Cumincad : CUMINCAD Papers : Search Results

CumInCAD is a Cumulative Index about publications in Computer Aided Architectural Design
supported by the sibling associations ACADIA, CAADRIA, eCAADe, SIGraDi, ASCAAD and CAAD futures

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Reformat results as: short short into frame detailed detailed into frame

_id	acadia13_199
id	acadia13_199
authors	Meyboom, AnnaLisa; Reeves, Dave
year	2013
title	Stigmergic Space
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 200-206
doi	https://doi.org/10.52842/conf.acadia.2013.200
summary	This paper presents a multi-agent approach to space planning. Using the algorithm as a primary design tool, it posits to model an active site of programmable collective intelligence—one that is able to inform its own development internally. The mechanisms of self-organization from ants, termites, slime molds and other social organisms are examined and adapted to solve spatial adjacencies amongst elements of a given programmatic brief. Spatial organization becomes the emergent product of a competitive ecology. The task of space planning, one that is typically carried out by a singular high-level decision-maker (the architect, is approached through the distributed decision-making of low-level collective intelligence. This approach facilitates the design of a problem with high levels of complexity and competing requirements.
keywords	agent-based, collective intelligence, parametric, stigmergy, cybernetic ecology
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:58

_id	caadria2013_163
id	caadria2013_163
authors	Parlac, Vera
year	2013
title	Surface Change: Information, Matter and Environment – Surface Change Project
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 935-944
doi	https://doi.org/10.52842/conf.caadria.2013.935
wos	WOS:000351496100096
summary	Over the past decade, there has been an increasing interest in exploring the capacity of built spaces to respond dynamically and adapt to changes in the external and internal environments. Such explorations are technologically and socially motivated, in response to recent technological and cultural developments. Advances in embedded computation, material design, and kinetics on the technological side, and increasing concerns about sustainability, social and urban changes on the cultural side, provide a background for responsive/interactive architectural solutions that have started to emerge. This paper presents an ongoing design research project driven by an interest in adaptive systems in nature and a desire to explore the capacity of built spaces to respond dynamically. The paper underlines architecture’s inseparable link to technology and projects a vision of architecture that, through its capacity to change and adapt, becomes an integrated, responsive, adaptive and productive participant within larger ecologies.
keywords	esponsive architecture, Dynamic environments, Mechatronics, Kinetic material systems, Embedded systems, Shape memory alloy
series	CAADRIA
email
last changed	2022/06/07 07:59

_id	ecaade2013_255
id	ecaade2013_255
authors	Stavrakantonaki, Marina
year	2013
title	Daylight Performance Simulations and 3D Modeling in BIM and non-BIM Tools
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 535-542
doi	https://doi.org/10.52842/conf.ecaade.2013.2.535
wos	WOS:000340643600054
summary	The fusion between building assessment and design can lead to better informed design decisions. Performance oriented design is better supported through the use of interoperable file formats for data exchange between BIM and non-BIM tools. At the same time, the parameters that influence the calculation during a performative assessment are no longer a purely engineering problem, since 3D modeling is of primary importance in defining the numerical output. The role of the designer along with the selection of the tools becomes all more relevant in this direction. A framework is presented hereby, which can be used for the selection between different BIM tools for daylight assessment. An insight is also given on the major parameters that can affect the outcome and on the obstacles that were experienced in four case-studies in relation to data exchange and information flow.
keywords	Performance simulations; parameters; interoperability; daylight.
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ecaade2013_052
id	ecaade2013_052
authors	Strobbe, Tiemen; De Meyer, Ronald and Van Campenhout, Jan
year	2013
title	A Generative Approach towards Performance-Based Design
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 627-633
doi	https://doi.org/10.52842/conf.ecaade.2013.2.627
wos	WOS:000340643600065
summary	Due to a growing number of regulations and standards, building performance becomes equally important as traditional design drivers. Therefore, it is necessary to quickly explore design alternatives that meet these performance requirements. To support this complex design task, a rule-based design system is proposed that is founded on a shape grammar. This paper describes a graph-based implementation of this shape grammar that allows subshape detection, parametric rules and attributed shapes. The implementation described in this paper forms the basis to further investigate to what extent rule-based design systems can support a generative approach towards performance-based design.
keywords	Shape grammar, evolutionary algorithm, performance-based design, implementation, generative design.
series	eCAADe
email
last changed	2022/06/07 07:56

