Corbusier
doi https://doi.org/10.52842/conf.ecaade.2012.1.747
source Achten, Henri; Pavlicek, Jiri; Hulin, Jaroslav; Matejovska, Dana (eds.), Digital Physicality - Proceedings of the 30th eCAADe Conference - Volume 1 / ISBN 978-9-4912070-2-0, Czech Technical University in Prague, Faculty of Architecture (Czech Republic) 12-14 September 2012, pp. 747-754.
summary The aim of this academic research was to analyze one of the fi rst architectures designed and built with the fi nality to present electronic potentialities to people. The design was developed by Le Corbusier and his studio for the International Expo held in Brussels in 1958, for the Philips fi rm, and it was destroyed some months later, after the event. The research investigated the complex geometry of the structure in order to understand the strict relation between the physical perception of the space and the electronic aspects of them, using advanced technology, but, above all, if it is true that the best way to understand the physicality of a destroyed architecture could be a virtual visit using electronic devices and digital procedures.
wos WOS:000330322400079
keywords Architecture; digital reconstruction; virtual space; geometry; representation
series eCAADe
email
last changed 2022/06/07 07:59

_id 6f57
authors Searle, John R.
year 1980
title Minds, Brains, and Programs
source The Behavioral and Brain Sciences. Cambridge University Press., 1980. vol. 3: pp. 417-457. includes bibliography
summary This article can be viewed as an attempt to explore the consequences of two propositions: (1) Intentionallity in human beings (and animals) is a product of causal features of the brain. The author assumes this is an empirical fact about the actual causal relations between mental processes and brains. It says simply that certain brain processes are sufficient for intentionallity. (2) Instantiating a computer program is never by itself a sufficient condition of intentionallity. The main argument of this paper is directed at establishing this claim. The form of the argument is to show how a human agent could instantiate the program and still not have the relevant intentionallity. These two propositions have the following consequences: (3) The explanation of how the brain produces intentionallity cannot be that it does it by instantiating a computer program. This is a strict logical consequence of 1 and 2. (4) Any mechanism capable of producing intentionallity must have causal powers equal to those of the brain. This is meant to be a trivial consequence of 1. (5) Any attempt literally to create intentionallity artificially (strong AI) could not succeed just by designing programs but would have to duplicate the causal powers of the human brain. This follows from 2 and 4. 'Could a machine think?' On the argument advanced here only a machine could think, and only very special kinds of machines, namely brains and machines withÔ h) 0*0*0*°° ÔŚ internal causal powers equivalent to those of brains
keywords And that is why strong AI has little to tell us about thinking, since
series CADline
last changed 2003/06/02 10:24

_id ecaade2023_250
id ecaade2023_250
authors Sebestyen, Adam, Özdenizci, Ozan, Hirschberg, Urs and Legenstein, Robert
year 2023
title Generating Conceptual Architectural 3D Geometries with Denoising Diffusion Models
doi https://doi.org/10.52842/conf.ecaade.2023.2.451
source Dokonal, W, Hirschberg, U and Wurzer, G (eds.), Digital Design Reconsidered - Proceedings of the 41st Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2023) - Volume 2, Graz, 20-22 September 2023, pp. 451–460
summary Generative deep learning diffusion models have been attracting mainstream attention in the field of 2D image generation. We propose a prototype which brings a diffusion network into the third dimension, with the purpose of generating geometries for conceptual design. We explore the possibilities of generating 3D datasets, using parametric design to overcome the problem of the current lack of available architectural 3D data suitable for training neural networks. Furthermore, we propose a data representation based on volumetric density grids which is applicable to train diffusion networks. Our early prototype demonstrates the viability of the approach and suggests future options to develop deep learning generative 3D tools for architectural design.
keywords Artificial Intelligence, Generative Deep Learning, Neural Networks, Diffusion Models, Parametric Design, 3D Data Representations
series eCAADe
email
last changed 2023/12/10 10:49

