CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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_id acadia11_300
id acadia11_300
authors Ruffo Calderon, Emmanuel; Schimek, Heimo; Wiltsche, Albert
year 2011
title Seeking Performative Beauty
doi https://doi.org/10.52842/conf.acadia.2011.300
source ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 300-307
summary With digital design and fabrication becoming ever more common in architectural design, the computational geometry topic of discretizing freeform surfaces into flat panels has become a common challenge. At the present, most approaches to the issue of preserving a 2D-tessellation on a freeform surface are focused on optimizing the shape of the structure by approximating geometric “equally-sized” flat patterns. In doing so, these strategies treat the approximation of the desired shape as the primary goal, leaving aside the aesthetical aspect of the paneling, which can be seen as having an ornamental quality. In contrast to these common strategies, the project presented in this paper pursues a more holistic approach that tries to integrate aesthetical as well as structural issues by using more complex as well as more performative patterns for the discretization. In the present paper, we present algorithmic strategies that were designed to integrate from the aesthetics of an exposed timber structure, through analysis of structural loading feedbacks to a detailed level of the physical joint system, as part of the fundamental early design decisions. The consequence of the overall negotiations relies fully on their physical integration through computational design. The present paper discusses both the algorithmic techniques and the joint systems through a series of case studies. At the end of the paper we provide an overview to upcoming tasks including the production of a major structure.
keywords digital architecture; mathematics in architecture; higher-dimensional objects in architecture; design computation and mathematics
series ACADIA
type normal paper
email
last changed 2022/06/07 07:56

_id ecaade2011_117
id ecaade2011_117
authors Albayrak, Canan; Tunçer, Bige
year 2011
title Performative architecture as a guideline for transformation: Defense Line of Amsterdam
doi https://doi.org/10.52842/conf.ecaade.2011.501
source RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.501-510
summary Performance as an architectural design paradigm has been emerging during the recent years. We have developed an understanding that we formalized as a taxonomy for performative architecture that considers performance from three points of view: health, safety and security performance; functional and efficiency performance; and psychological, social, cultural, and esthetic performance. This paper focuses on a design project that explores these ideas as a performative architecture proposal. The project focuses on the architectural transformation of the Defense Line of Amsterdam, 41 forts, as a green belt. This transformation considers a holistic approach of defining a general method and guideline. We developed a series of parametric models for the definition and generation of designs. The first model computes an urbanization level for each fort. Consequently, models are developed in 4 stages: regional design, urban design, building design, and production of a scale model, and these are applied in an iterative manner to reach design outcomes for the project.
wos WOS:000335665500058
keywords Performative architecture; performance evaluation; taxonomy; parametric modeling
series eCAADe
email
last changed 2022/05/01 23:21

_id ijac20109301
id ijac20109301
authors Biloria, Nimish
year 2011
title InfoMatters, a multi-agent systems approach for generating performative architectural formations
source International Journal of Architectural Computing vol. 9 - no. 3, 205-222
summary The research paper exemplifies upon a computationally intensive inter-disciplinary research driven design investigation into spatializing the relationship between digital information and physical matter. Focusing on the development of architectural scale urban inserts, the design-research work operates on the intersection of information technology, environmental design, architecture, and computer aided manufacturing domains.The research framework revolves around developing a seamless integration of the aforementioned disciplines in order to establish iterative simulation driven methodologies for generating bottom-up sustainable architectural formations. This is achieved by establishing parametrically driven relational linkages between differential data sets (environmental, social, topological, material etc), which formulate the context (both global and local) within which the proposed project has to be designed. A selforganizing multi-agent system based simulation methodology for generating resultant spatial formations, in time, based on the impacts of the parametric relationships between the aforementioned data sets is eventually embarked upon. This implies, understanding the site as a dynamic information field within which interdependent ecology of agents (representing typology of people, program, structure, speed, desired social interaction etc) with multi-level relational affinities amongst each other as well as the dynamic urban information field. The resultant self-organized multi-agent formations are iteratively mined for identifying logical three-dimensional structural patterns or subjected to programmatic and environmental need driven additional layer of structural simulation with pre-embedded material restraints. An optimized system of multi-performative components that not only populates but also serves as an integrated structural + skin system of the results obtained from the agent based simulations (based upon the degree of inclusion/exclusion of parameters such as the amount of light, sound, wind etc) is subsequently generated. These experimental projects attained the status of self-evolving ecologies of multi-dimensional agents with embodied behavioural profiles, thus providing engaged, highly interdependent design by simulation outputs. The outputs showcase a dynamic system's driven approach towards sustainable design by stressing upon the idea of cohesively binding information and material systems from the very beginning of the design process. Such approaches help in reducing post-optimization of built form and consequently allow for rational understanding of performance criteria and its impact on formal articulations throughout the design process.
series journal
last changed 2019/05/24 09:55