_id	ecaade2013_108
id	ecaade2013_108
authors	Zarzycki, Andrzej
year	2013
title	Considering Physicality in Digital Models
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 425-434
doi	https://doi.org/10.52842/conf.ecaade.2013.2.425
wos	WOS:000340643600043
summary	This paper discusses the integration of physical and digital models in the context of building technology teaching. It showcases projects that explore the design possibilities of a chosen structural system with the use of parametric and behaviour-based computational modelling. It uses detailed mock-ups as vehicles to study, optimize, and evaluate the design as well as to provide feedback for student learning and the direction in which future designers may engage computational design. Finally, it investigates digital-to-physical design translations, the importance of which becomes more and more critical in the context of the current, computer-intensive architectural education and professional practice.
keywords	BIM; building information modelling; parametric construction details; construction assemblies.
series	eCAADe
email
last changed	2022/06/07 07:57

_id	ecaade2023_125
id	ecaade2023_125
authors	Baºarir, Lale, Çiçek, Selen and Koç, Mustafa
year	2023
title	Demystifying the patterns of local knowledge: The implicit relation of local music and vernacular architecture
source	Dokonal, W, Hirschberg, U and Wurzer, G (eds.), Digital Design Reconsidered - Proceedings of the 41st Conference on Education and Research in Computer Aided Architectural Design in Europe (eCAADe 2023) - Volume 1, Graz, 20-22 September 2023, pp. 791–800
doi	https://doi.org/10.52842/conf.ecaade.2023.2.791
summary	As the zeitgeist suggests, the development of novel design output using Artificial Neural Networks (ANNs) is becoming an important milestone in the architectural design discourse. With the recent encounter of the computational design realm with the diffusion models, it becomes even easier to generate 2D and 3D design outputs. Yet, the utilization of machine learning tools within design computing domains is confined to generating or classifying visual and encoded data. However, it is critical to evaluate the untapped potentials of machine learning technologies in terms of illuminating the implicit correlations and links underlying distinct concepts and themes across a wide range of technical domains. With the ongoing research project named “Local Intelligence", we hypothesized that the local knowledge of a certain location might be conceptualized as a distributed network to connect different forms of local knowledge. As the first case of the project, we tried to reinstate a commonality between the local music and vernacular architecture, for which we trained generative adversarial network (GAN) models with the visual spectrograms translated from the audio data of the local songs and images of vernacular architectural instances from a defined geography. The two multi-modal GAN models differ in terms of the inherent convolutional layers and data pairing process. The outcomes demonstrated that both GAN models can learn how to depict vernacular architectural features from the rhythmic pattern of the songs in various patterns. Consequently, the implicit relations between music and architecture in the initial findings come one step closer to being demystified. Thus, the process and generative outcomes of the two models are compared and discussed in terms of the legibility of the architectural features, by taking the original vernacular architectural image dataset as the ground truth.
keywords	Local Intelligence, Machine Learning, Generative Adversarial Network (GAN), Local Music, Vernacular Architecture
series	eCAADe
email
last changed	2023/12/10 10:49