_id ecaade2024_300
id ecaade2024_300
authors Sebestyen, Adam; Özdenizci, Ozan; Legenstein, Robert; Hirschberg, Urs
year 2024
title AI-Infused Design: Merging parametric models for architectural design
doi https://doi.org/10.52842/conf.ecaade.2024.1.489
source Kontovourkis, O, Phocas, MC and Wurzer, G (eds.), Data-Driven Intelligence - Proceedings of the 42nd Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2024), Nicosia, 11-13 September 2024, Volume 1, pp. 489–498
summary This paper presents ongoing work on developing 3D Generative AI tools based on parametric models to facilitate novel types of Design Space Exploration (DSE) to overcome human biases and expand the range of feasible design solutions. By integrating parametric models and neural networks, the study demonstrates how 3D-mesh based datasets generated from different parametric models can be combined in deep learning to create more diverse design spaces. Specifically, we compare training on the same datasets with an unconditioned Variational Autoencoder (VAE) and with conditioned Denoising Diffusion Models (DDMs). We present a novel approach of mixing DDM design spaces and contrast this method with our previous work using a VAE. The paper compares the outputs of VAE and DDMs, highlighting their respective strengths and weaknesses, and proposes a hybrid generative AI model combining both approaches to harness their complementary advantages.
keywords Deep Learning, VAE, Denoising Diffusion Models, Parametric Design, Design Space Exploration
series eCAADe
email
last changed 2024/11/17 22:05

_id sigradi2020_750
id sigradi2020_750
authors Secchi, Carla Cristina; Piaia, Luana Peroza; Avila, Paola; Scariot, Ana Luisa
year 2020
title Applying the Wikihouse Constructive System in Architecture Atelier: from teaching to the materialization of urban furniture
source SIGraDi 2020 [Proceedings of the 24th Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Online Conference 18 - 20 November 2020, pp. 750-757
summary The Wikihouse model combines parameterization with production of housing in the short term. By inserting these methodologies in the graduation course, the students are approached to innovative and efficient solutions. This research reports the applying of the WikiHouse version3.0 in architecture classroom, having as final product an urban furniture. It is constructed from the experience in a Higher Education Institution, from theory to manufacturing. Positive and negative points are pointed out, as well the response of the final product. The proposal contributes to the perception of new forms of production by students, from digital fabrication and prototyping.
keywords WikiHouse, Design Process, Urban Furniture, Teaching, Digital Fabrication
series SIGraDi
email
last changed 2021/07/16 11:52

_id c92d
authors Sederberg, Thomas W. and Goldman, Ronald N.
year 1986
title Algebraic Geometry for Computer-Aided Geometric Design
source IEEE Computer Graphics and Applications. June, 1986. vol. 6: pp. 52-59
summary An object description associating a tolerance with each of its topological features (vertices, edges, and faces) is introduced. The use of tolerances leads to a definition of topological consistency that is readily applied to boundary representations. The implications of using tolerances to aid in making consistent topological determinations from imprecise geometric data are explored and applied to the calculations of a polyhedral solid modeler
keywords Algorithms; Curves; Computational Geometry; Mathematics; Education; Intersection
series CADline
last changed 2003/06/02 10:24

_id sigradi2018_1267
id sigradi2018_1267
authors Sedrez, Maycon; Martino, Jarryer
year 2018
title The future of architects’ digital records: how to preserve algorithmic design?
source SIGraDi 2018 [Proceedings of the 22nd Conference of the Iberoamerican Society of Digital Graphics - ISSN: 2318-6968] Brazil, Săo Carlos 7 - 9 November 2018, pp. 5-10
summary Recently architects and archivists started to consider solutions for the digitization of architectural records and conservation of born-digital files. Documenting, organizing, cataloguing, archiving, preserving and accessing files are essential tasks to preserve architects’ digital records. With the increasing quantity of algorithmic design another aspect of the digital design must be on architects’ agenda: the memory of the design process. This paper emphasises the importance of preserving digital architecture records in accessible and sustainable formats for the generations to come. This paper demonstrates a strategy to document visual programming algorithm files allowing to archive, study, interpret or replicate them.
keywords Algorithmic design; ICT; Architecture digital records; Metadata; Memory
series SIGRADI
email
last changed 2021/03/28 19:59