_id acadia11_186
id acadia11_186
authors Chaturvedi, Sanhita; Colmenares, Esteban; Mundim, Thiago
year 2011
title Knitectonics
doi https://doi.org/10.52842/conf.acadia.2011.186
source ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 186-195
summary The project Knitectonics aims at exploring digital fabrication systems that facilitate optimized, adaptive and specific integrated architectural solutions (Male-Alemany 2010). It is inspired by the beauty of nature systems with their inherent efficiency and performance. The research explored on-site fabrication of monocoques shells, integrating skin and structure along with services and infrastructure, using a simple household technique. It thus embodies a self organized micro system of textures and a macro system of structures. This paper elaborates how the numeric aspects of a textile technique were used, first to digitally imitate the process of assembly and further exploited to develop and visualize a novel fabrication system, based on material research and technical experimentation.
series ACADIA
type normal paper
email
last changed 2022/06/07 07:55

_id acadia11_170
id acadia11_170
authors El Sheikh, Mohamed; Gerber, David
year 2011
title Building Skin Intelligence: A parametric and algorithmic tool for daylighting performance design integration
doi https://doi.org/10.52842/conf.acadia.2011.170
source ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 170-177
summary The research presents a methodology and tool development which delineates a performance-based design integration to address the design, simulation, and proving of an intelligent building skin design and its impact on daylighting performance. Through the design of an algorithm and parametric process for integrating daylighting performance into the design phase an automated configuration evaluation is achieved. Specifically the tool enables design exploration of semi autonomous and fully autonomous configurations of an exterior building envelope louver system. The research situates itself in the field of intelligent building skins and adds to the existing solutions a validation of systems with interdependent louvers of varying tilt angles. The system is designed to respond to dynamic daylighting conditions and occupants’ preferences. Within the framework of this study, Grasshopper, Rhino, Galapagos and DIVA, are linked and coded into one integrated process, facilitating design optioneering with near real time feedback. The paper concludes with a description of the tool set’s extensibility, future incorporation of domain integration, and conflation of natural and physical system interaction and complexity.
keywords kinetic facades; parametric design; design integration; daylighting; performative design; design optioneering; realtime feedback
series ACADIA
type normal paper
email
last changed 2022/06/07 07:55

_id ecaade2011_103
id ecaade2011_103
authors Emmett, Mathew; Tiggemann, Anke; König, Katharina
year 2011
title Artist Residency at The Roman Baths, Bath Heritage Services UK: Mapping multidimensional perception experiences
doi https://doi.org/10.52842/conf.ecaade.2011.261
source RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.261-268
summary The emergent research project explores mediated realities and mnemonic structures by examining the modality of performative engagement through raumfindung (felt-presence), in an attempt to originate composition strategies and ordination opportunities for the creation of ‘amplified somatosensory environments’. The research promotes a synergistic relationship between space, time and perception, and throughout the investigation, the paper aims to advance a theory of PhaseSpace, a theoretical model for exploring the polarity of estrangement and niche environments. The project is an international collaboration between Estranged Space, a spatiodynamic research group co-founded by Mathew Emmett and PerceptionLab from Detmolder Schule fu_r Architektur und Innenarchitektur, Germany.
wos WOS:000335665500029
keywords PhaseSpace; coaction; somatosensory; niche; interaction
series eCAADe
email
last changed 2022/05/01 23:21