_id	ascaad2012_003
id	ascaad2012_003
authors	Elseragy, Ahmed
year	2012
title	Creative Design Between Representation and Simulation
source	CAAD \| INNOVATION \| PRACTICE [6th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2012 / ISBN 978-99958-2-063-3], Manama (Kingdom of Bahrain), 21-23 February 2012, pp. 11-12
summary	Milestone figures of architecture all have their different views on what comes first, form or function. They also vary in their definitions of creativity. Apparently, creativity is very strongly related to ideas and how they can be generated. It is also correlated with the process of thinking and developing. Creative products, whether architectural or otherwise, and whether tangible or intangible, are originated from ‘good ideas’ (Elnokaly, Elseragy and Alsaadani, 2008). On one hand, not any idea, or any good idea, can be considered creative but, on the other hand, any creative result can be traced back to a good idea that initiated it in the beginning (Goldschmit and Tatsa, 2005). Creativity in literature, music and other forms of art is immeasurable and unbounded by constraints of physical reality. Musicians, painters and sculptors do not create within tight restrictions. They create what becomes their own mind’s intellectual property, and viewers or listeners are free to interpret these creations from whichever angle they choose. However, this is not the case with architects, whose creations and creative products are always bound with different physical constraints that may be related to the building location, social and cultural values related to the context, environmental performance and energy efficiency, and many more (Elnokaly, Elseragy and Alsaadani, 2008). Remarkably, over the last three decades computers have dominated in almost all areas of design, taking over the burden of repetitive tasks so that the designers and students can focus on the act of creation. Computer aided design has been used for a long time as a tool of drafting, however in this last decade this tool of representation is being replaced by simulation in different areas such as simulation of form, function and environment. Thus, the crafting of objects is moving towards the generation of forms and integrated systems through designer-authored computational processes. The emergence and adoption of computational technologies has significantly changed design and design education beyond the replacement of drawing boards with computers or pens and paper with computer-aided design (CAD) computer-aided engineering (CAE) applications. This paper highlights the influence of the evolving transformation from Computer Aided Design (CAD) to Computational Design (CD) and how this presents a profound shift in creative design thinking and education. Computational-based design and simulation represent new tools that encourage designers and artists to continue progression of novel modes of design thinking and creativity for the 21st century designers. Today computational design calls for new ideas that will transcend conventional boundaries and support creative insights through design and into design. However, it is still believed that in architecture education one should not replace the design process and creative thinking at early stages by software tools that shape both process and final product which may become a limitation for creative designs to adapt to the decisions and metaphors chosen by the simulation tool. This paper explores the development of Computer Aided Design (CAD) to Computational Design (CD) Tools and their impact on contemporary design education and creative design.
series	ASCAAD
email
more	http://www.ascaad.org/conference/2012/papers/ascaad2012_003.pdf
last changed	2012/05/15 20:46

_id	ascaad2009_mahmoud_riad
id	ascaad2009_mahmoud_riad
authors	Riad, Mahmoud
year	2009
title	Musical Deconstruction / Reconstruction: Visualizing architectonic spaces through music
source	Digitizing Architecture: Formalization and Content [4th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2009) / ISBN 978-99901-06-77-0], Manama (Kingdom of Bahrain), 11-12 May 2009, pp. 225-233
summary	There is a common belief that music and architecture are connected through a hidden a dimension. Both arts, when abstracted intellectually (through mathematics) or emotionally (through phenomenological experience), share a number of ordering principles, having the same notion of crescendo in sequence and progression. Many have sought to unlock this hidden dimension to create artwork that lets our souls transcend up to the heavens. There are five different methods where architects have used music in their design approach: there are those who use harmonic proportions found in musical consonances as room dimensions to create harmonic spaces, flowing into each other like musical chords (Palladio, Steven Holl); those who believe that music is ‘design in time’ use rhythmic elements of music and apply it to their vertical surfaces and structural grids (Iannis Xenakis, Le Corbusier); those who use architecture as a musical instrument experiment with sound and acoustics to create a phenomenological environment (Bernhard Leitner, Peter Zumthor); those gifted with synethsesia (stimulating one sensory preceptor with another, e.g. seeing colors by listening to music, or vice versa) use certain musical pieces as an inspiration for form generation (Wassily Kandinsky, Steven Holl); and there are those who deconstruct an element in music and reconstruct it to architectural form, highlighting common themes between both arts (Iannis Xenakis, Daniel Libeskind). These five different methods have been the topic of research of many architectural scholars using western music as reference. The question becomes what if the musical reference is changed? Classical, rock, pop, country, jazz, and blues music are very different from one another, yet they share similar foundational musical structures. One may go further and experiment with various world music as reference, which is very different than western music in terms of musical structure. Linguists and musicologists have discussed the origins of music in relation to language. They hypothesize that cognitive elements found in language are somehow carried into the region's music. This paper documents the research of the author in this topic, discussing the digital modeling applications adopted that make such an investigation possible. The interest here is exploring how the visual space is altered when the musical reference is changed, and whether properties of the musical reference are evident in the architectural visualization. The musical references will be limited to Western Classical and Arabic music.
series	ASCAAD
email
last changed	2009/06/30 08:12

_id	9dff
authors	Van Berkel, Ben
year	1999
title	Mediation
source	AVOCAAD Second International Conference [AVOCAAD Conference Proceedings / ISBN 90-76101-02-07] Brussels (Belgium) 8-10 April 1999, pp. 41-46
summary	New media have been successfully taken up in music, films, car design, fashion, magazine and book publishing, the sex industry, and education. Only architecture and urban design are slow to incorporate new media technologies. To some extent, architecture and mediation are locked into a conflicting, for the most part mutually excluding, relationship. At first sight this looks logical; architecture is a place, a real, once-only place, which you experience by visiting it. You do not experience architecture through dissolving a building and electronically replicating it a billion times in the air. But all technology is social before it becomes a technique; the technology of mediation needs to be more deeply incorporated within the practice of architecture, and to be more widely understood and supported before it can be fully exploited as a tool. This process is just beginning; as yet there is no fully evolved ideological scope which incorporates the new mediated position as an essential part of architecture. New mediation technologies have taken over some of the functions of buildings, such as security, surveillance, and communication with the outside, but these are not the most relevant aspects for the practice of architecture itself.
series	AVOCAAD
email
last changed	2005/09/09 10:48