_id 62cc
authors Seebohm, T. and Wallace, W.
year 1998
title Rule-based representation of design in architectural practice
source Automation in Construction 8 (1) (1998) pp. 73-85
summary It is suggested that expert systems storing the design knowledge of particular offices in terms of stylistic and construction practice provide a means to take considerably more advantage of information technology than currently. The form of the knowledge stored by such expert systems is a building representation in the form of rules stating how components are placed in three-dimensional space relative to each other. By describing how Frank Lloyd Wright designed his Usonian houses it is demonstrated that the proposed approach is very much in the spirit of distinguished architectural practice. To illustrate this idea, a system for assembling three-dimensional architectural details is presented with particular emphasis on the nature of the rules and the form of the building components created by the rules to assemble typical details. The nature of the rules, which are a three-dimensional adaptation of Stiny's shape grammars, is described. In particular, it is shown how the rules themselves are structured into different classes, what the nature of these classes is and how specific rules can be obtained from more general rules. The rules embody a firm's collective design experience in detailing. As a conclusion, an overview is given of architectural practice using rule-based representations.
series journal paper
more http://www.elsevier.com/locate/autcon
last changed 2003/05/15 21:23

_id acadia03_012
id acadia03_012
authors Seebohm, Thomas and Temkin, Aron
year 2003
title CONNECTED COURSES: METHODS OF NETWORK COMMUNICATIONS
doi https://doi.org/10.52842/conf.acadia.2003.094
source Connecting >> Crossroads of Digital Discourse [Proceedings of the 2003 Annual Conference of the Association for Computer Aided Design In Architecture / ISBN 1-880250-12-8] Indianapolis (Indiana) 24-27 October 2003, pp. 94-98
summary Where are we now?In the recent NJIT survey of digital media in the design schools twenty-eight out of twenty-nine architecture schools reported to have networked design studios (NJIT, 2003). This would seem to indicate a ubiquity of digital media tools. While the use of these tools is still often limited to design presentation (computer aided drawing and modeling) rather than design generation, the studio is historically a place of discovery and experimentation: with computers so available in this fertile environment we are poised to evolve the medium forward towards improved design development. This evolution is initially apparent in the way presentation methods and presentation processes are shifting. Not only are students becoming increasingly digital in their approach to design, but methods of working and presentation are also changing.
series ACADIA
type normal paper
email
last changed 2022/06/07 07:56

_id 634d
authors Seebohm, Thomas and Van Wyk, Skip (Eds.)
year 1998
title Digital Design Studios: Do Computers Make a Difference? [Conference Proceedings]
doi https://doi.org/10.52842/conf.acadia.1998
source ACADIA Conference Proceedings / ISBN 1-880250-07-1 / Québec City (Canada) October 22-25, 1998, 383 p.
summary With an inevitability that is the beyond the control of architecture faculty everywhere, computers are being increasingly used in design studios. As student ownership of computers proliferates and architectural firms begin to use computers for design as well as drafting, the momentum will accelerate. The question is whether the use of computers in design studios makes a difference and what sort. Moreover, if it does make a difference, should it just be allowed to happen or should the momentum be guided by studio teachers skilled in computing. Does the use of computers in studios demand a special pedagogy that goes beyond teaching the use of the software and hardware? Are there design approaches that need to be taught in order to take advantage of the strengths of computers in design rather than attempt to make computers follow the paths trodden by manual design techniques? The question is critical because, as yet, we know very little about how computers can truly enable design, how computers can help us conceive design hypotheses, structure alternatives and simulations, and evaluate alternatives. As yet we have no body of recorded evidence to demonstrate how computer-based design studios produce work that is different from or better than traditional design, except, perhaps, in slickness of the images. Is it only in modeling and rendering final images that computers are useful or are there advantages in the use of computers through all stages design. If so what are they? In recent years many non-ACADIANS have become involved in using computers in design studios. Do we use design computing differently? Do we judge our successes differently? Do we have different expectations than these colleagues. And, even more interesting , what do they perceive as our experience and direction?
series ACADIA
email
more http://www.acadia.org
last changed 2022/06/07 07:49