_id ecaade2011_063
id ecaade2011_063
authors Garner, Steve; Schadewitz, Nicole; Holden, Georgina; Zamenopoulos, Theodore; Alexiou, Katerina
year 2011
title Supporting Fragility in Distance Design Education
doi https://doi.org/10.52842/conf.ecaade.2011.663
source RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.663-672
summary This paper outlines work in progress that seeks to support and develop online distance design education for adult learners. At the core of this paper is the belief that design thinking is fragile and the systems we create to support design thinking are fragile. This has important implications for those seeking to implement immersive environments for teaching and learning in disciplines such as engineering, product design, environment design and architecture. This paper suggests we need to look backwards in order to look forwards; that by examining the characteristics of the traditional ‘atelier’ model of art and design education we might observe clues to a framework of teaching and learning in design that can embrace the opportunities presented by new digital technologies. The paper focuses on the use of Second Life as a component of a wider virtual design atelier and explores how Second Life might potentially offers a means of addressing fragile collaborative learning.
wos WOS:000335665500077
keywords Design; atelier; ARCHI21; education
series eCAADe
email
last changed 2022/05/01 23:21

_id eaea2009_hasse_weber
id eaea2009_hasse_weber
authors Hasse, Catrin; Ralf Weber
year 2011
title Eye Movements on Facades – An Approach to the Concept of Visual Balance in Architecture
source Projecting Spaces [Proceedings of the 9th European Architectural Endoscopy Association Conference / ISBN 978-3-942411-31-8 ], pp. 65-76
summary Many of the most fundamental planning and design decisions in architecture require aesthetic judgments to be made. One decision concerns the balance of a facade composition. Balance is achieved through weighting compositional elements in order to produce stable, holistic patterns. Does this consequently mean that the balance of a facade‘s composition has an important impact on the assessment of a building _s beauty? A study was conducted to test if judgments of beauty and judgments of balance on facades go into the same direction. The question is whether balance is really experienced and incorporated when judging the aesthetic value of a building, especially by non-architects? In order to understand how people experience buildings, and how that experience informs the process of evaluation an eye-movement experiment was conducted, thus elaborating the issue of balance in a facade by measurably relating it to specific architectural design alternatives and their perception and evaluation of the beholder.
series other
more http://info.tuwien.ac.at/eaea
last changed 2011/03/04 08:45

_id ecaade2011_035
id ecaade2011_035
authors Krieg, Oliver David; Dierichs, Karola; Reichert, Steffen; Schwinn, Tobias; Menges, Achim
year 2011
title Performative Architectural Morphology: Robotically manufactured biomimetic finger-joined plate structures
doi https://doi.org/10.52842/conf.ecaade.2011.573
source RESPECTING FRAGILE PLACES [29th eCAADe Conference Proceedings / ISBN 978-9-4912070-1-3], University of Ljubljana, Faculty of Architecture (Slovenia) 21-24 September 2011, pp.573-580
summary Performative Architectural Morphology is a notion derived from the term Functional Morphology in biology and describes the capacity of an architectural material system to adapt morphologically to specific internal constraints and external influences and forces. The paper presents a research project that investigates the possibilities and limitations of informing a robotically manufactured finger-joint system with principles derived from biological plate structures, such as sea urchins and sand dollars. Initially, the material system and robotic manufacturing advances are being introduced. Consequently, a performative catalogue is presented, that analyses both the biological system’s basic principles, the respective translation into a more informed manufacturing logic and the consequent architectural implications. The paper concludes to show how this biologically informed material system serves to more specifically respond to a given building environment.
wos WOS:000335665500066
keywords Robotic Manufacturing; Biomimetics; Parametric Design; Wood Joints; Plate Structures
series eCAADe
email
last changed 2022/05/01 23:21

_id caadria2011_016
id caadria2011_016
authors Loveridge, Russell
year 2011
title Parametric materiality: Material properties as catalyst for design
doi https://doi.org/10.52842/conf.caadria.2011.165
source Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 165-174
summary Sustainability issues are increasingly taking more prominent positions in the hierarchy of design decisions. The combination of linked digital analysis and parametric design has emerged as an integrated method of assimilating performative characteristics into design. As these “informed design” methods evolve there is an increasing ability for architectural geometry to be rationalized, whether this is for reasons of constructive optimization, or environmental and economic justification. But the macro scale approach to geometry in design is only one mediator of the designs impact in its surroundings. This paper discusses what happens when designers fundamentally question the role of materials in design, and specifically what happens when “new” materials and their performative characteristics can be modelled and implemented into the digital design decision process. These approaches are showcased in “proof of concept” projects that have been developed using digital design and production technologies, in collaboration with material scientists and industry.
keywords Materiality; analysis; performance; design; fabrication
series CAADRIA
email
last changed 2022/06/07 07:59