_id	acadia13_391
id	acadia13_391
authors	Abbasy-Asbagh, Ghazal
year	2013
title	[re]folding Muqarnas: A case study
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 391-392
doi	https://doi.org/10.52842/conf.acadia.2013.391
summary	This project uses folded surface as a mechanism to make a historically non-structural system, Muqarnas, into one that combines surface and structure.
keywords	structural optimization, folded surface, cultural landscapes, muqarnas, complex geometry
series	ACADIA
type	Design Poster
email
last changed	2022/06/07 07:54

_id	sigradi2013_215
id	sigradi2013_215
authors	Abdelmohsen, Sherif M.
year	2013
title	Reconfiguring Architectural Space using Generative Design and Digital Fabrication: A Project Based Course
source	SIGraDi 2013 [Proceedings of the 17th Conference of the Iberoamerican Society of Digital Graphics - ISBN: 978-956-7051-86-1] Chile - Valparaíso 20 - 22 November 2013, pp. 391 - 395
summary	This paper discusses a course that addresses the integration between generative design and digital fabrication in the context of reconfiguring architectural space. The objective of the course, offered for 3rd year architecture students at the Department of Architecture, Ain Shams University, Egypt, was to design and fabricate interior design elements to be installed within the department lobby. Students worked in digital and physical environments to develop 8 group projects that featured concepts of shape grammars, L-systems, fractals and cellular automata. The potential of the realized projects is discussed in terms of 3D development of systems, contextual generative design, and pedagogical objectives.
keywords	Contextual generative design; Rule-based systems; Self-organizing systems; Digital fabrication
series	SIGRADI
email
last changed	2016/03/10 09:47

_id	ijac201310207
id	ijac201310207
authors	Abondano, David
year	2013
title	The Return of Nature as an Operative Model: Decoding of Material Properties as Generative Inputs to the Form-Making Process
source	International Journal of Architectural Computing vol. 11 - no. 2, 267-284
summary	The abandonment of nature as an architectural model and the redefinition of the relationship between form and material were two of the main consequences of industrialization for modern architecture. While nature was replaced by the machine as a model for architecture, industrial production suppressed the craftsman's knowledge of the material and the associated techniques once essential to the form-making process. Thus, the replacement of nature as a model implied that principles once related to natural processes started to be seen as industrial values, i.e., the economy of means stopped being recognized as a quality related to natural form-making processes and became a demand of industrial production. Nowadays, material properties and nature are being reintroduced into architecture with the help of digital technologies; that is, the return of nature though computation. As a result, nature has become an operational model as opposed to the visual or iconic one it used to be; its inner qualities and processes are being decoded in order to inform the form-making process and foster innovative digital ornamentation.
series	journal
last changed	2019/05/24 09:55