_id 23ea
authors Seebohm, Thomas and Wallace, William
year 1997
title Rule - Based Representation Of Design In Architectural Practice
doi https://doi.org/10.52842/conf.acadia.1997.251
source Design and Representation [ACADIA ‘97 Conference Proceedings / ISBN 1-880250-06-3] Cincinatti, Ohio (USA) 3-5 October 1997, pp. 251-264
summary It is suggested that expert systems storing the design knowledge of particular offices in terms of stylistic and construction practice provide a means to take considerably more advantage of information technology than currently. The form of the knowledge stored by such expert systems is a building representation in the form of rules stating how components are placed in three-dimensional space relative to each other. By describing how Frank Lloyd Wright designed his Usonian houses it is demonstrated that the proposed approach is very much in the spirit of distinguished architectural practice. To illustrate this idea, a system for assembling three-dimensional architectural details is presented with particular emphasis on the nature of the rules and the form of the building components created by the rules to assemble typical details. The nature of the rules, which are a three-dimensional adaptation of Stiny's shape grammars, is described. In particular, it is shown how the rules themselves are structured into different classes, what the nature of these classes is and how specific rules can be obtained from more general rules. The rules embody a firm's collective design experience in detailing. As a conclusion, an overview is given of architectural practice using rule-based representations.

series ACADIA
email
last changed 2022/06/07 07:56

_id 9f6f
authors Seebohm, Thomas
year 1990
title Deconstructing the Constructivist Drawings of Iakov Chernikhov
doi https://doi.org/10.52842/conf.acadia.1990.061
source From Research to Practice [ACADIA Conference Proceedings] Big Sky (Montana - USA) 4-6 October 1990, pp. 61-77
summary The three-dimensional nature of Chernikhov's Constructivist architecture can be analyzed by a method of reverse perspective deconstruction. After a review and classification of the drawings in Chernikhov's book, 101 Architectural Fantasies, to determine which classes are suitable for deconstruction, the method of perspective deconstruction together with the underlying assumptions is presented and applied to three drawings. Conclusions concerning the forms comprising the architecture depicted in Chernikhov's images and the possibility of representing this Constructivist architecture by shape grammars are discussed.
series ACADIA
email
last changed 2022/06/07 07:56

_id 26ef
authors Seebohm, Thomas
year 1991
title A Possible Palladian Villa
doi https://doi.org/10.52842/conf.acadia.1991.135
source Reality and Virtual Reality [ACADIA Conference Proceedings / ISBN 1-880250-00-4] Los Angeles (California - USA) October 1991, pp. 135-166
summary Ever since Wittkower published Architectural Principles in the Age of Humanism in 1949, in which he showed that Palladio's villa plans are based on a tartan grid, it seemed that Palladio's design principles had been encapsulated. When subsequently, in 1978, Mitchell and Stiny enunciated all the topological possibilities for Palladian villa plans, it appeared that the case was closed. Freedman and Hersey have since shown that it is precisely in the application of specific building dimensions and proportions that additional design rules come into play, however. The present study builds on the work of Freedman and Hersey. It uses and extends their method which involves incorporation of the known design principles for Palladian villas, as given implicitly in Palladio's Four Books of Architecture and in his built works, into a computer program capable of generating schematic plans and elevations based on those principles and visually comparing the generated plans and elevations with the known works of Palladio. In cases of disagreement, the reasons for the disagreement help formulate further design rules.
series ACADIA
email
last changed 2022/06/07 07:56

_id 831d
authors Seebohm, Thomas
year 1992
title Discoursing on Urban History Through Structured Typologies
doi https://doi.org/10.52842/conf.acadia.1992.157
source Mission - Method - Madness [ACADIA Conference Proceedings / ISBN 1-880250-01-2] 1992, pp. 157-175
summary How can urban history be studied with the aid of three-dimensional computer modeling? One way is to model known cities at various times in history, using historical records as sources of data. While such studies greatly enhance the understanding of the form and structure of specific cities at specific points in time, it is questionable whether such studies actually provide a true understanding of history. It can be argued that they do not because such studies only show a record of one of many possible courses of action at various moments in time. To gain a true understanding of urban history one has to place oneself back in historical time to consider all of the possible courses of action which were open in the light of the then current situation of the city, to act upon a possible course of action and to view the consequences in the physical form of the city. Only such an understanding of urban history can transcend the memory of the actual and hence the behavior of the possible. Moreover, only such an understanding can overcome the limitations of historical relativism, which contends that historical fact is of value only in historical context, with the realization, due to Benedetto Croce and echoed by Rudolf Bultmann, that the horizon of "'deeper understanding" lies in "'the actuality of decision"' (Seebohm and van Pelt 1990).