_id ecaade2020_147
id ecaade2020_147
authors Matìjovská, Dana and Achten, Henri
year 2020
title It’s Art Baby - The Science of Comparing and Scoring Artistic Endeavour at Schools of Higher Education
doi https://doi.org/10.52842/conf.ecaade.2020.2.527
source Werner, L and Koering, D (eds.), Anthropologic: Architecture and Fabrication in the cognitive age - Proceedings of the 38th eCAADe Conference - Volume 2, TU Berlin, Berlin, Germany, 16-18 September 2020, pp. 527-534
summary Scientific output has well-established methods for comparing and scoring the quality and quantity of the work. For artistic output this matter is not settled at all and a subject of much debate. We present a method which has been developed in Czech republic since 2011. This method is used to compare and score the artistic output of all schools of arts in the country (for example, music, performative arts, architecture, literature, sculpture, painting). The system presented in this paper is based on the Saaty-method (also known as Analytic Hierarchy Process). After almost eight years of development and use, the system has proven as a valuable asset to assess in an objective way output between many different forms of artistic works. In 2016 the system was incorporated in the Higher Education Act. In the paper we present a brief history of the development and the principles of AHP applied in the system. In particular, we will focus on the findings in architecture derived from the system. Finally, we will discuss possible implications for architectural education in general.
keywords Register of Artistic Performance; SAATY method
series eCAADe
email
last changed 2022/06/07 07:58

_id acadia11_72
id acadia11_72
authors Menges, Achim
year 2011
title Integrative Design Computation: Integrating material behaviour and robotic manufacturing processes in computational design for performative wood constructions
doi https://doi.org/10.52842/conf.acadia.2011.072
source ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 72-81
summary In contrast to most other building materials, wood is a naturally grown biological tissue. Today, the organic nature of wood is recognized as a major advantage. Wood is one of the very few naturally renewable, fully recyclable, extremely energy efficient and CO2-positive construction materials. On the other hand, compared to industrially produced, isotropic materials, the inherent heterogeneity and differentiated material makeup of wood’s anatomic structure is still considered problematic by architects and engineers alike. This is due to the fact that, even today, most design tools employed in architecture are still incapable of integrating and thus instrumentalizing the material properties and related complex behavior of wood. The research presented in this paper focuses on the development of a computational design approach that is based on the integration of material properties and characteristics. Understanding wood as a natural composite system of cellulose fibers embedded in a lignin and hemicelluloses matrix characterized by relatively high strain at failure, that is high load-bearing capacity with relatively low stiffness, the particular focus of this paper is the investigation of how the bending behavior of wood can become a generative design driver in such computational processes. In combination with the additional integration of the possibilities and constraints of robotic manufacturing processes, this enables the design and production of truly material-specific and highly performative wood architecture. The paper will provide a detailed explanation of such an integrative approach to design computation and the related methods and techniques. This is complemented by the description of three specific research projects, which were conducted as part of the overall research and all resulted in full scale prototype structures. The research projects demonstrate different approaches to the computational design integration of material behavior and robotic manufacturing constraints. Based on a solution space defined by the material itself, this enables novel ways of computationally deriving both material-specific gestalt and performative capacity of one of the oldest construction materials we have.
series ACADIA
type normal paper
email
last changed 2022/06/07 07:58

_id acadiaregional2011_007
id acadiaregional2011_007
authors Miller, Kyle
year 2011
title Organized Crime: The Role of Ornament in Contemporary Architecture
doi https://doi.org/10.52842/conf.acadia.2011.x.n3s
source Parametricism (SPC) ACADIA Regional 2011 Conference Proceedings
summary In contemporary architecture, there are clever crooks engaging in organized crime. New architectural identities arise from the clever doubling of the performative and aesthetic/affective roles that architectural surfaces must, and can now feasibly assume. In 1908, Adolf Loos, in his celebrated piece, Ornament and Crime, called for “the elimination of ornament from useful objects.” Rather than demanding elimination and removal, it can be understood that what Adolf Loos was really calling for was reinterpretation. Through the clever reinterpretation and generation of ornament in contemporary architecture with the aid of parametric design software the term “ornament” has assumed a new definition and identity.
series ACADIA
last changed 2022/06/07 07:49