_id	ecaade2013_096
id	ecaade2013_096
authors	Achten, Henri
year	2013
title	Buildings with an Attitude
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 1, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 477-485
doi	https://doi.org/10.52842/conf.ecaade.2013.1.477
wos	WOS:000340635300050
summary	In order to achieve interactive architecture it is necessary to consider more than the technological components of sensors, controllers, and actuators. The interaction can be focused to different interaction activities: instructing, conversing, manipulating, and exploring (we propose to call this the interaction view). Additionally, the purpose of the building may range from performing, sustaining, servicing, symbolising, to entertaining (we propose to call this the world view). Combined, the interaction view and world view establish 20 different attitudes, which are flavours of behaviour for the interactive building. Through attitudes interaction profiles can be established and criteria derived for the design of interactive buildings.
keywords	Interactive architecture; design theory; Human-Computer Interaction; augmented reality; mixed reality.
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ijac201310105
id	ijac201310105
authors	Agkathidis, Asterios and Andre_ Brown
year	2013
title	Tree-Structure Canopy:A Case Study in Design and Fabrication of Complex Steel Structures using Digital Tools
source	International Journal of Architectural Computing vol. 11 - no. 1, 87-104
summary	This paper describes and reflects on the design and manufacturing process of the Tree-Structure canopy for the WestendGate Tower in Frankfurt upon Main, completed early 2011.The project investigated fabrication and assembly principles of complex steel structures as well as the integration of contemporary computational design, engineering, optimization and simulation techniques in a collaborative design approach. This paper focuses on the notion of modular standardization as opposed to non standard customized components. It also engages with issues relating to digital production tools and their impact on construction cost, material performance and tolerances. In addition it examines the reconfiguration of liability during a planning and construction process, an aspect which can be strongly determined by fabrication companies rather than the architect or designer.This paper is written as a reflection on the complete building process when contemporary digital tools are used from design through to fabrication. It studies both the generation of the steel structure as well the ETFE cushion skin. It reports on a collaborative project, where the main author was responsible for the canopies design, parameterization, digitalization and fabrication, as well as for the dissemination of the outcomes and findings during the design and realization process.As such it represents an example of research through design in a contemporary and evolving field.The canopy received a design award by the Hellenic Architecture Association.
series	journal
last changed	2019/05/24 09:55

_id	acadia13_281
id	acadia13_281
authors	Ahlquist, Sean; Menges, Achim
year	2013
title	Frameworks for Computational Design of Textile Micro-Architectures and Material Behavior in Forming Complex Force-Active Structures
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 281-292
doi	https://doi.org/10.52842/conf.acadia.2013.281
summary	Material behavior can be defined as the confluence of associative rules, contextual pressures and constraints of materialization. In more general terms, it can be parameterized as topologies, forces and materiality. Forming behavior means resolving the intricate matrix of deterministic and indeterministic factors that comprise and interrelate each subset of these material- nherent conditions. This requires a concise design framework which accumulates the confluent behavior through successive and cyclical exchange of multiple design modes, rather than through a single design environment or set of prescribed procedures. This paper unfolds a sequencing of individual methods as part of a larger design framework, described through the development of a series of complex hybrid- structure material morphologies. The “hybrid” nature reflects the integration of multiple force-active structural concepts within a single continuous material system, devising both self-organized yet highly articulated spatial conditions. This leads primarily to the development of what is termed a “textile hybrid” system: an equilibrium state of tensile surfaces and bending-active meshes. The research described in this paper looks to expose the structure of the textile as an indeterministic design parameter, where its architecture can be manipulated as means for exploring and differentiating behavior. This is done through experimentation with weft-knitting technologies, in which the variability of individual knit logics is instrumentalized for simultaneously articulating and structuring form. Such relationships are shown through an installation constructed at the ggggallery in Copenhagen, Denmark.
keywords	Material Behavior, Spring-based Simulation, CNC Knitting, Form- and Bending-Active, Textile Hybrid Structures.
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:54

_id	ecaade2013_297
id	ecaade2013_297
authors	Aish, Robert
year	2013
title	DesignScript: Scalable Tools for Design Computation
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 87-95
doi	https://doi.org/10.52842/conf.ecaade.2013.2.087
wos	WOS:000340643600008
summary	Design computation based on data flow graph diagramming is a well-established technique. The intention of DesignScript is to recognise this type of data flow modeling as a form of ‘associative’ programming and to combine this with the more conventional ‘imperative’ form of programming into a single unified computational design application. The use of this application is intended to range from very simple graph based exploratory ‘proto-programming’ as used by novice end-user programmers to multi-disciplinary design optimisation as used by more experienced computational designers.
keywords	Graph; scripting; associative; imperative.
series	eCAADe
email
last changed	2022/06/07 07:54

_id	acadia13_161
id	acadia13_161
authors	Akbarzadeh; Masoud
year	2013
title	Performative Surfaces: Generating complex geometries using planar flow patterns
source	ACADIA 13: Adaptive Architecture [Proceedings of the 33rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA) ISBN 978-1-926724-22-5] Cambridge 24-26 October, 2013), pp. 161-172
doi	https://doi.org/10.52842/conf.acadia.2013.161
summary	This research explains the development process of a design tool that can construct complex surface geometries using only two-dimensional plan drawings. The intention behind this tool is to address certain complex behavior of surface geometries such as hydrological characteristics. This paper briefly explains the historic and mathematic description of surface data structures, according to Cayley, Maxwell and Morse. This is followed by a brief introduction of the surface network/critical graph extraction technique in GIS. Additionally, the algorithm of contour extraction from asimple critical graph to reconstruct a surface is explained. In the final section the lessons learnedfrom the previous sections are used to develop algorithms for a tool which uses only plan drawings to construct complex surfaces. Three algorithms are explained in the final section among which the third one is considered to be the most complete and promising approach. Therefore,some design examples are presented to show the flexibility of the tool. At the end, this paper provides suggestions and discussions to reflect further ideas in order to improve the tool in future.
keywords	Tools and Interfaces, complex surface, drainage patterns, discrete flow diagram, surface networks, critical graph, and surface generation
series	ACADIA
type	Normal Paper
email
last changed	2022/06/07 07:54