One cannot conduct such studies on real cities except, perhaps, as a point of departure at some specific point in time to provide an initial layout for a city knowing that future forms derived by the studies will diverge from that recorded in history. An entirely imaginary city is therefore chosen. Although the components of this city at the level of individual buildings are taken from known cities in history, this choice does not preclude alternative forms of the city. To some degree, building types are invariants and, as argued in the Appendix, so are the urban typologies into which they may be grouped. In this imaginary city students of urban history play the role of citizens or groups of citizens. As they defend their interests and make concessions, while interacting with each other in their respective roles, they determine the nature of the city as it evolves through the major periods of Western urban history in the form of threedimensional computer models.

My colleague R.J. van Pelt and I presented this approach to the study of urban history previously at ACADIA (Seebohm and van Pelt 1990). Yet we did not pay sufficient attention to the manner in which such urban models should be structured and how the efforts of the participants should be coordinated. In the following sections I therefore review what the requirements are for three-dimensional modeling to support studies in urban history as outlined both from the viewpoint of file structure of the models and other viewpoints which have bearing on this structure. Three alternative software schemes of progressively increasing complexity are then discussed with regard to their ability to satisfy these requirements. This comparative study of software alternatives and their corresponding file structures justifies the present choice of structure in relation to the simpler and better known generic alternatives which do not have the necessary flexibility for structuring the urban model. Such flexibility means, of course, that in the first instance the modeling software is more timeconsuming to learn than a simple point and click package in accord with the now established axiom that ease of learning software tools is inversely related to the functional power of the tools. (Smith 1987).

series ACADIA
email
last changed 2022/06/07 07:56

_id fb39
authors Seebohm, Thomas
year 1994
title Review of Transformation in Design: A Formal Approach to Stylistic Change and Innovation in the Visual Arts
source Terry Knight, Transformation in Design: A Formal Approach to Stylistic Change and Innovation in the Visual Arts, Cambridge University Press, 1994, 258 p.
summary Shape grammars are languages of two- and three-dimensional forms analogous to spoken languages. A great deal of attention has been centered on them as a basis for supporting design with computers. They are sets of rules which can be used to create families of visually related designs. Each design, in the family of possible designs that can be created by a set of rules, is generated by successively applying rules from the set to the current state of a design until no more rules are applicable. A rule may be applied if certain shapes specified by the rule exist in the current state of the design. After application of a rule, the specified shapes are substituted with one or more replacement shapes specified by the rule thereby adding, subtracting or modifying shapes in the current design. From a single initial state many alternative designs can be generated because there is usually more than one applicable rule at any stage.
series other
email
last changed 2003/05/15 20:26

_id ddssar0226
id ddssar0226
authors Segers, N.M.
year 2002
title Towards a Data-Structure that can Handle Ambiguous Information in a Computer-Aided Tool for the Early Phase of Architectural Design
source Timmermans, Harry (Ed.), Sixth Design and Decision Support Systems in Architecture and Urban Planning - Part one: Architecture Proceedings Avegoor, the Netherlands), 2002
summary The goal of our research is to develop a computer system that supports an architect in the early phase of the design process. We envision a system that aids in three ways. It helps the architect in maintaining an overview of the development of his or her ideas over time. It shows the current state of the process in a restructured representation. It supports and stimulates the generation of new associations whenever required.The difficulty lies in linking up with the rich information structure of the architect and the various cognitive processes he or she uses to handle this information structure. The consequence is that the system must be able to include all design content, to interpret it, but not to restrict the architect in his or her creativity. Moreover, the system should stimulate creativity.We conducted an experiment to get better insight in what the architect provides as input for the system in the early phase of the design process. Several difficulties have been encountered, which we discuss along with possible solutions for managing the data. The system makes use of user-defined relations and system-defined relations. With these relations we can represent the design content in a comprehensive network that we call the Idea Space. This Idea Space is the basis for above-mentionedfunctionality. In this paper we focus on the (textual) input provided by the architect. In order to get better insight in the ideas and relations made by the architect, in other words the input for the system, we conducted an experiment. Several difficulties were encountered, which we discuss along with possible solutions for managing the data.
series DDSS
last changed 2003/12/16 12:52

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