_id sigradi2014_290
id sigradi2014_290
authors Molinas, Isabel Sabina
year 2014
title Contra la distinción: la libertad de las formas en la experiencia estética contemporánea [Against distinction: the freedom of the shapes in the contemporary esthetic experience]
source SiGraDi 2014 [Proceedings of the 18th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-9974-99-655-7] Uruguay - Montevideo 12 - 14 November 2014, pp. 446-449
summary In the field of Contemporary Esthetics is resumed the question of what is art and which are the readability conditions (reading). The questions relate to the displacement between representation and experimentation, beauty and esthetic experience, among others. In this context, we address the technology of poetry (Nancy (2012 [2013]) as technological exhibition that lets your experience the being of the object and become subjects. The corpus includes film and video (Kopystiansky 1996-97; Alys 2011 y Jaar 2013). The objective is to outline an analytical framework for thinking about the esthetic freedom of creation and the practical freedom of their recognition. (Wagner 2004).
keywords Art; Technology; Esthetics; Design; Freedom
series SIGRADI
email
last changed 2016/03/10 09:55

_id sigradi2011_422
id sigradi2011_422
authors Molinas, Isabel
year 2011
title Nuevos correlatos entre línea, espacio y tiempo: anotaciones sobre el arte indisciplinado de Abel Monasterolo [New correlates between line, space, and time: annotations on the Abel Monesterolo’s unruly art ]
source SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 298-301
summary Ephemeral art, post-autonomus, unruly, out of the frame or undefined, are the categories which characterize the visual arts today. In that context, we address as case study the work of the Argentinian visual artist Abel Monasterolo. Along with the analysis of their work, we propose an urban intervention in "Ciudad Universitaria", within the framework of SIGRADI 2011. It consists to perform a frieze from the point, the line and the plane. It proposes a visual narrative of "the big bang of artistic creation". This narrative incorporates experiences of augmented culture, like a palimpsest, paradigmatic works of design history. It also includes a scanned self-portrait of the artist. The work of art has a performative character and offers the spectator to participate in strategic moments of the artistic discourse.
keywords Art; augmented culture; urban intervention; performance
series SIGRADI
email
last changed 2016/03/10 09:55

_id acadia11_106
id acadia11_106
authors Parsons, Ronnie; Akos, Gil
year 2011
title Form Force Matter: Investigating form-active systems through analog machines and physics-based simulation
doi https://doi.org/10.52842/conf.acadia.2011.106
source ACADIA 11: Integration through Computation [Proceedings of the 31st Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA)] [ISBN 978-1-6136-4595-6] Banff (Alberta) 13-16 October, 2011, pp. 106-109
summary Form-active Systems offer an intuitive means of gaining direct and tangible knowledge for addressing architectural design problems with degrees of complexity typically beyond our capacity or desire to engage as designers. With these systems as a mechanism for research, we may establish a rich territory in which form, force, and matter are inherently imbricated in their conceptual domain. Furthermore, if we approach this conceptual terrain with an understanding that the elements of these systems exist along a continuum between the real and the virtual, we may incorporate methods and techniques in the form of analog machines and physics-based simulation from architecture’s peripheral fields of structural engineering, physics, and computation. This paper presents an applied research framework undertaken in a continued sequence of seminars whereby Form-active Systems are analyzed for their performative characteristics, synthesized for operative design strategies, iteratively prototyped across scales, and redeployed within the context of a multi-story installation.
series ACADIA
type work in progress
email
last changed 2022/06/07 08:00