_id	ecaade2013_235
id	ecaade2013_235
authors	Akküçük, Zeynep and Özkar, Mine
year	2013
title	Ruling Im/Material Uncertainties
source	Stouffs, Rudi and Sariyildiz, Sevil (eds.), Computation and Performance – Proceedings of the 31st eCAADe Conference – Volume 2, Faculty of Architecture, Delft University of Technology, Delft, The Netherlands, 18-20 September 2013, pp. 305-314
doi	https://doi.org/10.52842/conf.ecaade.2013.2.305
wos	WOS:000340643600031
summary	Visual rules are powerful in loosely capturing the impact of material behavior on form in designer’s hands-on experimentation. They present a first step to translate the causal relations between material and form to computation without sacrificing the uncertainties in the designer’s interaction with the materials. This study investigates how to model the relation between material and form with visual rules so that the model embodies some of the phenomenological aspects of reality, rather than merely reproducing it.
keywords	Digital materiality; physics-based modeling; abstractions; visual schemas; shape studies.
series	eCAADe
email
last changed	2022/06/07 07:54

_id	ascaad2014_016
id	ascaad2014_016
authors	Al-Ratrout, Samer A. and Rana Zureikat
year	2014
title	Pedagogic Approach in the Age of Parametric Architecture: Experimental method for teaching architectural design studio to 3rd year level students
source	Digital Crafting [7th International Conference Proceedings of the Arab Society for Computer Aided Architectural Design (ASCAAD 2014 / ISBN 978-603-90142-5-6], Jeddah (Kingdom of Saudi Arabia), 31 March - 3 April 2014, pp. 211-226
summary	In this era, Architectural Design Practice is faced with a paradigm shift in its conventional approaches towards computational methods. In this regard, it is considered a pedagogic challenge to boost up knowledge and skills of architectural students’ towards an advanced approach of architectural design that emphasizes the potentials and complexity of computational environments and parametric tools for design problem solving. For introducing the concept of Parametric Oriented Design Methods to 3rd year level architectural students, an experimental pedagogic course was designed in the scholastic year of 2012-2013 at German Jordanian University GJU (School of Architecture and Built Environment SABE) to approach this concept. In the preparation phase, the experimental course was designed to incorporate structured instructing and training method to be consecutively performed within experimental lab environment to target predetermined learning outcomes and goals. The involved students were intentionally classified into three levels of previous involvement associated with the related software operating skills and computational design exposure. In the implementation phase, the predetermined instructing and training procedures were performed in the controlled environment according to the planned tasks and time intervals. Preceded tactics were prepared to be executed to resolve various anticipated complication. In this phase also, students’ performance and comprehension capacity were observed and recorded. In data analysis phase, the observed results were verified and correlations were recognized. In the final phase, conclusions were established and recommendations for further related pedagogic experiments were introduced.
series	ASCAAD
email
last changed	2016/02/15 13:09

_id	caadria2013_262
id	caadria2013_262
authors	Alston, Mark E.
year	2013
title	Space Emergent Field
source	Open Systems: Proceedings of the 18th International Conference on Computer-Aided Architectural Design Research in Asia (CAADRIA 2013) / Singapore 15-18 May 2013, pp. 715-724
doi	https://doi.org/10.52842/conf.caadria.2013.715
wos	WOS:000351496100070
summary	Architecture has always been founded upon ideologies. However could the influence of human interactions create a new perspective for space form evolution? To create a spatial adaptive system, to the influence of culture and behaviour of human being? The output of this spatial system is the determination of optimised values for spatial configurations by biomolecular, self-assembly computation for emergent spatial forms.
keywords	Spatial, Adaptive, Biomolecular computations, Self-assembly
series	CAADRIA
email
last changed	2022/06/07 07:54

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