_id sigradi2023_108
id sigradi2023_108
authors Passos, Aderson, Jorge, Luna, Cavalcante, Ana, Sampaio, Hugo, Moreira, Eugenio and Cardoso, Daniel
year 2023
title Urban Morphology and Solar Incidence in Public Spaces - an Exploratory Correlation Analysis Through a CIM System
source García Amen, F, Goni Fitipaldo, A L and Armagno Gentile, Á (eds.), Accelerated Landscapes - Proceedings of the XXVII International Conference of the Ibero-American Society of Digital Graphics (SIGraDi 2023), Punta del Este, Maldonado, Uruguay, 29 November - 1 December 2023, pp. 1655–1666
summary The walkability of open spaces has been highlighted in current discussions about the production of designed environments in urban contexts (Matan, 2011). To contribute to this theme, this work selects the environmental comfort of open spaces as its element of study. The production of urban space was investigated, specifically in regard to urban morphology, understanding that city design directly influences environmental comfort (Jacobs, 1996). This work addresses the geographic context of low latitudes, specifically in hot and humid climate zones of Brazil, and, in this context, according to NBR 15220 (national performance standards), shading is one of the main comfort strategies, so solar incidence was the approached environmental phenomenon. Thus, this work presents a digital system that performs exploratory analysis on the correlations between urban form indicators and environmental performance indicators, specifically solar incidence. The method consists of three steps: urban form modeling (1), indicator measurement (2) and correlation analysis (3). In the first stage, different spatial sections of a city in Brazil were represented in the digital environment (1). This work’s implementation instrument is based on a City Information Modeling framework (Beirao et al., 2012). Visual Programming Interface (VPI) and Geographic Information Systems (GIS) tools were used, in addition to a Relational Database Management System (RDBMS). Then, for each urban clipping, the values of morphological indicators and the incidence of solar radiation were measured (2). Based on the values of the indicators, an exploration of their correlation was carried out by statistical methods (3). The results of the correlation analysis and their correspondent scatter plots are presented. Finally, possible applications of the results for the creation of prescriptive urban planning systems are discussed, seeking to promote a sustainable urban environment.
keywords Urban planning, Environmental comfort, Walkability, Urban morphology, Statistical methods.
series SIGraDi
email
last changed 2024/03/08 14:09

_id sigradi2011_320
id sigradi2011_320
authors Reichert Andres, Carolina; Berguenmayer Minuzzi, Reinilda de Fátima
year 2011
title Bookmarks urbanos: poéticas cartografadas [Urban bookmarks: poetic mapped]
source SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 269-272
summary This research focuses on research that interrelates the physical, geographical and electronic space for artistic creation of a map based on the appropriability of works in urban space rented in Santa Maria, RS. The research project is based on developing a proposal for web art, which is based on the hybridization of the art geo. Suggesting, through a network of collaborative art, the interactivity of Internet users seeking the manipulation of the works cataloged.
series SIGRADI
email
last changed 2016/03/10 09:58

_id sigradi2011_305
id sigradi2011_305
authors Ribeiro Cardoso, Daniel; Rodrigues de Souza, André Felipe; Costa Lima, Mariana Quezado; de Freitas Rodrigues, Marina; Maciel Miranda, Natália
year 2011
title Uma análise dos meios de representação a partir da Teoria Geral dos Signos [An analysis of the means of representation from the general theory of signs]
source SIGraDi 2011 [Proceedings of the 15th Iberoamerican Congress of Digital Graphics] Argentina - Santa Fe 16-18 November 2011, pp. 147-150
summary The purpose of this paper is to do an analysis of the graphic representation techniques in architecture, seeking in Peirce's Theory of Signs an interpretation of the conventional steps of the architectural design process. A research was conducted in the architecture course in pursuit of a systematization of the information generated at each step of the design process. Finally, it emphasizes the importance of the ability to adapt to the environment, of awareness of the languages, giving the student autonomy to choose the suitable feature.
keywords Peirce's Theory of Signs; Graphic Representation Techniques; Architectural Design Process; Language
series SIGRADI
email
last changed 2016/03/10 09:58

_id caadria2011_049
id caadria2011_049
authors Richards, Daniel
year 2011
title Towards morphogenetic assemblies: Evolving performance within component-based structures
doi https://doi.org/10.52842/conf.caadria.2011.515
source Proceedings of the 16th International Conference on Computer Aided Architectural Design Research in Asia / The University of Newcastle, Australia 27-29 April 2011, pp. 515-524
summary Performative design can be understood as the combined usage of spatial analysis simulations and form generation procedures to imbue architectural form with material characteristics and behaviours which define desirable structural, environmental and economic performance. However, to date, design processes that facilitate the integration of ‘form generation’ and ‘spatial analysis’ remain under-developed, making existing performative design methodologies highly reliant upon the manual execution of analysis and evaluation procedures. This paper presents an evolutionary design process that uses integrative computational pipelines and generatively defined component-based assemblies to produce performative structures in response to solar performance. The resulting structures demonstrate how performative composite behaviour can emerge within ‘disassociated’ componential assemblies and produce complex formal interrelationships which surpass simplistic parametric logics. This offers new possibilities for conceiving highly integrated ‘morphogenetic assemblies’ and suggests trajectories for further research within the field of morphogenetic design.
keywords Morphogenetic; evolution; performative, assemblies
series CAADRIA
email
last changed 2022/06/07 07:56

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